Archive for the ‘Rock’ Category

220px-Vol_cover.jpgMy whole Summer this year has been about Volbeat. I started off with Outlaw Gentlemen’ and moved on to Seal The Deal’ and the next album I got was 2010’s Beyond Hell/Above Heaven as a very appreciated birthday gift.

The album is notably less slick, sheened and stadium sized than the two albums that followed it, but is on the way there. There is some really heavy material on here, such as ‘7 Shots’ and ‘Evelyn’ which have guest appearances from Kreator’s Mille Petroza and Napalm Death’s Barney Greenway respectively. The best song on the album in my opinion is undoubtedly the muscular groove metal track, ‘A Warrior’s Call’ which is totally crushing and memorable, a real fist pumping song if ever there was one. The chorus even sports the line ‘Let’s Get Ready To Rumble.’

Its not all heaviness though, Volbeat are famously diverse. The catchy single ’16 Dollars’ for example sounds like country music was the prime influence, and ‘Magic Zone’ could be a Green Day song. Its a very interesting album in that regard. There’s several songs that could be by totally different bands but somehow it all flows together seamlessly.

The album closer ‘Thanks’ is pretty noteworthy, sounding as it does a bizarre mixture of Rancid, Metallica and the theme tune from King Of The Hill. Its memorable ‘woah-oh-ah-oh’ lines and lyrics about being in Volbeat make for one seriously entertaining listen.

As with all the band’s albums I’ve tried so far, you can listen to it over and over again. A long drive or a week of commuting can be pleasantly enlivened with this record on repeat. If you have any interest in the band, don’t delay, get up on this and get ready to smile.

Clutch – Book Of Bad Decisions Review

Posted: September 10, 2018 by kingcrimsonprog in Metal - Studio, Music Reviews, Rock, Rock Studio
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SharedImage-81725Clutch at this point can unarguably be seen as something of an ‘old reliable’ at this point. It can be argued that the band just do not release bad albums these days and pretty much if you’ve liked any of the band’s recent albums, you are probably going to like this one.

That being said, they aren’t too repetitive and they do evolve over time and each album has its own identity and each cluster of albums has a certain flavour.

The last two albums; Earth Rocker and Psychic Warfare have been two of the bands hardest, most streamlined, direct albums to date and this time the band seem aware that this may not have been what fans of the older albums like Elephant Riders and the self-titled wanted, so this time around instead of battering you over the head with the hardest songs straight away, they open up with some more laid back Stoner Rock song. Its a bit more armchair than thrill-ride for the first three tracks, for those of you who were missing the band being more hazy. Combined with the less polished, looser production style (that hi-hat sound and muddier guitar tone has something in common with their Jam Room album to my ears).

That’s not to say it is a full return to the old days; its more of a balancing act between that, the recent material and also pushing new ground. There are a few tunes on here which retain the breakneck rocking and clear focus of Earthrocker; ‘Weird Times,’ ‘Paper & Strife’ and the Tony Iommi wetdream of ‘A Good Fire’ keep things direct and punchy.

In terms of newer ideas, ‘In Walks Barbarella’ sounds exactly like its most memorable lyric ”weaponised funk” – it is full of full on 1970s Starskey & Hutch sounding funk overtones.

Lyrically, the record is just as fun and interesting as ever, with some brilliant lines, such as in the pre-released ‘How To Shake Hands’ where Neil tells us that when he becomes president, ”First thing I’m gonna do is go for a ride on a UFO, put Jimmi Hendrix on the $20 bill and Bill Hicks on a 5-note,” as well as ‘Hot Bottom Feeder’ which is basically a recipe and when the Neighbours in ‘Paper & Strife’ are reportedly ”clearly raging communists.”

The last few albums have had man-of-the-match awards for drummer JP Gaster and Frontman Neil Fallon, but the real hero of this album is guitarist Tim Sult, who seems to on a mission to display as wide a range of styles of guitar solo as possible. There’s so many different vibes to his leads and solos on the record, from melodic to flashy to effects-laiden and everything in between.

Because Clutch are so consistent, it is really just a matter of personal taste which albums are your favourites. This album is no disappointment. For my tastes, its somewhere in the middle, better than for example Jam Room but not quite as transcendent as say, the last two albums, or the fan favourites like Blast Tyrant, but fairly close and absolutely worth checking out.  There are many songs on here I really can’t wait to see live and wouldn’t ever want to make a Clutch playlist or compilation without ever again. If you aren’t sure if the album is for you, check out ‘Ghoul Wrangler’ – the music, production, eccentricity and lyrics should give you a good idea what you are in for.

 

Seal_the_Deal_&_Let’s_Boogie.jpgVolbeat, the interesting Hard Rock/Metal/Country/Whatever-else hybrid band from Denmark, released their 6th studio album, Seal The Deal & Let’s Boogie, in 2016. It is their second album with former Anthrax lead guitarist Rob Caggiano.

Whereas the previous album leaned a bit harder on the country twang, this album is a bit more polished, commercial and stadium rock sounding. It is a bit less eclectic but it is tight and focused. The production job is very big, befitting the band’s crowds size nowadays and the vocals sound stunning. It may not be the heaviest moment in their catalogue but it is pretty gigantic.

Other interesting things about the album include that it features two cover songs (‘Battleship Chains’ by Georgia Satellites and ‘Rebound’ by Teenage Bottlerocket) but to be honest if you didn’t know they were covers they would seem like originals. There is also the fact that you can get the one track in two versions, either in English as ‘The Bliss’ or with a Danish chorus and guest Danish singer Johan Olsen as ‘For Evigt’ depending on which version you buy.

Highlights include the catchy opener ‘The Devil’s Bleeding Crown’ which has the same sort of stadium stomp as Nickleback‘s ‘Burn It To The Ground’ and has such great vocals, especially the bit where Michael sings “Down, down, dooooown” …as well as the insanely good ‘Goodbye Forever’ which has such an enormous chorus hook and great backing vocals, and finally of course ‘The Loa’s Crossroad’ which has a great stoner-rock riff that could be on a The Sword album if it wanted to.

Its a remarkably consistent album and the kind of thing you can listen to over and over again. Its full of massive music for massive stages, with all the best things about polish and perfection without sounding contrived or overly simplistic. The album prior will probably always be my favourite as it was my introduction to the band, but this one is a superb follow up. It has inspired me to get more Volbeat and I heartily recommend it to anyone who likes rock music. You could like this if you were a Green Day fan, a Guns N’ Roses fan or a Pantera fan. It covers so much ground its bound to please a very wide cross-section of fans. If like me you were late to the Volbeat party, I recommend you immediately rectify that, and then let’s boogie.

Outlaw_Gentlemen_&_Shady_Ladies_Album_CoverYou know an album is good when you listen to it every day for an entire month. I had not been a Volbeat fan up until this point, but early this summer I had caught them at Download Festival between bands that I did know. They played a song that was introduced as being ‘about a shady lady called Lola‘ and it really struck a chord with me. Not least because the guitar solo, played by former Anthrax guitarist Rob Caggiano reminded me of Anthrax‘s ‘Safe Home’ which is a song that I love so much I had it played at my wedding.

If you aren’t too familiar with them either, the simplified description you hear bandied about is that they are supposedly a mixture of Elvis, Johnny Cash, Danzig and Metallica. I mean, that is what people say but obviously the reality won’t be exactly what people say as it never is with these things, but that is the kind of thing people say about them and gets you in the right head-space of roughly what to expect.

