Archive for the ‘Rock’ Category

Monster Magnet – Mindfucker

Posted: November 21, 2018 by kingcrimsonprog in Metal, Metal - Studio, Music Reviews, Rock, Rock Studio
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375382aMindfucker is the tenth proper full-length studio album (if you aren’t counting redux albums and compilations). It was released on Napalm Records and released in 2018, 5 years after Last Patrol, which was the longest gap the band have had between albums to date, but the line-up stayed the same as last time.

To my mind, Monster Magnet have never made a bad album. Even their least popular album, 4-Way Diablo has my favourite ever Monster Magnet song (‘Wall Of Fire’) on it. But I do have to say that this album has been out for over half a year now and try as I might, I just can’t get into it.

Now there’s nothing majorly wrong with it per sae. It is well produced. The songs are pleasant. Nothing overstays its welcome. Nothing is bad or stupid. Nothing sounds wrong or doesn’t fit the band’s style. Everything is functional. But that’s it.

Usually, there are major moments to write home about. There are usually lyrics that make me want to tell my friends about. There are usually riffs that I want to air guitar to. There are usually inventive things the band haven’t done before. There’s usually more joy in the performance. Generally, there’s usually…more.

That’s not to say the album is worthless, ‘Brainwashed’ for example is very fun, and sounds like its tapping into the same jangly ’60s influence that ‘Dreaming Of You’ by The Coral is, only faster. ‘Want Some’ has some energy to it and would be your typical Monster Magnet rocker that they have pumping out since the fifth album. The opener and the title track are passable too.

The thing is though, its not enough. Its just an ok album. Perfectly fine. If it was your first Monster Magnet album you’d probably like it. But then when you get the other records, and you hear ‘Kiss Of The Scorpion,’ or ‘See You In Hell’ or ‘Black Balloon’ afterwards, then you’d probably shit a brick! ”Wow, how did that ok band release such amazing material!?” you would find yourself asking.

If you love the band and have to have everything they put out. Sure get it. If you just want to support the band and keep them on the road, get it. If you have limited funds and can only afford to buy the best, then maybe skip this particular entry in the history of the bull god. This band have released some of the best material in the genre ever, and you should start with their better material first.

 

 

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Guitar Gangsters & Cadillac Blood is the third full-length studio album by the diverse Danish band Volbeat. While the band’s debut went by normally, the band had a big hit in their homeland with ‘The Gardner’s Tale’ and really raised their profile.

This third album then had a lot to live up to. Now; I’ve only gotten into Volbeat since this Summer, so I’m putting all that together from interviews and documentaries. But there’s one thing I do know, and that’s what I hear with my own ears. Luckily, they delivered. A beefed up production, more vocal confidence, better lead guitars. This record knocks Volbeat up into a whole new league.

Like the band’s debut album, there is a bit more of a Kyuss influence on some of the guitar lines than there would be on later albums (check out the title track). Like all their albums there is a lot of diversity. ‘So Lonesome I could Cry’ has a clear country influence (its a Hank Williams cover). ‘Wild Rover Of Hell’ has a bit of a Metallica vibe to it (well, in a song with the line ”Stereo pumping Metallica tunes, Ride The Lightning oh yeah!” what else could you expect?). ‘Back To Promp’ is less than two minutes long and sounds like a 1950s version of Blink 182’s ‘Dammit.’ There’s also the popular singles “Maybellene I Hofteholder” & “Mary Ann’s Place” which exemplify what the band are all about.

There’s basically a lot of different styles going on and a lot of things to like. Its good a good mixture of  slick hard rock, chunky metal and fun punk vibes, with that tiny little bit of country and early rock n roll flavour that Volbeat seem to always channel.

In terms of quality, its a lot better than the two albums that preceded it. The band really grew as songwriters and performers. The riffs are satisfying, the solos are fun. The vocals are superb too; clean, catchy and memorable. This is a turning point for Michael when he goes from being good to being great. To top it all off the production is just as good as it is on their next album Above Heaven/Beyond Hell.  Basically; if you like Volbeat, don’t be without this. Its definitely ranking among the top half of their discography.

volbeat-live-sold-out The Danish band Volbeat released this 2007 DVD collection based around the time of their second studio album Rock The Rebel/Metal The Devil. It is a mixture of documentary feature, live performances from various separate shows and music videos.

