Posts Tagged ‘Green Day’

FIRST IMPRESSIONS, Volume 76: Minor Threat – Complete Discography

Hello, and welcome to my Blog. Why is it called KingcrimsonBlog, the official Blog of Kingcrimsonprog?. Good question; It is called that, because I am called Kingcrimsonprog (or Gentlegiantprog). Well, I’m not. I’m called Jimmy. But, I’m called either Kingcrimsonprog or Gentlegiantprog on most websites and forums. (You know, in the way you have to choose a name or “net-handle” when you register?).

Back when this Blog was first devised, it was sort of a hub “digest” of all my various internet output, under one easy “roof.” So people could then tell that my things were not stolen from elsewhere on the internet, I kept my net-handle in the title. The name of my net-handle was simply chosen because I enjoy the Prog band King Crimson (and Gentle Giant) and is not in fact my real name. Forget about the name. Imagine its called “Music Nerd Blog” instead. You’ll get the idea.

I’ve been obsessing about music since about the year 2000. Over this time I’ve bought what must now be nearly 1,000 albums, and heard hundreds more through friends, relatives, streaming services and whatever else. I’ve also watched over a decade’s worth of music videos and heard countless individual songs on the radio, free covermounted CDs, websites and whatever else. All that, as well as read years and years worth of music magazines and websites.

I’m a nerd. Basically. Only, instead of Stephen King Novels or Vintage French Cinema, its Music that I obsess about. Lots of people are nerds and don’t even realize it. Sometimes its obvious; trainspotting, stamp collecting etc. Sometimes its less obvious due to presentation. Some (make that many) football fans’ depth of knowledge about players and transfer costs and club histories would make many tram-enthusiasts seem normal by comparison. The amount of information that some people know about Reality-TV celebrities and their sex-lives would easily overpower my knowledge of bands, or the average fisherman’s knowledge of lures and lines. Everyone has a thing they get nerdy about, whether or not they realize or admit that it is similar to the more famous nerdy things like Star Wars. I don’t particularly like Football or Reality TV or Fishing. I like Heavy Metal music. That’s my one thing. That’s what this Blog is all about.

Welcome to my First Impressions series of articles too, incidentally. In this series I (or sometimes my friends, or readers) pick an album for each entry that I will listen to for the first time. I then write in depth about what I know about that album or the artist that created it and the genre and subgenre to which they belong, before describing the experience of listening to it in real time, in a sort of semi-stream-of-consciousness way intended for entertainment purposes. I also enjoy writing reviews of albums, but when I write reviews my goal is to be helpful and provide you with information with which to aide your decision about whether to try out an album or not. When I write a First Impressions article however my goal is purely to entertain the reader, explore how much I know about music and be my own psychiatrist in the process.

I may go into some very specific detail and assume you have heard everything I’ve ever heard and perceived everything in the manner I’ve perceived it, and call out very specific sections of music and draw comparisons between things that the casual listener may find completely unrelated. Don’t worry, most of these songs are on Youtube and most of the terminology is on Wikipedia and Urban Dictionary anyway, so if there’s anything that goes over your head, you can always get clarification in a second web-browser-tab (or ask about it in the comments).

According to the aim of the series, the albums are considered by the public and music critics knowledgeable about the subject to be Classic albums within Rock and Metal, or at least within their own Subgenres. Classic albums that I’ve somehow missed out on, despite my nerdly need to hear and understand almost every piece of recorded Metal music ever.

If you have an album that you’d like to read a KingcrimsonBlog First Impressions article about, please suggest it in the comments, I’m game, I’ll give anything a try.

So that’s the preamble out of the way, on to the article:

Today I’ll be listening to the compilation album Complete Discography, by the US Hardcore Punk band Minor Threat. It collects all their officially released studio material, including the highly influential Out Of Step. I got it for my birthday, just like the Manowar albums I mentioned in the last First Impressions article, but I’ve been saving it until now because I’ve been portioning out my gifts because I didn’t want to “lose” albums in the herd. I’ve learned my lesson. Every Christmas or birthday something loses. In 2009 Iron Maiden’s Final Frontier lost for example, and I still never feel like I listened to it enough, so this time… I’m spreading out the gifts so they all get their own brain-space.

Heck, when I got back to the city after my awesome holiday, my flatmates had gotten me four CDs for my Birthday, (what great guys, and what a prosperous Birthday this year!), which upon consideration I have decided that I am now locking out. The new Judas Priest album for example is banned until the start of next month and the rest are banned to the start of the next month… that way all this awesome stuff can all be appreciated, and none of it “lost” in the herd. Also, it will help me not buy new things if I know these new things are coming.

Now; I usually talk about the subgenre before talking about the band and the album in these articles. The genre of this one is Hardcore Punk, as I mentioned above. What do I know about Hardcore Punk?

Well; apart from groovy, Metallic, 90s NYHC, not much to be honest. All my Hardcore knowledge is pretty second hand, or Metal-informed. My history with Hardcore is pretty much that I got into Biohazard in 2001, and have loved them ever since (well, in waves, it waned for a while and came back strong in 2006 and never went away). I saw Sick Of It All’s “Scratch The Surface” on MTV2 around the same time (and later “District” too) and loved it, but didn’t get around to buying an album until last year , as part of this series. This was shortly after becoming a
Madball fan
, which I got the idea for when Jamie Jasta of Hatebreed (who I’d liked since 2001, but properly fell in love with in 2009 following my 2008 acquisition of their Live Dominance DVD causing a building love for them that exploded the following year upon the released of their suberb 2009 Self Titled album) listed his favourite albums in a magazine, including Madball’s Set It Off, and I got curious.

In that same year, I also got into Life Of Agony, who are in that world but are rather unique, and bought a Vision Of Disorder record (well, a two-in-one set of the first two V.O.D albums), and that band are within that world, but are a lot more ragged, unhinged , noisy and high pitched. Oh yeah, and Downset, who were sorta half in that world and half considered Nu Metal. In the same way Hatebreed are more in the Metalcore scene than the Punk scene.