This is my first Volbeat album; and normally before reviewing a record I’d know a lot more about the band first, have a lot more research, know more of the discography, but I have been absolutely hammering this every day all month, and I can’t really wait to spooge my approval of it all over the internet.

Now; because I have some kind of obsession with ‘Lola Montez’ as you can guess from the above anecdote, I keep starting the album at track 9, as if that is the beginning. The song, a summery and anthemic Hard Rock tune about a historical dancer and her famed ‘spider dance;’ begins with some gentle chugging and a very melodic lead vocal. Any time I hear it I am instantly transported back to that field at Donnington. I find myself loudly singing ‘the love of your life, yeah-eah eah’ and ‘Lola’s spider daaaaaaa-aaaa-ance’ in the car every single time.

That is followed by ‘Black Bart’ which by contrast is almost a Speed Metal tune. It has the same talented melodic vocals but the guitar and drums are significantly stylistically different.

Speaking of different, this is again followed up with ‘Lonesome Rider’ which has a sort of country or rockabilly feel to it.There are guest vocals from Sarah Blackwood who gives it an even more country twang. Normally, I don’t like too much novelty in my music. Recently, bands like Ghost have helped me loosen up a bit and with how well Volbeat blend all their disparae styles it doesn’t feel like a novelty but just a fresh combination of elements.

The legendary King Diamond, who I’ve grown more accustomed to over the year since getting the boxset of his first five albums, shows up on the tack ‘Room 24’ as another guest star. The track is actually written in a style suitable for him and has the band playing darker, heavier and more bombastic stuff to fit in with the King’s unique style.

Other highlights include the enormously catchy groove metal song ‘Dead But Rising’ and the very stadium sized, Avenged Sevenfold-esque ‘The Nameless.’ (When he says ‘Six feet under and still alert,’ I get real Matt Shadows vibes).

It is a very varied album. It is a very interesting album and it is a very fun album. It is the kind of album you can listen to all the way through over and over again. It is remarkably polished and well produced. It is full of more hooks than a fisherman’s equipment store and it has some intriguing lyrics about genuine historicalcharacthers that may lead you on to further reading.

I can’t tell you how it compares to other Volbeat albums. Maybe it is their best, maybe it is their worst. I’ve got more coming my way in the future so I am happy to find out, but let me tell you this, as a first Volbeat album it is an absolute winner and it has totally sold me on this band hard. ‘Lola Montez’ is absolutely my song of the summer. If you don’t know them, I highly recommend you check them out. Maybe a bit of whoa-lbeat is just whats been missing in your music collection.

Marmozets – Knowing What You Know Now Review

Posted: August 19, 2018 by kingcrimsonprog in Music Reviews, Review, Rock, Rock Studio
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2ca4c1f91caabcf5008146ab0569c38d.jpgAfter listening to a podcast a few years ago before heading out to buy the new Kreator album, I was reminded of the hosts’ deep approval of The Weird and Wonderful Marmozets, the debut full length album from 2014 by the unique British Rock band, Marmozets.

I’m sure if you’ve read anything I’ve written before, you’ll remember that I was gushingly enthusiastic about it. It was a refreshing and semi-bizarre mixture of ’90s sounding Rock, with Punk and Hardcore influences, sprinkled with jagged math-rock leanings and even boasting the odd moment that you could compare to Mastodon for a few seconds if you closed your eyes. I have fond memories of listening to it on my bachelor party, but that is besides the point.

I was a bit late to the party with Marmozets, but that album is an utter gem. Now in 2018 it is time for a follow up. I caught them at Download Festival and the performance there (especially from the drummer, Josh) was great and that inspired me to stop dawdling and get my hands on the new album. 

There has been a slight stylistic shift since the debut album. The band seem to have filed down some of the more jagged edges, removed those sparse but welcome metallic sections and dialed up the melody massively. Its a much more commercial record. Its a much easier-to-listen-to album. Its much more radio friendly.

Now; stop. Clean up the drink you just spat out. Take a deep breath. Yes; it is less heavy, see it is cleaner and less technical and yes, usually when a band pulls that kind of shift, the words ‘sell’ and ‘out’ are hurled at them by the public and generally, the album is a disappointment.

Not the case here. This is a fabulous album, chocked full to the brim with catchy choruses, memorable hooks and sing-along sections. Its the kind of album you can listen to on repeat over and over again and not get sick of. Over half the album sounds like a lead single. You ever hear the common saying that Appetite For Destruction and Permission To Land sound like a Greatest Hits album? Well so does this…

There are songs on here that once you hear them, just can’t imagine Marmozets ever playing a single concert or releasing any playlist or compilation at any stage in the future without. Opener ‘Play’ for example. The jaunty single ‘Major System Error’ is another. I think my favourite track personally is the immensely catchy ‘Lost In Translation.’ If you haven’t heard the band but wonder after reading this if you should, then try any of those three songs. 

Also, while it is true that it is a lot less quirky, technical and heavy than the debut, there are still flashes of that side of the band. ‘Suffocation’ gets interrupted by awkward noisy sections, ‘Habbits’ has harsh screaming and dark lyrics and ‘Like A Battery’ has a reccuring obnoxious sting that you could just imagine Becca doing strange jerky movements to on stage. Its not exactly an Atomic Kitten record now is it?

Overall; this is a fantastic, catchy and memorable record. It is more commercial than the debut but none-the-worse for it. I hope this expands the band’s audience and gets them some of the pop and indie fans as well as the punk and metal fans. Based on this quality of songwriting they really deserve to be massive. Check em out if you like good, catchy Rock and aren’t too snobby to accept that they toned down the math side of things.

Intro

Now, you might have read part 1 of this blog and though ‘Jimmy, you’re full of shit!’ but while that may be metaphorically true, biologically I managed to do what I though would be the impossible. My wife joked before I left for the weekend-long festival, ‘Have fun holding it in for three days’ and after the bio-hazard that was the toilet facilities at Festival Zand, I thought she was right, it would be hard to take nature’s call.

Let me be real here for a second. I have a strong stomach. I’ve worked in hospitals for years. I have washed the infected feaces out of a 70 year old woman’s prolapsed vagina and then gone and ate my lunch straight afterward without missing a beat. I have washed cadavers who’ve passed by choking on their own vomit and bile without having to crack a window. I have had more than one person spray bloody diarrhea directly onto my outstretched arms. I’m not a baby when it comes to the grosser side of life.

The toilets in Festival Zand were horrific even to me. They were a hole in the portaloo floor, baking in the hot sun, with a thousand used tampons and 1,000 liters of booze-filled puke percolating for hours to create a stench usually only smelled by the denizens of hell itself. You could almost see the comic book stink lines. Revolting doesn’t cover it.

My scheme for the good Download drop down was, instead of getting up in the camp and queuing forever to climb in on top of 2,000 fresh turds, to instead walk all the way to the arena, which had been cleaned and restocked overnight presumably, and walk to the furthest toilets away from the entrance. Clean and pristine, no queue, no problems. What a success. I’d recommend this tactic to anyone else who isn’t going to be too drunk to care. To be fair though, the actual toilets they used were way more high tech and less gross in general. Quite high quality.

ANY OLD WAY….

Where was I ?

