Amateur Batfan Vol. 18 – Zero Year

Batman – Zero Year

Hello and welcome to the seventeenth installment of Amateur Batfan, a series of blogposts here at Kincrimsonblog where I try something new. Instead of writing exclusively about music like I usually would, I’m dipping my toes into the field of writing about comics. I’m fairly new to comics. You can read about my history with the comics medium in the first entry of the series.

Long story short, I liked comics-related stuff but found the whole idea of being a comics fan too embarrassing, and some of the comics I did try were lacking-in-depth, so I didn’t like comics themselves until my friend Paul opened my mind, multiple times over the years until I finally allowed myself to enjoy them. I had a sort of snobbery to overcome. Its been overcome now though, and I’ve spent most of the last year-and-a-half buying and reading Batman comics to the point where I personally own over seventy of them now, which I will now blog about for your reading pleasure and commenting-inspiration (seriously, I want to know what you think about these comics).

On with the show.

This article will be about the recent Batman story Zero Year (and I’m condensing the two books into one single article here, because they don’t work separately – its a single story for sure, missing the start or the end would be a mess).

Having had a brilliantly sleepy day off work where I was too broken and tired to move much or leave the house at all, I decided it may be fun to write another one of these articles from the comfort of under my duvet – its absolutely freezing here at the moment so above it would be unrealistically, threateningly cold (shame I didn’t chose a Mr. Freeze related story, like ‘Snow.’) – and in order to do that I had to read some Batman, and I had been meaning to re-read this one because quite frankly I thought it majorly sucked when I first got it, and I was hoping I was wrong about it.

Long time readers may remember that when I first read the previous New 52 Batman by Snyder & Capullo story, A Death In The Family, I thought that it majorly sucked as well. I’ve since way mellowed on that story. Way mellowed to the point of thinking its actually pretty darn good. I like a lot about it and only the inconsequence of it after the hype was the main issue. Sure there are small faults, but there are small faults with every other Batman thing Snyder has done, like in the otherwise amazing Court Of Owls – the awful twist (luckily though that is one of those copout twists where you get to chose for yourself if its true or not, so at least you can half-live with its inclusion).

So yeah, usually I read a Snyder story, balk at some choice because I don’t like it, think the book is lame, then read it again knowing about the choice, and hey – it’s a good book!

Will this work for Zero Year?

Well… no not really. Because there is no such choice with this book. The choice is the book. The whole book. The pacing, the paneling, the tone. Everything.

No. Not everything. The artwork is first rate, phenomenal, exceptional – all the positive words you can think of. The book looks incredible and there are so many pages I love and want as a poster for the wall they’re that great. The red lightning? The colours when he’s making a Bat Symbol out of tied up villians? FUGGEDABOUTIT.

So yeah… the book, as a book for illiterate people is quite pleasant. But… the other aspects sink it.

This book is supposed to be a rollercoaster; an explosive action meets sci-fi adventure (it says so in the liner notes) with bold editing choices and all these sorts of things. How it works out in reality though is like Dillinger Escape Plan’s debut album as a comic book. Its jagged, abrasive, lacking in flow, removed from sensible structure and downright uncomfortable.

Sounds pretty cool doesn’t it? I mean… here’s a guy who likes Prog saying “thing defies convention” – that must be good right? – Well, kinda no. There is a lot of good to be said for Zero Year… but the transgressive thing… that aint it. It’s a large detractor. This book would’ve been way better if it was three issues longer so they could fill in the darn blanks between scenes.

In comic books, I’ve come to expect that between two panels there is a certain minimum and maximum distance that can be crossed, a certain minium and maximum time that can pass… I’ve never thought about or quantified it until right now… all I can tell is that Zero Year disobeys the rules. Rule breaking is probably cool… I mean there’s a reason this blog is called King Crimson Blog and not AC/DC blog, right? But… y’know… “You Shook Me All Night Long” is one heck of a tune too, is it not?

This may just be a failing on my part, but struggling to know which panel follows which is not conducive to flow, as the time wasted searching interrupts the story. Also, in order to fit the word balloons, sentences are frequently reworded and end up feeling damn unnatural (assuming Snyder didn’t just write terrible dialogue – it feels more like medium-related compromise than a hack… and I know he’s not a hack because he writ’ Gates Of Gotham and The Black Mirror which are superb).

Also, the swearing bubbles should match the intended swear words otherwise you waste time guessing the swear and again the story stops flowing naturally.

But yeah… wah wah wah… I’m just a big baby who wants to be spoonfed mediocrity and never to feel uncomfortable. Or am I? Maybe this is just a poorly designed experiment that didn’t pan out. I don’t know… there’s one scene where the too-big gap ends with a vengeful foot on the riddler’s smug face… and in that instance the rule breaking leap actually caused me to laugh out loud… so… there’s that!

The first time I read it too I hated the idea that they are just doing another No Man’s Land and Dark Knight Rises movie idea… Gotham cut off, bridges uncrossable, civilization collapses. Its been done. Then I remembered a good story is a good story no matter what. Its not THAT similar to those other Gotham being cut off stories… and with one being a film and the other being pre-New 52, in this particular comic series it is an innovator.
All the machine gun robots and stuff felt weird and stupid for a set-in-the-past story, but when I thought deep there was advanced technology in all of the New 52 Snyder stories… so, ok I guess. And real life has Amazon drones flying mail across the country….so…

Oh. You know what else though… maybe I’m just stupid… but all the riddles sucked. Just my personal opinion but I wasn’t a fan of a single riddle in this book. Which is a shame for a Riddler story.

Also… Dr. Death’s motivation makes no sense. But… I’ve let Hush off with that..so… hmmm. Oh.. and throwing the “Red Hood One is clearly the Joker, oh wait, maybe he’s not” thing in was cheap. Of course he was… move on. No need to put in some half-baked mystery.

The thing I just hate about the book the most is just that it is too big for itself. The Red Hood Gang story starts halfway through… is plagued by cutaways and then ends with no consequence apart from weakly being tied to the next Dr Death story with a few lines of dialogue – which then that itself is all just a set up for the No Mans Land style bit which follows… so the first 2/3 of the story where a set up for a short-ass 1/3 that isn’t even all of it because its full of cutaways and has to have a resolution.

And in all that time, you’d think the Bruce Wayne character development and the relationships with Gordon and Alfred would have time to mature but no… if anything they feel rushed and weird… there’s just huge blustering conflict and swift unsatisfying resolution. While paradoxically, the main things about Batman being the city’s heartbeat and Bruce wanting to be someone else (BATMAN) are kind of subtle and understated, which feels wrong in a strange way since everything else was so overstated and hammy. Batman says I’ve failed and feels shame for not anticipating a different bomb plot!

And does Gordon’s coat NEED a damn backstory? Come on… its a coat. People wear coats. That’s all anyone needs. Where there legions of fans for the past 75 years going “if they don’t explain the origin story of that coat soon, I’ll stop buying comics”?

I think there was some brilliant stuff here, but it should’ve been about twice as long, with more structure, more background detail, slower pacing and less silliness (Bruce would never give someone the finger, surely? and why would you censor the phrase goddamn but not bastards? – and what kind of a line is “Gothamites are tough bastards, go figure” anyway?). And – ah, never mind. It feels like somebody took a whole new 12 episode first season of a new TV series called “SciFi Batman in an alternative past” (Catchy title, I’d buy that!) and condensed everything into just three comic books. And you just feel like “Dude, all the good bits are missing, they cut this wrong.”

Or maybe its Pulp Fiction and that’s the whole point. Maybe creating moods and asking audiences to write their own background and make their own stories is the whole point and I’m just a lame duck who wants something this was never supposed to be.

The backups of “Bruce Wayne In” stories were cooler than the main book. I’d love to have a whole book of just that but with it all designed from start to finish and told in chronological order, with a few side plots and stuff to flesh it out.

Oh wait… they invented the TV Show Gotham, right? Hopefully that will do just that. (Except it probably wont since its called Gotham, not Bruce Wayne training around the world).

What… the first half of Batman Begins still exists? Ok. Good. Maybe I’ll just watch that then.

Comments?

***Abandoning my usual structure in favour of long diatribes and jumping off half-formed thoughts to unconnected ones – not an intentional parody of Zero Year, but a nice mirror nonetheless***

****UPDATE:*****
I went through the internet to get a sense of what other people were saying and if I was missing stuff. The professional reviewers certainly make it seem like a better story and act as if all the characther development was deep and important and not rushed and unsatisfying as I had called it.

The people however had often a few complaints, which were 1. It shouldn’t be so world-shattering for Batmans first adventure. Its his first outing and he has to overcome such a gigantic city destroying event?
2. It was too long.

I don’t get the whole “it was too long” thing.

I felt that it was about three or four issues too short and that there was too much missing information. It made you “assume what happened” between and before panels too much and never actually showed you, and while yes we’re all intelligent people and hooray for intelligence, it might’ve been nice to just have a complete story with more flow.

Zero Year to me felt like Snyder had written a really good entire tv show season and then only showed the highlights.

It ironically almost needs a prequel of its own.

Also, those backups of Bruce’s pre-Batman globetrotting training were a cool idea… how about someone writes a complete story of all that training from start to finish with a satisfying sense of development and the transitioning of Bruce from angry orphan to Batman. I’d buy that.

I also totally agree with the point that as a prequel it feels like the wrong story to tell. What… Gotham is that badly devastated right at the start? With no lasting impact? No Man’s Land lasted way longer and had a longer lasting impact and it was only the Government stopping people coming or going… not a resourceful supervillian controlling the weather and electronics for the whole city.

And how did they get rid of all the overgrown plants… agent orange? Its not as if the only thing that happened to Gotham was Riddler turned off electricity and turning it back on fixes things… he flooded it, used Poisen Ivy’s science to turn it feral and he knocked over multiple buildings with a bulldozer-crane. That shit aint fixed by turning on the power. (Sure Bruce says in a speach that there’s work to do… but essentially, y’know… New Orleans isn’t fixed six years later… so how is Gotham not still pretty screwed in Owls and DOTF?). I know I know, suspension of disbelief.

