I went to go see Clutch live at Cardiff Great Hall Sunday 16th June 2019.

I went to go see Clutch live at Cardiff Great Hall Sunday 16th June 2019. It was my first concert since the birth of my son, I didn’t want to be away from him too long, so skipped the opening act and got their late.

The support band I did manage to see was Phil Campbell And The Bastard Sons; a band with Phil Campbell from Motorhead and three of his sons (and then a singer). They were quite decent, playing mixed tempo rock songs. A few speedy numbers, a few mid-paced rockers and one fun slow song with a stoner rock vibe. They also covered ‘Born To Raise Hell’ and ‘Ace Of Spades.’ This marks the second time I’ve seen a Motorhead member play Ace Of Spades with a different band (I saw Fast Eddie Clarke supporting Saxon previously). I kind of feel bad but like when Diamond Head played ‘Am I Evil?’ versus new songs, the audience reaction was so much more enthusiastic for the Motorhead tunes versus the origional tunes, as was my own. Not being disrespectful, but Motohead tunes are Motorhead tunes. Still, I liked their own material fair enough too, it was a fun warm up and I don’t have anything to say about the band. I feel they would really suit touring with Orange Goblin.

Usually at a gig in the long wait between bands I have no-one to talk to, but this time my brother wanted to see Clutch too, so I had someone to speculate on setlists with a discuss the new album and favourite songs with during the wait.

Because its Clutch, not someone violent and heavy, I decided to stay at the back and just nod along having a good time rather than get into the thick of it. This venue is good in that you can see the band just as well from the back wall behind the sound desk as you can in the middle of the room. I did the same thing for Mastodon the first time I was at this venue, just sit back and watch the band without getting too sweaty.

Clutch are one of those bands that literally do not play the same set two nights in the row, and any night you can hear different songs. Sometimes they even don’t play their most well known songs. Some days they play mostly new stuff, some times they play mostly old stuff, some times anything can happen. The setlist yesterday was an eclectic grab bag of all eras. They opened with a deep cut off their self titled ‘90s classic sophomore album. ‘Escape From The Prison Planet.’ They played a few tracks off their furious and outrageously fun modern album, Psychic Warfare, They played a respectable amount of material from their new album, they dropped in ‘Red Horse Rainbows’ from Pure Rock Fury for the first time since 2011, and even played some rare material like ‘Willie Nelson’ from their B Sides album and the really early track ‘Passive Restraints.’

Luckily, even amongst the eclecticism they got to play what I feel is their most well known song (I may be wrong, they’re not exactly a one hit wonder) ‘The Mob Goes Wild’ which is one of my favourite songs by anyone, ever, of all time. Seeing it live is not a guarantee. Its not like Metallica and Enter Sandman where you know its going to be there, so it was very fun to get to see it once again. Also; they played my favourite song from the new album, the outrageously fun ‘How To Shake Hands.’ My throat is still sore from how loud I sang along to ‘’First thing that I’m gonna do is go for a ride on a UFO.’’ I am sure I’m not the only one either, the room utterly loved it, the energy in the crowd was immense.

Other highlights include a bouncy rendition of ‘Ghoul Wrangler’ with its amusing pest-control-against-lawyers lyrics,  (any band can make a lawyers-are-ghouls comparison, but only Clutch are creative enough to have a snowy barn infested with them as the owner gets his pest control business certified and bonded), an interesting take on blues classic ‘Evil’ (also covered by Monster Magnet) and the title track from Psychic Warfare, which I never previously realised was a massive hit, but which the crowd utterly salivated over. The volume of the singalongs was extra loud on that one!

The performance from the band was great. The solos and fills were superb. The vocals so character-filled and colourful. The gesturing and acting out of the lyrics live by singer Neil Fallon so enthusiastic and powerful. The guitar tone was often better than the albums.  The mix was pretty perfect with nothing inaudible and nothing over-loud.

