I Went To Go See The Libertines Live In Bristol 02 Academy, 16.12.19.

You may be reading this blog, and thinking ‘’Doesn’t he just like Heavy Metal?’’ or at least ‘’Doesn’t he just like Heavy Metal and related Rock subgenres?’’ but I do like a little bit of Indie too. I like Arctic Monkeys and the Fratellis for example.

Most of all; I have been a die-hard Libertines fan since just before their first album was released. So many posters in bedrooms, reading all the fansites, being an active member of their forums, watching all the documentaries, reading several books,  downloading all the bootlegs, crowdfunding the reunion DVD, crowdfunding their third album, covering their songs in my high-school band. I had every album, b-side, session and demo they ever released, followed all the twists and turns, watched every televised performance on British TV (and several non-British ones on the internet, obviously) as well as also obsessively followed their side projects too in the early years when they still sounded a bit like The Libertines.

One thing I never got to do however, was see them live. When they were new and exciting I was too young and lived too far away from anywhere they played around me. When they reunited I was too anxious and afraid (and low on cash) to go to the big festivals they were playing. I finally got tickets to go see them on the seaside sharabang tour a few years ago, and the bloody venue cancelled the gig for repairs. No joy. The closest thing I got to see was singer/guitarist Pete Doherty’s other band, Babyshambles (who I also really like, but to not quite the same obsessive level) back when I was in university. I remember being really jealous for years and years that my friend Stevie got to see Dirty Pretty Things live and I didn’t. (Guitarist/Singer Carl Barat and Drummer Garry Powell’s other band, and the best of all their side projects/spin offs in my opinion).

Finally, finally, finally, however, they announced a date near me, when I was old enough to go, can afford it, had time off work and the date wasn’t cancelled. Jack pot. To say I was excited for this gig is an understatement.

The one snag was, it was in Bristol. I’ve never gone to a gig in Bristol before, and I am a cowardly and fearful person, who was scared shitless of driving in the unfamiliar city centre, at night, in the dark, in winter. However, the drive there went really smoothed and I managed not to injure myself or others on the journey. Always a plus. I got to the venue, a little bit late. There was barely anyone there. I walked right up to the stage. I was only one person away from being front row centre. Jackpot again!

After a brief wait with a strange mixture of indie music, David Bowie classics and music from musicals playing over the speakers, the first support act came one. It was one man and an acoustic guitar. Ed Cosens (doing a solo career, away from his day job in Reverend And The Makers). It was really good.

Then came the main support act, ZuZu, a very stylish indie band, with a very sassy singer, a guitarist so happy he looked like he was on ecstasy and some very catchy tunes.. The only weird moment was when they did a cover of a hip hop song. It was great fun, but not my usual cup of tea. The frontwoman is so charismatic that I can foresee them getting quite big in the future. I hadn’t heard of them before, but I may check them out again in future. Like with the Crookes when they were supporting the Fratellis and then I ended up being a fan of them, since they were the type of music my wife also likes.

Ed came back and did some more songs while the road crew got the stage ready.

The Libertines Live

Then, the moment I had been waiting all night, all year, the last few years, and over a decade for. The Libertines took the stage before my very eyes. Opening with one of my favourite B-sides ‘The Delany’ and then ripping through a near equal split of material from each studio album, (and the non-album anthem ‘Don’t Look Back Into The Sun’ too, because it is one of their biggest songs and how could you possibly exclude it). They also mixed a nice ratio of punk tinged indie bangers, ballads, and acoustic numbers. It was a diverse and eclectic setlist and overall there was a very good balance of material for my first time seeing them, not too much of any one thing, and most sides of their broad appeal showcased at some point. They also made my day and played my absolute favourite Libertines song ‘Last Post On The Bugle’ which I wasn’t expecting but was ecstatic about. (Also enjoyable were deep cuts ‘The Saga’ and ‘The Ha Ha Wall’ from their 2nd and best album, the self-titled).