As someone who really likes a lot of concert videos and music documentaries, and who has recently gotten into Volbeat I couldn’t resist this.

Unfortunately, this isn’t a brilliant product. It has all the hallmarks of a great product, the packaging is great, the amount of content is great, the band are great. Only problem is the work of the filmmakers and editors. That and the overall choices made.

This is all subjective and a matter of personal taste; but I really prefer when a concert DVD runs through a concert in order rather than jumps between different shows back and forth. I also really hate when it happens within a single song, you hear a live track and see what is basically a music video with footage from different shows. Its just not my thing. This release covers a broad range of indoor and outdoor shows, and mixes it up between them, and then breaks that up with mixed footage tracks. I also feel like a lot of the band’s best material comes from later in their career so this  obviously comes before a lot of that material. It is a good way to cover a lot of ground and displays variety, but it isn’t for me. Luckily the band have other video releases available. With more on the horizon (Lets Boogie Live From Telia Parken looks pretty amazing…I know what I want for Chirstmas!).

With regards to the documentary; I really like the idea of a Volbeat documentary, but the camera work, pacing, and editing are a bit lacking. It feels a bit aimless and jumbled and doesn’t really go anywhere or flow very well. There is information to be had and opinions to be heard but its all a bit slow and informal and lacking excitement. It doesn’t really look good or sound good and there are a lot of better documentaries out there for other bands.

There are also the music videos, but that’s more of a nice extra than a reason to buy a DVD (Side note: I’ve never really understood DVDs of only music videos).

Overall; this DVD comes from a great band and has a lot of content to offer. It isn’t terrible or anything, but it is a bit for-fans-only and I wouldn’t make it your first Volbeat product.


Transgender_Dysphoria_Blues_cover_artI recently read (or listened to, as it was on Audible rather than a physical book) Against Me!’s singer’s autobiography. I hadn’t been a fan previously, didn’t really know the band. I got curious about it as their former drummer Jay Weinberg (who actually turns out wasn’t that big a part of the story) became the new drummer in Slipknot.

That book had everything; class war, betrayal, bereavement, record industry inside information, conflict, relationship drama and a really intelligent and well spoken author delivering an insightful and interesting story of self-discovery and identity. Couldn’t have asked for a better rock biography.

That obviously lead me to try out some of the band’s music, like the raw and political debut album, and the angry anti-music business conceptual third album, the commercial and controversial White Crosses. Then of course; I heard this album.

I don’t know if there is such a thing as a perfect album. Its all subjective, every lyric, every note, every drum beat, the production, the running order, the ratio of familiarity to innovation. Its all incredibly subjective and you can nitpick anything. That being said…

This album has such a perfect length, perfect lack of filler, perfect production job that’s big but not over polished, perfect running order and such excellent lyrics. Now I know its all highly political and if you are strongly anti-Trans you are never going to like the album anyway, but let’s just pretend such people won’t be reading some Irish nerd’s music blog and move on.

I may be a bleeding heart liberal; but that isn’t what makes the album good. You could be talking about these issues and write bad songs. You could mishandle the tone and have hamfisted lyrics. You could have a terrible production job that spoils good music. There’s nothing like that here.

The lyrics are so brilliantly honest, biting and insightful. Laura’s lyrics are really top-drawer stuff; up there with the best lyricists out there, like Dave Wyndrof and Neil Fallon. Coupled with vocal delivery that ranges from vulnerable to snarling to explosive, they really take on a life of their own and paint such an evocative picture. I don’t know if it is due to having had already read the book, but you can just picture everything in your mind’s eye.