Oh… and another thing; was the Riddler really doing it all to find a solution to climate change, overpopulation and world hunger? I don’t buy that, doesn’t feel right. I like the Arkham videogames version of the Riddler as some twisted Saw style serial killer so utterly obsessed with proving his worth that it causes him to become violent. Maybe the climate change line was BS… like the way Bane told the people he was freeing them in the third Nolan movie… it was just something he said in public but wasn’t his actual motivation or plan. Maybe its that?

Actually… a climate change focused enemy might be cool. Maybe it should’ve been Poison Ivy instead?

Amateur Batfan Vol. 17 – The Killing Joke

Hello and welcome to the seventeenth installment of Amateur Batfan, a series of blogposts here at Kincrimsonblog where I try something new. Instead of writing exclusively about music like I usually would, I’m dipping my toes into the field of writing about comics. I’m fairly new to comics. You can read about my history with the comics medium in the first entry of the series.

Long story short, I liked comics-related stuff but found the whole idea of being a comics fan too embarrassing, and some of the comics I did try were lacking-in-depth, so I didn’t like comics themselves until my friend Paul opened my mind, multiple times over the years until I finally allowed myself to enjoy them. I had a sort of snobbery to overcome. Its been overcome now though, and I’ve spent most of the last year-and-a-half buying and reading Batman comics to the point where I personally own over seventy of them now, which I will now blog about for your reading pleasure and commenting-inspiration (seriously, I want to know what you think about these comics).

On with the show.

This entry is going to focus on Alan Moore’s sole contribution to the world of Batman; his one-shot graphic novel, The Killing Joke. There’s a lot of interesting opinions about this one. Some people consider it one of the top-four Batman stories of all time alongside The Dark Knight Returns, Year One and Arkham Asylum A Serious House On Serious Earth. Some consider it to be overrated trash. Some people think it is bad for Alan Moore and not up to his usual standard. Some people think it’s the definitive Joker story, others think that its almost blasphemy to give the Joker an origin and also that Batman acts out of character here. Some people hate the way Barbara Gordon was treated and hate it for being too gratuitous.

Grant Morrison thinks it ends with either Batman killing the Joker or vice versa (my memory is foggy after doing too many twelve-hour night-shifts, and not having been to sleep since the last one).

The copy I own is the deluxe edition where its been recolored and printed on nice glossy paper. Some people hate that because it messes with a classic. Some people love it and think it helps it look modern.

Batman – The Killing Joke:
– Writers: Alan Moore
– Art: Brian Bollard
– Colours: (in this case, Brian Bollard)
– Continuity: Post-Crisis, Pre-Flashpoint
– Timeline Position: Mid career, pre-Death In The Family, pre-Kinghtfall.
– Batman is: Bruce Wayne
– Villains: Joker, Some Freaks, Red Hood gang, Danny Weaver
– Cameos: Two Face, Penguin
– Allies: Alfred Pennyworth, James Gordon (Police), Barbara Gordon,
– Bystanders: Jeannie Kerr

– Art: I think everything about this book looks excellent. Its definitely good for its time and held up well. In fact its good even for now.

– Tone: I love the tone here. Its very much like an episode of The Sopranos or any other guns-and-cops HBO show you could think of.

– My Thoughts: Let me address the above points one by one… I do think it deserves to be in that list. I personally don’t think its better than some stories like Long Halloween or Arkham Asylum, nor is it anywhere near as brilliant as Year One, but I think it feels like its supposed to be ‘up there’ and heck, I personally enjoy it more than The Dark Knight Returns.

I haven’t read any other Moore comics so I can’t comment on whether its poor for him, but let me say that if its poor for him, good for him must be astonishing.

I don’t think it ends with a death, not at all. Not subtly, not hinted at, not metaphorical. I think it just ends. It ends with Joker being about to be arrested once again and I reckon it’s a statement on the banality of the repetition of the endless arrest/crime Joker cycle rather than any secret murder.

I love how this book looks. I read the original coloured version too a about a year ago so its not that I haven’t seen both. I just like it. I like pretty glossy paper. I like big easy-to-read print and I like this colour palate a lot. It’s a bit more Arkham videogame series and a bit less Watchmen comic. I love The Watchmen’s story and art (oh wait, that was Moore wasn’t it? Damn… Yeah, this aint as good as that!) but not necessarily the colour scheme.

I also don’t mind the Barbara thing, and all the slightly sinister, uncomfortable rapey overtones that some people complain about. I think it works well and gives the story a lot of serious dramatic weight. Makes it feel a bit Mystic River.

It was good for a book to point out ‘hey, Batman is a bit of an insane idea’ and even though it started a thing that people can get sick of, it works well here in this book.

Basically, I think this is a nice, tight, enjoyable book, with a sensible length and good pacing. I enjoy it more than the bloated Knightfall, but wouldn’t call it a favourite.

Amateur Batfan: Volume 16 – The Widening Gyre

Hello and welcome to the sixteenth installment of Amateur Batfan, a series of blogposts here at Kincrimsonblog where I try something new. Instead of writing exclusively about music like I usually would, I’m dipping my toes into the field of writing about comics. I’m fairly new to comics. You can read about my history with the comics medium in the first entry of the series.

Long story short, I liked comics-related stuff but found the whole idea of being a comics fan too embarrassing, and some of the comics I did try were lacking-in-depth, so I didn’t like comics themselves until my friend Paul opened my mind, multiple times over the years until I finally allowed myself to enjoy them. I had a sort of snobbery to overcome. Its been overcome now though, and I’ve spent most of the last year buying and reading Batman comics, which I will now blog about for your reading pleasure and commenting-inspiration (seriously, I want to know what you think about these comics).

Following my previous discussion of Kevin Smith’s Batman debut Cacophony; I will spend today writing about the second part of his Batman work, The Widening Gyre.

Cacophony was 3 issues long. ‘Gyre was double that length at six. With more space to play with, it is a lot wilder and more adventurous. Its a lot less enclosed and more sprawling. Its picked up on the most bombastic elements of its predecessor and used that as the default. Its also added a whole romance and couples-having-fun-and-being-silly-together angle, as well as taken a shining to highlighting the less realistic side of Batman comics.

The linear notes credit Walt Flannegan’s requests to draw numerous favourite characters as a reason for this as much as Smith’s initial story vision, and the fusing of these two goals creates something pretty memorable. If you are kind its a colourful (arguably gaudy), less-psychedelic and metaphore-filled version of what Grant Morrison was doing. If you are unkind, its an anachronistic mess and self-indulgent wish-fulfillment session by a duo with no taste.

Where do I sit, kind or unkind?

Batman

Batman – The Widening Gyre:

– Writers: Kevin Smith
– Art: Walt Flanagan
– Colours: Art Lyon

– Continuity: Post-Crisis, Pre-Flashpoint

– Timeline Position: Late Career, but Pre-Morrison’s story.

– Batman is: Bruce Wayne

– Villains: Baron Blitzkrieg, Atomic Skull, Killer Croc, Poison Ivy, Joker, Deadshot, Calendar Man, Crazy Quilt, Polka Dot Man, Cornelius Stirk, Black Manta, Funland, Mr Freeze,

– Allies: Alfred Pennyworth, James Gordon (Police), Baphomet, Dick Grayson as Robin & Nightwing, Tim Drake as Robin, Catwoman, Superman, Aquaman,

– Bystanders: Silver Saint Cloud, Gavin Adam, Mulligan, Arvin Flemming, May, June, Dirty Dan Yellpoon, Barry “Stiff” Saunders, The Spade of Clubs, Dr. Wolper,

– References: Barbara Gordon, Jason Todd, Mad Hatter, Onomotepeia, Riddler, Clayface, Connor Hawke as Green Arrow, Etrigan the Demon, Tweedledum, Two-Face, Evan Gregory, Toyman, Aqualad, Cyborg, Changeling, Kid Flash, Raven, Starfire , Wonder Girl, Black Spider , Doctor Phosphorus; Harley Quinn, Ocean Master, Planet Master; Captain Stingaree, Cavalier, Killer Moth, Kite-Man , Black Lightning, Geo-Force, Halo, Katana, Metamorpho, Baron Bedlam, Coldsnap, Heatstroke, New Wave, Shakedown, Windfall, Swamp Thing

– Story: [/Spoilers] Nightwing calls Batman to Bludhaven to view an old villain’s costume in a fit of sentimentality, as well as to inform him of a murder by Poison Ivy. Batman goes to meet Ivy in Arkham, where he finds out she is trying to hide from Etrigan the daemon. Etrigan turns on Batman, and Batman is overpowered, but saved at the last minute by new superhero Baphomet. Fearing Tim Drake will one day leave him just like Dick Grayson did, Batman starts toying with the idea of partnering-up with Baphomet, who is nervous and over-familiar, but likeable nonetheless. Bruce respects Baphomet’s lack of publicity-seeking or media interest, and Baphomet catches a villain that Bruce lets escape in order to save a hostage, making the two seem like a good team.

Multiple flashbacks to various periods in Bruce’s past go on through the story to underscore points. Scenes are saw of Batman with a young Robin, with a teenage Robin, with Robin becoming Nightwing, with Batman joining The Outsiders.

The other part of the plot is that Batman’s former lover Silver St Cloud returns and the two start a relationship that builds and builds until Batman eventually proposes to her, and the two get engaged. Silver allows Bruce to feel less obsessed with crime-fighting than usual and he starts to question his future.

Batman spends more time with Silver and leaves Gotham to Tim Drake and Baphomet. He is mistrustful of the new people in his life but after investigating them both all fears are removed. Life is good. Bruce is becoming a little too happy… maybe he’ll give up the Batman career in a few years.

I won’t spoil the ending because it is really, really strong.