It was also just so fun to turn around every few seconds and share with other fans some golden gem of a lyric, drum fill or guitar part. You’d lock eyes with someone else air-guitaring the intro to ‘Electric Worry’ or air drumming the floor tom parts to ‘Gimmie The Keys’ or singing with a grin on their face countless memorable lyrics.

‘Just a glass of water and a ham sandwich,’ or ‘Everybody move to Canada,’ or ‘Weaponized Funk,’ or ‘He said I have seen them, I said ok its yours!’ and so on and so on. Clutch songs and albums are absolutely littered with enough memorable moments to fill a greatest hits album of most bands. Having a whole concert full of them is just joyous.

I had an uproariously good time, the band were fantastic, (and I didn’t have to travel half way around the country away from the baby). I could have happily wathced them play two more hours and still not heard all I wanted to hear from them. Brilliant band, brillaint night.

I cannot recommend seeing Clutch live highly enough. The band write superb music, they play it brilliantly live and the setlist is a roulette where anything can happen, but its always good.  

Clutch – Book Of Bad Decisions Review

SharedImage-81725Clutch at this point can unarguably be seen as something of an ‘old reliable’ at this point. It can be argued that the band just do not release bad albums these days and pretty much if you’ve liked any of the band’s recent albums, you are probably going to like this one.

That being said, they aren’t too repetitive and they do evolve over time and each album has its own identity and each cluster of albums has a certain flavour.

The last two albums; Earth Rocker and Psychic Warfare have been two of the bands hardest, most streamlined, direct albums to date and this time the band seem aware that this may not have been what fans of the older albums like Elephant Riders and the self-titled wanted, so this time around instead of battering you over the head with the hardest songs straight away, they open up with some more laid back Stoner Rock song. Its a bit more armchair than thrill-ride for the first three tracks, for those of you who were missing the band being more hazy. Combined with the less polished, looser production style (that hi-hat sound and muddier guitar tone has something in common with their Jam Room album to my ears).

That’s not to say it is a full return to the old days; its more of a balancing act between that, the recent material and also pushing new ground. There are a few tunes on here which retain the breakneck rocking and clear focus of Earthrocker; ‘Weird Times,’ ‘Paper & Strife’ and the Tony Iommi wetdream of ‘A Good Fire’ keep things direct and punchy.

In terms of newer ideas, ‘In Walks Barbarella’ sounds exactly like its most memorable lyric ”weaponised funk” – it is full of full on 1970s Starskey & Hutch sounding funk overtones.

Lyrically, the record is just as fun and interesting as ever, with some brilliant lines, such as in the pre-released ‘How To Shake Hands’ where Neil tells us that when he becomes president, ”First thing I’m gonna do is go for a ride on a UFO, put Jimmi Hendrix on the $20 bill and Bill Hicks on a 5-note,” as well as ‘Hot Bottom Feeder’ which is basically a recipe and when the Neighbours in ‘Paper & Strife’ are reportedly ”clearly raging communists.”

The last few albums have had man-of-the-match awards for drummer JP Gaster and Frontman Neil Fallon, but the real hero of this album is guitarist Tim Sult, who seems to on a mission to display as wide a range of styles of guitar solo as possible. There’s so many different vibes to his leads and solos on the record, from melodic to flashy to effects-laiden and everything in between.

Because Clutch are so consistent, it is really just a matter of personal taste which albums are your favourites. This album is no disappointment. For my tastes, its somewhere in the middle, better than for example Jam Room but not quite as transcendent as say, the last two albums, or the fan favourites like Blast Tyrant, but fairly close and absolutely worth checking out.  There are many songs on here I really can’t wait to see live and wouldn’t ever want to make a Clutch playlist or compilation without ever again. If you aren’t sure if the album is for you, check out ‘Ghoul Wrangler’ – the music, production, eccentricity and lyrics should give you a good idea what you are in for.

