Rammstein albums ranked:

This list feature is based on my subjective personal opinion, not fan consensus or journalistic research. They are ranked from best to worst, best being simply “my own favourite” and worst being “the one I personally like the least.” I know it is customary to rank from worst to best, but I prefer to lead with the positive. Check out the rankings home page for more albums-ranked lists.

Today, I’ll be discussing German Industrial Metal icons, Rammstein. I’ve been putting off reviewing their records on the blog for a while now, as I wanted to save it for that pre-concert peak excitement phase I get right before I see a band live. I got tickets to see them live for my birthday in 2019, but with the covid delays, the concert still hasn’t actuall happened yet! However, I am in the mood to blog about something today, and I’ve just got their Live In Amerkia blu ray for Christmas and its put me in the mood to talk about this band in particular. Sure, its not the pre-concert excitement peak due to covid, but oh well, at least I have the concert-film to simulate the live experience now. Better than being sick or dead.



1. Reise Reise (2004) – I was a bit silly, and didn’t get this album when it was new. Like most of the UK, I got into Rammstein around the release of 2001’s Mutter and worked backwards to Sehnsuct, but after a few years, when I was getting out of things like Nu Metal and Industrial and getting into things like Thrash Metal and traditional heavy metal, I somehow just stopped listening to Rammstein, and was always surprised when I would hear about them doing large concerts, assuming they were just another flash in the pan band that came and went. Big mistake. Many years later at the insistence of a good friend, I gave the band a second chance and was gifted this record. What a record, where had it been all my life? Why on earth did I ignore Rammstein for like…a decade?
I think this is the band’s strongest work all the way through. The highlights are immense, but there is also little to no filler, and the album works as a single album all the way through, rather than a vessel for hits only. The production seems timeless, the tunes are memorable, the hooks are strong, the guitar tone is perfect.

I don’t know if I’d go so far as to say “masterpiece” but if you ever dismiss Rammstein just because you hear someone treat them like a novelty band because of the rude music videos and sexual lyrics, or some dim-witted xenophobes who just make fun of them singing in German (I had an ex like that), or people who say the music is bad and they are only headliners because of the fireworks and pyro, then this is the album to check out to learn that Rammstein are a legitimate classic band who write genuinely great music that doesn’t need any kind of novelty or showmanship to cover up for. They could go on stage in jeans and t-shirts and play this album in full without moving on an empty stage with no lights or show, and it would still be the best concert you saw all year. Why? The music is brilliant.

Why is this one number one? Probably the fine line between consistency and diversity. It always sounds like Rammstein, but it tries a lot of different things, and hits the mark every time.

Best songs: “Keine Lust,” “Mein Teil” & “Moskau.”



2. Mutter (2001) – My first Rammstein album, the public’s favourite Rammstein album, the one with the highest quantity of hits on it. Back in the day, you couldn’t move for the music videos from this album, you couldn’t switch on a rock or metal radio station in the UK without hearing the singles from this, it was an absolute smash hit. There’s a good reason for that, its catchy as all get-out. If you are new to the band and need to pick up a first album, then this should be the default go-to first album. Very much their Ace Of Spades moment.

After coming back into being a Rammstein fan, I want to slap myself for neglecting this record. I loved it when I got it, but I just sort of stopped listening to it after a year or two, too excited by trying new things (1980s things usually). Since revisiting the band though, I can’t stop listening to these tunes, and every time I listen to them, I like them more. It is a pretty instantaneous album to begin with, but it just keeps growing and growing on me.

It feels like an expensive album, the production values clearly higher than the albums that preceded it, but without slipping into the “over-produced” category. The album has such a strong opening with the big strings (the industrial metal equivalent of Kashmir?), ends with a smoky soft ballad, and has a bunch of utter bangers in a range of tempos in between. If you want an album that sounds like angry robots marching towards battle, and yet somehow has a lot of artistic depth, you’ve come to the right place.

Best songs: “Mein Hertz Brennt,” “Feuer Frei!” & “Links 2, 3, 4.”