This was all about two years or so after I’d watched the excellent documentary American Hardcore and learned all about the American Hardcore of the ’80s… the kind of stuff like Bad Brains and Black Flag and Dead Kennedys and indeed, Minor Threat. The kind of stuff Slayer covered on their Undisputed Attitude album. Since that time I’ve been really in love with the song “Fucked Up Ronnie” by the Canadian band D.O.A, which I bought individually off iTunes, but I haven’t gotten around to hearing a full album by the band yet. I also got gifted an autobiography of their singer Joey Shithead last Christmas and it was excellent. Really made me want to get into the band… which I probably will eventually. Anyway, that one song is probably my only comparable thing to Minor Threat in my whole iTunes… unless you count S.O.D, or the Punky joke tracks on any given Nuclear Assault album… but that’s really Crossover Thrash if we’re splitting hairs.

Speaking of which, after the band gave it away for free online, I also did a First Impressions in the early days about the Crossover Thrash band Cro-Mags’s debut album, The Age Of Quarrel but its not something I listen to a lot these days. I actually stuck it on out of the blue some time this week, and it was OK, but I didn’t fall in love with it or anything.

Then of course there is Gallows’ Grey Britain, which I guess is technically Hardcore, but comparing it to this ’80s American Hardcore is like comparing Tool’s 10,000 Days to Iron Maiden’s debut album. Sure, they’re technically both Heavy Metal according to some people, but lots of people will get pernickety about that, and also they sound a million miles apart because one is raw and true and the other is adventurous and genius but also way-out-of-basics so people can argue the genre.

AAAAAAANYway.

This is about Minor Threat. All I know about the band is that they are in part responsible for the straight edge scene… which I more and more can understand these days, seeing as I dislike drinking, don’t smoke, and have no interest in drugs at all. Sounds like a good enough scene to be apart of if you are so inclined. I’ve also seen straight edge people extending that idea into things like fitness and vegetarianism and the like… and my current headspace is all about fitness, and I’m also experimenting with meat reduction. Anyway…. That’s all a side-note. I’m not going to tattoo two “x”s on my hands anytime soon, don’t worry.

What else do I know? Their singer is called Ian McKaye and he is also the founder of Fugazi, who I haven’t heard, despite their massive fame and importance to my musical world. I also know Minor Threat have a song called “Guilty Of Being White” which isn’t as racist as it sounds, although it sounds even worse when Slayer cover it and then say “guilty of being right” and come across as a bit Neo Nazi for doing-so and make us all feel pretty uncomfortable. I guess that racial issues can spoil anything. Maybe that’s why Dead Kennedy’s wrote a song called “Nazi Punks Fuck Off” because it must suck to like Punk and then be associated with Nazis. Just like enjoying Black Metal means you have to put up with NSBM and their Nazism. Nazis and music maybe shouldn’t team up. Nazi’s should at least team up with chocolate instead… so then losing weight would be easier.

Other than that? They’re a short-lived Hardcore Punk from the ’80s (in the D.C. scene) and lots of Metal bands like them. I’m hardly an expert as you can tell, and this is more or less a blind-purchase (although it’s a gift anyway) based on reputation and the fact that I might like it, and even if I dislike it, I’d enjoy the learning experience and associated blogging (Nerd, remember?).

So, without further ado, I’m going to crank this.

[Play]

The album starts off with a track that I recognize from the Slayer cover; “Filler.” Its only quick at 1:32, but that’s what you’d expect from a band at that time in this scene. I think a lot of Hardcore is quite short, and that’s probably how Napalm Death got to writing “You Suffer,” – an evolution of that idea, many steps down the evolutionary road.

The production of the rhythm section reminds me of early Overkill, the production of the guitar reminds me of The Sex Pistols. The relationship between the bass and the guitar reminds me of Motorhead. The shambly guitar playing and fluffed notes remind me of The Libertines b-sides like “Mayday” and “Skag & Bone Man.”

“I Don’t Wanna Hear It” – 1:13; This is quite bouncy, a bit more catchy than the previous song. It was also covered by Slayer. The music kind of reminds me vaguely of Overkill’s “Rotten To The Core.”

“Seeing Red” – 1:02; This song reminds me of Green Day’s heavier material, like “Geek Stink Breath” or “Take Back.” Again, that d-beat in this production reminds me of Feel The Fire era Overkill. It’s a lot more up my street than the Cro-Mags album, but I couldn’t actually explain why.

“Straight Edge” – 0:45; This is what the majority of my brain tells me Hardcore Punk sounds like. If I think of Hardcore Punk… my brain makes a mental picture that sounds like this. I could do a perception of a genre by one track series, and if I did, the track for Hardcore would be this one. (Prog would be “Supper’s Ready” by Genesis, Death Metal would be “Hammer Smashed Face” by Cannibal Corpse, etc.)

“Small Man, Big Mouth” – 0:55; Quite bouncy and fun. I like it when floor toms are used in this way.

“Screaming At A Wall” – 1:31; Nothing particularly new here. Its just another song in the same style as those before. Not a favourite of mine. The fast snare rolls are fun though. Oh, cancel that, I should have waited until the end before I said that, it gets quite different at the halfway point and has a slow middle-eight. It in fact does have an identity of its own. Fair dos, Minor Threat.

“Bottled Violence” – 0:53; This is short and energetic, but I can’t really talk about it in any other way. It reminds me of grasshoppers? This song was responsible for Henry Rollins painting his fence back in ’82? This is the Scottish National Anthem? I got nuthin….

“Minor Threat” – 1:27; This is a bit of a change of pace. It is more mid-paced, and has a lot more melody than everything else so far. Until it speeds up in the middle, but still, this is one of the more distinct tracks so far. It has more tuneful singing than you’d expect too. I can see how Punk got from Sex Pistols to this, to Descendants to Green Day, to My Chemical Romance. This is what I love about going back… I want to buy a Saxon album and inadvertently learn something new about Pantera. I want to go to the past and understand the present and even predict the future. I love the jigsaw aspect of all of this.