 

The Workhorse Movement – Sons Of The Pioneers Review

MI0001487271.jpgIf you haven’t heard of this one I don’t blame you. The Workhorse Movement were really over in the blink of an eye in the grand scheme of things. If you’ve heard of them but haven’t heard the album, I don’t blame you. It wasn’t promoted or lauded enough as it deserved at the time and without them making any more albums there was no build up or cause for a new generation to get in to them.

If you have heard it, well then you know full well, this is one barking mad, fun and excellent album. How to even describe it? Eclectic, to say the least. It is a bizarre mixture of Clutch and Monster Magnet stoner rock with crazy lyrics, Sepultura on Roots proto-Nu Metal riffs, Faith No More variety (such as having additional brass instruments or latin music or funk or soul at different times). There’s even a sort of psychedelic space rock intro and a bit of that style in the verses of another song. There’s little bits of Rap Metal (well it was the year 2000 after all) but that’s far from the whole story. If that all sounds like a strange mix its because is, but somehow it works.

Its all topped off with a cheeky smile and a sense of humour. Lyrical topics include handshakes ‘Gimmie Some Skin,’ Detroit ‘Motown,’ Black Sabbath ‘Keep The Sabbath Dream Alive’ (“When I die there’s gonna be an electric funeraaaaal”) and all sorts of marijuana talk for better or worse. Lyrically its a bit silly but musically its dead serious (Again, not unlike Clutch or Monster Magnet). The experimentation with outside styles isn’t frivolous, its expertly done.

The important thing to remember is, this isn’t another generic forgettable release from the Nu Metal period. Its eclectic to the point of being progressive, its catchy as hell, its really fun and the songs themselves are really good. It not just wacky and novelty value only or something. These are really good songs. Some of those thick fat satisfying riffs are really enjoyable. Just listen to the appropriately titled ‘Heavy’ for the perfect example.

I’d like to point out highlights, such as ‘Charlie Don’t Surf,’ ‘Beotch’ and ‘Feel Like Bob Marley’ but to be honest no two songs on the album even sound the same. I mean, they fit together, and it flows well, but that diversity thing I mentioned? Yeah, that!

Hey I’m a Nu Metal apologist who can still happily listen to The Union Underground, but this isn’t that. This is like listening to King For A Day Fool For A Life Time at the same time as listening to Power Trip and The Elephant Riders, a collection of Pink Floyd B Sides and flicking through a dozen radio stations and catching fleeting glimpses of a range of music outside of rock, such as funk and soul. Then occasionally something not too dissimilar to the riff from ‘Roots Bloody Roots’ comes in and ties it all together.

If you want to hear something really fun and interesting you could really do a lot worse than Sons Of The Pioneers. Its a one-of-a-kind that’s for sure. As long as you aren’t terrified of everything that doesn’t sound like Burzum or indeed of everything that doesn’t sound like Manowar, I think you’ll really enjoy this underrated gem.

Clutch – Psychic Warfare Review

Clutch – Psychic Warfare

Clutch have come a long, long way from their Hardcore roots, and if you do a side-by side comparison of the likes of the Pitchfork or Passive Restraints EPs, you’d scarcely imagine it is the same band. They’ve weaved their way from defining Stoner Rock, to becoming loose and jam focused, to exploring Blues territories. All the way through they’ve been inventive, impressive, consistent and a whole barrel of fun. Almost no band going can claim to have more charm, personality or dependability, and there’s barely been a group on this Earth with the same down to earth vibe and strong work-ethic for such a long, long time. I mean, what other band still has all the original members of its debut album’s line-up, ten albums later?

That’s Clutch for you. Always honest, always consistent and always excellent. They do what they want and they do it well and it always sounds good. With their previous album, 2013’s Earth Rocker, the band stripped away all the frills and delivered the most focused and electrifying performance possible, with arguably the most trim and electric collection of tunes to date. It was a damn good album, with a good direction for the band at that moment in time, and the press and the public stood up, took notice and started to realize just what an amazing band Clutch had been all along. Clutch concerts had bigger audiences, you see more people in the streets wearing Clutch shirts and Clutch get more mentions on podcasts and magazines and popular music websites than they have in a while. Altogether; a triumph, well deserved and long-earned, with no hint of compromise. The band’s public mindshare has gone up and down over the year but right now feels like a golden era.