DAY 2, The Bands Part 2

Oh yeah. Parkway-Fucking-Drive! Live! Parkway Drive‘s Ire album is one of my most listened to albums of the last few years. Their new album is almost as good. They have some really memorable classic material before that. I could not wait to hear them live. I had tried to see them live before, and missed out. I was not going to let that happen again.

My excitement was almost fever pitched when they hit the stage. The setlist was fantastic with all of my favourite songs from the two newest albums.They even played the slow atmospheric moody stuff which was pretty spine-tingling with all the dry ice. When they played ‘Writings On The Wall’ they got up on risers and elevated up into the air.

Speaking of elevating into the air, at one stage, they had the drumkit rotate a full 360 degrees so it was fully upside down, like Joey Jordinson or Tommy Lee. They even set the drum riser on fire at one stage. Speaking of fire, so much. More than anyone else I’d saw on the second stage. It was quite the spectacle.

You know the best part though? The performance. They absolutely crushed it. When they sang ‘Crushed by the fist of god!’ you felt it. It was an absolute battering of a performance. So fucking chunky and satisfying. The drums were so hard, the riffs were so powerful, the vocals were so savage. An absolutely blistering set. Even when they were playing the less outwardly heavy and more catchy stadium stuff, it was so uplifting and energizing. I loved every second of it. If you ever get a chance to see this band live, jump at it. There’s a reason the podcast calls them the best live band of our generation. Sure, one part of it is the inflatable palm trees and fiery drum kits, but 99% of it is how phenomenally they play live.

Overly satisfied and having got my money’s worth so hard I could have gone home there and then and felt I’d spent my money wisesly, it was time to run over to the big event.

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Did I know where the fuck I was? I was en-route to the Jungle baby!

As anyone who likes rock music enough to read my stupid blog knows, this concert was a big, big deal. A legacy moment for the festival. They actually got Guns N’ Roses on their Not In This Lifetime Tour. The tour that has more ink on it than an octopus slaughterhouse. The most talked about tour of the past 5 years. Axl, Slash and Duff back together.

I decided there was no chance I’d ever get anywhere near the front, so instead of running straight there I stopped to get food, and right as I was handed my falafal, ‘Its So Easy’ came roaring out of the speakers. I turned, ate as I walked, and got as close as I could.

It wasn’t close. Last night, for the headliner, I could see the singer’s armpit hair. Tonight, for the headliner, I could see some red and white dots. I saw Axl and Slash with my own two eyes, but boy were they tiny.

Ever see the Father Ted segment about these cows being small and those cows being far away? That was what was going through my head. The previous day had reportedly had about 7,000 in attendance. With day tickets and all the 40-year-olds finally getting their chance to see GNR it was well over 10,000. The previous day, the crowd had been split between main and second stage. Tonight they closed the second stage during GNR. (Something that Bury Tomorow joked about during their stage banter).

It. Was. Swamped.

Luckily, they had giant screens, and fireworks and a big show to make you feel like you could see… something. Anything…

Oh well, I decided not to get too worried about it. I mean I listen to live albums, not just watch live DVDs. Music is music. So it was nice to get to hear (and sort of see) my first ever Guns N Roses concert. It was much talked about before hand. Other reviewers said the band were on fire. Everyone said Axl had his voice back, and more importantly actually showed up on time and didn’t piss everyone off with his antics. I was excited. I got a tour t-shirt before they even played a note.

You know how it was? It was ok.

There were some good points. They played ‘Shadow of your love’ and Velvet Revolver‘s ‘Slither’ which made it feel like they were doing something I hadn’t read about a million times already. They played ‘Double Talkin Jive’ which is one of my favourite songs and I didn’t expect them to play it. They played all the hits, with ‘Civil War’ and ‘Welcome To The Jungle’ being done particularly well.

They played a few songs of Chinese Democracy which I was grateful for at first. I love that album, I played it to death when I was losing weight after years of being the fat kid and it holds a special place in my heart. Oh but boy, Slash can not play those songs. Greatest guitar player ever? Hmmmm. I know he may have been trying to but his own stamp on it, or play it how he originally did in the ’90s before the albums million year long wait mutated it into something else, or whatever other excuse, but to be frank…he sucked. It sucked.

You know what else was a bit lame? They played a cover of Pink Floyd‘s ‘Wish You Were Here’ which was completely unnecessary since a) Avenged already did a better version last night on the same stage and b) they played a way too high ratio of covers to begin with. Who the hell wants them to play ‘The Seeker’ anymore?

I know they have some great covers, like ‘Attitude’ especially, which luckily they did play. I know some of their big hits are covers (the tedious to me but much loved ‘Knockin On Heaven’s Door’ and ‘Live And Let Die’ which I could really live without but am not so unrealistic as to expect them not to play, just like you don’t expect Anthrax to skip ‘Antisocial’ ) but when you are adding in new covers like ‘Slither’ do you still have to play ‘Black Hole Sun’ ? I mean as a Cornell tribute near the time sure, but when I am going to see stadium rock megastars Guns N’ Roses I don’t want a trippy depressing semi-ballad from a Grunge band trying to be psychedelic.

You can’t complain too much about setlist choice when they play for three and a half hours though. It was sort of Rock and Roll history, sort of, and it was great value for money, sort of and they did put on a good show sort of. Its just, with the anticipation and everything, the hype, it could never live up to expectations.

Guns N’ Roses were pretty decent. It was a good gig. It was not flawless or magical or life changing. Avenged were better. Parkway were better. Hell, even my last solo gigs from Saxon and Machine Head were better. I almost feel guilty about it, like it makes me a bad music fan due to the universal agreement that GNR are amazing. Unfortunately, it is not 1987. Its not 1992. Its 2018, and I don’t feel like I should have to make excuses for not thinking they were the best thing ever.

Admittedly, maybe if you liked the covers more, or if you had a better view, or if you weren’t sleepless and exhausted and in pain from standing for 14 hours and walking something like 15-20,000 steps two days in a row; then maybe you would have liked it more. I bet if I google reviews of the show I’m probably in the minority of not loving. Then again, its not that I thought it sucked or was a waste of time, it just wasn’t as great (except for how Slash played the Chinese Democracy era material)… It just wasn’t the orgasmic cosmic revelation I feel peer pressured into calling it.

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So that was it for day 2.

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NIGHT 2

On my walk back to camp this time, the route I walked the previous time was closed. I got herded down a different route. I walked about 20 minutes further out of the way. I found out what that weird fairground thing was… it was the download village. There were pubs and food trucks and amusements and shops and ATM machines and showers (holy shit!) and I bought a pillow on my way home. It was cheaper than a drink.

I then walked back to my tent through a bak route and found out that there was fresh drinkable running water I hadn’t noticed before and even more toielts. I was impressed by the sheer scale of this whole download situation.

I found my tent again, got in shut my eyes.

And I got a peaceful uninterupted…….AH HA HA NO!

‘AAAAAAALAN’ ‘ALLLLLLLLAN ‘AAAAALAN’

Five hours.

Whatever. Only one day left.

DAY 3 – THE BANDS.

I got up, had breakfast and headed off to my previously discussed ideal toilets. I then sat myself in front of the main stage as per my plan. I hadn’t heard of the first band. When they were setting up, their banner was put up. Inglorious. In a spikey font. Hmmm. What would they sound like. Looked like a Melodeath band from that logo. Would they be like Arch Enemy? They were in the post GNR hangover slot. Would they be any good, or is this where you hide the rejects?