“Stand Up” – 0:53; Well, this is certainly a song in the Hardcore Punk style, other than that I can’t really comment. For some reason it is rather fun, sort of reminiscent of Metallica’s “Motorbreath” in some weird way.

“12XU (Wire Cover)” – 1:03; The band are experimenting with dynamics here, going between open chords, chugging, then cutting the guitar out. Well, I don’t know if Minor Threat or Wire are experimenting, I haven’t heard the original.

FIRST IMPRESSIONS, Volume 76: Minor Threat – Complete Discography

“In My Eyes” – 2:49; This starts with a straight four-four Hard Rock beat and super messy bass fumbling and then purposely jumbles and ends and the real song begins… I can hear the Nirvana in that intro. Then its got a fun tom-build-up part. This is also a highlight so far for me.

“Out Of Step (With the World)” – 1:16; hmmm… it isn’t in my iTunes… I don’t know what happened here. Oh well, moving on…

“Guilty Of Being White” – 1:18; Ok, I mentioned this before. Musically, I can see why Slayer covered it, it is a quite fun song, lots of energy, and a bit of a hook to it. Just a shame about the lyric thing. Also I don’t like listening to it in this neighbourhood in case I look like some sort of BNP person. I’ll turn this one down and close my windows…

“Steppin’ Stone [Paul Revere And The Raiders Cover]” – 2:12; Ok. Back to full volume. A lot more variety here, reverb on the cleaner vocals, but then it is a cover. I can here Monster Magnet in this, in a way. I bet Dave Wyndorf likes it.

FIRST IMPRESSIONS, Volume 76: Minor Threat – Complete Discography

“Betray” – 3:02; The production here is a lot better. There’s melody to the singing. This is the Out Of Step album’s opening track. It sounds a bit more professional, again I hear Motorhead in it in a way… mostly the high guitars over rumbly bass. Its quite a long track for this band as well! Hey, they even throw in a slow section just before the end.

“It Follows” – 1:50; Not quite as fun as “Fucked Up Ronnie” but it kind of reminds me of it. Also, I can now see why Green Day are pop Punk. Like, I can here the connection between this and something off Kerplunk or ‘Slappy Hours… or whatever.

“Think Again” – 2:18; Quite a different sound for the band, a more distinctive riff than the usual thrashing. A bit mid-paced. Quite soft in parts compared to the all out thrashing of the first few tracks.

[A quick break to go on a nice date with my lovely gal to The Handmade Burger Co, which incidentally is awesome! Go there if you can. Their spicy bean burgers are sublime! Be warned however, chips portions are so generous two people should never buy two separate portions, if they don’t want to burst!]

“Look Back and Laugh” – 3:16; This opens with a slightly Russian-sounding slow riff, that reminds me of Brent Hinds for some reason. Then it turns into a slow sunny punk song, that reminds me of people skateboarding on Venice Beach, LA, while eating Goodburger burgers and high-fiving Ronald Regan-themed cardboard cut-outs (my mind is a confused place).

It reminds me vaguely of that one Pennywise video where the guy skateboards around town and goes to a record store and paws a Black Flag vinyl but doesn’t buy it. Its quite varied and diverse and fully-realized. Its not just a quick blast of speed, its got dynamics and lots of different ideas.

“Sob Story” – 1:50 ; This song is halfway between the last one and a quick angry blast from earlier on the record. It’s got dynamics up to a point but is fairly straightforward.

“No Reason” – 1:57; Pretty much the same as the previous track but ever so slightly more aggressive, and the guitar solo segment is more melodic.

“Little Friend” – 2:18; I’m getting a bit exhausted with the formula now if I’m being perfectly honest. I haven’t stumbled across anything as noteworthy as “Fucked Up Ronnie” yet. This song is another slightly samey go around the Minor Threat wheel. The coolest thing is at the halfway point there is a slow part that feels like a “Mosh Part” as described by Scott Ian in any documentary about Thrash and Hardcore’s link.

“Out Of Step” – 1:20; This one is the one that helped spawn the Straightedge thing. (“I don’t drink, I don’t smoke, I don’t fuck, I gave up, I’m out of step with the world.”) Its ok I guess. I thought I’d identify with it more than I actually do. Its ok. It’s a bit more memorable than the last three or four tracks. I was expecting a giant anthem that I’d want to scream out embarrassingly loud and be too-into. Oh well.

“Cashing In” – 3:44; This one is probably the most musical and advanced track on the record so far. Its got lead guitar, recurring choruses, a messy prog bit and that leads into a rousing heavy metal section in the middle where he keeps saying “there’s no place like home” and they play a kind of NWOBHM part, and that’s the end. I don’t know if it is a send-up of Metal or not, I can’t really tell on initial listening. A lot of Punks hated Metal so its pretty likely, although cross-over happened too, so maybe it isn’t ill-natured. Hard to tell.

FIRST IMPRESSIONS, Volume 76: Minor Threat – Complete Discography

“Stumped” – 1:55; This is more advanced, this marks the start of the Salad Days EP, and it is a bit of a step-up in musicianship and production, but still more or less the same sort of thing. It starts off with a slow, pleasant bassline that could be Green Day or The Offspring. The chugging guitar slowly builds, then the song lilts into a soft gentle groove that reminds me of colourful pop-punk music videos from the ’90s. Rancid videos. The vocals are kind of half-assed and lazy, in an intentional punk way. The song dies, intentionally.

“Good Guys (Don’t Wear White) [The Standells Cover]” – 2:14; It reminds me of the 1950s. I don’t know the original, just like I don’t know the original bands that Poison (“Your Momma Don’t Dance”) or Motley Crue (“Smokin In The Boys Room”) cover (parenthesis, much?). Hmm… turns out they’re a garage rock band from the ‘60s, like when Heart cover “The Witch” by The Sonics. Its ok. Its quite summery and bright, it kind of reminds me of The Proclaimers for some reason. Also, the acoustic guitars with punky production thing reminds me of Smashing Pumpkins and the entire ‘90s.