3. Rammstein (2019) – This might be a controversial placement, I don’t think this is exactly their most beloved album in fan estimation consensus, but what can I say… I just love it. This is their newest album at time of writing, it was released after a relatively long gap, it will probably be their final ever album, and long time fans feel it doesn’t live up to their expectations. Because I hadn’t been waiting with baited breath however, I don’t have the expectations, and I’ve just loved it from first listen. To me, this is one of their most accessible, memorable, fun, easily-digestible and instantaneous records to date.

Don’t get me wrong, it isn’t shallow, it doesn’t lack for dark and interesting lyrics (“Puppe” especially) and it isn’t overly simple, but it just washes over you like a nice warm bath and everything just feels right. It is probably actually their cleanest and least heavy album to date, which would usually be a problem for me, but it just works so well here and the songs are so strong that I actually don’t mind.  

Alright its not particularly transgressive, alright it doesn’t crunch as hard, alright its not the hands-down best thing they’ve ever done, but it sure goes down easy!

Best songs: “Puppe,” “Ausländer,” “Deutschland” & “Diamant.”



4. Herzeleid (1995) – Arguably, this is may be objectively dated (some of the electronics sound very of-the-time) and it is also probably the most simplistic release in their cannon, but the core premise of the band is so strong that you don’t need to expand on it too much to make it work, it is a great formula in and of itself without needing to stray too far (ok, that may be a bit hypocritical given the positive comments I made about the first two albums on this list, but it makes sense to me in my own head context, I think it’s the charm-factor… it doesn’t need bells and whistles because it is so charming as it is).

This is the album I’ve picked up the most recently (got it this Summer) so there may be a bit of recency-bias going on here (had to stop myself placing it even higher already for that very reason) but I feel like this is one of my favourite things they’ve ever done.

Best songs: “Wollt Ihr Das Bett In Flammen Sehen,” “Weisses Fleisch,” & “Du Riechst So Gut.”



5. Sehnsucht (1998) – I know there are a large portion of fans who could pick this as their favourite, so I wouldn’t want to come across as too dismissive of it by having it in the bottom half of my list, but for me, this album isn’t as strong all the way through as the others above it in this list.

This is an album that I’d argue suffers with a bit of filler, that suffers with a slight lack of diversity (without the raw debut charm of Herzeleid to compensate for that), and one where the best songs are so good that the rest just feels a bit “lesser” in comparison.

The best songs here are magical, but since the first listen I’ve always felt the album was a bit up and down, with clear amazing standout tracks, but not as good a whole-album experience as Mutter (or now that I’m older, with more context, not as good a whole album experience as most of their albums).

Don’t let that put you off too much though, we’re splitting hairs on a pretty great discography, and the highlights are very high.

Best songs: “Du Hast,” “Bück Dich,” & “Spiel Mit Mir.”



6. Liebe Ist Fur Alle Da (2009) – By no means a bad album despite its low placing here, its just that I prefer the others more. There’s some great use of melody here that wasn’t present in the early material and a more live human-approach to the performance compared to the robotic quality of the earlier albums.

However; A bit like Sensucht it doesn’t work as well as a whole-album journey for me. There are some forgettable moments (I honestly couldn’t tell you what “Mehr” or “Roter Sand” sound like now if you offered me a million pounds to do so) and its efforts to be fun are a mixed bag of qualified-success (“Haifisch”) and outright cringe (overrated single “Pussy” – yes it had a clever marketing campaign, but I just dislike the song).

However, A bit like Sensucht it has high highs. Some absolute career highlight bangers, and for a band best known for repetitive crunchy stompers, they constantly try new things and cover new ground.

Best songs: “Rammlied,” “Waidmanns Heil,” & “Frühling In Paris.”



7. Rosenrot (2005) – Well something had to be last, and to no-one’s surprise, it is 2005’s Load-esque leftovers album, Rosenrot.

Now, this album is not a write-off, and actually has a few of my favourite Rammstein tracks, but there is no getting around the fact that this is the weak link in the band’s discography. Too many ballads, too much silliness, too much forgettable material, frontloaded and generally, just not quite as good as the band’s peak.

I wouldn’t say skip it entirely, but definitely pick it up last, after you’ve exhausted everything else. I heard this after a five year gap in listening to the band, and it made me take about another five year gap, so it is not enough to win over skeptics.

Best songs: “Mann Gegen Mann,” “Benzin,” & “Rosenrot.”



