Posts Tagged ‘Blind’

220px-COC_BlindBlind is a very interesting and unique record within the C.O.C discography both historically and musically. A transitional record for a band who have had several very distinct and separate sounding periods and musical-directions over the years.

In the ’80s C.O.C were a raw, gnarly Hardcore Punk band (but with Sabbathy doomy tracks here and there too) and gained more and more Thrash influence with each release. In the 2012-2015 one of the earlier line-ups reformed but made more sludgy stonery Metal. The band are most famous however for their 1990s period especially the fan favourite Deliverance and Wiseblood albums which saw them add in Southern Rock, Groove Metal and Stoner Rock elements together into one big melting pot resulting in some of the best music of all time (real top 100 albums to hear before you die type stuff, seriously, if you don’t own those two albums yet, drop what you are doing and explore!).

In 1991 however, C.O.C had an interesting and one-off change of pace, direction and line up. Usual bassist and occasional singer Mike Dean was out (he’d be back again) replaced by Phil Swisher. Karl Agell joins the band and takes the mic, about their fifth singer alreay. For the first time guitarist Woody Weatherman finds himself in company as a second guitarist is added to the line-up, a big step in changing their sound from ramshackle Punk flavour to something else, something more metallic. That guitarist was none other than Pepper Keenan. Pepper of course being famous not only as the guitarist in supergoup Down nowadays, but also the band leader and singer of C.O.C for their most famous and beloved work in the ’90s.

Well, all that history and line-up information is certainly interesting, but it really doesn’t give you any guide as to what this particular record sounds like and if you’ll like it or not. Let me ask you a few questions. Do you like Chaos AD? Do you like Burn My Eyes? Do you like Vulgar Display Of Power? Do you like Cleansing? …if so then you’ll probably love Blind too!

The music is a far cry from the early Hardcore Punk and Crossover Thrash directions. It has yet to gain the Stoner Rock vibes, bounciness or Southern Rock influences that meshed into the sound of their most famous stuff. It is a strange pure perfect early Nineties Metal record. The intro and outro tracks are noisy-ass Doom-sounding sludgy dirges; otherwise however, the rest is a little harder to define. I know some people argue that Groove Metal or Post-Thrash or whatever you want to call it is not a real subgenre. I’ve heard this album called all sorts from Thrash (not really right) to Sludge (no…not right either) to Doom (…nope, not right either). The only one that really fits for me is Groove Metal. Take those above-mentioned four albums, Blind sits somewhere in a cross section somewhere the middle of all of them.

Karl’s vocals are James Hetfield/Chuck Billy influenced, semi-barked and semi-melodic, often very reverby and very, very well-suited to the music. The drums are very rumbly and varied. The guitar is very raw and heavy, never Slayer-fast but with a nice Thrash-style chug mixed in with hardcore fueled long ringing chords. Imagine a Supergroup that was half Black Label Society and half High On Fire trying to cover one of the deeper cuts from The More Things Change. In terms of production, it doesn’t have the warm Hard Rock ready sound of the next two records or the tinny budget-sounding job of the earlier stuff, instead it has a very distinctive early-’90s sound, the kind of thing that Pissing Razors had before the millennium. Something somewhere like Demanufacture only without the futuristic robotic vibes. Its a real charming sound.

Highlights include the ridiculously catchy single ‘Dance Of The Dead’ (Seriously; why don’t the band play this live more often!?) as well as the excellent drum-powered ‘Damned For All Time’ and of course the concert favourite ‘Vote With A Bullet’ which has the interesting point of having Pepper sing lead vocals, a hint of what was to come.

Overall; there’s no band quite like C.O.C and there’s no C.O.C release quite like Blind. If you like the band you really ought to check it out if you haven’t already, and if you don’t like the band yet but are a fan of the albums and bands that I’ve been mentioning throughout then this is a serious gap in your collection, do yourself a favour and give it a try!

