Prong – Carved Into Stone Review

1000x1000.jpgI initially got into Prong through a boxset, which I listened to a little too much all at once on shuffle. It seems shuffle was my enemy at the time, because just as it initially only played me the few super commercial Saxon songs that were the least like I wanted. Well, with Prong it only seemed to play me the slower weirder more experimental tracks with that sort of My War era Black Flag influence that just isn’t to my taste. Stuff like ‘Contradictions’ and ‘Sublime.’ For a while I always felt disappointed by Prong as they didn’t sync up with my own personal tastes.

A good five years later after I really sort of wrote Prong off as being not-for-me altogether, I caught them live supporting Exodus and Obituary and discovered that they were actually phenomenal; they had some really raging Thrash Metal tunes, some incredible Groove Metal tunes and their singer Tommy Victor is almost as cool a frontman as Rob Flynn.

Re-stoked on Prong I’ve been going back to those boxset albums over and over (and not on shuffle this time!) and then started branching out to more into the rest of their discography. One of the absolute best of which is Carved Into Stone. It was released in 2012 by Steve Evetts (Dillinger Escape Plan, Sepultura, Sick Of It All) on SPV records, and features the bass talents of Tony Campos (Fear Factory, Ministry, Soulfly etc.)

Prong are a really interesting band. They cover a lot of different ground. Early in their career they were a Hardcore Punk band, after that they crossed over into more Thrash teritory. Then they released some seminal Groove Metal albums before going into a much more Industrial direction with some slight Nu Metal overtones. Then they broke up and came back, and went in a few more slight alterations of combinations of all of these styles over their next few albums. Some are more raw, some are more polished, some lean more heavily in one direction, some lean more heavily in another.

The music here, on Carved Into Stone, is terrific. The album opens with two faster ragers, drops into a punkier number and evens out with a mid-paced groover in the spirit of Black Label Society (only with an alternative rock style chorus). This little run is really a mixture of all the different eras of their career. There’s a few moments of industrial flavours here and there. There’s plenty of Pantera, early Machine Head and ’90s Sepultura sounding stuff. There’s tiny little pieces of Fear Factory on the odd occasion. There’s straight up Thrash used sparingly, and moments of punk. It all mashes together smoothly and perfectly both within the songs themselves, and along the album as a whole. It flows really well and all the parts gel together within individual songs.

If you are a new Prong fan, the common consensus is that you should start with their classic 1994 album Cleansing. In my opinion the next place you should go after that is here, Carved Into Stone. I was about to list highlights, but really the aforementioned first five tracks are all absolute must-hears. They show off different parts of the Prong sound. If you wonder if this album is for you then check out any but preferably all of those. ‘Eternal Heat,’ ‘Ammunition’ and ‘Carved Into Stone’ in particular are like three different bands and no one on their own showcases the band fully, yet all of them are absolutely brilliant examples of what Prong do (in part) and really good tunes in and of themselves.

Overall; if you like bands like Fear Factory, Pantera, Machine Head, Pissing Razors or ’90s Sepultura you may seriously want to check out Prong. If you check out Prong you may seriously want to check out Carved Into Stone. It is a very well mixed combination of a few different styles within their arsenal, but what tips it over the edge is the brilliant performances, punchy production, level of consistency and better than usual songs from the band.

 

Corrosion Of Conformity – Blind Review

220px-COC_BlindBlind is a very interesting and unique record within the C.O.C discography both historically and musically. A transitional record for a band who have had several very distinct and separate sounding periods and musical-directions over the years.

In the ’80s C.O.C were a raw, gnarly Hardcore Punk band (but with Sabbathy doomy tracks here and there too) and gained more and more Thrash influence with each release. In the 2012-2015 one of the earlier line-ups reformed but made more sludgy stonery Metal. The band are most famous however for their 1990s period especially the fan favourite Deliverance and Wiseblood albums which saw them add in Southern Rock, Groove Metal and Stoner Rock elements together into one big melting pot resulting in some of the best music of all time (real top 100 albums to hear before you die type stuff, seriously, if you don’t own those two albums yet, drop what you are doing and explore!).

In 1991 however, C.O.C had an interesting and one-off change of pace, direction and line up. Usual bassist and occasional singer Mike Dean was out (he’d be back again) replaced by Phil Swisher. Karl Agell joins the band and takes the mic, about their fifth singer alreay. For the first time guitarist Woody Weatherman finds himself in company as a second guitarist is added to the line-up, a big step in changing their sound from ramshackle Punk flavour to something else, something more metallic. That guitarist was none other than Pepper Keenan. Pepper of course being famous not only as the guitarist in supergoup Down nowadays, but also the band leader and singer of C.O.C for their most famous and beloved work in the ’90s.

Well, all that history and line-up information is certainly interesting, but it really doesn’t give you any guide as to what this particular record sounds like and if you’ll like it or not. Let me ask you a few questions. Do you like Chaos AD? Do you like Burn My Eyes? Do you like Vulgar Display Of Power? Do you like Cleansing? …if so then you’ll probably love Blind too!

The music is a far cry from the early Hardcore Punk and Crossover Thrash directions. It has yet to gain the Stoner Rock vibes, bounciness or Southern Rock influences that meshed into the sound of their most famous stuff. It is a strange pure perfect early Nineties Metal record. The intro and outro tracks are noisy-ass Doom-sounding sludgy dirges; otherwise however, the rest is a little harder to define. I know some people argue that Groove Metal or Post-Thrash or whatever you want to call it is not a real subgenre. I’ve heard this album called all sorts from Thrash (not really right) to Sludge (no…not right either) to Doom (…nope, not right either). The only one that really fits for me is Groove Metal. Take those above-mentioned four albums, Blind sits somewhere in a cross section somewhere the middle of all of them.

Karl’s vocals are James Hetfield/Chuck Billy influenced, semi-barked and semi-melodic, often very reverby and very, very well-suited to the music. The drums are very rumbly and varied. The guitar is very raw and heavy, never Slayer-fast but with a nice Thrash-style chug mixed in with hardcore fueled long ringing chords. Imagine a Supergroup that was half Black Label Society and half High On Fire trying to cover one of the deeper cuts from The More Things Change. In terms of production, it doesn’t have the warm Hard Rock ready sound of the next two records or the tinny budget-sounding job of the earlier stuff, instead it has a very distinctive early-’90s sound, the kind of thing that Pissing Razors had before the millennium. Something somewhere like Demanufacture only without the futuristic robotic vibes. Its a real charming sound.

Highlights include the ridiculously catchy single ‘Dance Of The Dead’ (Seriously; why don’t the band play this live more often!?) as well as the excellent drum-powered ‘Damned For All Time’ and of course the concert favourite ‘Vote With A Bullet’ which has the interesting point of having Pepper sing lead vocals, a hint of what was to come.

Overall; there’s no band quite like C.O.C and there’s no C.O.C release quite like Blind. If you like the band you really ought to check it out if you haven’t already, and if you don’t like the band yet but are a fan of the albums and bands that I’ve been mentioning throughout then this is a serious gap in your collection, do yourself a favour and give it a try!