(Ps. It doesn’t fit anywhere on this list, but the one-off new song from their greatest hits compliation, “Mein Land” is an absolute gem, and should be checked out too).

Black Label Society albums ranked:

Hate list features? Feel free to skip this article and others in this series.

Here I’ll be ranking the albums by certain bands in order from Best (actually my subjective favourite) to worst/least good (subjectively, in my opinion). Number 1 is obviously the best. The lowest number is my least favourite.



1. 1919 Eternal (2002) – As an outsider you might think BLS would just be a giant excuse for guitar solos and all style over substance, but you’ll be pleasantly surprised to find out they are a proper band who write proper songs, that just happen to feature amazing lead guitar, and write proper albums that just happen to include a few guitar solo tracks. This was the first BLS album I ever heard and even though I didn’t actually love it on first listen, it has wormed its way into my good graces over the last decade. I think this is a classic album not just for the band, not just for the subgenre, but for metal in general. If you only buy one BLS album, this is the one to get. I feel like this album gets the balance between hard rock, heavy metal, stoner, groove and acoustic moments just right (other albums tend to lean too heavily in one direction, whereas this is the perfect synthesis of all their various directions), and the song-writing is simply the best of the band’s career. If you want a catchy, memorable, balanced album where the metal songs have umph and the acoustic moments shimmer, look no further.

Highlights include: “Battering Ram,” “Genocide Junkies,” & “Life, Birth, Blood, Doom.”  



2. The Blessed Hellride (2003) – Following hot on the heels of 1919 Eternal, ‘Hellride is another solid and memorable album with some of their career highlight songs on board. If the band had split up after this, I’m sure they would go down as an utter cult classic band. The production here is a bit less dated than the previous 3 albums, without becoming over-produced. You could make the argument that the lead guitar work here is even better than 1919 Eternal. It might be the first time in their career you could say “Hmm… perhaps one ballad too many” but again, not egregiously so. There is also a tiny bit of filler creeping in here compared to the previous record, but nowhere near as much as later in their career.

Highlights include: “Funeral Bell,” “Doomsday Jesus” & “Suffering Overdue.”  



3. Order Of The Black (2010) – I debated having this album so high in the list, because there is quite a bit of filler on it and it is a bit too long, but the highlights are just too strong to have it any lower in the list. If you took just the best songs from this album and had them as an EP, it would be the best thing the band ever did. As it stands, it is still about the 3rd best BLS release to date. Some people tend to write the band off after the first 4 albums, but to do so is to miss out on this fine album.

Highlights include: “Parade Of The Dead,” “Godspeed Hellbound” & “Crazy Horse.”  



4. Sonic Brew (1999) – A very strong debut from the band. If I was to offer one minor criticism, like Order Of The Black it is a bit too long. Other than that, everything you want from BLS is represented here. It may lean a bit more into the stoner side than the three albums which follow, but it is nicely balanced with an acoustic guitar solo and ballads for contrast. Its quite a chunky and satisfying album while it is on, and I’ve seen lots of people online and in print say it is the best BLS album, and very much one of the first albums you should buy if you are going to get more than one.  

Highlights include: “Bored To Tears,” “Born To Lose” & “Spoke In The Wheel.”



5. Stronger Than Death (2000) – A worthy sequel to the debut. I would say this is probably the band’s most metallic and consistently heavy album to date, but the flip side of that is that it is a bit less diverse than the album before and after it. I do rate this quite highly in my mind, but the other albums above it in my rankings have higher highlights, and really notable singles, whereas this one is solid all the way through but maybe missing out on the flashiest moments.
Stylistically; If you are more of a rock than Metal fan, this might not be the best album for your introduction to the band, if you come to the band (not unreasonably) expecting something that sounds a bit like No Rest For The Wicked and No More Tears or indeed if you expected something doomier after you caught a Zakk Sabbath tribute show, then you may find this album a bit of a shock, because that isn’t really the sort of direction this album goes in. I would almost say this is more for fans of Pantera and Machine Head than ‘Sabbath or Ozzy. The production is also probably the harshest of any album in their discography.