– Art: Much less inconsistent than Cacophony in terms of quality, but fittingly inconsistent in style to reflect all the different eras of Batman. Its well done. There are hidden View Askew references (Buy Me Toys, Nails Cigarettes etc). There is a lot of detail, a lot of effort is clearly vissible. I don’t really like the style myself on a personal-taste level, but a lot of effort has gone into it, and it is functionally good as well as a huge improvement over the previous installment.

– My Thoughts: This is a real multiplication of the first one. Everything that was wrong with the first one (inappropriate language and swearing, jokes that don’t fit, dialogue Bruce would never say by any other writer’s choice, open discussions of sex, rude jokes etc) are here, way less subtly, way more often. If you don’t like the sound of that, you won’t like this book.

If you think it’s a bad idea for Catwoman to say “Wait, I’m not wearing any panties” then you won’t like this book at all. Because she does indeed say that in this book. Poison Ivy also tries to get Batman high on cannabis. Its Batman as written by Kevin Smith… so if you don’t think Smith’s personal taste fits in with the tone you want from Batman, then avoid, avoid, avoid!

Even I had huge problems with some parts, and found it difficult to continue reading at points. (And there’s a lot of Jewish jokes that seem a bit dodgy to me).

Once you get past the taste issue, the story is a big, colourful, bombastic tour of Batman’s history, as I’ve stated its very much like Grant Morrison’s “it all happened” style with a lot of references to the past and obscure characters and things like Batman’s work in teams (Justice League/Outsiders) with Superhumans. If you only want Batman to be realistic and only deal with humans… this isn’t the book for you…

Then there’s the love story. The Bruce can retire because he found love story. The Bruce lightens up a bit story. Depending on your taste this can be interesting or really lame.

As for the controversial “Batman wet himself” thing that people obsess over in this book… it is really not a big deal, or sacrilegious or anything like that. That issue is blown way out of proportion, and out of all the non-Batman things in the book, that is probably actually the least important. Its arguably handled rather well in the book actually.

On the plus side, some of the comedy is good (Calendar Man’s attitude to being sick was funny), some of the story is interesting, some of the references are neat (a young Dr. Wolper in particular). Baphomet is a good character and really likeable. The ending is superb. The ending is worth reading the book for alone. I won’t discuss it further to avoid spoilers or hype-disappointment-syndrome.

Overall; a very hit and miss book. It really depends on your mood and your sensibilities. It is intended to be colourful and fun and show off the bits of the Batman universe that aren’t over-done all the time in the grim and gritty era. Just like everyone praises Grant Morrison for. Smith definitely has a unique voice too. The ending is great, the amount of effort is great and the new guy is great.

However… there is so much just, un-Batman stuff in there that even with the biggest leniency and fandom for Smith, and a “this is his take on it, not mainline continuity” attitude, all the dirty jokes and drugs-talk and madcap ideas work way better on a podcast as a hypothetical than in the actual comic. Its kind of Smith-has-gone-too-far almost.

Its hard to get over that, and recommend it for being the very good book that it is, because I know fine rightly how awful it might seem if you aren’t forgiving of the sheer un-Batmanness. Smiling-Batman-of-the-70s as a fun book yes! Recall that spirit, good idea. A Bruce Wayne that isn’t psychologically tortured or borderline insane, yes! Refreshing, good idea.

Calling people “bitches” “turds” “emo-boys” “goths” and being overtly sexual… not for me thanks. That aspect, while again, it would be great to hear on a podcast with excitement in Smith’s voice and his co-host laughing, just doesn’t sit right with me in a comic.

So; In answer to the question, “where do I sit?” I’m afraid my answer is “On The Fence.”

Amateur Batfan: Volume 15 – Cacophony

Hello and welcome to the fifteenth installment of Amateur Batfan, a series of blogposts here at Kincrimsonblog where I try something new. Instead of writing exclusively about music like I usually would, I’m dipping my toes into the field of writing about comics. I’m fairly new to comics. You can read about my history with the comics medium in the first entry of the series.

Long story short, I liked comics-related stuff but found the whole idea of being a comics fan too embarrassing, and some of the comics I did try were lacking-in-depth, so I didn’t like comics themselves until my friend Paul opened my mind, multiple times over the years until I finally allowed myself to enjoy them. I had a sort of snobbery to overcome. Its been overcome now though, and I’ve spent most of the last year buying and reading Batman comics, which I will now blog about for your reading pleasure and commenting-inspiration (seriously, I want to know what you think about these comics).

This week, I’ll be covering Cacophony; a brief three-issue story (but part of a wider trilogy with The Widening Gyre and Bellicosity) which was written by Kevin Smith. Kevin Smith is best known for his films and impressive podcasting empire, as well as his part on the TV show Comic Book Men, and has worked on numerous comics before including Green Arrow and Daredevil. I haven’t read those. I haven’t read his comics about other superheroes yet. I have read his comics about his own films though, in the Tales From The Clerks compilation, but that’s about it.

I’m a huge, huge fan of his podcasting though (amazing free entertainment by the bucket full), and still have a lot of fondness for most of his films which I loved as a teenager but have seen too much and heard too much criticism of, and overall learned too much about to be able to ever really “just watch” anymore.

Kevin has a sense of humour which includes frequent jokes about sex, sex organs, drugs and scat-humour, as well as a tendency to talk about and reference real life people he knows. These seem sort of incompatible with Batman. All the other Batman I’ve ever read has avoided joking about sex, or talking about Batman’s genitals, or involving all that much faeces.

Needless to say, people, as far as I’ve read online did not appreciate when Smith included some of his sense of humour in Batman. Its very un-Batman to use the words “I saw a bit of your Junk when you were getting changed.” It just is.

I would just say this however… what did you expect? Kevin Smith + Batman = Kevin Smith’s Batman, surely? Why would you get someone unique like Kevin Smith and then have him just lose his uniqueness and not seem like Kevin Smith? That would be like getting Quentin Tarinto to direct an episode of a TV show and then just expecting him to do what the previous director was doing… a bit of a waste.

If you really dislike Kevin Smith…why did you read it? Its not as if there is any shortage of alternative Batman books to read. Its not like Metallica, where they only make one album every five years. There are many, many Batman books released and re-released every year and if you really can’t stand Kevin Smith it would be quite easy to give Cacophony a miss.

I’ve been wanting to re-read this for quite a while (every time I listen to Fatman On Batman I get the urge to read it) but I’ve been saving it until I was ready to write one of these articles about it. I’ve kind of shot myself in the foot a little by starting this series, but oh well.. I got to re-read it now and that’s all that matters.

Batman

Batman – Cacophony:

– Writers: Kevin Smith
– Art: Walt Flanagan
– Colours: Sandra Hope

– Continuity: Post-Crisis, Pre-Flashpoint

– Timeline Position: Late Career

– Batman is: Bruce Wayne

– Villains: Joker, Zsasz, Deadshot, Onomotepeia, Maxie Zeuss

– Allies: Alfred Pennyworth, James Gordon (Police)

– Bystanders: N/A

– References: Barbara Gordon, John Paul Valley, Jason Todd, Mad Hatter, Amygdala, Calendar Man, Scarface, Riddler, Clayface, Connor Hawke as Green Arrow,

– Story: [/Spoilers] A new villain called Onomotepia, comes from Star City to Gotham to kill Batman, via the means of distracting him by freeing the Joker from Arkham. He interrupts an unrelated assassination attempt by Deadshot during which Joker learns that Maxie Zeuss is selling Joker Venom as a designer drug. Joker is offended and starts a war with Zeuss including murdering his nephew and setting fire to his nightclub with a flamethrower while impersonating a celebrity DJ. Batman, fresh from stopping Zsasz kill random innocents tries to recapture joker, meets Onomotopia and they battle. Onomotopia betrays joker to save himself leaving Joker mortally wounded and Batman choses to save Joker’s life rather than pursue Onomotopia despite the arrival of Commissioner Gordon who tries to convince Batman to just let the Joker die from his wounds. After a lengthy coma, Joker awakes to find Batman, dressed as Matches Malone meet him in hospital to clear up this issue of whether the two want to kill eachother or not. Batman says no, Joker says yes. In an epilogue Batman jokes with Alfred and Onomopepia goes back to his life as a family man and his secret plans to kill Batman.

– Tone: I’ll discuss this at the end, because they kind of go hand in hand.

– Art: Inconsistent. Walt draws so many different faces for the same Joker. Gets better as it goes along though, just needs more consistency. Also, he draws humans better than either Batman or Joker. His Gordon and Maxie Zeus-as-businessman look perfect, I’m just not keen on the way Batman’s face and mask look. The book is beautifully coloured actually though, it looks gorgeous with glossy paper and vivid colours.

– My Thoughts: Not the worst Batman story I ever read. Not even close. I actively enjoy Cacophony. If you ignore the fact that the dialogue has a bit more Smith-esque humour than would usually be found, this is actually a pretty entertaining and enjoyable story with some neat, memorable moments. And you know what, some of the jokes actually made me smile too. Its not like its 100% liking it despite the jokes, sometimes its just liking it… on its own terms. I liken it to listening to Megadeth. At first you are like “Dave Mustaine has a weird voice” but then you are later like “Screw it, a good song is a good song.” Admittedly, nowadays I love Mustaine’s voice totally and completely… can’t say I’ll ever love penis jokes within a Batman story, but hey, I can’t make every analogy 100% critique-proof.

I really enjoy some moments such as Zsasz getting surprised and also getting kicked through the door in a presumable homage to Madlove. I really love Jokers’ “Now do you get the Joke?” moment with Maxie.

Also, I just really love Onomotepia. He is a really neat villain uniquely suited to the medium he was invented for. Good look, good gimmick. If I ever wrote a Batman story, I’d include or at least reference him. His coolness adds a good few points in the book’s favour.

Negatives-wise; I do question some of the Jewish humour, slightly wary that it’s a bit distasteful (“Unholy Bris” ? Hmmm…). …And admittedly some of the dialogue and choices are contradictory to a lot of other writers (Gordon encourages Batman to let Joker die when other books make Gordon stop situations like this.)