Psychic Warfare now comes along, two years later in 2015, and follows the same formula. Clutch give a damn focused, lazer-beam version of their trademark sound, in a briefer, more succinct fashion than ever before. They speed up the tempos, they give an even sweatier more powerful performance, and they never compromise what makes them so good in the first place.

‘X-Ray Visions,’ ‘Sucker For The Witch,’ ‘Decapitation Blues’ and especially ‘Noble Savage’ are barrelling, fast-paced rockers. Hold on to something or the album might well knock you over. ‘A Quick Death In Texas’ is a funky ZZ Top-flavoured smile-inducer that recalls previous work like ‘DC Sound Attack’ in its funky midsection and ‘50,000 Unstoppable Watts’ in its uplifting chorus (and features amusing lyrics about a man in mortal peril after having seduced ZZ Top’s singer’s wife). Balance is achieved with the sublime ‘Our Lady Of Electric Light’ and ‘Son Of Virginia’ which recall the very best of the slow side of Clutch; think ‘Drink To The Dead,’ ‘The Face,’ ‘The Regulator’ and ‘Basket Of Eggs’ and you’re in the right territory… but damn, these two are particularly strong, evocative and entertaining. It doesn’t overdo the slow moments, it doesn’t overdo the instrumental noodling, and even with all the speed it isn’t repetitive or simplistic. It is a pretty perfect mixture that captures Clutch as they are in 2015 absolutely masterfully.

As always, the musicianship is otherworldly with some of the most subtly fantastic drums in the industry and bass and guitar lines that will stick in your head for years if history is anything to go by – no one’s showing off but everyone comes across like a virtuoso. Fallon’s superb vocals are as sharp as ever; full of story-selling conviction and passion as he screams, sings, bellows and worries his way through poplar music’s greatest lyrical adventures since Phil Lynott passed away. The man knows how to convey drama, that’s for sure! I want to single out a few choice lyrics every time I review a Clutch record, so stupendous are the band at creating memorable lines, but man, I’d just have the whole damn record’s lyrics down this time!

Album highlights? Every damn song! Don’t even bother with a tester. If you like the band, you’ll love this. Overall; If you like the band then you absolutely need this in your collection. If you don’t like the band then you’re seriously missing out on something special – maybe try again now and reevaluate. In any case; I don’t reckon it would be humanly possible for Clutch to have made a better album and I can’t imagine enjoying anything they could’ve come up with this time more. I know it goes against my Catholic upbringing, but I’m a sucker for this album.

Black Label Society – Shot To Hell Review

Black Label Society – Shot To Hell

Shot To Hell is the seventh full-length studio album by the American Heavy Metal band Black Label Society, the biker-themed band started by ex-Ozzy Osbourne virtuoso guitarist Zack Wylde.

It was their first album on Roadrunner Records, and it was released in 2006, one year after their successful Mafia record. The album was co-produced by band leader Zakk Wylde and Michael Beinhorn (of Korn, Marilyn Manson, Soundgarden and Ozzy Osbourne fame).

The band are purveyors of big meaty riffs, frequent guitar slides, bends and squeals and of course Zack’s blistering solos for which the band are famous. The mostly guitar based songwriting is accompanied by Grunge-tinged singing, solid uncomplicated rhythms designed for head-banging and fist-pumping and a mixture of fast or mid-paced Metal songs with acoustic numbers (often with a slight Southern Rock hint or the inclusion of piano).