Pete, Carl and Gary

The performance, vibe, and audience reaction was absolutely magnificent. The sold out crowd bounced, sang and cheered like it was the second coming of the Beatles and Sex Pistols all at once. The movement in the crowd was more energetic than at Slayer’s farewell concert! Also; This has to be the only concert where I have sang every word to absolutely every song. Like, every line, for the whole evening. There have been some close moments, but I think this is the closest to 100% of the words I have ever got to. By the looks of it, I wasn’t the only one. It wasn’t just the big famous songs like ‘Time For Heroes’ and ‘Can’t Stand Me Now’ that the audience sang along to. People were going apeshit to tracks from all era of the band; the likes of ‘The Good Old Days’ and ‘Barbarians’ that aren’t even singles. Clearly this is a band that inspire that kind of die hard, life long, love every second fandom.

Pete and Garry

The sound and mix were perfect. You could hear every member equally, the basslines and kick drums were every bit as clear as the vocals and guitars. When Carl played piano on the ballads ‘You’re My Waterloo’ (from the new album, but also a classic demo from before the debut album) and ‘Dead For Love’ it was perfectly balanced and didn’t overpower the songs. I almost want to give shout outs to members, but the thing is they were all so good, that there was no man of the match, (no MVP if you aren’t British). The thing about the band is that they are such a unit, with each member bringing a very equal part of the puzzle. Garry has always been one of my favourite drummers. He has such a unique and distinct character to his playing, an absolute power house and always such fun to listen to. John is the best bass player I’ve heard who isn’t in a Metal band and the best musician in the band, often the driving force of the songs when the guitars go more jangly. Carl is the beating heart of the band, the real star, one of the best front men who doesn’t have a gimmick, and the reason I fell in love with the band all those years ago before the Pete’s drugs/fallout story overtook the public perception of the band. And Pete… well Pete is the Nikki Sixx/Sid Vicious icon with the story, but with the songs and the charm to back it up. My generation’s Kurt Cobain for sure… Not a Yngwie Malmsteen guitar god. Not a Freddie Mercury vocal god. Too much media attention and tabloid headlines for some folks to give him proper credibility. And yet, the writer and singer of some of planet Earth’s most memorable tunes.  All of them played their hearts out tonight. Effortlessly cool. Tight and loose at the same time. Professional and raw, the best of both worlds.

Carl, Garry and John

I had such a great time. Having dreamed of this day since I was in school, and having figured I’d never see them when they split up, and feeling gutted when they did reunite but I missed out on the previous tour due to that venue cancelation, this was a perfect evening. This was worth the wait. I can’t get over what a fevered audience reaction they caused. I can’t get over how perfectly it sounded live (but still retaining their ramshackle punky energy, not sounding overproduced). I can’t get over what a perfect setlist they chose.

The only complaints are that they didn’t play… literally all the songs they ever released! No combination of songs in the time allowed would ever satisfy every fan urge I have. I mean I could swap out any song for some B-Side like ‘Skag And Bone Man’ that they used to play all the time, or some rarity like ‘Never, Never’ that they don’t seem to ever play, and I can’t believe they didn’t play the fan favourite, historically important early single ‘What A Waster,’ but given the time constraints, they chose a well-balanced and perfectly flowing set). It was better than I expected.

It was better than the classic-in-my-mind Live at CBGBs and Live In Toronto bootlegs. Better than their televised performances at Glastonbury and Reading/Leeds Festival over the years. Better than any guest spot on TV shows like Top Of The Pops. Better even than their only official live album, Live At The 02 Academy Glasgow 2015.  The band were on absolute flipping fire last night (and from the reviews I’ve now let myself read, they seemingly have been all tour). If you ever get the chance to go see them, snap it up in a heartbeat! It is not a case of solo artists getting back to the old band for a paycheck. It isn’t sloppy old addicts reliving old glories long since past. It isn’t any cynical thought you could think. It is a seminal and generation-defining band, back at the peak of their powers, with fire in their eyes and an arsenal of undeniable tunes to chose from. I had an absolute blast, you will too if you get the chance.

[Side note: this was one of the best concerts I have ever been to, and it was just some dudes on a stage. I know that I love lasers, pyro, costume changes, explosions and spectacle, but you can’t beat good music played with passion, its always the music and the performance that makes a concert magical. The most Rockstar thing to happen was a drum solo, and the two guitar players tuned their guitars over the top of it].

Get (Into) What You Paid For: Round 4 – Day 40

Hello and welcome once more to yet another edition of my blog series, Get (Into) What You Paid For; a series in which I blog about music and media I own, to distract myself from the fact that I am sworn off buying anything new for a month (or in this case, two months).