It’s a Batman book I don’t regret buying, and would have no problems reading again. Maybe I’m being unfairly lenient to balance out people who were unfairly critical, that is possible, I mean, I don’t think I’d forgive other writers for a Batmite-themed Deadmaus-style DJ or a letter in which Joker calls Batman emo-boy (does Joker keep abreast of music trends and internet-era humour and expressions? Maybe, maybe not…).

Either way, I don’t think I’d recommend it to you if the idea of toilet humour in Batman is appalling, but I enjoyed it more than all the negative internet vibes made me think I would. That’ll do…

Amateur Batfan: Volume 13 – Year One

Hello and welcome to the thirteenth installment of Amateur Batfan, a series of blogposts here at Kincrimsonblog where I try something new. Instead of writing exclusively about music like I usually would, I’m dipping my toes into the field of writing about comics. I’m fairly new to comics. You can read about my history with the comics medium in the first entry of the series.

Long story short, I liked comics-related stuff but found the whole idea of being a comics fan too embarrassing, and some of the comics I did try were lacking-in-depth, so I didn’t like comics themselves until my friend Paul opened my mind, multiple times over the years until I finally allowed myself to enjoy them. I had a sort of snobbery to overcome. Its been overcome now though, and I’ve spent most of the last year buying and reading Batman comics, which I will now blog about for your reading pleasure and commenting-inspiration (seriously, I want to know what you think about these comics).

In previous recent entries, I mentioned how I’ll now try and cover some of the more famous Batman books like Dark Knight Returns, Arkham Asylum, The Long Halloween etc. and so this time I’ll be covering Year One, which is perpetually featured in list of best Batman books ever, which helped inspire parts of Nolan trilogy movie and which is always mentioned as a brilliant book for beginners. Other writers seem to always reference it, or work off of it, or find ways to link their story with it (flashbacks etc.). They even made a straight-up cartoon movie adaptation of it, with Bryan “Walter White” Cranston in it. (Which was actually really good!).

Apparently, this was a reboot. You know the way that there were was a Batman movie in the 60s with Adam West? Then in the 80s/90s there were four more films without Adam West, and the events in the Adam West movie didn’t “count” in the newer films? Yeah? …and then recently there’s been three even newer films directed by Christopher Nolan that ignored the events of the previous four (make that five) Batman movies? Yeah? Well, that’s like the comics industry (Read about it, by someone more qualified, here).

Here’s the quick version: There were stories before Year One. That’s apparently called “Pre-Crisis” nowadays (With “Crisis” referring to a landmark story called “Crisis on Infinite Earths” where they wrapped up their decades long storylines so they could started over). Also you’ll see the terms “Golden Age” and “Silver Age” for even more specific time periods.

Then all of the stuff from 1987-2011 was another thing. When I write “Post-Crisis, Pre-Flashpoint” in the continuity sections in these articles, that’s what I mean. That’s where the biggest Bulk of Batman stories I care about take place. I think that’s what most people care about to be honest. When that first 80s Batman movie landed and got people interested in Batman, when that brilliant 90s Batman cartoon was going and got people interested in Batman, When the movie Batman Begins came out and got people interested in Batman again, when the first Arkam videogame came out… yeah, you get it. When all of those big jumping on points of the last 30 years happened, the “continuity” that was relevant was this one. And for that whole period, Year One was considered to be the definitive comics version origin story of Batman.

Then as of 2011 there’s been another reboot. That’s Post-Flashpoint. Or “The New 52.” There’s a story being put out at the moment called Zero Year which is the modern equivalent of a story set in the Year One era.

Yeah… Comic Books are annoying in that way. Can’t help that, since they’ve been going for 75 years. Just think of it like the movies. Every so often, they’ll start over again to keep things modern and fresh and get new people interested.

It got me interested. Now look what’s happened, I’ve been reading them for a year and now even write a bloody Blog about them. The idea of Reboots and retconts and stuff like that was one of the things that originally stopped me from reading comics in the first place. Weird isn’t it?

Anyway; Last week, I wrote about enjoying the “Year One” era, or setting, for Batman stories. This is the first year (or couple of years, depending on the writer) that Batman actually works as Batman, with no Robin or Batgirl or any of those guys in it yet… and he’s not yet become the world’s greatest detective, or perfected his fighting and stealth and acrobatic skills yet and is therefore more prone to mistakes and defeat.

Part of the reason for that may be the streamlined “Just let me see Batman and don’t worry about that other stuff” attitude. The biggest part of it though is probably because of the book Year One itself…

I’ll save you having to skim down to the conclusion… I love this book. This is an excellent book. One of the best. Possibly the best. Its not just important, its not just famous, its actually good too.

So… Game changer. Reboot for the line. Considered a classic. Actually good. (Oft imitated rarely bettered). I guess the musical equivalent might be The Black Album.

Batman

Batman – Year One:

– Writers: Frank Miller
– Art: David Mazzucchelli
– Colours: Richard Lewis

– Continuity: Post-Crisis, Pre-Flashpoint

– Timeline Position: Year One era (Duh!)

– Batman is: Bruce Wayne

– Villains: Arnold Flass (Police), Branden (S.W.A.T), Commissioner Loeb (Police), Carmine Falcone, Carla Viti, Catwoman

– Allies: Alfred Pennyworth, James Gordon (Police),

– Bystanders: Harvey Dent, Sarah Essen, Barbara Gordon, James Gordon Jr.,

– Story: [/Spoilers] It starts with James Gordon moving to Gotham, meeting his new Police Co-Workers who are less than ethical. There’s also scenes of Bruce Wayne clearly training to fight crime, but not yet Batman. Gordon’s co-workers start to dislike Jim’s incorruptibility. Bruce goes out dressed as a crazy veteran looking for a fight, but his plan backfires – when he is fighting a Pimp; a Prostitue, despite being a victim themselves, defends the Pimp and stabs Bruce in the leg. Gordon’s colleagues don balaclava’s and beat up Gordon with baseball bats in a car park, threatening him to be more corrupt like the rest of them. Bruce makes it home, bloody and defeated, he knows if he doesn’t get medical help he’ll bleed out and die, he doesn’t want to live in such a horrible world, a world where a criminal could murder his parents (which we see in flashbacks), but then a bat crashes through his window, which gives him the idea for Batman. He then rings a little bell, signaling Alfred to come and give him medical attention. Jim Gordon follows a drink driving co-worker called Flass runs him off the road, and beats him up in the woods as payback for what happened in the parking lot and so they know not to mess with his family.

A mentally ill man creates a hostage situation and Jim solves it with people skills. Batman makes his first outing, he tries to beat up some teenage thugs but its really clumsy. A Batman myth starts brewing. Flass was beat up by Batman while he was taking bribes off criminals. Flass acts as if Batman is a monster not a man, and becomes a laughing stock. A new cop called Sarah Essen is appointed to the anti-Batman case. Jim starts cheating on his wife with her. Batman leaves mafia boss Carmine Falcone handcuffed naked in bed.

Batman gets trapped in an abandoned building by a swat team and is shot. He escapes using a sci-fi style device which summons bats, but not before saving a cat’s life. Catwoman gets inspired to dress like a cat. Also during his escape he breaks into a clothes shop, but actually leaves money for the clothes he disguises himself with.

Gordon arrests a druglord named Skeevers, who flips on the corrupt Flass and Loeb. The police think Batman might be Bruce Wayne. Jim goes to visit Wayne but his wife Barbara Gordon tags along too. Bruce acts like a chauvinist pig. It fools Barbara but not Jim, but at that moment, Jim admits to his wife that he’s cheating on her. Essen moves away. Barbara (who was pregnant this whole time) has a baby.

Catwoman goes out on a few crimes. She steals from Mafia guys. She and Batman fight and flirt, they haven’t quite figured eachother out yet. The media think she’s Batman’s assistant and that upsets her sensibilities. The mafia are plotting to target Gordon’s family.

Bruce figures out about the mafia plan and goes to Gordon’s building (out of costume), just as Gordon is dragged out to work by a phonecall. When Gordon sees Bruce speeding to his house on a motorbike he figures something’s not right and turns around. Back at his building, mafia men are trying to kidnap his wife and son. Gordon saves his wife but not son, and knocks Bruce off his motorcycle in order to chase after the escaping kidnappers. Bruce follows by stealing a bicycle. Gordon confronts the kidnappers on a bridge but his son falls over the side, Bruce saves him in the nick of time. Gordon thanks him, saying he can’t see who it is without his glasses.

There’s an epilogue that sort of shows what’s going on in Gotham after all this shake-up, which sets up The Man Who Laughs and The Long Halloween.

– Tone: The level of realism is higher than any other Batman book I own. Aside from Catwoman’s athletic skills and costume, there’s nothing in this story that’s all that implausible for The Wire. Apart from one scene with a cloud of Bats attracted by a Sci-Fi device. But that’s it. Its otherwise pretty much a cop show. Its more realistic than The Long Halloween, and much more realistic than Dark Moon Rising.

To be fair, this tone is very impressive and I love it. However people trying to copy this tone usually fail to capture it, and usually the stories aren’t as good.

A turning point for me, as a new reader of comic books was when I came to feel that there’s nothing wrong with being a riot of fun (Note – that’s not a riot of violence, but a riot of FUN!) like Morrison’s three Batman & Robin books. There’s nothing wring with being colourful and interesting if you do it right. Sometimes realism is very good, like here, if its done well, but just being in love with Frank Miller and stealing his ideas isn’t always as successful. Much like learning to ignore all the rebooting nonsense and terrible, terrible lack of curatorship the medium seems to have, learning that I can like multiple types of Batman and not just Nolan-esque stuff was interesting. I guess the musical equivalent is going from hating clean singing to enjoying it.