The vocals here have gone from a sort of blend between Neil Fallon and Layne Staley to having a larger Ozzy influence this time around. Other than that, this isn’t one of the band’s most talking-point albums. Not the rawest, the fastest, the doomiest, the most quiet, or anything else. This is just Black Label Society, doing their thing (meaty, simple, enjoyable Metal songs). It could be argued that this is a slightly more commercial effort due to the mostly shorter song durations and frequency of ballads, as well as the inclusion of the MTV friendly hit single “Concrete Jungle.” So; if you aren’t into the bands rawer, doomier side, skip their debut and start here, and vice-versa; if you want the band at their gnarliest start with the early stuff and work forwards.

No matter what direction you prefer from the band however, there are some really killer BLS songs on here; especially towards the end of the record. “Faith Is Blind,” as well as the acoustic-but-bouncy “Blood Is Thicker Than Water,” and especially the speedy “Devil’s Dime” are all particularly strong.

If you are a fan of Clutch, Alice In Chains, Pantera, ‘90s Corrosion Of Conformity, ‘90s Metallica, ‘90s Ozzy Osbourne, or even Soil then Black Label Society are well worth your time checking out. This album, while not boasting any easy descriptive label, is a good addition to the collection. I would also recommend Sonic Brew and Order Of The Black too if you haven’t heard them already.

Get (Into) What You Paid For – Round 4: Episode 3 Day 15

Hello and welcome to the 15th day in this fourth round of my “Get (Into) What You Paid For” challenge, in which I attempt to not buy anything for a month, and reevaluate my opinion of records I bought previously but never really became a true fan of, taking this purchase-abstinence as a chance to finally “get my money’s worth” out’ve the more undervalued albums in my collection. That; and present thoughts and musings that don’t fit elsewhere on the blog.

I’m half-way through the challenge and have not caved in yet. Its been about a week since I last did a write-up. I have been pretty tempted at times to go into town and see what I could pick up… a quick visit to HMV or Forbidden Planet couldn’t hurt, right? NO! Stay focused….

I’ve also found myself drifting onto Amazon a lot. Maybe I’ll just pick up a copy of Emperor’s In The Nightside Eclipse, what with all this reunion concert stuff in the news…. NO! Just listen to the three Emperor albums in your existing collection idiot!

Well, maybe I’ll just go on Amazon and read reviews of Death’s Leporasy and Venom’s first three albums….whoah, what’s this, “add to basket”?…. Aaaahhhh! Undo, Undo Undo!

“Ok, I’ll just distract myself by re-reading DC’s Final Crisis, since it confused me the first time I read it but now I know more background and might be able to understand more… oh, Green Lantern is kind of cool, Captain Marvel is kind of cool. I wonder if there is a Justice League TV show… oh there is. I wonder if its available on Amazon……..Oh no, not again!…undo, undo, undo!”

I did eventually manage to distract myself by finally cracking open my copy of Dave Mustaine’s autobiography, which I actually received back in December as a Christmas Gift. Great book. I’m enjoying it a lot (despite the homophobia practically seeping through the pages and making me want to wash my hands) and I’ve got through the bits when he was in Metallica, to when he invented Megadeth and all the way up to where they’re just about to record Rust In Peace. Its cool. I never knew Ellefson was a drug addict too. I never knew the backstory of how Jeff Young and Chuck Behler got and lost their jobs. I never realized that Megadeth were almost as bad as Motely Crue for Sex Drugs and Rock N Roll decadence.

This made me go on a gigantic Megadeth listening spree, which is always a good spree to go on, if you ask me. Like Pantera, I never want to go too far without hearing some Megadeth. Its easy to let the bands that you really love go un-listened to when exploring new things, but its always good to just cast off the explorer’s hat and sit down in your favourite country. (What an odd analogy).

I really like rock star biographies and especially autobiographies. I’ve read Marilyn Manson’s one, no exaggeration, at least 20 times. If anyone would care to recommend some in the comments, drop me a line. Is Motorhead’s White Line Fever any good? Are there any good Metallica ones? Is Heavier Than Heaven good? Has anyone written one about Judas Priest? How about Anthrax?