“Salad Days” – 2:46; Here we go, final song. It starts with some loose strumming on a guitar, then a raucous Motorhead style rumbly bassline, and then a disco drumbeat and bells come in. When it finally kicks in, it goes into a D-beat. Its kind of their usual style, but with cleaner production and a bit more melody. Its all a bit smoother. I could see some wieners saying the band lost their edge or whatever, but it’s a decent song.

Ok. And that was that. It didn’t really make for good reading. I can’t really discover much on an album that is pretty samey. I’m not sure how I feel about this collection overall so far. Maybe I’ll love it after a few more listens. I often find that when writing about these records at the same time, I don’t enjoy them as much… Dream Theater’s ‘Scenes From A Memory being a prime example. Maybe that album was just a grower though? I’m sure I loved it in a past life or something…

I think I could take this band more in small doses. Maybe a whole discography all at once was a bit of an overkill (is that good grammar? “A bit of an overkill” ? Should it be “A bit overkill” ?) (Should I just go and listen to Overkill?). I guess that’s why most of these type of bands released EPs and singles so much. Actually that’s not true, it was because it was cheaper, it was a financial thing. Also, what band would want to limit their audience’s consumption of them? Still… I think I’d like a Nasum or Terrorizer or Agoraphobic Nosebleed EP more than a full album. So, maybe it is a small-doses situation? Maybe. If anyone knows, comment that shit!

I enjoyed this one from a historical/educational perspective… but I’m not sure how much I enjoyed it. I still really want to check out things like Black Flag’s Damaged and Bad Brains’ Self-Titled debut, and all of Dead Kennedys’ early albums, but at the same time, I can foresee them being a bit boring and not-to-my-tastes. I think it may just be the case that I’m not a Punk person. Its ok. Not everyone has an ear for everything. My housemates just can’t enjoy Metal. My brother just cannot enjoy Hair Metal. My friend just cannot like any Extreme Metal…. Maybe I just am not equipped to like Punk.

Well; that’s why God invented Crossover, Groove Metal, Stoner, Grunge and Metalcore isn’t it?

I think I’m going to go listen to Napalm Death cover “Nazi Punks Fuck Off” instead of listening to the original. And that’s Ok.

Hello and welcome to this fourth round of my “Get (Into) What You Paid For” challenge, in which I attempt (despite being an out of control, no discipline, shopaholic of sorts) to not buy anything for a month.

I also try and make this challenge easier by going back and paying more attention to what I’ve bought already, and try and get into more and therefore get my money’s worth.

Have you ever picked up five or six albums in one shopping session or received several videogames all at once for a birthday and then found that some products get used more than others? This series is designed to reappraise and finally get into those sort of underdog products.

JP – RoS

If I was going to break my challenge, what would cause me to do so?
Well, I’m damn tempted to but the new Judas Priest album, Redeemer Of Souls. I’ve read absolutely universal praise of it, and Judas Priest are one of the band’s I’ve listened to the most in the last four years. If its anywhere near as good as Angel Of Retribution I’ll love it. Most people say its measurably better than Angel Of Retribution. Sounds pretty good to me. Plus its topical and up-to-date, and I’ve been lost in the 80s a bit recently, and it would be nice to be up-to-date with something. I’ll get that feeling when my pre-oder of Accept’s Blind Rage arrives, but until then, I’m sort of out-of-the-loop with modern releases at the moment.

In the opposite direction of being up-to-date however, I was watching a Lynyrd Skynrd documentary this week and that put me in the mood to try out some Molly Hatchet and Black Oak Arkansas, and expand my Southern Rock collection further than solely Lynyrd Skynyrd and Blackfoot. This was compounded the next day when watching a Van Halen documentary that featured Jim Dandy (Black Oak Arkansas’ frontman) as a contributor (discussing press accusations that David Lee Roth stole his stage moves). Both of those guys have Original Album Series boxsets and I kind of want to pick those up… but boxsets are a dangerous game. I’m still in a boxset “get my money’s worth” mind-war with Thin Lizzy, Van Halen, Dream Theater, Faith No More, Foghat and Mountain (and to a lesser extent Motorhead and Saxon a bit).

VOD – BV

Bit of a left-field choice here, but I’m really tempted to buy Broken Valley by Life Of Agony. It’s the only album by them I don’t own yet, due to buying that Roadrunner Boxset, and I’ve been absolutely loving their first two albums these last few months. I’ve been really, really heavily leaning on tracks like “Damned If I Do,” “Bad Seed,” “Underground” and “Drained.” Their reunion put them back in the press and that reminded me of this missing album in my collection (I think there was an article saying they’ll not be making a new record so fans “better get used to Broken Valley”).

F – F&W

A fairly new “want” of mine is Free’s Fire And Water. Fairly new as in yesterday. There was a vintage music channel playing music videos on a TV in the background of where I was at yesterday. It was primarily showing videos of 80s pop bands like Duran Duran, Culture Club and Wham. Then out of nowhere; a Zepplinny, 70s-Sounding Hard Rock guitar comes in with charming production and suddenly I sit up and pay attention. It turns out to be “All Right Now” by Free, which is probably up there with “The Boys Are Back In Town” by Thin Lizzy and “Sunshine Of Your Love” by Cream as one of the most famous and frequently pub-covered songs in Rock Music, and yet I’d never really noticed it properly before. I was impressed. I’d like to hear a full album. Turn it from a “Smoke On The Water” into a “Machine Head” and find a few “Pictures Of Home”s… if you follow my meaning?