Its day 40, and I haven’t spent anything new in the last three days… hey, I’m getting the hang of this! Maybe if I keep this going long enough I’ll be able to break free of the habit of spending so frequently. I could use that money for fresh fruit and vegetables! (I’m on a health kick at the moment and that seems like the best use of my money in my current state of mind). I’ve also been experimenting with baking and online grocery shopping with mixed results. I’m planning on being a more successful human being for the next year, more organized and nourished and with more strings to my bow.

Continuing this self-improvement theme, I’ve also decided to cycle for 20-minutes after work every day from when I return to work following my current time-off, all the way up until Christmas. To sure-up this decision, I spent last night making dozens of 20-minute playlists in iTunes for cycling to. (Well, most of them end up being 22 minutes). The main theme of each playlist is pick about 5 songs from about 5 different artists within one subgenre.

So for example: 1 Saxon song, 1 Diamond Head song, 1 Iron Maiden song, 1 Angel Witch Song, 1 Motorhead song…. and then call that playlist “NWOBHM 1.”

In this spirit I have made: 9 Classic Rock Lists, 9 Thrash Metal lists, 9 NWOBHM/Early Metal lists, 9 Thrash Metal lists, 8 Glam Metal lists, 6 Power Metal lists, 5 Metalcore lists, 4 Groove Metal lists, 2 NYHC lists, 2 Indie Lists, 2 Nu Metal lists, 1 Stoner Rock list, and 1 Melodeath list.

Oh yeah, and two lists of Thrash bands’ ‘90s hits…like “Symphony Of Destruction,’ ‘Only,’ ‘Enter Sandman’ etc.

I only chose jaunty up-tempo songs; no ballads, no interludes, no intros, no doomy songs, nothing proggy… just stuff that would make me want to continue cycling. Its basically that I always get a shower when I get home from work, but I am always hesitant to do any exercise once I’ve had a shower because it’s a waste of water and therefore money, and so I’ve decided that I could squeeze in a small bit of exercise after each work day so its not too tiring (and get rewarded by hearing 5 or so classic songs) but since I’ll still work up a sweat it would be advisable before my usual post-work shower. Hopefully it makes me squeeze in exercise all the time, rather than doing it properly when I’m in the mood, but more often ending up doing nothing when it can’t be done right… as they say: “Don’t let Perfect be the enemy of Good.”

Anyway, enough health propaganda, on to the main article:

Since my recent birthday, I’ve been describing how I’ve been reading Martin Popoff’s Top 500 Metal Albums book, and this has not changed. I’ve been happily reading away at this yesterday too, now up to around number-300. It’s a damn good book and I highly recommend it. Even if there are a few small mistakes (eg. he said that Michael Kiske was the singer on Helloween’s Walls Of Jerhico, but it was really Kai Hansen) and sometimes his sentences lack all grammatical logic or you can tell he forgot to type words here and there, it is still a very entertaining and well put-together product.

I’ve also spent the last few days listening to the following albums:

I decided to put this record on again because I recently read an article online which was about biggest disappointments/flops. Untouchables was in it. I thought to myself…”surely not?” I remembered at the time, everyone loved it. They filmed the successful comeback show with loads of songs from it. People on Metal podcasts I listened to remembered it fondly. I listened to it again last night, and yeah, there’s a wee bit of filler (like EVERY Korn record) but it is in no way a weak album for them, plus lead single and album opener “Here To Stay” is just an absolute smasher! Oh yeah, and I looked it up on Wikipedia this morning and that also suggests it is one of the band’s most popular albums. What about the verse to “Embrace” ? …or the chorus to “Wake Up Hate” ?

Disappointment? Pfft…

This album is a weird one for me; I listen to tracks from it almost daily on shuffle, but I have this weird “I don’t listen to this album enough” feeling all the time because I don’t sit down and listen to it in its entirety often enough. Well, I tried to put that right, and its one of my favourite Motorhead records when you add up all the songs I like (although I just usually don’t listen to them together… something it shares in common with Faith No More’s Angel Dust as a matter of fact). Some people called this one a disappointment, or dislike the production. Not me, I love it. Love it all. So many great tracks. Great atmosphere. Its charming. “(Don’t Let ‘Em) Grind Ya Down” is especially fun. Heck it all is; no filler!