‘Black Me Out’ for example, when she snarls ‘I just want to chop those brass rings off your fat fucking fingers, as if you were a kingmaker. Black me out.’ and ‘As if you were my pimp, as if I was your fucking whore’ the sheer raw emotion in the vocals are just breathtaking and you feel like you are right there in the room with them. During ‘Two Coffins’ the gentle tone of the vocal can almost make me cry. Furthermore in ‘True Trans Soul Rebel’ there is a breakdown dynamic to the music where she wails ‘you should have been a mother, you should have been a wife’ which sounds so wounded it is almost touching.

Brilliant lyrics, brilliant vocals. On top of that, as above, it sounds fantastic. It has the perfect mix of rawness and polish, you can really hear the power of the guitar differently depending on how hard the strings are hit. There’s a drum fill in the jaunty shuffling title track and you can hear the toms and cymbals so clearly you can literally picture the exact direction the cymbal is vibrating in.

The musical direction is nice and varied. With folsky twang one minute, indie buzz the next, alternative rock leads after that and punk power following that. ‘Unconditional Love’ even sounds like Warning-era Green Day. There’s something for everyone here. Its the kind of album that literally every track is a must hear song. There isn’t one you could cut, not one you could skip, nothing that needs extending or shortening. It seems pretty much the perfect length.

Overall; this is pretty much as good as a rock album can get. There’s great music, a great sound, there’s honest and depth, and best of all there’s no wasted time or unnecessary fat. If you haven’t heard it, check it out.

220px-Vol_cover.jpgMy whole Summer this year has been about Volbeat. I started off with Outlaw Gentlemen’ and moved on to Seal The Deal’ and the next album I got was 2010’s Beyond Hell/Above Heaven as a very appreciated birthday gift.

The album is notably less slick, sheened and stadium sized than the two albums that followed it, but is on the way there. There is some really heavy material on here, such as ‘7 Shots’ and ‘Evelyn’ which have guest appearances from Kreator’s Mille Petroza and Napalm Death’s Barney Greenway respectively. The best song on the album in my opinion is undoubtedly the muscular groove metal track, ‘A Warrior’s Call’ which is totally crushing and memorable, a real fist pumping song if ever there was one. The chorus even sports the line ‘Let’s Get Ready To Rumble.’

Its not all heaviness though, Volbeat are famously diverse. The catchy single ’16 Dollars’ for example sounds like country music was the prime influence, and ‘Magic Zone’ could be a Green Day song. Its a very interesting album in that regard. There’s several songs that could be by totally different bands but somehow it all flows together seamlessly.

The album closer ‘Thanks’ is pretty noteworthy, sounding as it does a bizarre mixture of Rancid, Metallica and the theme tune from King Of The Hill. Its memorable ‘woah-oh-ah-oh’ lines and lyrics about being in Volbeat make for one seriously entertaining listen.

As with all the band’s albums I’ve tried so far, you can listen to it over and over again. A long drive or a week of commuting can be pleasantly enlivened with this record on repeat. If you have any interest in the band, don’t delay, get up on this and get ready to smile.

Clutch – Book Of Bad Decisions Review

Posted: September 10, 2018 by kingcrimsonprog in Metal - Studio, Music Reviews, Rock, Rock Studio
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SharedImage-81725Clutch at this point can unarguably be seen as something of an ‘old reliable’ at this point. It can be argued that the band just do not release bad albums these days and pretty much if you’ve liked any of the band’s recent albums, you are probably going to like this one.

That being said, they aren’t too repetitive and they do evolve over time and each album has its own identity and each cluster of albums has a certain flavour.

The last two albums; Earth Rocker and Psychic Warfare have been two of the bands hardest, most streamlined, direct albums to date and this time the band seem aware that this may not have been what fans of the older albums like Elephant Riders and the self-titled wanted, so this time around instead of battering you over the head with the hardest songs straight away, they open up with some more laid back Stoner Rock song. Its a bit more armchair than thrill-ride for the first three tracks, for those of you who were missing the band being more hazy. Combined with the less polished, looser production style (that hi-hat sound and muddier guitar tone has something in common with their Jam Room album to my ears).