I’ve also been voraciously consuming Batman comics over this last year (in fact, August 2013 was when my good friend Paul bought me a load of Batman books for my birthday and in-so-doing kicked my casual “Ok, I’ll try some Batman” phase into an “I am a Batman fan” phase.) So I’d be tempted to buy just about any Batman tradepaperback I come into contact with. My current “top picks” to get are Ego, Odyssey, Black & White, Year 100, Dark Victory, Time & The Batman, Bruce Wayne The Return, Bruce Wayne Murderer? and all volumes of the New 52 Nightwing series.
When its released I want all volumes of Batman Eternal, Zero Year and I also want any stories where Jason Todd is Robin…. release some sort of retrospective please guys?

Anyway, enough about what could make me spend money, what’s been saving me money so far this month? What’s kept my hands busy and stopped by notorious spending habbits at bay?

M.C. – T.O.P

Well; Its August 7th, 2014 and I’ve currently managed to go the first week of the challenge without buying myself anything. Right before the challenge started, I picked up a copy of Motely Crue’s third studio album Theater Of Pain from a Charity Shop for £1.99, and that has pretty much kept me interested for a full week.

I didn’t expect much from this album to be honest. I thought it might be a bit rubbish. I’ve read bad reviews of it. I’ve read The Dirt (Crue’s biography book) and the album is slated in that book. I’ve watched Google Play’s Motley Crue documentary (see here) and singer Vince Neil rejects the album. It seems like it might be a bad product. A bit of a mistake. A bit like Kiss’ Music From The Elder Album.

But you know me, champion of the bad-album, lover of St Anger, contrary semi-hipster who always seems to love the album with the bad reviews (Ok. That’s an exaggeration; I often also dislike unpopular albums too, but whatever…). I thought to myself I’ll find a way to enjoy this album.

On first listen, this album was a mess. Opening with a slow doomy track, then into a cartoony cover-song (and I’ve never liked songs singing about School anyway), then a rock song and then a ballad. Its confused, its all over the place. I heard people say this album is just “some songs” and that “its not a party album” and that “they were too high on drugs and bereavement for Razzle to make a good album.”

Then I heard the songs “Use It Or Lose It” and “Louder Than Hell” and they just connected with me. Unarguably and instantly two of my favourite Motely Crue songs. So I realized there is definitely something going on here. I’ve been listening to it repeatedly, in different combinations and orders until I came across the perfect listening order:

Now its not a mess. Now it’s a party album! Now it is a well balanced set of rock songs with diversity but a steady sensible flow. It’s a journey. It’s a good record!

In this order, I’ve listened to and loved the album about a dozen times now. What a big difference that the running order makes. I recommend you try it out this way, it is a much better album.

I’ve also been listening to the rest of the band’s catalogue these last two weeks. In particular, Shout At The Devil is a good record, with “Red Hot,” “Bastard” “Looks That Kill” and the Title Track all being stand out moments.

I don’t much care for their debut apart from the fabulous “Live Wire” and “Piece Of Action” or even the mega famous Dr. Feelgood album all that much apart from its own Title Track and “Kickstart My Heart.” I don’t have Girls Girls Girls yet, so can’t make a judgement on that one, but I will explain that kind of the reason for all this Crue interest is because I’ve loved the single “Wildside,” ever since I saw Dwight enjoying it too much in The Office on my most recent re-viewing of the series in its entirety. (I’d heard it before, but that moment just made me reevaluate it.)

In honour of this new found acceptance of Motely Crue (band who I’ve really struggled to allow myself to like due to my disapproval of their sexism, drug abuse glorification, domestic violence denial, and general selfishness and rudeness) I’m going to list my five-favourite songs by the band, and all their contempories in my music library.

So consider this a Hair Metal/ Glam Metal / ‘80s Hard Rock special episode.

Motely Crue :
1. Louder Than Hell
2. Live Wire
3. Wild Side
4. Use It Or Lose It
5. Shout At The Devil

W.A.S.P :
1. I Wanna Be Somebody
2. The Torture Never Stops
3. Ballcrusher
4. Shoot From The Hip
5. Chainsaw Charlie

Twisted Sister :
1. I Wanna Rock
2. You Can’t Stop Rock N Roll
3. The Kids Are Back
4. Kill Or Be Killed
5. Love Is For Suckers

Quiet Riot :
1. Metal Health
2. Run For Cover
3. Scream And Shout
4. (We Were) Born To Rock
5. Sign Of The Times

Poison :
1. Look What The Cat Dragged In
2. Let Me Go To The Show
3. Play Dirty
4. Nothin’ Buta Good Time
5. Look But You Can’t Touch

Dokken :
1. When Lightning Strikes Again
2. ‘Til The Living End
3. Tooth And Nail
4. Live To Rock (Rock To Live)
5. Kiss Of Death

Bon Jovi
1. Bad Medicine
2. King Of The Mountain
3. You Give Love A Bad Name
4. Runaway
5. Born To Be My Baby

With only one album by Extreme and Europe, I don’t feel its fair to do them, but I’ll say that my favourite one song by each is “It (‘s A Monster)” and “On The Loose” respectively.

For each of these articles this time around, I’ll try drop a TOP 5s of a particular subgenre in there. It’ll give this round a unique feature, ey?

T.P.B

In other areas, I’ve been keeping busy by watching Trailer Park Boys on Mike Ladano’s recommendation, and absolutely loving it. Thanks Mike. Thanks Netflix. It’s a great show! – Not only for guest rockstar appearances from Sebastain Bach and Alex Lifeson, but for the superb sense of humour and brilliantly real life (in a way) nature of the show. Its not skinny Hollywood girls buying Porches. Its much more down to earth (although it does get too surreal at times to honestly call “realistic” in fairness, but you catch my drift).

The characters are really enjoyable, from humorously selfish and flawed, to ludicrously irrational and dysfunctional. Its hard to pick a favourite character because everyone has got something going for them… even minor characters like Ray would be the best character in some other shows.