Highlights include: “Aint Life Grand” “Superterroriser” & “13 Years Of Grief”



6. Mafia (2005) – There are a segment of fans online who will either call this the beginning f the end, or else the straw that broke the camel’s back so I can understand if you are reticent to give the album a shot. However; I also know it has a ballad dedicated to the memory of late Pantera guitarist Dimebag Darrell that causes  plenty of casual fans who only want that one song who artificially pump the reputation of this album higher than it maybe truly ought to be and so you might also see it called the best thing they’ve ever done (or only thing worth buying) which is too far the other way. The truth lays somewhere in the middle. A little bit of a step down after the excellent first four albums but still worth a go. It definitely feels a tiny bit too polished, a bit more watered down, a bit more lightweight and the ballad focus is upped slightly… however, it still works. It’s the start of a change, but it isn’t all the way down the slippery slope just yet.

Highlights include: “Say You Will,” “Electric Hellfire” & “Dirt On The Grave.”



7. Hangover Music (2004) – This is the stripped back semi-acoustic album. I has a mixture of tempos, a mixture of acoustic guitar, piano, full band or solo type songs. It has some upbeat yet acoustic tunes, some southern-rock moments and some slow mournful ballads, there’s also a cover song. I can see the effort they put into making the album as diverse as possible, but its main drawback is still that it can feel like a gimmick album. You get the sense of “Its not a proper album, it’s the acoustic one” which while a bit harsh and unfair in some ways, does ring true in other ways. Its perhaps a bit too long for its own good, and even though there are some wonderful moments, as a whole it isn’t easy to sit through as a whole and listen to front to back. They might have been better saving the best songs from it as the diversity moments for the next few albums (the best songs here are probably better than the acoustic moments or ballads for the majority of the rest of their career). Objectively, it is very well made, but it will never be my favourite.

Highlights include: “Steppin’ Stone,” “House Of Doom” & “Crazy Or High.”



8. Grimmest Hits (2018) – In contrast to Stronger Than Death, I would say this is probably the band’s most rock album, and the people who don’t want things getting too metallic can switch the places of those two albums in the rankings. If you like Skynyrd & Blackfoot’s quiet moments, but also want some Ozzy-era Sabbath rockers now and again, this tries to be the middle ground of those. I’ve seen a bit of retroactive rewriting of the history books recently, with people saying this is one of the band’s best moments and all the people pleasantly surprised by Doom Crew Inc are getting directed to check this one out too, but I think this is an OK album at best, and I remember the overall vibe at the time being “nothing wrong with it, but BLAS have settled into a formula now and this is for fans only.”
I did end up listening to this album quite a lot in the car, and it is definitely not a bad album by any stretch, but it isn’t really special, I couldn’t hand on heart call it a career highlight. For fans only seems pretty fair. Like a late career Hatebreed album or a mid-career Motorhead album, it gives you what you need but I feel like it wouldn’t really win over new people (although, obviously I am wrong about that given the aforementioned “also check out Grimmest Hits” tsunami online at the moment).   

Highlights include: “A Love Unreal,” “The Day That Heaven Went Away,” & “Room Of Nightmares.”



9. Catacombs Of The Black Vatican (2014) – Like Grimmest Hits except with a bit of an Alice In Chains twinge, and less memorable, Catacombs’ is one of the weaker albums in the band’s career and I would go so far as to say “For Completionists Only.” Its not worthless or anything, and there is one or two songs I really like (the “Angel Of Mercy” guitar solo into post-solo-chorus-with-extra-emotion combo is spine tingling), but its more of an album I listen to in shuffle with other things than as a whole on its own. Perfectly inoffensive background music, but definitely shouldn’t be the first BLS album anyone goes for. It does get better the more you listen to it, but then again, so do the classics.    

Highlights include: “Angel Of Mercy,” “Heart Of Darkness” & “Believe.”



10. Shot To Hell (2006) – Something had to be in last place, and I don’t think there would be too much public outrage if I chose this as the least best-album being discussed today. I don’t know if they were just running out of steam after so many albums in quick succession without a break in between, or if the move of record labels somehow impacted it, or if its just coincidence that they happen to have written better songs in other sessions, but whatever the reason, this is the BLS album that does the least for me, and which I would recommend the least. I mean, I wouldn’t go so far as to call it rubbish (not least for fear that gigantic frontman Zakk Wylde would break my face) but lets just say I am not shouting its praises from the rooftops on a daily basis. I can’t foresee this going down as a classic album.
Highlights include: “Devil’s Dime” & “Blood Is Thicker Than Water”



Ps. New album Doom Crew Inc (2021) hasn’t been out long enough to fairly place it, but on first impressions, its probably between Mafia and Hangover Music. I don’t know how I’ll feel in a few years, but it does seem like “one of the better ones” of the post-2003 albums so far.

