The album; produced by David Bottrill (of Tool, Muse, King Crimson, Dream Theater and Mudvayne fame), sees the band in an experimental mood, mixing touches of electronic music, Progressive Rock, Metal and hints of country music and bluegrass, with large doses of Alternative Rock, and turning it all into a single, cohesive whole. For the most part they manage to squeeze all this into succinct yet multifaceted four-minute tracks that work as catchy rock songs on one level and display hidden depths on closer inspection.
The lyrics concentrate on fairytale themes, old sayings and a general feel of poetic antiquity. The vocals are a mixture of soft melodic singing with harsh Metallic roaring in moderation, very much in keeping with the band’s spirit of mixing it up. Then the toms will starts coming in as heavy singing overtakes them and suddenly keyboards or pianos will appear. Tones range from whimsical, artistic, angry and bittersweet, often within a single track.
Highlights include “Kyla Cries Cologne,” “April Fools And Eggmen” and “Walls Of Jericho.” That being said its all fairly consistent and there isn’t much in the way of filler.
This is a record with a pretty broad appeal, and would suit fans of bands like Coheed & Cambria, Cog, Rishloo, Dead Letter Circus, The Mayan Factor etc., as well as bands like Linkin Park, Flaw and Disturbed, or indeed bands like Muse, Placebo and Radiohead. It’s a grower, and isn’t quite as instant as its superb 2011 follow-up Arrows & Anchors, but is definitely worth your time and will reward repeat listens.
Sounds like it has everything mixed together and works!
Its a bit of a jumble yeah, but balanced well. Its more like Alt Rock songs are the potato chips, which are always the same, but the bag has lots of different flavours poured over the chips, and you get one that’s half cheese-half beef, and one that’s three quarters-beef and one quarter-sour cream.