In a more British mood, I’ve been watching the absolutely excellent Getting On. A British show about Hospital Nurses, very much in the style of (and featuring cast members, and written and directed by people from) The Thick Of It. Just like The Thick Of It was a really astute and well researched satire of the British political system, Getting On is basically the same show but about the NHS. Its fun though, because instead of some lazy slamming of the NHS and unfair complaints, its mostly just a comedy about flawed individuals and their own personal weaknesses interfering with their ability to do their job properly. Its not “This is why hospitals are bad”… its “How did this clown get a job in a hospital” and I appreciate that. Fair humour, that doesn’t play too much on the same old negative hospital stereotypes.

BS – I

What else? Just before the challenge started, I got a lend of and finished, and Platinumed the videogame Bioshock Infinite (my first attempt at, and success at Platinuming a game in two years, despite my previously huge interest in that area). The game? It is a masterpiece. Although in hindsight, in comparison to Bioshock 1 & 2, a lot of the gameplay depth, setting atmosphere and cool enemies are missing, but I absolutely loved the story and the effort and depth there. I sat and read practically everything written about it on the internet afterwards and was wowed by the fabulous artistic achievement that this game is.

I won’t go too much into it because of spoilers, but wow… what a brilliantly executed concept. And I love whoever online said that the fact that it is a game strengthens the point its trying to make and the effort went to by the creators to make a piece of art strengthened by the gaming platform. Bioshock as a series is absolutely one of my favourites. Each of the three games has had some flourish of genius or other.

New Slipknot

A few other thoughts then – There’s a new Slipknot song. Not the single, we have now learned, but rather a heavier mid-album track as a gift to the fans. We don’t know who’s drumming on it, although the internet thinks it might be Chris Adler from Lamb Of God or Jay Weinberg. It might even secretly be Joey and the whole thing is a publicity stunt… is that legal? It might be Clown or Chris taking up a full time drummer’s job.

We don’t know who is playing bass on it either. Lots of members of Slipknot also play bass so, probably they played on the studio version and someone else will play it live. Chris is also a bassist. Perhaps Chris is the new Bassist and Clown is the new drummer? That would be good.

Anyway, the song, The Negative One… kind of like when they debuted “New Abortion” before Iowa, or the All Hope Is Gone Title Track before that album, its not really a catchy single, it’s a deep-cut given unrealistic limelight.

It has an Iowa-esque approach to the production and mix, and the vocals are less melodic and Stone Sour-esque than on the previous two albums, and there is a lot more sampling and DJ scratching than the previous two albums as well. Other than that, what can be said? Not all that amazing. Its not “Wow, this is one of my favourite Slipknot songs.”

In fact, if I listed all the Slipknot songs that were better than it, it would be most of the Slipknot songs. But whatever… early days yet. I hope, on one level, that the album is in this general direction…you know, far away from Stone Sour. On the other hand, “Dead Memories” is a better song than this so I’ll take a more commercial Slipknot so long as its good. I’d rather have good music in a commercial style than dull music in a good style. I will give it this though… the additional percussion in it is really fun. Especially in headphones. The mix on the final version is a lot better than in that initial stream too. Maybe that, or maybe its the same version but my speakers are better here than where I first heard it. Also, maybe its a grower. I don’t think “Everything Ends” or “The Shape” blew me away on first listen but I sure as heck like them now.

Metallica had a similar new song a while ago and I didn’t blog about it, but the feelings I had for it are similar. Its in a good style but not super-special in and of itself.

Another quick observation… Green Day totally and massively stole vocal patterns from “On With The Show” and “Merry-Go-Round” on American Idiot album tracks. Seriously, give it a listen!

FIRST IMPRESSIONS Volume 71: Poison – Look What The Cat Dragged In

FIRST IMPRESSIONS Volume 71: Poison – Look What The Cat Dragged In

Hello, and welcome to my Blog. Why is it called KingcrimsonBlog, the official Blog of Kingcrimsonprog?. Good question; It is called that, because I am called Kingcrimsonprog (or Gentlegiantprog). Well, I’m not. I’m called Jimmy. But, I’m called either Kingcrimsonprog or Gentlegiantprog on most websites and forums. (You know, in the way you have to choose a name or “net-handle” when you register?).

Back when this Blog was first devised, it was sort of a hub “digest” of all my various internet output, under one easy “roof.” So people could then tell that my things were not stolen from elsewhere on the internet, I kept my net-handle in the title. The name of my net-handle was simply chosen because I enjoy the Prog band King Crimson (and Gentle Giant) and is not in fact my real name. Forget about the name. Imagine its called “Music Nerd Blog” instead. You’ll get the idea.

I’ve been obsessing about music since about the year 2000. Over this time I’ve bought what must now be nearly 1,000 albums, and heard hundreds more through friends, relatives, streaming services and whatever else. I’ve also watched over a decade’s worth of music videos and heard countless individual songs on the radio, free covermounted CDs, websites and whatever else. All that, as well as read years and years worth of music magazines and websites.

I’m a nerd. Basically. Only, instead of James Bond or Vintage Clothing, its Music that I obsess about. Lots of people are nerds and don’t even realize it. Sometimes its obvious; trainspotting, stamp collecting etc. Sometimes its less obvious due to presentation. Some (make that many) football fans’ depth of knowledge about players and transfer costs and club histories would make many tram-enthusiasts seem normal by comparison. The amount of information that some people know about Reality-TV celebrities and their sex-lives would easily overpower my knowledge of bands, or the most dedicated historian and their knowledge of French Military Tactics. Everyone has a thing they get nerdy about, whether or not they realize or admit that it is similar to the more famous nerdy things like Star Wars. I don’t particularly like Football or Reality TV or French Military Tactics. I like Heavy Metal music. That’s my one thing. That’s what this Blog is all about.

Welcome to my First Impressions series of articles too, incidentally. In this series I (or sometimes my friends, or readers) pick an album for each entry that I will listen to for the first time. I then write in depth about what I know about that album or the artist that created it and the genre and subgenre to which they belong, before describing the experience of listening to it in real time, in a sort of semi-stream-of-consciousness way intended for entertainment purposes. I also enjoy writing reviews of albums, but when I write reviews my goal is to be helpful and provide you with information with which to aide your decision about whether to try out an album or not. When I write a First Impressions article however my goal is purely to entertain the reader, explore how much I know about music and be my own psychiatrist in the process.