The got up, kicked out some jams, and really, really converted me. Attention fans of classic rock. Attention fans of Glen Hughes. Attention fans of MK3 Deep Purple. You need to check out Inglorious. Do you know what Airbourne do for AC/DC? Inglorious are like that for MK3 Deep Purple.

They dropped a good mixture of fast and slow, bluesy and rocking, soulful and ballsy. They got a lot of people clapping and dancing. They really impressed me. I highly recommend them! Apparently they had a very popular album with the Planet Rock crowd. They got a ‘fuck Gene Simmons’ chant going in response to the rock is dead saga. It was all very entertaining.

 

In sharp, sharp, shaaaarp contrast to that funked out hard rock, came legendary British Gothified Extreme Metal merchants Cradle Of Filth. I was a big fan of them in high school but sort of fell away from them. I was excited to catch up. My best (non wife) friend is a gigantic fan and I wanted to see them almost on his behalf. Luckily, apart from one new tune (which was rather good actually) they played all material from the albums I own. They played literally each of my 3 favourite tracks: ‘Born In A Burial Gown,’ ‘Her Ghost In The Fog’ and ‘Dusk & Her Embrace.’ They were very enthusiastic, the sound-guys did a spectacular job with them, and the band looked the part. I never felt the need to go out and get tickets to a COF show on their own, but after this I might reconsider. They really nailed it. Even the vocals which I’ve read are patchy live, were pretty swish.

Then came Hatebreed. They were one of the bands I was most looking forward to all weekend. I saw them live before a few times and they utterly destroyed the place. I hold the band in extremely high esteem. A tween in the crowd turned to me and asked what kind of music they were as he only cared a out Manson and Ozzy, and I hyped the band up to no end.

They came on, there were a lot of crowd surfers. They dropped some of my favourite songs like ‘Proven’ and ‘As Diehard As They Come.’ They played a lot of new material. I did miss hearing some tracks like ‘In Ashes They Shall Reap’ …how can you skip that gem? But overall it was pretty good. I’ve saw the band before and it was better each time, so I guess this is technically the worst I’d ever saw them… and even at that it was still a 9.9/10 performance. This band are undeniable live. Jasta is one of the most enthusiastic and uplifting frontmen ever. They have some of the bounciest and most crushing riffs in the scene. I can’t say enough positive things about them. A band for sing-alongs and then some!

I’d never heard of In This Moment before, but on the second stage, German Thrash legends Kreator were on, so I ran over there and got there in time to catch the full set. They have released albums that were album of the year contenders for every release since way back of Violent Revolution, especially Hordes Of Chaos from 2009. Luckily, they played mostly new material live and they played the title track from Hordes Of Chaos (the best song on it by the way!). They had fire, the had banner and they got the biggest circle pit I saw all weekend (or in my life, but I am not an expert as I avoid them like the plague). They even had an unexpected confetti cannon. The crowd seemed really enthusiastic too. It wasn’t just some nostalgia crowd either all the kids were loving it too. I wish they had been given more time, they could have benefited from having the opportunity to drop some old school material live too (‘People Of The Lie’ would’ve went over really well). Apart from C.O.C (I still can’t get over how few songs they played!!!!) this was the most criminally short set of the weekend. Still, better an utterly perfect short set than no set at all. Man, I really got my money’s worth out of this fourth day already.

Then came the long, long wait for Manson & Ozzy. I had never heard Black Veil Brides or In This Moment, and I have heard and not liked Shinedown. I missed all but the last In This Moment song whilst off at Kreator so just saw the final track ‘Whore’ which the crowd really loved. Then figured out I had been dramatically sunburnt over the morning. I then put on a full length coat to hide my skin but it didn’t really help.

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Black Veil Brides looked like Motley Crue but sounded like a less interesting, less inspired version of Killswitch Engage. A lot of people got their tits out for them. A lot of people sang along. A lot of people seemed to really love them. It wasn’t my cup of tea but like Asking Alexandria you can’t argue with how much the crowd liked them. The singer seems to be some sort of sex icon and judging by the way people almost knocked me over to get closer to him when he ran up the side of the barrier. I’m glad there are bands like this bringing in more fans, but I won’t personally be buying any of their albums off the back of today (unlike Volbeat for example; who since I started writing this, I have streamed at least 60 times).

The set was rather long, and for me it is all time that would be better spent on the likes of Hatebreed or Cradle Of Filth, but Festivals are not made for one person. Then came Shinedown. Their singer looks like Jamie Lanister. They have a lot of confidence. They have no songs I enjoyed. I mean fair play to them, they put a lot of energy and confidence into their very bland lowest common denominator boring radio rock, and they don’t seem cynical or contrived, but their music is not to my taste. I feel like this would have been a good concert to a fan though. I got the distinct vibe that this was a very strong performance.

Then came Marilyn ‘roll the dice’ Manson, who can be both the best and worst live band every and it just depends when you see him. There are videos of him being a jaw dropping larger than life megastar and there are videos of him rolling around the floor missing lines and looking like an intoxicated mess.

I feel like he didn’t put on much of a show compared to previous videos and DVDs. Compared to the other headliners and sub headliners even. He sort of showed up and expected us to be grateful. He climbed around a pulpit and changed costumes a few times but so had other bands that day. He did play a fairly decent greatest hits set and not too many tracks of his new album which is the first one I’ve ever disliked. Oddly though, instead of closing strong with a hit, he petered out boringly with a fairly dull cover of a song off The Lost Boys Soundtrack.

There were some other good moments, like how bouncy ‘Disposable Teens’ and ‘Angel With The Scabbed Wings’ were. And after ‘Kill For Me’ he let a fan get up on the stage because she had a banner saying ‘I’d Kill For You’ which seemed human and grateful. The girls in the crowd were acting pretty crazy for him too. One barged past me and just bellowed ‘I’M SORRY BUT I’M IN LOVE WITH HIM’ and one got up on a guy’s shoulders and aggressively played with her breasts at him while making sexually suggestive faces for a surprisingly long time.

Manson’s vocals started off strong and got weaker as the show wore on. It was not a bad show, but it was pretty average. Guns N’ Roses were miles better than this. I have wanted to see Manson for years and years. I remember my non metal class mates in catholic school being disgusted and horrified when I did my French and Irish homework about him and had posters of him dressed in a corset and thong up on the classroom wall. I remember lifting a Marilyn Manson CD to view at age 11 and having two girls from my school tell me ‘Oh my god you’re going to hell.’ I remember buying his autobiography and the cashier saying ‘Why are you buying this, wouldn’t want to run into him in a dark alley.’ His autobiography is among the top 3 most read books I have ever read. I read it like twice a year every year for about 6 years after buying it and like once every two years since then. My first ever crush on a girl was on a girl who kept wearing Marilyn Manson hoodies all the time. Holywood is unarguably one of the best albums ever. His live album Last Tour On Earth is one of the best live albums ever. I got really jealous one summer when all my friends went to see him with Iron Maiden and I couldn’t go because of work.

Unfortunately, around 2005 onwards, people kept saying how much he sucked live and I stopped craving it so hard. Never the less, he is immensely important to my musical life and I was really glad to have got the chance to see him, even if it wasn’t the best.