Also, my non-music time can still result in a Metal-spotting news update; I watched the movie Zombie Land on Netflix recently. Metallica and Van Halen tracks were used. Reminds me of spotting Pantera on Orange Is The New Black. Sons Of Anarchy was great for that sort of thing, lots of stuff like Monster Magnet, Clutch, Soundgarden etc.

Zombie Land itself was OK. I like Jesse Eisenberg now, after The Social Network made him seem more than just “we can’t afford Michael Cera, hire someone similar” so just his presence is enjoyable. I wasn’t never a zombie fan and that always put me off trying out this movie. It just seemed like a lazy cash-in on what internet-users enjoyed that year (like if they made a Bacon movie last year). I’ve also watched the documentaries Supersize Me and Food Matters, but you’ll be disappointed to hear that there weren’t any Cannibal Corpse tracks in their soundtracks.

So yeah anyway… the week was going OK temptation-wise. Getting shaky but nothing I wasn’t able to stop when I thought about it. Then comes today…Oh, dear. You know what I just did? I just broke my damn challenge, didn’t I?

At the time of writing, I’ve just received an email about Machine Head tickets going on sale, and I automatically went and bought some straight away in case they sold out… temporarily forgetting the whole “don’t buy anything challenge” even as I was simultaneously writing about it here. Idiot. I should’ve waited until September to buy tickets, and if they sold out by then C’est La Vie.. at least I’d saved money, at least I’d learned discipline. Woops. Well, I guess this challenge is now going to be extended then, to make up for it. Damn. Shall we say another 15 days? A month from today, instead of a month from August 1st? No, today had a purchase in it, so I better make it 16 days. So, on September 15th it now ends. (August has a “31st”).

“Couldn’t have put tickets on sale a few weeks later, could you, 02 Apollo?” “Its not as if Machine Head are going to struggle to sell them out quickly in the UK. Are they now?”

Oh well. Nobody’s fault but my own. Still…. Machine Head tickets, ey? I haven’t ever gotten to see Machine Head before. This will be great. Think of the absolute thunderous up-wards trajectory they’ve been on for the past decade or so! Three absolutely superb albums, a fourth about to drop that seems every bit as excellent. I’m very excited about this. Its not like I broke the challenge by buying an album of Obituary B-sides or something… they say the key to happiness is buying memories instead of possessions. I reckon I’ll remember seeing Machine Head for some time to come.

Or so I’ll tell myself so I don’t look too stupid for breaking the challenge.

So. That’s the temptation and random thoughts aspect covered. What about the whole listening to things aspect of these articles?

B.J

I decided to augment my weightlifting experience today by listening to Jethro Tull’s Aqualung (hardly an under-listened gem seeing as its one of my favourite albums of all time and I listened to it almost daily for the three years or so after I initially bought it) and Bon Jovi’s Slippery When Wet; which I bought a while back, along with some other Bon Jovi albums, to celebrate the end of my Exams. I’ve not listened to any of the Bon Jovi albums as much as I should have since that purchase, but they still aren’t in the under-appreciated zone yet, even if it is starting to look a bit like they might head that way. They are still in my new-purcahses drawer in the filing cabinet of my brain.

Slippery When Wet is a lot of fun. The hits are excellent. Even “Wanted Dead Or Alive” which I used to hate as a teenager, due to never sitting and listening to it all the way through. I had a gut-reaction of “yuck” and never questioned it. Well, much like the million faces Bon Jovi have seen, it now has rocked me. The only moment that is a bit questionable is the slow ballad “Without Love” which sounds too much like a high-school dance in an 80s movie for my tastes, but that is easily skippable. The rest of it? “I’d Die For You” is a monster. Really enjoyable song indeed. “Wild In The Streets” is similarly fun. I like “Raise Your Hands” a lot too. I certainly wouldn’t mind if this became a regular-listen of mine. Wouldn’t mind at all. OK… its not as heavy as W.A.S.P, or as infectious as Quiet Riot, or as brilliant a guitar-show as Dokken, or whoever else I’ve been listening to lately… but it is a very smooth, enjoyable listen.