I listened to this yesterday whilst weightlifting because I have elderly neighbors in my temporary accommodation and I didn’t want them to have to hear Hatebreed, which is what I was really in the mood for at the time, but I’m a considerate neighbor when all is said and done.

I remember I bought this for super-cheap (around a penny I seem to recall, or maybe one pound at an absolute maximum!) just to have something to talk about with a coworker in my last job, who had an Alkaline Trio tattoo. I’m not really keen on it. I always liked their single “Private Eye” but unfortunately its about the only song on this album that is memorable. Its all competent but its just a bit bland and forgettable. Oh well, a Penny for a few conversations and “Private Eye” …not too much of a waste. Its not like I’ll have to quit doing fucked-up shit.

I’ve mentioned before about how I got this in 2010 and never felt like I’d listened to it enough. I still feel that way. Even with a recent attempt at a revival of it by adding it to my phone on work trips and during my Dutch holiday. To its credit, there are some great songs on the record, like the Title Track, “The Alchemist” and “Talisman.” I just somehow never feel like I give it enough attention though. I’ll keep trying, because it is good, its just… demanding.

This was a birthday gift. It’s the modern Helloween line-up trying to do their version of the Keepers’ albums. BOTH Keepers! It’s a double album, each with a 10 minute epic, a few fast thrashers, a ballad each, and a fun off-the wall song.

Its kind of exhausting. I can tell there’s good stuff on it, because I like Deris-era Helloween a lot anyway. But, its just a huge amount to take in at once. Without the mental division of individual albums the way the original Keepers Part 1 & 2 had. You feel overworked listening to it.

Some people are down on sequel albums, especially those late in a career. I like Operation Mindcrime 2 and Thick As A Brick 2 though… so I’ll give this one a chance as well. It just might take a long time to absorb.


I went for a run the other day, and the soundtrack to this sweaty affair was the suitably sweaty Manowar albums I got for my birthday, all together (Not just the one pictured, but Triumph Of Steel and Fighting The World too) on shuffle. These albums are really growing on me. Sure the drum solos in “Achilles” are pace-killers and that spoken word track is too long, but this is a seriously fun band with some seriously great Metal songs to offer. All of their fast songs are almost instant-favourites of mine, catapulted into Best Of playlists already. This is a good boxset and these albums are showing some real promise to join the best of Helloween and Gamma Ray at the top of my Power Metal pile… almost eclipsing Stratovarius already!

Absolute masterpiece. I’ve spent enough time talking about it. I think its one of the best records ever made, by anyone. I just need to listen to it regularly because I don’t want it to slip out of listening. (Once I let “Crack The Skye” go, it didn’t come back the same).

Another birthday gift. Very fun, pleasant, upbeat and happy record. Perfect listening for this sunshine, and for this good-mood inspired by the exercise and healthy-eating zone I’m in. Also nice and brief, lightweight and succinct. Easily digestible, quick and cheerful stuff for instant gratification and no-brains smiles being put on my face.

I’ve tried once more last night, despite feeling like it wasn’t very good and even with new attention, I just don’t really like this album much at all. I really like their debut, don’t get me wrong, its not just thoughtless Poison-bashing here, I just don’t like this Posion album. This one is just a bit empty. There’s nothing in the style I want from them, and there’s no catchy perfect fun in an alternative style to the one I want either. Its just very bland and unexciting. Nothing “grabs” me.

Halfway between the first and the third. Not just as memorable as their debut, or as forgettable as their third album, this has stuff going for it, but isn’t “wow, this album is great!” either. An enjoyable listen, that will eventually be boiled down to just the best few tracks and mostly ignored otherwise. I like “Back On The Rocking Horse,” “Bad To Be Good,” and “Look But You Can’t Touch” as well as the Kiss-esque hit single “Nuthin But A Good Time” of course.

I used to listen to this all the time last year. It got pushed out by new purchases. I still tend to listen to the post-Ralph albums a lot, but the first three of their albums have done a runner from my limited-storage-space phone long ago, which is a shame really, they deserve more attention. I’m pushing them back in now though. How can you argue with “Money” on a sunny day?

I’ve been listening to this constantly since its release, and so this listen here is just another go-round, rather than any attempt to appreciate an under-appreciated hidden gem. I’ve been constantly listening to it all year because its really good! …Even their absolutely shoddy live gig this time last year didn’t stop this being a good record in my eyes.