I went to go see Corrosion Of Conformity (with Pepper Keenan back in the band) live at Manchester Academy 2, tonight on Saturday the 7th of March 2015.
It was a sold out show, although when I arrived the queue was literally one person long, with me being the second person. More people arrived and went into the bar, but still, it was so calm and quiet. This lead to early t-shirt purchasing action with no problem getting a front row spot for the show. Everyone must’ve stayed in the bar or showed up late.

There was one support band, that being British Stoner/Doom artists, Hang The Bastard. They’re a band I’d heard mentioned all the time online and in podcasts but who I’d never heard for myself yet. Their music was fat, groovy stoner with abrasive harsh vocals. As the show went on the bassist added nice nasty Scott Kelly style growls, and the music got a bit of a Kyuss melody vibe at one point to balance out all the Doom. It was a pretty perfect booking to support COC. I wish I’d heard them when I was really really into my first wave Stoner phase, because they play exactly the type of music I like, but as with Orange Goblin supporting Down, or My Sleeping Karma supporting Monster Magnet, I was just there for the headliners and the support was cool for the night, but not enough to make me go out and get into them.

When it was time for COC to take the stage, the speakers played Thin Lizzy’s “The Boys Are Back In Town” to reinforce the whole Deliverence-Revival theme. It was a nice touch.

COC were on fire, warmly received by the now full room. They blasted out favourites from Wiseblood and Deliverence mainly, with a few surprises, such as ‘Stonebreaker’ and ’13 Angels.’ It was a pretty perfect setlist, although personal preference wise, as with any concert, you’ll miss some of your favourite songs. I could’ve used some ‘Dance Of The Dead,’ ‘The Door,’ ‘Fuel,,’ ‘Zippo,’ ‘Who’s Got The Fire?’ or even a cheeky ‘Psychic Vampire’ or ‘Tarqunius Superbus’ from the trio-lineup as a neat extra, but that’s just personal. Objectively, it was amazing. You got big sludgy gems like ‘Broken Man,’ fast headbangers like ‘My Grain,’ the catchy stuff like ‘King Of The Rotten’ and ‘Long Whip/Big America’ and all topped off with the essential concert favourites ‘Albatross,’ ‘Clean My Wounds’ (which was extended and jammed out a bit) and an absolutely off-the-charts good rendition of ‘Vote With A Bullet’ that put the biggest smile of the month on my face.

The band seemed to be having fun, and were powerful and tight but still had that jam-feel without actually being disheveled and unorganized. At one point they forgot the setlist and had to consult the paperwork to figure out why they were so ahead of time, nicely dropping into a stunning rendition of ‘Goodbye Windows’ afterwards.

There were a heck of a lot of crowd-surfers, which usually I dislike, but I was in a sweetspot that they all missed so I watched all night, front row, but completely undisturbed. Nice one! –Some poor tall guy got kicked in the head multiple times by the same selfish crowd surfer on multiple trips. Glad for my lucky spot! That would’ve spoiled my night if it kept happening to me.

I’m feeling a bit deaf now, with some serious ear-ringing (only wore earplugs until COC came onstage) but I have some damn good memories of seeing Woody and Pepper rile up the crowd, Mike Dean full of enthusiasm and talent; and Reed’s superb, eye-catching hard hitting. It was a great concert that I’m very grateful to have seen, I had a great night, and it’ll stay in my memory for a long time. The band were really good. Did I mention that?

I hope they keep going in this line-up and release a new album. If their performance of ‘Paranoid Opiod’ or ‘Heaven’s Not Overflowing’ was anything to go by, they are absolutely unstoppable!

(Also, I hope they stick more ‘Volume Dealer material in the setlist (no ‘Diablo BLVD’? Awww…..) but that’s just personal preference again)

Bottom line, COC have got Pepper again, and you should definitely go see them, because time has done nothing to reduce the brilliance. They are on their game big time!