Helloween Albums Ranked

In honour of the release of the Alive United live album, I’m taking a moment out to highlight some of the best moments from the ultimate cheese masters Helloween, ranking their studio albums from best to maybe-don’t-buy-that-one-first.


Keeper Of The Seven Keys parts 1 & 2. (1987 & 1988)

I always say ‘’If you only get one Helloween album, get these two!’’

It almost doesn’t need said, but the Keepers are two of the finest metal albums in history. Beyond iconic. Near flawless. Immensely repayable. Instant, but rewarding on repeat listens. The best albums of the Kiske era.  What Reign In Blood and Master If Puppets are to Thrash, the Keepers are to Power Metal. If you want to try Helloween, this is your starting point. If you have any interest in the ‘weenies, this is the must have moment, the pinnacle. Recent studies at the university of metal have shown that it is medically impossible to like Helloween and not like these albums. And hey; If you really only want to buy one album, they do also sell both of these albums together in one package, so that’s almsot like buying one album.


Time Of The Oath (1996)

After the Keepers, Helloween made a few, questionable decisions. It wasn’t until the album prior to this, Master Of The Rings, that things started getting back on track. When they actually GOT back on track however, is Time Of The Oath. The crown jewel in the Andi Deris era. No, its not just the album art. This is the most straight ahead classic Power Metal album since the Keepers stylistically, but more importantly, the best set of songs they ever concocted outside those peerless two classics. Tracks like the mighty ‘Kings Will Be Kings’ and ‘Steel Tormentor’ are brilliant and the album contains one of the band’s all time best tracks, ‘Power.’


7 Sinners (2010)

If you thought the band’s best material was confined to the late ‘80s and mid-‘90s, you’d be wrong. 2010’s 7 Sinners album stands tall and proud in the upper echelons of the band’s discography. Stylistically, this one is a deliberate effort to be heavier and more metallic. The guitar tone is thicker and crunchier than usual. The toms are pounding and the kick drums are thunderous. Its such a great mix of catchy, heavy and diverse. The opener ‘Where’s The Sinners Go’ is mid paced and modern, whereas ‘If A Mountain Could Talk’ is classic ‘80s style Helloween and ‘Raise The Noise’ is a melodic gem like ‘Power’ only with a Jethro Tull style flute solo.


Walls Of Jericho and Helloween EP.  (1985 & 1985)

Like the Keepers, these two are similarly linked and the only releases in the Kai Hansen era. Like the Keepers these two are often packaged together too. Stylistically; You can see how they would come to develop into the style they are more known for it, there are touches of it here and there, but they are rawer, thrashier and less melodic than most Helloween albums. My personal favourite track  on ‘Jericho is the catchy as hell ‘’Heavy Metal (Is The Law)’’ and it features other memorable moments like ‘’Ride The Sky’’ and the 7 minute long ‘’How Many Tears.’’

On the EP, tracks like ‘’Starlight’’ and ‘’Victim Of Fate’’ show that these Germans were onto something great from the very start. The only downside is the production and vocals aren’t as smooth as on later albums.


Gambling With The Devil (2007)

I wonder what it is about this band and the number 7. Anything with 7 in it turns to gold. 7 Keys. 7 Sinners. ‘’The Bells Of 7 Hells.’’ Aforementioned hell themed track is one of my all time favourite Helloween moments.  

Like the 7 Sinners album, this album sees a diverse yet consistent Helloween with a focus on heaviness, but willingness to diverge. ‘’As Long As I Fall’’ for example starts off as a commercial semi-ballad and ends up as a masterclass in lead guitar. Opener ‘Kill It’ has one of the band’s most savage choruses since the Kai era.