One band to go. The one, the only Ozzy Osbourne. On his ‘No More Tours 2’ tour, his first ever appearance at Download outside of Sabbath. Reunited with the terrific Zack Wylde.

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Now; I’ve heard a lot of people over the years say Ozzy sucks. That he is past it. That he is a doddering old fool. I wasn’t expecting much. Certainly it was an event, but like Guns N Roses, it was an event due to age, and age isn’t kind to bands apparently.

Zack was visible on stage for a crazily long time before the show started, but once it did start, there was a little video of historical Ozzy footage, then he came on stage. The set was mostly Blizzard’ & No More Tears material and Sabbath covers, with a few extra ’80s hits like ‘Shot In The Dark’ and ‘Bark At The Moon’ thrown in for good measure and a very, very, very long guitar solo section with sections of Zack-Era songs like ‘Perry Mason’ hidden underneath all the soloing. Zack played the guitar upside down, on his back, with his teeth, all that good showmanship. He got out in the crowd and marched up and down the barriers. There were some issues with his cable but it was very entertaining.

Tommy’s super powerful druming made tracks like ‘Suicide Solution’ and ‘I Don’t Know’ sound so hard and heavy. The lighting and stage show was very well done, the most tasteful of all the headlinerrs. There were lazers. There were lights and video screens and a big set of steps and cross that had visualisations on them. For example they were all psychadelic during ‘Faries Wear Boots.’

You know what else, even if Ozzy isn’t very physical on stage, his voice was way better than I expected. I hear such bad reports about the Sabbath reunion. I wasn’t let down tonight however. Even when an incredibly drunk set of teenage girls suddenly barged in front of me, swigging wine with their backs to the stage talking shit and ignoring the show, but getting their gross booze-stained hair on my arms and drunkenly stumbling back and forth into me, it couldn’t detract too much from the show, such was Ozzy’s power. In hindsight; Why were they here? Who goes to an Ozzy Osbourne show and doesn’t watch Ozzy Osbourne? Who has a conversation at a concert?

Luckily they left after one song. The rest of the evening was perfect. The encore of ‘Mama, I’m Coming Home’ had such singing along. He closed with ‘Paranoid’ and the biggest firework show of the weekend.

I thought it was fantastic. This show was absolutely worth the money. I really enjoyed it. I’d recommend it. I thought it was better than GNR. I wish I’d bought an Ozzy shirt too but money was an issue by this point.

NIGHT THREE

So that was the weekend. 3 days, dozens of bands, two legends I’ll probably never see again. Two nights with hardly any sleep. A few good falafals. About £40 on cups of tea and bottles of tango orange. A few stealthy poops.

I walked the long walk back to the tent. The crowd were singing ‘Bohemian Rhapsody’ and The ‘Wheels On The Bus.’ I climbed into my tent, weary and ready to sleep.

‘AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAALLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAANNNNNNNNNNNNNNNNNNNNNNNNNNN.’

….and that’s when I packed up my tent, walked about 20,00 steps to the car, and drove home for two and a half hours in the middle of the night.Ironically, when I got in bed I still heard someone yell ‘Alan’ but luckily it was just my neighbor’s wife getting his attention. Good night, download. Thanks for the memories.

Intro – The road to download.

I went to Download Festival 2018; this was my first ever over-night music festival. When I was a teenager I went to the Irish Ozzfest (more on that later) and a few summers ago I went to the Dutch one-day event Festival Zand because my wife’s friends were all going and simply ‘why not?’ but for years and years, I’ve been reading about Downloads and Sonispheres and have been lusting after them, with the podcasts I listen to constantly talking about them and making them seem very important to my culture. Over the years I’ve got more and more determined to go to one. I’ve always been too busy with work or school or university, or been too broke to afford it. Most of all though, I was too afraid to go.

This year I felt more confidence to go and finally took the plunge (well, actually I bought the tickets in a moment of madness related to bereavement that I don’t want to go into right now, but I didn’t cancel as I finally had the confidence to go).

The drive there was pleasant. I made a few mix cds of the best Thrash Metal songs, the sun was out, the excitement was in the air. Traffic was good. I got there in about two hours, singing along to Annihilator and Overkill and Kreator all the way. I stopped in a motorway services to fuel up the car for the drive home and it was full of Metalheads. It was a good vibe. It finally hit me I was actually going to download. I mean, when the tickets arrived it was one thing. When I was buying my first ever tent, it was one thing. But seeing a mob of Metalheads en mass far from home really made it click.

After finally arriving at Donnington ‘the spiritual home of rock‘ Park, getting out of the car, and lumping all my supplies about 15,000 steps to the available space left to camp (I arrived on Friday at about 10.00am, rather than Wednesday like some people so there was now limited space), I then had the task of putting up a tent. Not a big deal, I mean, I’ve worked in hospitals, I had to figure out how to set up morphine pumps and blood warmers for atypical transfusions before without killing anyone, how hard could it be to set up a tent, right?

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…Close enough.

After setting up a tent and praying it wouldn’t be stolen or fall over, I made my way up the hill, crossing the race track, got my wrist band and finally stepped foot in ‘the arena’ which is the area where the concerts actually take place (another 5,000-10,000 steps away again.)

There were four stages, and a ridiculous number of bands. There were tonnes of familiar bands to see, or new bands to discover. It was like a religious experience. Almost overwhelming. Some people are casual about music. Some people learn instruments, play in bands, read everything they can about it and buy hundreds and hundreds of records. I am in the latter category as if you can’t tell by me being arrogant enough to write a blog about music as if I have any qualification to write about it beyond sheer, blinding love for it. I don’t know what I’m talking about or have any professional or educational authority on it but I love it and it is my biggest thing in life, more like a religion or culture than a mere hobby.

DAY 1 – The Arena.

Stepping foot in the arena was one of the most magical and exciting moments of my whole life. Better than any graduation, better than any birthday party or first drink or first kiss or so many other milestones. (Not better than meeting my wife or my wedding or things like that though, sorry music, but my wife is more awesome than you – but apart from that, this was pretty high up the damn list of best moments in my life).

There was so much options to choose, it was a bit of option paralysis. I mean, on top of concerts on four stages they had fairground attractions, a cinema, medieval fighting, NXT wrestling, and all sorts. Some kind of lightning tricks. Pubs, clubs, all kinds of food. I didn’t come here for any of that here. I came here to, …excuse me, but I came here to rock. Yes, yes I said it. All my waking day was to be spent on music for that is what I care about, not ferris wheels and knights hitting each other with clubs. (Cool as hell they have all that stuff though, for the option. If you drag someone with you who doesn’t like music as much there is still shitloads for them to do).

I made a plan in advance; rather than get overwhelmed trying to dart off between sets to go from one stage to the next and back and miss things, I was going to make a simple plan. Main stage Friday all day. Second stage all day Saturday, except of course running down the hill when the second stage closes in time to see Guns N Roses take to the main stage. Sunday my plan was Main stage all day, with the exception of running to the second stage to catch Kreator before returning back to the main stage for some bands I don’t like but giving me the option to slowly worm my way up closer to the front over time for the ones I do like after them.

DAY 1 – The Bands.