– Art: The art is superb. The colours make it feel kind of old-fashioned, but I hear that they made a recoloured version and people didn’t like that. Anyway, the actual drawing and shading are excellent. Character design too. It looks better than Long Halloween, Knightfall and Death In The Family which are the three nearest comparisons I have read. (Oh yeah, and than Fear The Reaper). Obviously it doesn’t match up to modern, glossy, super impressive stuff but it is brilliant. Its kind of like Megadeth’s Rust In Peace or Countdown To Extinction albums in that even though you can tell they weren’t released recently, they sound faultless. Age is apparent due to comparison with newer releases, but age is not a detriment. Its one of my favourite looking books ever, even if its not technically the absolute best (I am shallow and love Jim Lee and Greg Capullo).

– My Thoughts: I really, really enjoy this book. Its interesting, its succinct, and the Jim Gordon infidelity plus bad co-workers story is more interesting than even the Batman story. Its more interesting than most Batman book side plots. I care more about this than Jason Todd’s search for his biological mother, or Tim Drake’s Dad being kidnapped. They’re equally interesting human stories on paper… but this one just has a lot more depth and heart.

I also like that there was a memorial named after Bill Finger. It could have been the Kane memorial, but no. Nice touch.

One interesting point, which I didn’t know until this week when reading about this book online. When I read this book, its quite clear that Catwoman is a prostitute. It is so obvious I would never question it. I’ve saw people fighting about it online though “She’s not a prostitute, it in no way says that” etc. Then a second bunch of people who are like “She is a prostitute, but I wish she wasn’t” and an even more mysterious third party “She’s not a prostitute, she’s a dominatrix – learn the difference!”

Now I don’t think that if she was a child prostitute’s roommate that she’d just be dressed as a dominatrix for fun, so I’m not even going to give that one the benefit of the doubt. But come on; in what way is she not a prostitute? Does it have to have a drawing of her performing a sex act with a fist full of cash and a speech bubble saying “I’m only doing this for the money” ?

I don’t know why you’d wish she wasn’t either. Personal taste I guess, I can accept that. Just has a bit of a whiff of victim blaming about it… but then, I dunno, maybe you just wish she was an actual cat too (like those cat dudes in Skyrim who’s name escapes me right no…”Kajiit?”) and it has nothing to do with anti prostitute sentiment and I’m just making assumptions. What do you think?

I guess the musical equivalent is… um. No. I don’t have one for this section. You?

Amateur Batfan: Volume 12 – The Long Halloween

Hello and welcome to the twelfth installment of Amateur Batfan, a series of blogposts here at Kincrimsonblog where I try something new. Instead of writing exclusively about music like I usually would, I’m dipping my toes into the field of writing about comics. I’m fairly new to comics. You can read about my history with the comics medium in the first entry of the series.

Long story short, I liked comics-related stuff but found the whole idea of being a comics fan too embarrassing, and some of the comics I did try were lacking-in-depth, so I didn’t like comics themselves until my friend Paul opened my mind, multiple times over the years until I finally allowed myself to enjoy them. I had a sort of snobbery to overcome. Its been overcome now though, and I’ve spent most of the last year buying and reading Batman comics, which I will now blog about for your reading pleasure and commenting-inspiration (seriously, I want to know what you think about these comics).

In previous entries, I mentioned how I’ll now try and cover some of the more famous Batman books like Year One, Arkham Asylum, Dark Knight Returns etc. and so this time I’ll be covering The Long Halloween, which is perpetually featured in list of best Batman books ever, which helped inspire parts of The Dark Knight movie and which is always mentioned as a brilliant book for beginners.

I had it in my mind that The Long Halloween was released either late 80s or very early nineties, as it is a sort of follow-up to Year One, and I assumed that it was the next Batman story after Year One, but apparently there was almost a full decade between them, and that this didn’t even start until 1996.

I also thought that the much discussed Hush, (created by Jeph Loeb, who made The Long Halloween), was made long, long after his other work. But this ran from 1996-1997 and its sequel Dark Victory ran from 1999-2000, so Hush running from 2002-2003 is completely normal. I had it in my mind that Hush was a sort of return of Loeb after ages away, in the way that The Dark Knight Returns coming out in 2003 was a return for Frank Miller after about 20 years. Yeah… my knowledge of this stuff is pretty blurry to say the least. I don’t really know where or why I got that “return” impression.

Either way, as a rule, I generally enjoy the whole idea of the Year One sort of period, where Batman isn’t fully developed yet, where all his inventions and vehicles aren’t invented, where the bat-family like Robin and Batgirl and all that lot aren’t in it yet, when some villains haven’t even showed up, or turned evil yet. When I was first introduced to comics again as an adult, I thought “Good. I don’t want any Robin or Superman or Magic or Aliens, all that stuff is stupid and diminishes what’s cool about Batman.”

Having said that, the more I’ve been reading Batman, the more I’ve grown to appreciate just the opposite of that. I’ve began to really love seeing Nightwing and Oracle show up, and after his smug-shite attitude in Batman And Son – I thought I’d hate Damian Wayne, but then as he developed as a character, I really began to like even him. Its therefore kind of an old-opinion of mine that the Year One stuff is what I care most about, now I want to learn about Huntress and Cassandra Cain and whatever else. Even with this new attitude though, it didn’t stop me re-reading and enjoying The Long Halloween…

Batman

Batman – The Long Halloween:

– Writers: Jeph Loeb
– Art: Tim Sale
– Colours: Gregory Wright

– Continuity: Post-Crisis, Pre-Flashpoint

– Timeline Position: Year One era

– Batman is: Bruce Wayne

– Villains: Holiday, Calendar Man, Joker, Two Face, Scarecrow, Mad Hatter, Poison Ivy, The Riddler, Solomon Grundy, Sal Maronie, Carmine Falcone, Vernon Fields, Carla Viti, Johnny Viti, Sophia Gigante,

– Allies: Alfred Pennyworth, James Gordon (Police), Harvey Dent (Pre-Two Face), Catwoman

– Bystanders: Gilda Dent, Barbara Gordon, James Gordon Jr., Richard Daniel (Gotham Bank)

– Story: [/Spoilers] Batman, Harvey Dent and Commissioner Gordon form a pact to bring down the crime empire of Carmine Falcone, a mafia boss. Catwoman seems to have something going on with Falcone. Somebody starts killing Carmine’s family and men over the course of the year on public holidays. The press dub them the Holiday Killer. Batman suspects Calendar Man as it fits his M.O. of Holiday-themed crime, Carmine suspects his mafia rival Sal Maroni. Everyone suspects eachother, maybe its Batman, maybe its Harvey Dent, maybe its Gordon, maybe its Catwoman, maybe its one of the many mafia characters in the story. The mafia want to deal with Gotham bank to launder money. Bruce Wayne’s vote on their board-of-directors meeting stops that deal from happening. The mafia have no choice but to just keep their money in a huge pile in a warehouse, and Batman along with Harvey sets it on fire.

Harvey’s wife Gilda finds a gun that makes it look like it was Dent doing the Holiday killings. Catwoman flirts with Batman a lot. Carmine hires a Mad Hatter, Scarecrow, Poison Ivy and Riddler to deal with his problems – Fighting the Bat-freak with freaks of his own, much to the distaste of other mafia members. Riddler almost gets killed by the Holiday Killer and is distraught about it. Poison Ivy uses her mind control powers to trick Bruce Wayne into reversing the vote with the bank, then Catwoman breaks Ivy’s spell over Wayne. Joker on some ego trip wants to know who Holiday is, and breaks into the Dent’s house frightening Gilda and angering Harvey. Joker steals a plane and threatens to kill people until he finds out who Holiday is. Batman stops him. Harvery’s death is faked and this helps him arrest some criminals. Solomon Grundy is in the Gotham sewers, Batman is nice to him. During a court case against a mafia guy throws acid in Harvey’s face turning him into Two Face. Carmine’s undervalued son is revealed to be the Holiday killer. Two Face kills some mafia guys then hands himself in at the end, stating that the justice system will fail as usual. Batman and Catwoman flirt. All the super villains gang-up on the mafia boss. There’s an epilogue where Gilda is destroying evidence to protect her husband and reveals she killed some people too.

– Tone: Its in part, a very serious and realistic take on Batman. In some ways, it’s a colourful tour of the rogues gallery including magic tree women, madmen in dodgy costumes and a zombie. Its probably symbolic of the transformative effect Batman’s presence had on the criminal landscape that it starts off with Mafia guys and ends with supervillains, but I don’t feel like somebody’s desperate to give me a message like when Smith or Snyder do their Joker conversations at the end of their books. I just feel entertained. Its good to have a little more humanity and grey area to Harvey Dent, instead of him being super-perfect then instantly super-evil. This makes it more like its two sides of his personality. The mixture of realism and supernatural ideas reminds me of Dark Moon Rising.

– Art: I’ve read this twice. Once about a year ago, and once in the last two days. Right up until re-reading it, I had it in my mind that this was a really fugly book. I don’t know why I thought this. I’ve just read it again and some of the artwork is absolutely gorgeous, any of the moody film-noir looking shadowy scenes in Gordon’s office look incredible. The only things that really look bad are Joker and Poison Ivy. During the normal scenes with humans, or in people’s offices and houses, this is an excellent looking book with a lot of attention to detail and it feels really good on the page.

– My Thoughts: I really, really enjoy this book. I don’t accept the idea that this is poorly designed or only exists to show off some different villains, plagiarizes The Godfather too much, or has a bad mystery (see here). I do agree that some of the character designs are not the best (I don’t like scarecrow) and do concede some of the villains are slightly unnecessary (I don’t understand Joker’s motivation even now… if he is jealous of other freaks, why does he do the team-up at the end?).

Its good having the whole Gilda and Barbara thing, it adds extra depth. I like when there’s people in Gotham besides the Bat Family, The Cops and The Villains.