I enjoyed listening to it out in the sun today whilst chopping down (or rather trimming to acceptable tidiness, its not like I actually felled them with an axe) the trees surrounding my current accommodation, in the glorious sunshine. The title track and “Fall From Grace” are brilliant cheerful songs to hack trees by! (Although maybe I should’ve listened to Rush, now that I think about it… that’d be good, ey? I wonder if the neighbors would’ve got the joke?).

It took a long time to trim those trees. This was the second album I put on, because its not too-heavy for neighbors. I love this album, any excuse to listen to it is fine by me… even if my thumbs are covered in blisters afterwards! Good album. “Sleeping By Myself Tonight” is superb.

Man, I just never listen to this. I’ve owned it at least a decade, and I think I’ve listened to it fewer than twenty times in all that time (shame it wasn’t Somewhere In Time so I could use yet another “time” in that sentence), with about ten of those listens being made in the same month I bought it.

I love the title track (man, title tracks are usually great, aren’t they?) and “Be Quick Or Be Dead,” which I will always love for its Carmaggeddon 2 memories! (It was in that game’s soundtrack beside “The Trooper” and “Man On The Edge.”) Other than those two tracks however, I almost don’t even recognize over half of the record. I wasn’t even all that fond of it when I listened to it yesterday again either. I must try yet again tomorrow! Maybe it’s a grower, and I’ve never put enough time into it?

This album is fantastic. Its taken me years to think that though. A bit of backstory: I bought Cowboys’ and Vulgar’ on the same day on a Dublin holiday when I was about 12 or 13. I loved Vulgar instantly and forever. The high screams and weird production (and infuriating lack of snare drums on “Primal Concrete Sledge”) on Cowboys however, at the time made me think of it as being bad and cheesy and out-dated and un-Pantera, and for about two years afterwards I only liked the title track. (Title Tracks again, see?). Over the years I’ve liked more and more of it, and getting into thrash unlocked more of its charm, getting into Maiden unlocked yet more. Getting into Priest unlocked the final missing piece. Now I love every second of it… it just took me a while. A kid who mostly listens to Powerman 5000 and Limp Bizkit doesn’t have the palate suitable for “Heresy” or “Psycho Holiday” just yet. Well, it was worth the wait!

Another “I am listening to this all the time anyway” album. I’m surprised how much I’ve come to really enjoy this record. It’s also “unlocked” the band’s first two albums for me, and I can appreciate them as real music now, instead of just a clown-parade of druggy chancers and womanizers writing 80% filler and getting unnaturally lucky with a few hits, like I used to view them. Moving on…

Yet another “I am listening to this all the time anyway” album, like the above. This is my definite album of the summer. It will likely be my album of the year at this rate. Every listen and it gets better, just like Stalingrad did. I’ll be watching the free Blu Ray a lot over the rest of the year too. Good value. I’ve been avoiding new albums recently because I can get boxsets of albums for the same price as individual new albums, and about 5 cheap old albums for the price of one new album, so it just seems wasteful to buy new albums…. This one however was unarguable value for money considering how much enjoyment and use I got out of it!

When I first got the boxset of Dokken’s first five albums (well, four and a live album), I sort of overlooked this one a lot. I’m slowly rectifying that oversight. “Paris Is Burning” and “Live To Rock (Rock To Live)” are excellent jaunty Judas Priest-style Speed Metal tracks (although with a softer production, admittedly).

This still isn’t my favourite Dokken album, or one I’d share with any friends who don’t listen to this sort of thing to convert them, but it’s a nice enough album and worth my time.

This is a classic, everyone loves it. Its not hard to see why. Phil’s voice is excellent here, Pepper and Kirk’s riffs are really memorable and everyone loves a bit of Bower Power, that Bonham-esque groove he can inject songs with really putting the cherry on top.

Good songs (most of a Down setlist most times, ey?), great performances, faultless production… pretty good record. Its not even monotonous, there’s plenty of variety from the brief stunners like “Lifer” and “Hail To The Leaf” and then the acoustic “Jail,” for variety, yet further diversified by the unique genre-of-one in hit single “Stone The Crow” and then topped-off by the big weighty monolith of an album-closer (and live-favourite) “Bury Me In Smoke.”