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So on Friday, after a walk down to the stage that took a fair-old-while, the first band I got to see was some band called Avatar. I didn’t get there to catch the opening act Boston Manor due to how long it look me to figure out how to set up a tent, but I did manage to catch the whole of Avatar’s set. I had never hear a second of their music before, but I had previously heard people who I respect’s opinion saying they were a bit crap so wasn’t expecting much. The took the stage, dressed as some kind of Jester-dandies, looking like a cross between when The Libertines wear those red jackets with Jim from Slipknot‘s second mask, only in face paint. Their music was hard to describe. It wasn’t Power Metal, it wasn’t Nu Metal but it sort of sounded like a more commercial version of Marilyn Manson‘s debut album’s deep cuts like ‘Dope Hat’ and ‘Organ Grinder’ being played by Sabaton while trying to get a song on WWE so toning down the Power. No, I don’t know either.

There were a lot of young kids there who absolutely lapped it up though, so I held no ill will towards them. A bit gimmicky, but when I was a kid I got my fix from that Limp Bizkit mix, so I am just happy there are entry points like this keeping the genre alive. They ended their bewildering but inoffensive set with a track called something along the lines of ‘Freakshow‘ which started with a semi-amusing stage speech the gist of which was “they may tell you that you look like a freakshow” and then something about looking and “they might tell you that you sound like a freakshow” and then something about hearing and lastly “ they might tell you that you smell like a freakshow, but I tell them, STEP CLOSER, YOU’RE MISSING THE BEST PART” which did make me crack a smile. The singer reminded me a bit of Wednesday 13 (of Murderdolls fame, among other things). Yeah, not my cup of tea, but a fine warm up. At a real concert you don’t always like all the support bands beforehand either, but they get you warmed up and its good to experience new things.

The kids in the crowd thinned out and I got to walk right up to the front, next but one from the barrier. Then to the stage came Dragonforce. I am not the world’s largest or most knowledgeable Dragonforce fan. I have their first four albums and I hold them in warm regard. I have never heard them since ZP Theart left the band, live or on record. I don’t know why but I felt like maybe I had all the Dragonforce I needed. They appeared to play a lot of material from the post-ZP albums though, which was actually the best material of the set. Marc Hudson is a cracking singer and has fully won my respect. If, like me, you sort of fell away from the band, maybe reevaluate that!

The band were plagued with technical problems and I feel like maybe they would have played more, but Herman’s guitar kept dropping off and he spent a lot of time off stage. The band fully stopped at one time and awkwardly jammed ‘Another One Bites The Dust’ to stop the crowd getting bored while they tried to iron out the technical problems. Shame. Apparently they were filming this gig. Probably won’t be coming out now. Either way, they were pretty on fire this day and if you ignore the afore mentioned issues it was a damn good show and I would’ve been totally satisfied with it if they were the support band to a concert I’d individually paid for.

 

Next came Marmozets. Marmozets are a terrific band and I was really obsessed with their debut album for a few months there. They released a new album recently but I haven’t got it yet due to holding back on music purchases recently to buy a new drum kit, and then to recover from buying it. I really enjoyed the new material they played but felt a bit of a lemon not singing along. When they played material I knew however, like ‘Particle,’ ‘Why Do You Hate Me?’ and especially ‘Captivate You’ I had just, the best time. Their drummer, who I have never seen in real life, is such a fucking rock star. Real Tommy Lee shit. The energy and charisma of the guy was remarkable. I have rarely seen anyone love being on a stage or on a drumkit so much before. It was dripping of him. Absolute raw enthusiasm. He was captivating. I barely looked at the rest of the band. Becca’s voice held up live too which is amazing. She has such a diverse range of growls, screams, screeches and cleans that I would be damn difficult to replicate it live, but boy did she. Overall, an utterly triumphant set from the band. I only wish I’d have known the new material in advance.

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The next band were utterly new to me as well, but I’d heard about them for years and years and was excited to try them out. Volbeat have a reputation as being some bizarre hybrid of The Misfits, Elvis, Johnny Cash and Load-era Metallica. I couldn’t even imagine. For years I’ve been hearing podcast hosts bigging them up, jokingly calling them ‘whoah-l beat’ and generally making them sound like an interesting proposition. Oh, and Rob Caggiano, from Anthrax is in them! Yes, I was gonna check that out, you better believe it.

A late-50s woman behind me had been talking to her friend about how they were her favourite band ever and when I turned round she was about half my height so I asked her if she wanted to swap as it wasn’t fair loving them that much and only seeing my butt instead of the band, so she swapped places and I still had the same view as I could see right over her head. I hope all of you do the same thing some day. Karma or whatever. Just like if you catch a drumstick but don’t like the band, give it to a die-hard.

Anyway, the band seriously impressed me. It was very good fun. I didn’t hear much of the Metallica influence, but they played some gorgeous melodic hard rock with seriously fun catchy choruses and superb guitar solos. They played up to the Cash and Elvis influences talking about them in the stage banter and doing impressions. Some of their songs were irresistible, one track, which is presumably a big hit was introduced as ‘About a shady lady called Lola’ really grabbed me. I think I’m going to buy that when I am back to buying music again. Another song was ‘Burn It To The Ground’ by Nickleback; oh wait, no it wasn’t… but do me a favour and go listen to ‘The Devil’s Bleeding Crown’ and tell me that aint influenced by ‘Burn It To The Ground.’

They got the acoustics out at one stage and they had a lot of ‘wey-oh’ sing alongs gong on. Their singer Michael is very endearing, I don’t know if its the accent or the look or what, but he just has a very lovable vibe like Kai Hansen of Gamma Ray has.

Now there was a downside to my ‘not too much movement between stages’ plan. I fucking love Tesseract and Napalm Death were such a big thing in my teenage years, but my plan would see me miss both. They clashed with Avenged, and we all know who’s going to put on the better show. Napalm Death are always punk in ethos and last time I saw them they just showed up and played like they were your cousin Jeff’s band rehearsing in your living room unannounced. No inflatable skeletons in sight. And Tesseract I’ve seen three times before, while I’d only seen Avenged once. The maths made it seem the best sense to stick to the minimal movement plan. Luckily, Barney Greenway showed up on stage with Volbeat to sing a song with them, and I got a little bit of Napalm Death after all! Nice.

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Next up was BFMV. You can see my review of Bullet For My Valentine‘s last Concert DVD or the time I saw them live to see my thoughts on that band. They were just as good here, although like Marmozets their was a fair bit of new material I didn’t know. When they played the trashier stuff like ‘Waking The Demon’ and ‘Scream Aim Fire’ though, it came across really powerfully live. The band may have a wimpy reputation but you can’t fuck with a live version of ‘Four Words To Choke Upon.’ The amount of crowd surfers the generated was pretty impressive. Marmozets had asked for it. Volbeat had encouraged it, but for Bullet, it was like a magnet to a set of iron filings. I got kicked in the face a lot.

It always surprises me how good Matt Tuck’s voice is live. I always envision him as some Pro Tools processed pretty boy, but the guy is so good live there is not questioning his talent whatsoever. I feel like an idiot for how many years I wrote this band off as kiddy music. They are champions of their scene and deservedly so. I feel like Matt’s new short hair & sunglasses vibe and how much he’s been hitting the gym might be an attempt to become Matt Shadows visually, but that’s just an aside. Musically that was a terrific concert. I heard a few fans comment afterwards that they’d seen the band numerous times and that this was the best one yet. The download website review agrees (although that might be for marketing purposes, so pinch of salt and all that). Apart from maybe not having enough time due to festival time slots, I pretty much agree that it was hard to fault this performance at all. I’d gotten my money’s worth already and the first day wasn’t even over yet.