Master Of The Rings (1994)

The first album with Deris in the band. It would be a nicer story to say this one was the stylistic return to form. Well, it was partially. Tracks like ‘’Sole Survivor’’ and ‘’Still We Go’’ give the fans what they want.  However; This album had bigger plans in mind than just getting the old fans back. They’ve got eyes on a whole new audience. Van Halen alike tracks like ‘’Take Me Home’’ see the band diversify. Big commercial pop tinged tracks like ‘’Perfect Gentleman’’ and ‘’Why?’’ helped the band reach a new audience.


Rabbit Don’t Come Easy (2003)

I’ve heard a few people weren’t keen on this one, but aside from the annoying ‘’Never Be A Star’’ that’s too cynical a recreation of ‘’Perfect Gentleman,’’ this album is probably one of the bands most consistent albums from beginning to end. Its chocked to the brim full of happy melodic choruses, relentless double kicks and lead guitar majesty. I think it may be the best set of lead guitars and guitar solos on any of their studio albums yet. Stand out tracks include the single ‘’Just A Little Time’’ (even with its Blink 182 level erection jokes), and the amazing ‘’The Tune’’ and ‘’Hell Was Made In Heaven’’ which both show the band at their melodic best. Also of note is ‘’Liar’’ which has the kind of heaviness introduced on The Dark Ride and perfected later on 7 Sinners.


Straight Out Of Hell (2013)

One of the band’s most eclectic and varied albums since Master Of The Rings, Straight Out Of Hell tries a range of different ideas on for size, and sees the band not content to just repeat themselves over and over, without going the Chameleon route of straying too far from what fans want. This was the first new release from the Pumpkins in my time as a fan and has a special place in my heart for that. At the time there was a big buzz about them going back to sounding happy, after the heavy material, but in hindsight I do prefer 7 Sinners. This one is good, but not 7 Sinners good.


My God Given Right (2015)

The follow up to Straight Out Of Hell. Sort of more of the same. The album is less experimental, but more consistent. It’s a smooth a perfect distillation of modern Helloween, with nothing to complain about. A very solid album. The best songs, like ‘Russian Roulle’ and ‘If God Loves Rock N Roll’ are solid and a good addition to the catalogue, and there’s no weak moments of obvious filler. Only not higher in the list due to lack of a real stand out. Its all good, but its missing anything extra-special.


Better Than Raw (1998)

Terrible album artwork, but decent record. There are few really memorable moments, like the Latin ‘Laudate Dominum’ as well as ‘Push’ and ‘Hey Lord!’  I feel like this album was a moment of maturing and modernisation for the band. For me it wasn’t as good as ‘Time Of The Oath’ and I resented it a bit for that, but upon recent re-evaluation I have found it to be much better than I remembered it. It isn’t their best album, but it is not one to be overlooked either.


The Dark Ride (2000)

In some ways, a continuation of the modernised matured direction of Better Than Raw, but with a big dose of heaviness added in. Its not really what you expect to hear from the band who made the Keepers, and definitely what you expected from the band who made ‘Jericho. But its not without its moments. The title track is pretty great. ‘Escalation 666’ is nice and heavy.  As much as I want Helloween to just write straight Power Metal all the time, you do have to admit that the power ballad ‘If I Could Fly’ is a good tune, even if it isn’t what you want.


Keeper Of The Seven Keys: The Legacy (2005)

A lot of Helloween fans dislike this one. Its not without merit, but its not their finest hour either. Its one of those classic ‘’the double album would’ve been better as a single album’’ situations. Its also one of those classic ‘’the sequel isn’t as good as the original situations.’’ I get why they did it, but it also feels like a bit of a step backwards. Definitely don’t start with this one, save it until your already a fan.


Pink Bubbles Go Ape (1991)

Well, really this isn’t what anybody wanted as a follow up to two of the finest albums in the history of power metal. I guess it was their attempt at a ‘Black Album’ but it falls short. Its not without merits, in fact I may even get defensive if it gets an out and out bashing, but this should never be anyone’s first Helloween album.


Chameleon (1993)

The only one I don’t like or own. Critically reviled. Stylistically confused. Not at all metal. Not what the fans wanted. Not what their own drummer wanted. A mix of prog, pop and featuring children’s choirs. Pretty much universally agreed as the worst Helloween album. For collectors only.