I may go into some very specific detail and assume you have heard everything I’ve ever heard and perceived everything in the manner I’ve perceived it, and call out very specific sections of music and draw comparisons between things that the casual listener may find completely unrelated. Don’t worry, most of these songs are on Youtube and most of the terminology is on Wikipedia and Urban Dictionary anyway, so if there’s anything that goes over your head, you can always get clarification in a second web-browser-tab (or ask about it in the comments).

According to the aim of the series, the albums are considered by the public and music critics knowledgeable about the subject to be Classic albums within Rock and Metal, or at least within their own Subgenres. Classic albums that I’ve somehow missed out on, despite my nerdly need to hear and understand almost every piece of recorded Metal music ever.

If you have an album that you’d like to read a KingcrimsonBlog First Impressions article about, please suggest it in the comments, I’m game, I’ll give anything a try.

So that’s the preamble out of the way, on to the article:

This is the seventy-first entry in the series and this time I’ll be listening to the debut album by the American Glam Metal band Poison, 1986’s Look What The Cat Dragged In. (1986 – Which was the year of Peace Sells, Reign In Blood and Master Of Puppets).

I’d like to think I was done with talking about Glam by now. I’ve covered it in previous FI articles on the subject of W.A.S.P , Quiet Riot, Motely Crue, Extreme, Twisted Sister , W.A.S.P again and more recently, Dokken.

Maybe I’m just not done with Glam yet. Maybe there’s something left to say, because I haven’t properly given Posion a detailed scrutiny. I remember a friend saying that even as a fan of Glam, Poison would be an embarrassing band to admit to liking.

I like the sound of that. It seems like it might be an interesting experience. A band that are too over-the-top looking, a band that are considered style over substance by other style-over-substance artists, a band that watered their sound down even more than the rest. A band that is more symbolically pop-with-guitars than Glam METAL. I remember a video of Corey Taylor telling a story of picking up this album to see the “hot chicks” on the cover, only to discover that they were men. That sort of says all I’m going to bother with about how the band looks.

I also know their music videos are stupid. To be fair, almost all music videos are either stupid or else just dull. It took me quite a while to stop judging bands based on music videos, so if you saw one and it put you off the band I completely understand, but I’m going to go on with the article under the premise of “only the music matters, the image and videos don’t change whether the album is good or not.”

I remember my initial point of giving Glam a fair chance was the promise of that Metal part, that Judas Priest sounding Metal that hid in the early material of W.A.S.P and the deep cuts of Twisted Sister. The idea that a band who people write off can sound almost indistinguishable from Overkill’s debut makes me smile a little.

That’s not going to be the case here though is it? This is the other end of the spectrum as far as I know.

Lets find out.

[Play]

‘Cry Tough’ opens up with a nice crowd-friendly drum part people could clap along with that reminds me of Green Day’s ‘Wake Me Up When September Ends’ only shone through the filter of a sunny 80s buddy comedy. Then a mixture of shimmering arpeggios low in the mix, slow distorted guitar chords and a sort of pop-punky bass line. The vocals are quite reminiscent of 80s female pop stars. It also reminds me of Bryan Adams for some reason.. Its about as heavy as the start of ‘Sweet Child Of Mine,’ so its still definitely Rock music, but its not sounding very Priest-esque yet.

I wonder if Poison were quite influential on Emo and Pop Punk bands. Not in a snarky way, because those things are all seen as ‘bad’ by certain vocal minorities online, but because I hear some genuine sonic similarities.

Its interesting that people online can be so venomous towards Pop Punk, Emo, Nu Metal and Hair Metal, but linking back to the James Gill “You Know All The Words” in a Rock-Club-scenario argument, I was in a Rock Club last night, and people most definitely knew all the words to Green Day and Sum 41 and My Chemical Romance and Paramore and Limp Bizkit and Linkin Park and seemed to be having a wonderful time of singing along to all of them, whether they were dressed in Pantera t-shirts or Death t-shirts or Burzum t-shirts.

I guess in a way its redundant to keep pointing out the same hypocrisies over and over again, and to write “Hey a lot of people actually like bands that are quite clearly well liked” when to most people its probably obvious, but it’s a topic that interests me a lot. To my mind, the way I perceive the world, from what I’ve read it seems like almost everyone hates Linkin Park, Sum 41 and Poison, but quite clearly this is the opposite of the case. Its probably because they’re so loved by so many people that online grumps want to deny their quality and popularity and endeavor to convince impressionable and easily-fooled people like me that no-one likes these bands.

I wonder, if the internet had have been bigger back in the 1980s-90s, would the whole Black Metal Helvete-scene thing have happened, or would having an outlet to simply troll Motley Crue and later Nirvana online have stopped all those guys having such a bad attitude towards commercial music in their day to day lives? Furthermore, when Euronymous and Count Grishnack got drunk, did they happily sing all the words to ‘Talk Dirty To Me’?

Its an interesting thought. I’m not a psychologist, and I don’t know enough about human nature to give you an actual insight, but the question is mildly interesting at any rate.

‘I Want Action’ opens up with just vocals, then an intro kicks in, then there’s a bouncy song which unfolds which is almost indistinguishable from Dookie-era Green Day, to my ears anyway, with a little Rock N Roll part thrown in there too. There’s a very pleasing and fun-to-the-ears guitar solo. The production reminds me of Appetite For Destruction but the music reminds me of Green Day. It ends the way you’d end live, with extra long fills and that sort of thing. That aspect reminds me of The Darkness, but not sonically, just in spirit.

‘I Won’t Forget You’ is a sort of ballad, or at least a very soft rock track, it reminds me of The Saw Doctors and The Proclaimers. The production makes it sound really perfect in a way. Its not particularly anything, but its good anyway… like the movie Adventureland. Its not the most emotional, humourous, or interesting film, even among its peer films, but its still good anyway.