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The Volbeat fan was gone and I was right up front, one or two from the barrier again, and Friday’s Headliners, Avenged Sevenfold arrived on stage, opening up funnily enough with their recent single ‘The Stage’ and blew the fucking roof off the place, except there was no roof as it was a festival, but I’m running out of hyperbole here so work with me.

Like Bullet, I’d also seen Avenged live at a headliner show in Manchester before. Like Bullet, this was also just as good. Last time I saw Avenged’ however I was up in the rafters in a seat very far from the action. This time I saw close enough to spit on them, if I’d wanted to. Which I don’t. This isn’t the late 70s punk scene. Anyway; I was close. So close I could feel the heat on my face when the pyro went off.

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Boy did Avenged put on a show. As well as all the video-screens and visualisations, there were bombs, fireworks and pyroblasts. There was a giant inflatable king for ‘Hail To The King’ and a giant inflatable astronaut for the new album like they’re Iron bloody Maiden or something. There was sooooo much fire for ‘Sheppard Of Fire.’

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The setlist was much the same as I’d seen the last time with a few omissions for Festival timing (no ‘Planets’ for example) and a few additions from their recent Stage add-on content, like their cover of Pink Floyd’s Wish You Were Here which they dedicated to all the people they’d been bereaved of, including amongst others their previous drummer Jimmy ‘The Rev’ Sullivan. They also dedicated their popular ballad ‘So Far Away’ to him and had a whole Rev Video on the screens like Lynyrd Skynyrd do with ‘Travlin Man.’ Sullivan’s death was in a roundabout way what got me into the band. Mike Portnoy of Dream Theater replaced him for their album Nightmare, and one of my friends from Uni who also played the drums gave me a copy of Nightmare after we had been discussing Mike Portnoy. Nightmare remains my favourite Avenged album to this day, and it was great to hear tracks from it live tonight like The Title Track, ‘Burried Alive’ and ‘Welcome To The Family.’ You can’t beat hearing 7,000 people scream ‘It’s Your Fucking Nightmare’ in unison! And that bit on ‘Burried Alive’ when it stops sounding like a ballad and starts sounding like Black Album-era Metallica with that chunky-as-fuck riff comes in is spine-tingling live.

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The band played an utter corker of a show and it was a real brilliant end to the evening. If I had just got a day ticket, I’d have been satisfied. Marmozets, Bullet and Avenged are all worthy of me going to see them on their own, so together it was fantastic, and I really enjoyed Dragonforce and was very happy to discover Volbeat. (As I’ve been writing this I’ve been streaming ‘Lola Montez’ on repeat a few times after fondly remembering it in the above section).

 

NIGHT ONE – Would the tent stay up?

I got back to the camp after a confusing walk past a horizon full of more amusement park stuff and music despite that being in the opposite direction of the arena. What the hell was that? Oh well, too tired to worry about it. Time to get some sleep. Finding the correct tent was a bit of a mission in the dark, but I got it done eventually then memorized it for future reference.

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Luckily, the thing was still in situ and looking vaguely habitable, so I climbed in. I opened my sleeping mat, got in my sleeping bag and closed my eyes for some much needed rest.

‘Alan!’

Huh?

‘ALAAAAAAAAN!’

What?!

‘AAAAAAALLLLLLLLLLAN’ ‘Alan,’ ‘ALAN’ ‘Alaaaan.’

It seems the good folks at Yellow campsite had taken to screaming the word ‘Alan’ as loud and often as they could and not to be outdone, dozens of the fine people down the hill responded in kind. One person would scream ‘Alan’ ‘Steve’ or ‘Pickle Rick’ as hard as they could and then you’d hear it echo around the park. It was sort of funny once.

Smash cut to three hours later, not a wink of sleep, and ‘Alan’ is still an ongoing regular sound. Oh well, can’t begrudge these people their fun. CUNTS CUNTS CUNTS. I mean they paid the same as me to have some fun. THE UTTER BASTARDS. And after all, we’re all here to have a good time. MUTHAFUCKERS. And who needs sleep anyway, its rock n roll. I HATE EVERY ONE OF THEM. If Lemmy was here, I’m sure he’d shout ‘alan’ too.

Ok; that one did it. I did in the end get about three hours sleep, and all jokes aside, did accept the alan noise and not too seriously begrudge it. Sort of. I don’t want to be that guy who rains on other people’s parade.

I woke up to piss and found a snail in my tent above my head. I named him Alan.

I went back to sleep for about another twenty minutes and my alarm went off, it was time to get up and get ready for day two.

DAY 2 – The bands.

Remember the guy who got me into Avenged about a decade ago. Guess who came up to me in the que for the breakfast truck? Only him! Nice one. It was great catching up. Didn’t expect this. We had a good conversation about how the festival had obviously blown all the money on Guns N’ Roses and how the rest of Saturday was a bit of a dud compared to Friday and Sunday. I didn’t recognize a single band on the main stage except Blackstone Cherry who aren’t my cup of tea and Monster Truck who’s first EP I have, but nothing else.

My plan was to hang out on the second stage on Saturday, ostensibly to see Parkway Drive who the podcasts I listen to always call the best live band of our generation, and who’s most recent two albums have both been in constant rotation in my listening schedule since release, as was their masterpiece Deep Blue when I first discovered them. I had almost got to see them twice before but missed the first one when an old girlfriend was sick and couldn’t go the the second one because of work.

Opening were a band I hadn’t heard of before called Powerflo. I walked to the near the front after a song or two and hey, those are some familiar faces. Billy from Biohazard was there. Hey, wasn’t that guy in Downset?. Holy shit, that’s Christian from Fear Factory! Some kind of supergroup then. Also their singer was in Cypress Hill. It was like a heavier version of Prophets Of Rage I guess. Their material was very clearly Biohazard influenced which was just what I needed to get me energized in the morning. They did an introduction bit where they teased music from Downset, Fear Factor, Cypress Hill and Biohazard, such as playing about 10 seconds of ‘Replica’ for example. There was frig all people in the crowd as they were presumably resting up from staying up too late shouting ‘alan’ (not bitter!) and hadn’t gotten into the arena yet. Shame, the band were very good and deserved more eyes on them.

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Then came a band I hadn’t heard of before. I asked a guy in the crowd who was next and he enthusiastically announced it was Von Hertzen Brothers and I asked him what type of music it was and he said melodic Swedish Rock. That had me imagining Europe. What it actually was, was more like Riverside. More driving and more cheerful, but they had proggy vibes and it was key-heavy. They had no show to speak of, like Powerflo they were just sat in front of a banner playing songs like it was a club, but they had great music and they were damn charming. They inspired a heck of a lot of clap-alongs. I was very impressed. One more added to my to-look-into list.

The Von Hertzen’ fan left and a lady took his place and really excitedly told everyone who would listen that they would really love the next act, and oh my god there they were look up there! and oh my god there was the lawnmower!

You heard that right. Lawnmower. It was ’80s Comedy Thrash band Lawnmower Deth suspiciously high up the bill on a suspiciously large stage. Not the fourth stage, the second. Not opening, but third from the start. How did they swing this?

…and then they played. Now; if you have any chance of seeing them live I almost don’t want you to read this, so skip down to the next photo to avoid spoilers if you are going to see them any time soon.