Its just all good, and there’s a nice mix so you aren’t bored or wore-down. I just need to remind myself to listen to it as often as I listen to Pantera or C.O.C. I’ve been constantly hammering The Purple EP all year, or at least its highlights, so I’ve probably been getting enough Down overall that I didn’t notice the dip in NOLA plays, but Martin Popoff’s book just reminded me to go back to the reason I liked Down in the first place.

I listen to the title track (how many times with the title tracks?) and “Rock N Roll Rebel” all the time, and I have it on Vinyl mounted on my wall, and I listened to the whole record all the time for about a year after I got it… but I’ve noticed a massive decrease in listens recently. I’ve just put it on again (another Popoff inspired move) and noticed that apart from the aforementioned hits, I’ve forgotten most of this record, and there’ actually a lot more good moments on here than I’ve been giving it credit for recently, certainly since last Christmas I’ve not listened to it in full. Well, now I have once more, and it was entertaining. Not the best Ozzy album, but better than the two-tracks-only footnote that I’ve been treating it as! Also the bonus track “One Up The B Side” is great, despite its cheesy joke title.

I bought a set of the first two V.O.D. albums a while back, around the same time I bought the boxset of Life Of Agony albums (I remember mixing the two bands up because of their triple-word names with “of” in the center, their association with ‘90s American Hardcore, and both having tracks with “River” in the title. This “River” song has a guest appearance from Phil Anselmo, Life Of Agony’s didn’t.

I ended up becoming a real fan of the Life Of Agony material… but upon initial listen I wasn’t keen on V.O.D. much at all. Their albums seemed like an exhausting barrage of samey, brash, rough-around-the-edges violence. To be fair, that’s still true, but its more of a compliment than an insult. This album is full of absolutely brilliant tracks. Each one, in isolation, is a blow-away-the-cobwebs breath of fresh air… intense, threatening and very very lively. Their singer reminds me of Chimaira’s Mark Hunter a little… but a less melodic, more screamy version.

Highlights for me are “Jada Bloom,” “Twelve Steps To Nothing” and “Landslide.” I’m warming to this album, its just a bit exhausting all at once… they’re still a band I can only take in small doses.

Another Popoff inspiration. I bought this record around this time last year, wasn’t amazingly sold on it really, and kind of just listened to it in small doses here and there from then on, with decreasing frequency until its now mostly ignored altogether. I stuck it on yesterday and was really impressed, there’s a whole heap of stolen Anthrax, Megadeth and Overkill parts and apart from the slow, grungy tempos and Rob’s unusual voice, this is pretty much a nice Thrash album. “Thrust” and “Black Sunshine” are good. The only problem with the album is that the band seem a bit too relaxed, too calm, holding back a bit. V.O.D are too unhinged and aggressive and abrasive, put this is the opposite end of the spectrum… its very chilled out and softened-down. You can tell the songs are good though, it’d be cool to hear them covered by someone with a bit of energy. Perhaps V.O.D. could cover them and split the difference?

This album is associated with sunshine for me. I was listening to it in the wonderful sunshine in the zoo in Rotterdamn, and I listened to it today whilst going out on a long walk in the countryside while trying to put more of this healthy stuff into action and make the most of this last week away before its back to early 4am work mornings and grey city sludge. The whole album is so bright and clean and uplifting that really sunshine is the only environment in which you could take it seriously… you already need a big smile on your face before it even starts.

What about the record itself? I used to think it was pretty samey, pretty bland, and lacking in the x-factor of its more famous cousin Inhuman Rampage. Listening to it carefully for the first time today, I guess that’s only half true… there’s a little more to things here than I initially credited it with, and while it can wear a little thin all at once its pretty much an honest record with good intentions. Not soon to become a favourite, but worth a few more listens at least.

Ok. That’s enough for one article. I’ve dropped my thoughts on most of the albums I’ve been listening to in the last three days; I’ll leave discussions of Death, Carcass, Cro-Mags and Deicide to another time as I’m pretty sure most people will’ve stopped reading by now anyway.

Oh well, it stopped me from splashing out on Spiderman comic collections, Early ‘80s American Hardcore bands’ debut albums, Musician’s biographies (Five Finger Death Punch’s drummer has a book out!?) and all the live concert DVDs going at the minute (or indeed b-sides and bonus tracks to albums I have but haven’t got all the bonus material from.)

‘Til we meet again…