Posts Tagged ‘Deliverance’

cocCorrosion Of Conformity have had a lot of different line-ups over the years and a few very distinct career phases. Some of the most notable and best of which are the short-lived Blind era of the very early ’90s, where Pepper Keenan and Karl Angel joined the band and wrote a very dark, yet strangely melodic mixture of Sludge Metal and Groove Metal. Then Karl left, Pepper took over somewhat and they released three brilliant mixtures of Stoner, Southern Rock and good old fashion Metal with a bunch of diverse records that had acoustic sections, interludes, ballads and speedy-ragers all mashed into one record. Their final album in that line-up (well, with a new drummer actually, but close enough…) was very Doom Metal focused. Then Pepper left, and the Trio line-up from before even the Blind era reunited but instead of making Hardcore or Crossover Thrash like they did in the ’80s; they released two Doom albums with raw punky influences.

The celebrated and arguably most popular line up (the Pepper-in-charge on from the mid 90s-early ’00s) reunited recently and toured the globe with incredible reunion shows and now the time has finally come for them to put out some new music together. Its probably one of my most anticipated albums in a very long time. What on earth could it possibly sound like?
Well, the first track is a slow instrumental Sludge intro, bringing immediately to mind the Blind era. Next comes the third single, ‘The Luddite’ which is almost indistinguishable from the style on their Doom-focused In The Arms Of God album from 2005, which is interesting to hear with Reed Mullin on drums. It totally works. Speaking of that album, the creepy-ass title track here might remind you of a certain dark semi-acoustic track from there too.

Like their seminal Deliverance album, there are a few instrumental interludes and mood pieces sprinkled throughout. The first two singles, ‘Wolf Named Crow’ and ‘Cast The First Stone’ hark back to the Wiseblood sound, recalling hits like ‘Long Whip/Big America’ or ‘King Of The Rotten’ in a certain specific way that the instruments interact with each other and with the production style (by John Custer, who did Wiseblood too!) leaving the space at the end of sections and sounding very organic and Jammed-out-in-a-rehearsal-room, if you know what I mean. ‘Little Man’ has a very characterful and southern-fried sound, reminiscent of the under-rated 2000 album, America’s Volume Dealer, only without the over-polished production.

So far, so great. Towards the end, there are a also few slower, sludgy, dragged-out pieces that hearken back to both ‘Pearls Before Swine’ and ‘Bottom Feeder.’ It just wouldn’t be a C.O.C album without mixing in something slow and dirty sounding towards the end, would it now?

The overall feeling is a mixture of all the Pepper-era albums, with a warm and very earthy production. It doesn’t stand out as an immediate drop-everything, earth-shattering revelation, but it is a very welcome return (although they were never really that gone recently, and I’d still love if they threw ‘Demark Vessey’ or ‘Tarquinious Superbus’ into the setlist nowadays too!) that gets better with repeat listens. If you walk in expecting to be blown away like the first time you heard Deliverance you might be disappointed, but if you go in with realistic expectations you’ll find a very solid and rewarding album. My favourite track on the album is ‘Forgive Me’ which has a sort of Thin Lizzy vibe to its hook, but a very metallic breakdown, and Pepper’s vocals are very exaggerated and full of character like they were on ‘Volume Dealer.

To top it all off, there’s a cover of Queen’s very heavy and Sabbathy debut album deep-cut, ‘Son And Daughter’ and it really, really suits C.O.C’s sound. I remember Iron Monkey covering it in the past and it is a very suitable track for this end of the Rock & Metal spectrum. I know people imagining ‘Radio Gaga’ or ‘I Want To Break Free’ might raise an eyebrow, but Queen’s debut was a lot heavier than you remember. For Stoner, Doom or Sludge bands it is a natural fit.

In summary; without disrespecting the fine work of the trio line-up, its nice to have the four guys from Deliverance through to ‘Volume Dealer back playing together again with their unique chemistry. The album is pretty diverse, with a nice mix of fast and slow, clean and dirty, stoner and doom, sludge and hard rock, atmospheric and immediate. The production job is perfect and there’s a fairly decent proportion of the tracks would make it into any fan’s future dream setlists or best-of playlists. If you don’t immediately do a spit-take and have heart-shaped eyeballs the very first time you hear it though, don’t worry, it grows on you.