I was surprised to learn, while reading about this online afterwards, that Carmine Falcone was only introduced in Year One. I thought he’d be one of the earliest villains going. When I’ve seen historical bat-stories from the 50s they’ve usually involved gangsters, and you could easily imagine one being called Falcone or Maroni.

This isn’t so much about Long Halloween but rather all Batman in general – Do you know what I dislike? Mad Hatter. I am a) sick of him due to a coincidental over-exposure and b) I dislike him to begin with, he is just something I don’t get along with. I never liked Alice In Wonderland to begin with, and it seems to grate at me. I also think it’s a bad gimmick for a villain. As far as I’m aware Spiderman doesn’t fight a Gandalf-themed Lord Of The Rings-obsessed character, and Spawn probably doesn’t fight a Ron Weasley based villain.

I do like that Loeb teams him up with Scarecrow though, if he has to be included, this is better, he can’t sustain a whole story of his own in my opinion. Even in the Arkham games, the Mad Hatter psychedelic missions weren’t as good as the Scarecrow one, (probably just because Alice In Wonderland seems to annoy me for some reason admittedly). I think adding in Hatter adds a bit of value-for-money as the list of villains included is longer, but letting Scarecrow do the heavy lifting is just better for my individual personal tastes (heck, throw Cornelius Stirk in there too and have a team up of mind-bending villains.)

So yeah, Mad Hatter… tolerable in small doses or as a silent part of a team, but I’d hate a game, comic or movie where he was the main villain. I’d almost prefer The Carpenter or Tweedledum and Tweedledee… at least their voice isn’t annoying. I was going to start a list of villains that I prefer to Mad Hatter, starting with Mr. Freeze and going onwards, but I thought it would just be pointless, you get the point. I don’t like Ventriloquist or Mad Hatter all that much. Doesn’t matter, just personal opinion.

That ‘Hatter observation aside, I only really have positive things to say about this story. It is long, weighty, has a good tone, keeps you reading till the end it also looks good for the most part (Jim’s office particularly). I also like how they hint at duality instead of ramming it down your throat every five minutes. What more could you want?

[Oooh look. A whole Batfan article where I didn’t bring up Heavy Metal. What’s going on? Ummm…. “listen to Megadeth.” Phew, close call!]

Amateur Batfan: Volume 10 – Batman: The Chalice

Hello and welcome to the tenth installment of Amateur Batfan, a series of blogposts here at Kincrimsonblog where I try something new. Instead of writing exclusively about music like I usually would, I’m dipping my toes into the field of writing about comics. I’m fairly new to comics. You can read about my history with the comics medium in the first entry of the series.

Long story short, I liked comics-related stuff but found the whole idea of being a comics fan too embarrassing, and some of the comics I did try were lacking-in-depth, so I didn’t like comics themselves until my friend Paul opened my mind, multiple times over the years until I finally allowed myself to enjoy them. I had a sort of snobbery to overcome. Its been overcome now though, and I’ve spent most of the last year buying and reading Batman comics, which I will now blog about for your reading pleasure and commenting-inspiration (seriously, I want to know what you think about these comics).

At the minute, I’ve just finished reading No Man’s Land (Sarah…No!) as well as re-reading The Black Glove Deluxe and Batman R.I.P for the first time since my initial reading and disliking of them last year, which I chose to do as a result of reading and enjoying Batman And Robin: Reborn, Batman Vs. Robin and Batman And Robin Must Die… and then (with excellent timing) receiving a copy of Batman Incorporated from Paul as part of a giant Bat-package (also featuring a new Sepultura album) that I’ll slowly be working through. I figure most readers would prefer these articles on something a bit more famous, like The Long Halloween or Arkham Asylum, so now’s your chance (stay tuned).

The previous two entries of Amateur Batfan have covered Hush Returns and Heart Of Hush and even though I’ve just recently bought and read House Of Hush (yet another book about Hush), I’ll take a break from just banging on about Hush all the time and try something a bit different.

So what should I write about then? The Grant Morrison Run, Knightfall (discussed in earlier entries) and No Man’s Land are too big to write about tonight with what time I have available, but they are on my to-do list (stay tuned for those too). Tonight I think I’m instead going to write about something else I got in that aforementioned big postal package and which I read today on the train in one sitting.

So; This entry will cover a book called The Chalice, which I hadn’t really heard of before receiving. Its Batman meets The Holy Grail. No Dark Knights of “Ni” though. After reading it, but before writing this, I had a quick look online to see what the general fan consensus about the book was… not a lot of positive reviews about it on my quick search. I’m not sure what most fans think about it, or if they’ve heard of it, but from my little one-off search, I didn’t see many people thinking it was a “great” like Killing Joke or Year One.

Have you heard of it? Comment below. Did you enjoy the art? The story? The religious content?

Batman

Batman – The Chalice:

– Writers: Chuck Dixon
– Art: John Van Fleet
– Colours: N/A

– Continuity: Post-Crisis, Pre-Flashpoint

– Timeline Position: Mid-Late Career, after Knightfall

– Batman is: Bruce Wayne

– Villains: Two Face, Penguin, Ras Al Ghul, Talia Al Ghul, Ubu, Shuram

– Allies: Jean Paul Valley as Azrael, Alfred Pennyworth, Barbara Gordon as Oracle, James Gordon (Police) Bullock (Police) Renee Montoya (Police), Hendricks (Police), Catwoman

-Bystanders: Peter DeWettering, Lord Winsleygate, Earl of Grambling,
– Mentioned: Tim Drake as Robin, Dick Grayson as Nightwing,

– Cameos: Superman, Gawain

– Story: [Spoilers Ahoy:] After a flashback, and a brief fight with Two Face, the story begins with Bruce Wayne, who receives a mysterious package addressed to his father. Upon Investigation, and a visit to a mysterious 200 year old man, it turns out that Bruce has become the inheritor of The Holy Grail. He tests out the Grail and it possesses the power to heal wounds (gunshot, in this case) and he offers it to Oracle but she turns it down. Different villains want the grail, including Penguin (who hires Catwoman to do the dirty work in exchange for £5-million) as well as Brotherhood of Merivingians and Ras Al Ghul… Ras has been seeking it for hundreds of years and destroyed whole cities in order to get it. People realize Bruce has the grail because his Buggatti car is seen leaving the last known residence of the grail.

While attempting to steal the Grail from Wayne Manor, Catwoman is accosted by Alfred, but then they are both accosted by the Brotherhood of Merivingians and team up to defeat them. The Catwoman escapes and Alfred agrees not to turn her into the cops. Then Ras Al Ghul and his minions target Batman directly since Ras knows Bruce is Batman, and Batman defeats the minions. Ras and Batman are about to fight themselves and Ras reveals he only wants the grail to make Talia immortal, but Talia shows up and says she doesn’t want to be immortal. Ras just stops then and there and gives up, but warns Batman that it isn’t safe to keep the grail. Batman consequently gives it to Superman for safe-keeping. The end.

– Tone: Its got a fairly cinematic tone. I just read a Justice League book on the Train right before this, and it felt like a comic book. This fells more like a film in tone. Its got stabbing and swearing, vague religious ideas that aren’t totally explored, a historical flashback and a deus (appropriate ey?) ex-machina (oh maybe not!) ending. It also has a quick mixing of a few different characters thrown in but not really characterized. It’s a bit like taking a random ten-minute section out of a movie. Its not really for children, but its not so adult that grandmothers would respect it… think of Constantine the movie as a reference, then deduct the action.

– Art: The art here is very stylized, very visually interesting. Its almost worth a library rental (or purchase if you can afford it) for a look at the art alone. Almost. I wouldn’t say it was brilliant so much as it is unique. Its interesting, it almost looked as if it was painted onto stone. I enjoyed it, even if sometimes the images are a little unclear. One notable thing is that Alfred has black hair and glasses instead of the more common white hair, no glasses look.

– My Thoughts: Ras just gives up? after hundreds of years. If he just thought of it there and then like The Penguin it would be ok, but if he wanted it before he had Talia, then Talia wouldn’t be his only reason for wanting it, so why give up just because Talia doesn’t want it?

He kind of hints that its some sort of supernatural, possibly sci-fi, item and that dangerous powers want it (I’m thinking Darkseid). So, does that mean it is or isn’t The Holy Grail? I’m unclear.

Then Batman gives it to Superman to keep it safe. That’s cool, if every other Batman book ever didn’t make Batman and Superman have that “I don’t need your help” relationship. I know that this book does contain a line about how Batman would usually be too proud to ask for help but that this problem is too important…but, I don’t know… it doesn’t feel right somehow.

Also… on that front… Catwoman just thinks its too much trouble and gives up? Kind of in-character and kind of not. What about the Penguin? Never mentioned again.

But anyway, even a slightly vague and unexplosive ending aside… was it good?
I’m not sure. It looked interesting, but it was kind of hollow. It was a bit empty. It didn’t really do or say anything, except link Bruce to a Sacred Bloodline that is a bit too religious to be in Batman (but then I guess I enjoy Spawn when I read it and its all full of religion, so mustn’t be too hypocritical I guess.)

I sort of reminds me of Faces in that it was a bit of brief entertainment that passed the time, but wasn’t really especially noteworthy. It was a thing. I read it. I wouldn’t overly recommend you read it yourself, but I wouldn’t say it was awful or anything. Maybe I should have written about Hush.

Amateur Batfan: Volume 9 – Heart Of Hush

Hello and welcome to the ninth installment of Amateur Batfan, a series of blogposts here at Kincrimsonblog where I try something new. Instead of writing exclusively about music like I usually would, I’m dipping my toes into the field of writing about comics. I’m fairly new to comics. You can read about my history with the comics medium in the first entry of the series.

Long story short, I liked comics-related stuff but found the whole idea of being a comics fan too embarrassing, and some of the comics I did try were lacking-in-depth, so I didn’t like comics themselves until my friend Paul opened my mind, multiple times over the years until I finally allowed myself to enjoy them. I had a sort of snobbery to overcome. Its been overcome now though, and I’ve spent most of the last year buying and reading Batman comics, which I will now blog about for your reading pleasure and commenting-inspiration (seriously, I want to know what you think about these comics).