That’s not to say it is a full return to the old days; its more of a balancing act between that, the recent material and also pushing new ground. There are a few tunes on here which retain the breakneck rocking and clear focus of Earthrocker; ‘Weird Times,’ ‘Paper & Strife’ and the Tony Iommi wetdream of ‘A Good Fire’ keep things direct and punchy.

In terms of newer ideas, ‘In Walks Barbarella’ sounds exactly like its most memorable lyric ”weaponised funk” – it is full of full on 1970s Starskey & Hutch sounding funk overtones.

Lyrically, the record is just as fun and interesting as ever, with some brilliant lines, such as in the pre-released ‘How To Shake Hands’ where Neil tells us that when he becomes president, ”First thing I’m gonna do is go for a ride on a UFO, put Jimmi Hendrix on the $20 bill and Bill Hicks on a 5-note,” as well as ‘Hot Bottom Feeder’ which is basically a recipe and when the Neighbours in ‘Paper & Strife’ are reportedly ”clearly raging communists.”

The last few albums have had man-of-the-match awards for drummer JP Gaster and Frontman Neil Fallon, but the real hero of this album is guitarist Tim Sult, who seems to on a mission to display as wide a range of styles of guitar solo as possible. There’s so many different vibes to his leads and solos on the record, from melodic to flashy to effects-laiden and everything in between.

Because Clutch are so consistent, it is really just a matter of personal taste which albums are your favourites. This album is no disappointment. For my tastes, its somewhere in the middle, better than for example Jam Room but not quite as transcendent as say, the last two albums, or the fan favourites like Blast Tyrant, but fairly close and absolutely worth checking out.  There are many songs on here I really can’t wait to see live and wouldn’t ever want to make a Clutch playlist or compilation without ever again. If you aren’t sure if the album is for you, check out ‘Ghoul Wrangler’ – the music, production, eccentricity and lyrics should give you a good idea what you are in for.

 

Seal_the_Deal_&_Let’s_Boogie.jpgVolbeat, the interesting Hard Rock/Metal/Country/Whatever-else hybrid band from Denmark, released their 6th studio album, Seal The Deal & Let’s Boogie, in 2016. It is their second album with former Anthrax lead guitarist Rob Caggiano.

Whereas the previous album leaned a bit harder on the country twang, this album is a bit more polished, commercial and stadium rock sounding. It is a bit less eclectic but it is tight and focused. The production job is very big, befitting the band’s crowds size nowadays and the vocals sound stunning. It may not be the heaviest moment in their catalogue but it is pretty gigantic.

Other interesting things about the album include that it features two cover songs (‘Battleship Chains’ by Georgia Satellites and ‘Rebound’ by Teenage Bottlerocket) but to be honest if you didn’t know they were covers they would seem like originals. There is also the fact that you can get the one track in two versions, either in English as ‘The Bliss’ or with a Danish chorus and guest Danish singer Johan Olsen as ‘For Evigt’ depending on which version you buy.

Highlights include the catchy opener ‘The Devil’s Bleeding Crown’ which has the same sort of stadium stomp as Nickleback‘s ‘Burn It To The Ground’ and has such great vocals, especially the bit where Michael sings “Down, down, dooooown” …as well as the insanely good ‘Goodbye Forever’ which has such an enormous chorus hook and great backing vocals, and finally of course ‘The Loa’s Crossroad’ which has a great stoner-rock riff that could be on a The Sword album if it wanted to.

Its a remarkably consistent album and the kind of thing you can listen to over and over again. Its full of massive music for massive stages, with all the best things about polish and perfection without sounding contrived or overly simplistic. The album prior will probably always be my favourite as it was my introduction to the band, but this one is a superb follow up. It has inspired me to get more Volbeat and I heartily recommend it to anyone who likes rock music. You could like this if you were a Green Day fan, a Guns N’ Roses fan or a Pantera fan. It covers so much ground its bound to please a very wide cross-section of fans. If like me you were late to the Volbeat party, I recommend you immediately rectify that, and then let’s boogie.