 

I went to go see Corrosion Of Conformity (with Pepper Keenan back in the band) live at Manchester Academy 2, tonight on Saturday the 7th of March 2015.
It was a sold out show, although when I arrived the queue was literally one person long, with me being the second person. More people arrived and went into the bar, but still, it was so calm and quiet. This lead to early t-shirt purchasing action with no problem getting a front row spot for the show. Everyone must’ve stayed in the bar or showed up late.

There was one support band, that being British Stoner/Doom artists, Hang The Bastard. They’re a band I’d heard mentioned all the time online and in podcasts but who I’d never heard for myself yet. Their music was fat, groovy stoner with abrasive harsh vocals. As the show went on the bassist added nice nasty Scott Kelly style growls, and the music got a bit of a Kyuss melody vibe at one point to balance out all the Doom. It was a pretty perfect booking to support COC. I wish I’d heard them when I was really really into my first wave Stoner phase, because they play exactly the type of music I like, but as with Orange Goblin supporting Down, or My Sleeping Karma supporting Monster Magnet, I was just there for the headliners and the support was cool for the night, but not enough to make me go out and get into them.

When it was time for COC to take the stage, the speakers played Thin Lizzy’s “The Boys Are Back In Town” to reinforce the whole Deliverence-Revival theme. It was a nice touch.

COC were on fire, warmly received by the now full room. They blasted out favourites from Wiseblood and Deliverence mainly, with a few surprises, such as ‘Stonebreaker’ and ’13 Angels.’ It was a pretty perfect setlist, although personal preference wise, as with any concert, you’ll miss some of your favourite songs. I could’ve used some ‘Dance Of The Dead,’ ‘The Door,’ ‘Fuel,,’ ‘Zippo,’ ‘Who’s Got The Fire?’ or even a cheeky ‘Psychic Vampire’ or ‘Tarqunius Superbus’ from the trio-lineup as a neat extra, but that’s just personal. Objectively, it was amazing. You got big sludgy gems like ‘Broken Man,’ fast headbangers like ‘My Grain,’ the catchy stuff like ‘King Of The Rotten’ and ‘Long Whip/Big America’ and all topped off with the essential concert favourites ‘Albatross,’ ‘Clean My Wounds’ (which was extended and jammed out a bit) and an absolutely off-the-charts good rendition of ‘Vote With A Bullet’ that put the biggest smile of the month on my face.

The band seemed to be having fun, and were powerful and tight but still had that jam-feel without actually being disheveled and unorganized. At one point they forgot the setlist and had to consult the paperwork to figure out why they were so ahead of time, nicely dropping into a stunning rendition of ‘Goodbye Windows’ afterwards.

There were a heck of a lot of crowd-surfers, which usually I dislike, but I was in a sweetspot that they all missed so I watched all night, front row, but completely undisturbed. Nice one! –Some poor tall guy got kicked in the head multiple times by the same selfish crowd surfer on multiple trips. Glad for my lucky spot! That would’ve spoiled my night if it kept happening to me.

I’m feeling a bit deaf now, with some serious ear-ringing (only wore earplugs until COC came onstage) but I have some damn good memories of seeing Woody and Pepper rile up the crowd, Mike Dean full of enthusiasm and talent; and Reed’s superb, eye-catching hard hitting. It was a great concert that I’m very grateful to have seen, I had a great night, and it’ll stay in my memory for a long time. The band were really good. Did I mention that?

I hope they keep going in this line-up and release a new album. If their performance of ‘Paranoid Opiod’ or ‘Heaven’s Not Overflowing’ was anything to go by, they are absolutely unstoppable!

(Also, I hope they stick more ‘Volume Dealer material in the setlist (no ‘Diablo BLVD’? Awww…..) but that’s just personal preference again)

Bottom line, COC have got Pepper again, and you should definitely go see them, because time has done nothing to reduce the brilliance. They are on their game big time!