[First off, why not listen to this while reading this article:

, that’s probably the way to get the most out of the experience.]

At the minute, I’m happily making my way through reading No Man’s Land, and just like last time, since I’m not finished it yet, that won’t be the subject of this week’s entry. I’ve also received Batman: Demon in the mail. It may surprise you to know that its not about Ras Al Ghul like Son Of The Demon and Birth Of The Demon and all those other Demon books… its about that Etrigan The Demon guy, who I only know from one of Kevin Smith’s two Batman books. He rhymes a lot. Is that a permanent character point or just a Smith thing? I’ll find out soon enough…

Anyway; Last time on Amateur Batfan, I covered Hush Returns, which was a bad story featuring the villain Hush. Today, I read an interesting article about how the original Hush book was quite poor (Read it here). The thing is I really like Hush (the character). I like him to the point where I frequently think the sentence “if I was ever in charge of a Batman Comic/Movie/Videogame then I’d make Hush one of the main villains” (Along with Onemotapia and The Architect in case you were wondering).

When I first heard of Hush, I went into reading the original book with a negative eye, expecting to be disappointed, as my friend and Batman-advisor Paul had said that it wasn’t good (and after I read it and asked why, he said “because it treats the reader with absolutely no intelligence”), but I remember at the time really really enjoying Hush (damn its getting confusing having the book title and the villain both be called Hush, isn’t it?) partly due to Jim Lee’s beautiful artwork… (that’s how I want all comics to look, even if he could do with being less sexist. Also, everyone online ever also informs me that all his male characters have the same face and body). It was also partly due to the entertainment value. Its not a strong mystery at all, and the “insert thing into the past” line of story telling is one of my pet peeves (…and its actually doubly unnecessary here, because if Loeb wasn’t so attached to the name Tommy Elliot, he could have used the Bruce’s childhood friend character from Batman Gothic and then he’d just be expanding rather than shoe-horning) but I think the whole ride was pretty fun in a low level blockbuster sort of a way.

I also remember disliking the [Spoiler]Clayface/Jason Todd plot point a lot though. So… I guess you could say that I disliked THE POINT OF THE BOOK. But I enjoyed the ride. I really ought to re-read it and see where I stand; because of Paul (my friend, not Paul Dini), and a coincidental series of other people disliking it, I kind of assumed most people hated it. I was reading a lot of reviews about it today though, and it seems almost universally loved. I guess it’s the Metallica thing. Everyone loves Metallica, but you see a lot of criticism too. Is Lars a bad drummer? I can’t even tell anymore. Linkin Park are the same… if you’re actually in a University Halls Of Residence, you are never more than 10 feet away from at least 15 people who love Linkin Park, but go on Blabbermouth and you’d think they were the most reviled band on the planet.

Given that those two other Hush books aren’t very strong (or maybe Hush is… I’m still not sure), I’m not really certain why I enjoy Hush so much as a villain… but I do. I was even really pleased when he had a brief cameo in Gates Of Gotham, it really put a smile on my face! …Maybe its just because he looks cool. Maybe its just because I hadn’t heard of him before and I then when I saw him at the right time, I bonded to him, like how a zoo animal thinks the puppet that the Zoo Keeper uses to feed it is its mother. Maybe its because he shows up in Arkham City, and that game was great. Who knows? Anyway, this week, I’ve decided to cover a Hush story that isn’t poor. In fact, its one of my favourite Batman books so far. In fact, this story is almost like an apology or justification of the original Hush’s flaws.

As an example of those flaws, I’ve heard the motivation of Hush in the original Hush (confusing aint it?) described as “ludicrously juvenile.” Hush’s motivation is more understandable once he is more deeply characterized here though (heck, even his costume is). As an example of how Dini has retroactively rectified those flaws: While still having to work with what he’s been given (the car crash, wanting his parents inheritance, Wayne Sr. saving his mum plot), Dini manages to add depth and therefor quality by making the reader understand that Hush as a character is a ludicrously juvenile person, and that its not just bad writing. The guy is a total born prick, and he is also tortured emotionally by a belittling and draining upbringing. His parent’s inability to let him grow explains, in part, his ludicrous childishness, which only compounds his born wanker-ness. Its quite a clever workaround.

You know what else? I really hate shoe-horning in a previously unknown childhood best friend into any story (just like I hate a long-lost brother, or a secret lovechild), but when this is the third appearance, and its already established… its kind of dulled, or lessened. Its not a shoehorn anymore, it just “is.” Hush, by this stage, just is Bruce’s childhood best friend and we all know it, and its no-longer an insult on our sensibilities so we can now all just get on with it. Consequently, that particular turd isn’t gathering as many flies in this book. It left me softened up and more ready to just enjoy the story.

Speaking of softened up… as a sort of apology to what I’d said last week… I also had another thought when reading through several reviews and Wikipedia articles about all three of the Hush stories I’m talking about which softened me up a little to Hush Returns, which I had criticized for mis-characterizing Hush as a brawler when the original establishes him as a slow-strategist type (a callback to Bane’s wearing Batman down with villain after villain?). This softening-thought was that in Hush (the book) itself, it wasn’t Hush (the villain) who came up with the slow long-game plan, it was The Riddler. I’d forgotten about that by the time I’d read Hush Returns. So Hush wading in himself in Hush Returns isn’t so out of character after all. I can admit when I’m wrong.

Also, because I can’t completely divorce myself from writing about music, I just thought I’d inform you that at the time of writing, I’m currently listening to The Glorious Burden by Iced Earth, featuring Tim Ripper Owens, specifically the epic three-part, 30-minute long “Gettysburg.” If you haven’t heard it but like Heavy Metal in the vein of Judas Priest and Iron Maiden, its an absolute gem. That’s my Heavy Metal recommendation for the day. You can all sleep easily now.

Batman

Batman Heart Of Hush:

– Writers: Paul Dini
– Art: Dustin Nguyen
– Colours: Derek Fridolps

– Continuity: Post-Crisis, Pre-Flashpoint

– Timeline Position: Very Late Career, Ties in with Batman R.I.P

– Batman is: Bruce Wayne

– Villains: Hush, Dr Aesop, Scarecrow, The Walrus, The Carpenter, The Joker, Mr. Freeze

– Allies: Alfred Pennyworth, Tim Drake as Robin, Dick Grayson as Nightwing, Barbara Gordon as Oracle, James Gordon (Police) Bullock (Police) Montoya (Police), Catwoman, Zatana,

-Bystanders: Detective Sam Emerson Bradley, Colin, Peyton Riley

– Mentioned: The Ventriloquist

– Cameos: Harley Quinn, Joker, Penguin, Riddler, Killer Croc, Thomas & Martha Wayne, Poison Ivy, Tweedledum & Tweedle Dee, Mid-Nite, Mr. Terrific

– Story: [Spoilers Ahoy:] The story takes place between the events of the books The Black Glove and Batman R.I.P, as the Black Glove Organization’s threat on Batman’s life drives Hush’s egotism into action. Hush is an asshole and he has to be the one to kill Batman. He sets up headquarters in the abandoned hospital that he mentioned in passing in Hush Returns, where now he has kidnapped and drugged-up a number people to use as almost zombie-like helpers. It might be a slight callback to The Cult… seeing as how Hush books love calling back to things. His plan involves attacking the people Batman cares about, including Alfred and Catwoman. The original Hush book saw Batman and Catwoman developing a romance, so after distracting Batman with decoy plans including an innocent little boy being given venom (…a callback to Batman Venom?), he goes as far as to actually surgically remove Catwoman’s heart. It is cryogenically frozen with help from Mr. Freeze to lure Batman into a trap.

There are multiple flashbacks to Hush’s childhood throughout the book, explaining the toxic relationship between him and his domineering mother (who’s bandaged face after the car accident from the previous Hush story adds an extra layer to the whole plastic surgeon and bandage themes from the previous book, rather than letting them be throw-away parts of a Two-Face subplot). Flashbacks also indicate that Hush’s councilor following the accident was Dr. Crane before he fully became Scarecrow. Hush teams up with Scarecrow as an adult, so that Hush has some help in his anti-Batman plan.

Batman infiltrates Hush’s Hospital but is drugged and wakes up strapped to an operating table. Hush uses his plastic surgery skills to make his own face an exact match for Bruce Wayne’s in a move that would have lasting impact outside this book. (Damien Wayne even spends time with Hush to feel like he is spending time with his dad later on in future Batman comics.) Hush, disguised as Bruce Wayne, infiltrates the batcave hoping to kill Alfred, Dick and Tim, and then mascaraed as Bruce to tell the Justice League that Batman is retiring and quit Wayne Enterprises. Batman escapes the hospital as you’d expect and tracks down Hush; there’s a fight between Hush and Batman in the Batcave, assisted by Nightwing and Drake-Robin, and when trying to escape, Hush’s bandages get caught in the rotar-blades of the gyro-copter that he is trying to commandeer, and he crashes into the water. His body isn’t located, meaning he escaped but isn’t an immediate threat.

With Hush out of action temporarily; Batman saves Catwoman and the two start a brief romance. In revenge for what happened to her, Catwoman dedicates her time, resources and favours/debts all to ruining Hush, by siphoning his money away (although graciously using it to compensate the zombified hospital workers) and leaving him a big “fuck you” sort of message. The book ends with an injured Hush receiving the message and hobbling off into the night, broken.

– Tone: I really enjoy this book. It tries to balance the supposedly roller-coaster ride feel of the original with having an actual plot. It brings in extra characters but doesn’t drown you in them. The original suffered from being a mystery that wasn’t mysterious enough… here, with no intention of being a mystery, it can’t fail on that regard and so is free just to be pure entertainment, at which it most certainly succeeds. The tone is a mixture of dark at times and yet there’s that comic-book feel to it too. Its not all grim horror, but its not all aliens and magic and long-lost twins either. Its good. Its a good comic book. Its what comic books fans talk about when they talk about comic books even if non-fans think of the B.S. (Like how non-Metal fans think its all noise and screaming and satanism… and no quality musicianship or intelligent songwriting).