Go on skip if you are going to see em.

No? Ok; So they took the stage, playing Hardcore sounding Thrash with a sort of DRI vibe but way more British. They had about five or six back up characters running around the stage dressed as the devil or a sheep or an old lady with dodgy stag-party-esque costumes from a cheap costume shop. They had home made cardboard trains and had them running around the stage like a fancy dress party. They also had a quite professionally built giant smoking killer comedy lawnmower with a shark like mouth that opened and closed. A helper chased the old woman character around the stage with it until ‘she’ (a fifty year old bloke with a full stubbly beard) fell down and actually got run over by it and crawled inside like a magic trick, only done slowly and obviously on purpose for comedic effect. They also tossed dozens of inflatables into the crowd for us to play beach ball with and they lured the sheep character into their ‘Deth Shed’ which was made to look like an (again though, on a Halloween party budget) execution chamber and they pulled it and it sprayed blood all over the sheep and he acted dead. It was very amusing. It was like a very elaborate prom-posal or something. The band were very humble and grateful and got festival organiser Andy Copping on stage to thank him. I really enjoyed the show. Not something I would have ever sought out, but a very nice surprise and combined with the first two surprises of Powerflo and Von Hertzen Brothers, made Saturday not seem such a wash-out after all.

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Now one of my favourite bands, ever, period, is Corrosion Of Conformity. Their reunion gig was utterly superb for me and I had been looking forward all month to catching them. They got up there and I sang every word. They did their intro which was part of Bottom Feeder, then they had new song ‘The Luddite,’ and they did ‘Broken Man’ and they did the hits ‘Albatross’ and an extended version of ‘Clean My Wounds’ and then…nothing.

I know there are limited times, but man, I would have loved more C.O.C. I was screaming my heart out along with them while surrounded by bemused Baby Metal fans who didn’t get the love they were inspiring. There was just so much more they could have played. Big hits, fan favourites, new singles. I’d been chomping at the bit all week to hear ‘Wolf Named Crow’ and ‘ Cast The First Stone’ live. Shame they didn’t get more time. Festival-high banter, strongbow cider reference, and then they were gone. One of my utter favourite bands. Oh well, they announced they’d be playing the UK soon headlining and I can hopefully catch them then for more.

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Bury Tomorrow came next. I don’t know them but the podcasts always spoke highly of them. Their dynamic front man really whipped the crowd into shape and if you knew the material it must have been one hell of a concert. I was pretty spellbound as a newcomer. The crowd surfers where out in full force. The singer gave a good speech about supporting music and keeping it alive in a non-cheesy way. They pretty much destroyed the place and I wish I knew them in advance as it seemed to be a superb show. Another one on the to-look-into list. This download shenanigan is a good way to find new music as well as see lots of bands in one go, even if some of them COUGH, C.O.C, COUGH don’t get enough time.

L7 got a surprisingly high slot next. Does anyone care about L7 in 2018? I know I am too young, but all I know them as are a one hit wonder who once got in trouble for showing their bush on TV. They had a bit of an underdog factor as their drummer had broken her arm and they had a drummer in with only one day’s practice so that was endearing, but I wasn’t much interested nor impressed by them. It was serviceable Bleach-era Nirvana style grunge, only a bit more repetitive and with not much going on musically. Nothing wrong with it, but not for me. It passed the time. Me personally, I would have given that time to C.O.C, but I don’t know or understand all the complexities of festival organisation and there is presumably a good reasons for L7 being that high. Maybe they’re quite big or maybe its a reunion year or something. The crowd wasn’t as into it as they had been for Bury Tomorrow. A bit of a non-event for me. Not in a mean way, just, the first miss of the day.

Asking Alexandria, a less offensive version of Bring Me The Horizon with more ballads and less aggression followed them and all the girls in the crowd went utterly mental. I saw crowd surfers in skirts and dresses with their legs wide open flashing the band. Hey, maybe its because L7 had just been on!? Dated reference. The 15-year olds around me all fought eachother to get closer to the stage. (I was anchored their for Parkway after having enjoyed it so much with C.O.C and didn’t feel as charitable with giving it up as yesterday due to the selfish competitive way they were behaving amongst each other). They got some of the biggest sing-alongs of the weekend so far and seemed to inspire utter devotion in their fan-base. One girl near me was nearly in tears. It wasn’t for me but I thought they put on a very good show and they were a damn sight less dull than L7. I remember their singer tried to hop onto a raised part of the stage and stumbled, then made a joke about feeling foolish. I don’t remember their songs anymore, but to their fans it was seemingly breathtaking so they were entertaining enough.

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Now, I have never checked out Baby Metal. I chalked them up to a Youtube sensation gimmick like Gangham-style for Metal fans and never much thought about them again. I might have listened to half of ‘Gimmie Chocolate’ once and thought yeah, I can see how it would appeal to the weeaboos and sailor moon fans but I’ve got limited time and money and I’ll spend it listening to something else. I also thought it was a bit creepy how they leaned into the schoolgirl thing a bit too hard.

Now they are older and on a new album cycle however, they had some kind of space aged Egyptian mythology theme and were dressed like sort of sci-fi bondage pharaohs. Apparently one of the main singers is mysteriously absent so they replaced here with two back-up dancers. I knew they had some choreography from previous reviews, and I knew they were more popular than I’d expect, but I wasn’t prepared for the utter hysteria that followed. My ears were battered by 19 year old video-game programming students that love hentai going utterly apeshit in every direction from me, bouncing along and screaming every word like I had for C.O.C. only 10 times harder and while doing the dance moves! I really came to respect them. That is impressive. The same thing Anthrax might inspire in a comic book fan when they do ‘I Am The Law,’ the parallels are clear and it was cool to see how they were appealing to this new demographic. These people fucking loved it. I got talking to one guy who’d seen them 10 times. I heard another 60 year old Japanese man who had flown all the way here to England and bought the whole festival ticket just for this one show. Man, I really respect this band now. And as much as I find the choreography distasteful and Britney Spears-esque in principal, there is no denying either what a good show it makes for or how much effort and training it must have required. It isn’t just show up and tease some gullible virgins with our slutty outfits, music be damned, like the cynic in me initially thought. No, it is some very impressive and difficult work, with really talented guitarists and drummers augmenting the spectacle. And hey, I like Powerman 5,000. I can sort of relate to the whole Sci Fi introductions and outros thing. The voice talking about the fox god reminded me of the intro track to Tonight The Stars Revolt. And when I was a kid and PM5K were new, cynics probably said they were gimmiky shite too while they waited for Y&T or UFO.

Now; I would never have dreamed of seeing Baby Metal of my own volition, but the cool thing about Download is you get to sample a whole bunch of different stuff between the bands you wanted, for less money than a ticket to each of the bands you wanted in the first place would be combined, and if there is nothing at all you want to see then you can skip the bands for half an hour and get food or do any one of the dozens of other things they have, like get a tattoo or watch a magician, or drive a motorbike around a ‘wall of death.’

When I was a teenager I would sometimes look at festival line-ups and think they weren’t worth going to because I didn’t like every single band, but now I see there’s a bigger plan afoot.

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Oh well, not such a boring wait for Parkway Drive and Guns N’ Roses after all.

END OF PART ONE.
To be continued in part two. (…as if ‘end of part one’ wasn’t a clue. Now I know how Rush felt after the end of Cygnus)