The rest of my day has been spent listening to Kings Of Leon and Nirvana’s MTV Unplugged album because I’m visiting someone else’s house at the minute and they’re fans of acoustic Nirvana and electric Kings Of Leon. Its like how I listen to Arctic Monkeys’ new album AM even more when my girlfriend is round… not everyone can listen to Megadeth and Exodus without feeling a little put-off, but AM is a record no one could find too crazy. That and its awesome. So if you have non-Metal-fans visiting, you can still listen to music you enjoy, without putting on something your companions don’t enjoy. No need to be so Metal that you are just selfish, ey?

K.O.L

But anyway… Kings Of Leon got a lot of flack in the Metal community over the last few years, especially around 2010-2012. Listening to them now, I notice a lot of similarities with Pearl Jam, and sometimes their use of slide guitar or bluesy shuffle evokes a certain Zeppelin-y-ness. I think, yeah… they’re a credible rock act. A real band of actual musicians who write real songs in a room together. Its not some cynical pop music and its not an elevated-above-their-station-by-NME band with one hit single and no substance. They’ve got a lot to offer people who listen to 60s and 70s rock bands, and the less-metallic 90s Grunge-era bands (Pearl Jam, post-Core Stone Temple Pilots, Smashing Pumpkins etc).

I’ve got a lot of respect for them now after hearing deep cuts and songs I didn’t hear-to-death on the radio or in adverts. I mean, listen to “McFearless” with its awesome drumbeat, buzzy production and lead-bass. Until the singing comes in, that could be off of Antichrist Superstar. The intro to “Charmer” has a dirty punk feeling like Bleach-era Nirvana, and when the guitar solo and bouncy beat are going in “Black Thumbnail” they could be Black Country Communion or something… its that old rock done nowadays sort of thing. “My Party” wouldn’t be too out-of-place on Pearl Jam’s Vitology album. I’m not saying that you could mistake Kings Of Leon for Slayer any time soon, and they shouldn’t get on a concert bill with Lamb Of God or anything, but… they’re not exactly Jedward.

But hey, I am a huge Libertines and Arctic Monkeys fan (and a decent-sized Frattellis fan), and most of the people who hated Kings Of Leon in 2010-2012 would see that as a reason not to trust my opinion.

So um, yeah… **Cough Cough** “Death to false Metal, only listen to Manowar” and all that…

Am I credible now?

In honour of my un-Metalness, today’s Top 5s will be of the British Indie bands in my music collection. There aren’t many, but I like them just the same as Testament, Fear Factory or Carpathian Forest.

The Libertines :
1. Good Old Days
2. Never Never
3. The Man Who Would Be King
4. The Delany
5. Skag And Bone Man

Dirty Pretty Things :
1. Bloodthirsty Bastards
2. Last Of The Smalltown Playboys
3. One To My Left
4. Kicks Or Consumption
5. Best Face

Babyshambles :
1. Back From The Dead
2. Fall From Grace
3. A’rebours
4. The Man Who Came To Stay
5. Baddie’s Boogie

Yeti :
1. Never Lose Your Sense Of Wonder
2. Midnight Flight
3. Up And Down
4. Working For The Industry
5. The Last Time That You Go

Arctic Monkeys :
1. You Probably Couldnt See For The Lights But You Were Looking Straight At Me
2. Still Take You Home
3. RU Mine?
4. My Propeller
5. If You Were There, Beware

The Fratellis :
1. My Friend John
2. Got Ma Nuts From A Hippy
3. Creeping Up The Backstairs
4. The Acid-Jazz Singer
5. Tell Me A Lie

I went to go see Clutch live last night, on Thursday the 24th of April 2014, at the Academy in Manchester.

I went to go see Clutch live last night, on Thursday the 24th of April 2014, at the Academy in Manchester. This is one of the gigs I’ve been most looking forward to all year (with a year being September-September as opposed to January-January).