– Art: In my opinion, Nguyen’s art isn’t as good as Jim Lee’s. Its good though. Very good. It really reminds me of Gates Of Gotham actually, its kind of stylized in a way that feels like the comics-equivalent of cell-shaded videogame graphics. It reminds me of Zelda Windwaker for some reason. Its not just as stylized as Broken City though, which I include as another random reference point.

Just because Jim Lee’s is prettier though, this is by no means an ugly book… its very good looking indeed (and in fact, better than Lee on the non-sexist drawings and varied character models side of things). I like how this book looks a heck of a lot.

– My Thoughts: If this book is a flop, and I was to imagine what everyone was to criticize this book for I’d guess just comparisons to other stories, or the fact that Hush is in it at all and they didn’t like the original. I mean, sure it borrows ideas from Face Off, and even Batman The Cult, but it does them well. I also have already explained how this improves immensely on the Hush story, so I’d say this is a good book to read if you disliked Hush. Its like “Ok… but do it properly this time.”

I guess the whole Aristotle thing, and all the Heart metaphors may come across as a bit cheesy to some, but I feel the right balance has been struck. I think it works well. Its not like in the Scarface videogame where they take the one off line from the film about Ice-Cream and then decide that in the game, Tony should mention Ice-Cream every five-minutes.

I don’t think it was a flop though.

Also, compared to Hush Returns… it actually ends. It wasn’t abandoned halfway through. It doesn’t massively misread the characters (Joker isn’t pining for a lost wife here).

There’s something that’s difficult to articulate… and that’s the fact that, its just good. It just is! It’s a very good book. I advise you to read it and find out why. Its well written. It flows well. Its entertaining. There’s nothing that makes you think “well, that was really annoying.” Overall; I really enjoy this book and I’d like to spread the word. So consider the word spread. Heart Of Hush is a good Batman book and you should totally check it out. (That’s my Batman recommendation for the day… what else needs recommending?)

Amateur Batfan: GUT REACTION SPECIAL – Death Of The Family

Batman

***SPOILERS AHOY AND MEANINGLESS CONTENT IF YOU HAVEN’T READ IT. ***

Ok. I’ve just finished reading Batman – Death Of The Family this morning. Instead of going through the usual format of these Amateur Batfan articles, I’m just going to launch straight into some gut reactions. Here goes:

I can’t actually articulate whether or not I enjoyed this book. I mean, I think each and every page was good, but somehow it seemed like a bad story.

For me, this was something where the whole was much less than the sum of its parts. It was like Resident Evil 5 for me; I had a lot of fun playing Resident Evil 5 and liked every single set-piece in it in isolation, but if I watched the actual plot as a movie, it wouldn’t live up to its own marketing hype.

I’ve read a few things online saying it was overly gory and horrific, but I didn’t actually notice that until afterwards, upon reflection. I think it had a great tone. I read some things saying that Joker’s face being cut off was too gross. I dunno, I just thought it was cool looking. It really is a striking image.

I didn’t even think that the plot or the dialogue were bad. Heck, the first few chapters really, really draw you in. Joker doesn’t like how Batman has evolved from a strong solo act into the leader of a big band (I, as a casual, barely-informed comics-outsider, fan felt like that too initially until I read Scott Synder’s Gates Of Gotham and Black Mirror… I liken it to Guns N’ Roses and their Use Your Illusions albums and tour. “Hey? Wasn’t this supposed to be a bad-ass rock band? What are all these trumpets and soul singers and country songs here for?”) and so wants to take away all the baggage and just leave it as Batman Vs. Crime. He also plays on the fact that Batman can barely keep up with him by recreating his old crimes but perverting them so Batman is playing catch-up instead of stopping him.

None of that is bad. In fact its all quite good. Yeah, Joker questioning the worth of the Bat-family and DC Comics proving why they are good is a great idea, and Batman struggling to predict Joker because Joker is the most difficult villain to predict is an entertaining read. It all sounds like the basis of a good, satisfying book.

Its this other thing that just got to me… this insistence on scale. This manufactured importance. They made ‘an important story.’ Not they made a story, and it was so good that people got on board and raised it to the level of important. They sat down and made an important story on purpose.

My question is, was it worth it? Wouldn’t it have been better to just have had a really good Joker-is-angry revenge story, than some thing that claims to be existential and revelatory, but then leaves you feeling a bit confused and sold-short.

Why does it have to be a ‘terrifying return,’ ‘a return of such importance’ or an ‘ultimate showdown.’ Why do writers have to bow down to the expectation that this has to be the most significant Joker story ever told? Why does everyone have to try one-up eachother by making the Joker more and more messed up? Why does everyone have to reveal some deeper truth to Batman and Joker’s relationship?

After a while its either just repetition or credibility-stretching ret-conting.

The thing about arms-race mentalities is that the artistic quality that comes from them is a bell curve. Sure, somebody does something, somebody else does it more gets us from Thin Lizzy to Iron Maiden, and from Iron Maiden to Metallica. It also gets us from Slayer to Sodom to Sarcofago to countless bland unlistenable bands that are such a wave of intensity that it loses all sense of meaning and significance.

Extremity is a dynamic. It only works in context. It only works by juxtaposition.

I get that Joker is a much-loved character. But like a comedian who’s audience loves him too much, the jokes are starting to suffer. What good is a character that has to have the best story ever?

That’s how Metallica ended up making Lulu.

You can’t just redefine a character every-single-time otherwise there is no character. Just an insert-character-here box, with a little quote on the bottom that says “best character ever, trust us!” I asked my friend about it, and he responded “Modern Writers are so in reverence of the Joker, they feel like they aren’t doing it properly if they don’t do it” …I think that’s a pretty good sum-up. Loving something too much can just get tiresome. I think that’s why I have such a problem liking Starwars.

Do you know what else though? This may seem a bit contradictory to my previous point, but where is the consequence? If this is the most important Joker story ever… why isn’t Alfred left blinded forever? Why aren’t the whole Bat-Family slaughtered and irreversibly killed forever? Either this is business as usual or it’s a world-shaking cataclysm that redefines everything. You can’t just say its world shaking but then let everyone get away unharmed. I guess you have the fact that the Bat-family didn’t come over to Bruce’s house at the end… but that’s hardly the same as Jason Todd’s actual murder or Barbara’s actual paralysis.

I could get behind the whole “this is Joker’s most gruesome assault ever” premise if it wasn’t so easily foiled, and devoid of any lasting impact. It would be cool to have Alfred just be blind from now on, and then struggle with being less helpful since he can’t read the computer screen any more. It could be like a disability-coming-to-terms story, or it could leave him as a bitter alcoholic… or something.

In the show House, when he gets locked up in a Mental Institution, it seemed like the ballsiest move ever. This show had been about a doctor on the brink and now he’s fallen over the edge. It would’ve been so cool to see the status quo shattered and the artistically bold move of just having him locked up, but they ditched that idea real fast and missed that opportunity. In Dexter there was a similar missed opportunity to have some genuine brave shake-up but it was wasted too.

This story feels like that. It screams ‘huge deal’ and then actually delivers the usual deal.

I’ve read some stuff online that people complained about, such as the acid that burned Batman’s mask didn’t injure his face, and the police not having Joker’s DNA being incredulous. I’ve also read some defense of the book saying it reveals alot of big deal things about the characthers, and the fact that everyone is huffing with Batman at the end is a big consequence and not just a little tiff to be brushed off.

In repsonse to those points, I wonder:

“I’m sorry if I’m being stupid… but what is this reason why Batman never kills the Joker?
I don’t see what it is.”

Otherwise, yeah, the DNA thing is fine because he wasn’t a criminal before being the Joker so shouldn’t be in a database anyway, the Joker Venom cure and acid-face thing I just file away under “reasonable suspension of disbelief within the context of the medium.”

The story feels a bit pointless to me, unless of course, from now on everybody does hate Bruce and no one associates with him anymore for years and years. Then yeah, the story will have some impact. Seems like a bit of a crap reason to huff with Batman though, he’s always giving out limited information. Its his thing. He’s that kind of guy. He’s never been a blabbermouth.

Furthermore, as to the character-defining stuff; As an audience, we’ve also known for years that Batman and Joker have a “special relationship” and “need each other” and all that, so it didn’t need retold as if it was new information. We’ve know for years Joker prefers trying to kill Batman than really killing him, so its not a big deal. We’ve known for years he doesn’t care who’s under the mask. So… again no big deal.

Oh Yeah. Another thing that has been touched on online is I that the New 52 continuity doesn’t make sense. With that one, I totally agree. If Batgirl isn’t Oracle then why/how did the Killing Joke story still happen? Maybe its explained somewhere, but its not explained enough in this book, where it needed explaining. Barbara and Jim can’t be so traumatized by the Killing Joke story but for it not to have happened (Which is what it feels like without that missing info).

So. There. A vent of all the annoyances of that first read. Blleeeeeurgh.

Ok. I’m done.

As I say though, every page was good. I don’t know how to feel. I just see a picture of Joker with his face hanging off and think “that is so cool looking,” and I read a chapter and am completely entertained until I’m finished reading. Its only afterwards, when you get a moment to think about it that you start wondering what’s went wrong.

Do I like this book or not? I can’t even tell.

Arkham Origins did the same old “lets go deeper on the Bat-Joker relationship” thing too, but I didn’t mind too much there, because at least it was a mechanically brilliant game. Is Death Of The Family a mechanically brilliant book?

Well, some of the set pieces are great and the art is superb, and it is entertaining and a page-turner, so sort’ve… but still, that salty aftertaste.

Maybe it’s a grower. I’ll get back to you on that.

If possible, I advocate healthy discussion in the comments, I want to know what y’all think…