‘Play Dirty’ opens up in a more energetic Rock fashion, it reminds me a bit of The Darkness’ ‘Growing On Me’ due to the rhythm of the main riff. This is probably the closest to Guns N Roses or Skid Row that this album has got so far. There’s a bit more attitude to it. The on/off nature of the chorus, combined with the reverby sing-along vocal makes me think of ‘Rock You Like A Hurricane.’ This is quite an enjoyable, fun, 80s Rock song. Kind of the same sort of fun as Quiet Riot’s ‘Metal Health.’

I think so far, Posion are a whole heap more slick, professional and impressive than Motely Crue. More talented as musicians, better songwriters and easier on the ears.

I also think they are more original in a strange way, because you can’t hear any Kiss or Aerosmith or Judas Priest in their sound at all. Maybe though, I just don’t know the band’s they’re ripping off. Even so; They’ve also got heaps of personality. This isn’t just another Glam band. There’s audible personality here. Like Limp Bizkit, even if the-

Woops. Spoke too soon. The Title Track comes in next, its actually quite a Metallic song compared to everything else so far. I guess there is a bit of Priest-influence after all. Well, you’re probably sick of me making Limp Bizkit analogies all the time anyway. Hey. This is actually a good song! Its simple but catchy. I wouldn’t be embarrassed listening to this song in a mix of Ozzy, Judas Priest and Gun N’ Roses songs. Interestingly, it even references Sin After Sin in the lyrics.

‘Talk Dirty To Me’ follows. I used to hate this song when I first heard it in Guitar Hero 3, which I also initially hated, but darn it if they didn’t both really grow on me. This is another very Pop Punky song. That main riff is even quite original-punky in a way. I’m not saying it sounds like The Ramones, but it does remind me of people who like The Ramones practicing guitar. I have a vague memory of a plot point in an episode of Scrubs surrounding a patient wanting to listen to this song.

The guitar solo here is a lot of fun, I think I quite like CC Deville. I’d rather listen to his guitar solos than Kerry King’s or Andreas Kisser’s. Yes I know that looses me a million Metal-points.

‘Want Some, Need Some’ comes next. It reminds me a bit of the Title Track but its a little slower and with a less Metallic feel. The chorus reminds me of Motely Crue slightly. It’s a fair enough song. The guitar solo is less musical this time though.

‘Blame It On You’ is the quintessential, stereotype, LA Stripper music Rock song. I mentioned this in relation to some songs on Dr. Feelgood. There’s a certain, specific way of writing bouncy beats with clunky bass guitar tones that connects a lot of Glam bands together. It’s sort of present in Mr. Brownstone.

‘Number One Bad Boy’ burst out confidently as if it was an extension of the previous song, the production here and the way some of the vocals work remind me of Motely Crue even though the actual vocal tone is closer to Twisted Sister. You know what it also reminds me of? The slightly Glam touches hidden in there on Alice In Chain’s Facelift. The bits with the guitar solo distantly remind me of Cowboys From Hell era Pantera, but that’s probably more to do with the fact that there’s an absence of Rhythm Guitar during the solos more than anything else.

‘Let Me Go To The Show’ comes on next, opening with a guitar solo. It’s a fast, fun, song with clean yet punky energy. It reminds of when Guns N’ Roses cover punk songs like ‘Attitude’ and ‘New Rose.’ There’s a bit in the middle that reminds me of ‘Ballroom Blitz’ due to the snare drum part. In one way it’s a very good song. In another, all the different parts don’t really gel together well. Maybe it was longer and the producer got them to delete a lot of the bridging parts so as to save the spirit of the song.

Ok. That’s it over.

You know what? I can see why people would be embarrassed to listen to Poison, but I would be a bold-faced liar if I said I did not enjoy this record. Admittedly; It doesn’t satisfy much of my Metal receptors, but it’s a whole heap of well-produced, personality-filled fun that reminds me of being a teenager and listening to Green Day for the first time.

I guess I’m not going to convince many Mayhem fans to give Poison a fair chance, but nobody really expects me to. Oh well, I’ll have more fun with this in the coming months than I will with Des Mysteries Dom Sathanis. I don’t really mind if that makes me look silly to the people who found this website for the Cannibal Corpse, Zyklon, Emperor or Melechesh entries, at least I’m enjoying myself.

Instead of beating the same old dead horse for yet another time, I’ll finish with a completely unrelated point. Kiss’ ‘Shout Mercy’ has become one of my favourite songs. I really recommend everyone listen to it. I was walking around Asda with my headphones in one day recently, trying to find powdered milk, and I suddenly stopped, wondering why I was having an absolutely brilliant time. The reason was because Kiss’ ‘Shout Mercy’ was playing. I don’t care if the lyrics are about being so good in bed that your partner has to loudly urge you to stop such is the intensity of their orgasm, because damn it, that is one great combination of musical parts. It also harks back to everything that was great about 70s Kiss but the weird swing feel of the main bit sounds unlike anything the band ever did before, so it’s a real satisfying track because of its mixture of giving you what you want and being creative at the same time too.

If you just skimmed through Kiss’ most recent album Monster and didn’t really play it all that often, take a moment and just set this one song aside, turn it up, and pay attention. You’ll thank me for it.

No, I guess its got nothing to do with Poison other than the fact that the lyrics are about sex, as are most of Poison’s, but its on my mind and I’m writing a blog, so I’ve added it in here. Its happened.

You want a song to put you in a good mood? ‘Shout Mercy’ by Kiss. To be fair, ‘Talk Dirty To Me’ has put me in a good mood too. Listen to that too if you like. The only other song that’s put such a big smile on my face today is when I heard Opeth’s ‘Harlequin Forest’ for the first time and that huge part at 7.32 comes in. That is a seriously cool part.

Oh, I mentioned enjoying Opeth, do I win some Metal-points back?

Cheers. G’bye for now.