The support act for the evening was Lionize, who I hadn’t heard before seeing them. Lionize were kind of the same as Monster Truck or Sixty Watt Shaman in that they sound really similar to Clutch but aren’t quite as magical. They’re the kind of band who I’d give a good review to, but would loose enthusiasm for and rarely listen to after that initial excitement has gone. I enjoyed them, but I wouldn’t investigate further.

I actually expected Clutch to play in the smaller Academy 2 or Club Academy venues, seeing as how they are kind of a cult band that should be bigger than they are, but it seems that with Earth Rocker they’ve caught a big wave, and are becoming as big as they deserve to be at last, as they played in the much larger Academy venue. (Neil even commented “Its nice to be in the big room.”)

They played in front of a large Earth Rocker artwork banner, and had a modest light-show, but for the most part it was the same stripped down, working-man thing they always do. I can’t imagine a band like them playing with foam cannons, confetti bombs and video screens of clothing advertisements (like Bring Me The Horizon did when I saw them at this same venue a few months ago).

How were they? Well, you don’t need me to tell you Clutch are good live. Its one of the first things you ever hear about that band. They’re great live.

Last night was no exception. They were fantastic! They played an energetic, rousing set that concentrated on their faster, heavier and more exciting material, with a big emphasis on the Blast Tyrant and Earth Rocker albums. In fact they played almost all of Earth Rocker. It kind of feels like they are fulfilling their potential. Like they’d accidentally become one of the best bands in the world while thinking they’re just some dudes at a bar, and now they realized they look like absolute fucking superstars if they play the right songs in the right order.

Neil is such a great frontman, and his gesturing and jumping up and down really conveys the stories told in the lyrics. He really throws himself into it. Even when he has a harmonica or a guitar (or in the case of ‘DC Sound Attack’ – a cowbell!) he can still bounce around like somebody excited to tour their debut record.

It was a pretty banging setlist. For the most parts you got quick punchy songs like ‘Earth Rocker,’ ‘The Mob Goes Wild,’ ‘Pure Rock Fury,’ ‘Burning Beard,’ and a very fun rendition of ‘Unto The Breach.’

They were tighter here than on some of the live albums I’ve heard, and while they still threw in additional drum fills, groove parts and jams, they were brief and trim and musical. The two slowest moments of the evening were a drum solo and a slightly out-of-place rendition of “Space Grass” to break up all the speed. The got the guy out from Lionize to play keyboards on ‘1000111010’ which was pretty damn bombastic live. (Three times is jive).

Towards the end, the threw in ‘The Soapmakers’ and ‘The Wolfman Kindly Requests…’ both of which were absolutely off the chain. Very exciting, you should’ve seen the smile on my face.

The encore featured ‘The Regulator,’ ‘Electric Worry’ and ‘One Eye Dollar.’ It was crazy how into it the crowd were. People were so excited to sing “Bang, bang, bang, Vaminos, Vaminos.”

That goes for the whole concert. The crowd were absolutely loving it. Loud, loud cheers, some of the loudest I’ve heard in these last two years of more-frequent concert attendance. Also, a lot more polite. Only one crowd-surfer the whole time. No barging and shoving. I got really close to the front and got to stand there comfortably and unmolested the whole night with no competition for space. My favourite kind of concert.

Overall, this was an absolutely brilliant concert. I had a fantastic time and the band performed a great set. I can’t imagine anyone at all walking out of that show and not having had a good time. One D-Bag was overheard to comment “Well, as far as accessible Clutch goes…” – but aside from hipsters who only want to hear B-sides, stuff from Impetus and a lot of jamming, I’d wager that 99.9% of Clutch fans would be impressed and satisfied. Its also cool that they’ve earned the right to play in such a big venue (the same one Megadeth played in). The concert was so good that I bought myself a tour T-shirt afterwards even after saying I wouldn’t at the beginning of the night… Just like what happened at Queensryche.

I hope they put out a live DVD from this tour, it will be their best live album, hands down. That’s how good it was. Go see them live if you can!