Posts Tagged ‘Groove Metal’

220px-COC_BlindBlind is a very interesting and unique record within the C.O.C discography both historically and musically. A transitional record for a band who have had several very distinct and separate sounding periods and musical-directions over the years.

In the ’80s C.O.C were a raw, gnarly Hardcore Punk band (but with Sabbathy doomy tracks here and there too) and gained more and more Thrash influence with each release. In the 2012-2015 one of the earlier line-ups reformed but made more sludgy stonery Metal. The band are most famous however for their 1990s period especially the fan favourite Deliverance and Wiseblood albums which saw them add in Southern Rock, Groove Metal and Stoner Rock elements together into one big melting pot resulting in some of the best music of all time (real top 100 albums to hear before you die type stuff, seriously, if you don’t own those two albums yet, drop what you are doing and explore!).

In 1991 however, C.O.C had an interesting and one-off change of pace, direction and line up. Usual bassist and occasional singer Mike Dean was out (he’d be back again) replaced by Phil Swisher. Karl Agell joins the band and takes the mic, about their fifth singer alreay. For the first time guitarist Woody Weatherman finds himself in company as a second guitarist is added to the line-up, a big step in changing their sound from ramshackle Punk flavour to something else, something more metallic. That guitarist was none other than Pepper Keenan. Pepper of course being famous not only as the guitarist in supergoup Down nowadays, but also the band leader and singer of C.O.C for their most famous and beloved work in the ’90s.

Well, all that history and line-up information is certainly interesting, but it really doesn’t give you any guide as to what this particular record sounds like and if you’ll like it or not. Let me ask you a few questions. Do you like Chaos AD? Do you like Burn My Eyes? Do you like Vulgar Display Of Power? Do you like Cleansing? …if so then you’ll probably love Blind too!

The music is a far cry from the early Hardcore Punk and Crossover Thrash directions. It has yet to gain the Stoner Rock vibes, bounciness or Southern Rock influences that meshed into the sound of their most famous stuff. It is a strange pure perfect early Nineties Metal record. The intro and outro tracks are noisy-ass Doom-sounding sludgy dirges; otherwise however, the rest is a little harder to define. I know some people argue that Groove Metal or Post-Thrash or whatever you want to call it is not a real subgenre. I’ve heard this album called all sorts from Thrash (not really right) to Sludge (no…not right either) to Doom (…nope, not right either). The only one that really fits for me is Groove Metal. Take those above-mentioned four albums, Blind sits somewhere in a cross section somewhere the middle of all of them.

Karl’s vocals are James Hetfield/Chuck Billy influenced, semi-barked and semi-melodic, often very reverby and very, very well-suited to the music. The drums are very rumbly and varied. The guitar is very raw and heavy, never Slayer-fast but with a nice Thrash-style chug mixed in with hardcore fueled long ringing chords. Imagine a Supergroup that was half Black Label Society and half High On Fire trying to cover one of the deeper cuts from The More Things Change. In terms of production, it doesn’t have the warm Hard Rock ready sound of the next two records or the tinny budget-sounding job of the earlier stuff, instead it has a very distinctive early-’90s sound, the kind of thing that Pissing Razors had before the millennium. Something somewhere like Demanufacture only without the futuristic robotic vibes. Its a real charming sound.

Highlights include the ridiculously catchy single ‘Dance Of The Dead’ (Seriously; why don’t the band play this live more often!?) as well as the excellent drum-powered ‘Damned For All Time’ and of course the concert favourite ‘Vote With A Bullet’ which has the interesting point of having Pepper sing lead vocals, a hint of what was to come.

Overall; there’s no band quite like C.O.C and there’s no C.O.C release quite like Blind. If you like the band you really ought to check it out if you haven’t already, and if you don’t like the band yet but are a fan of the albums and bands that I’ve been mentioning throughout then this is a serious gap in your collection, do yourself a favour and give it a try!

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Chances are, that if you listen to Rock or Metal music, you’ll have come across the idea of the seminal, incendiary live album. An album that just absolutely scorches, and where the versions of the songs are heavier, bigger and more bombastic than their studio counterparts.

After about a year, or two years at the most, nobody needs to be told to check out Live And Dangerous, Live At Leeds, Live Killers, Live After Death, Alive, Alive II, Unleashed In The East, No Sleep Till Hammersmith, Made In Japan, Playing The Fool or 101 Proof Live.

The following is a list of albums that are every bit as good as those, but for whatever reason aren’t just quite as famous. If you like Rock or Metal music at all, of course you should pick up those aforementioned records, but you also should get yourself a copy of these:

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1. Jethro Tull – Bursting Out: This album sees Jethro Tull touring Heavy Horses, with a really powerful performance, witty stage banter, and a phenomenal set list. They manage to mix in a few acoustic numbers without killing the energy and have a drum solo that isn’t boring (an absolute miracle as far as live albums go). The songs are so much bigger and heavier than their album counterparts; hear how ‘Sweet Dream’ absolutely comes to life. The version of ‘Thick As A Brick’ on here is indescribably brilliant. This record mixes up tracks from many different Tull eras and makes them sound cohesive and related.Material from Stand Up sits proudly beside material from Songs From The Woods and sounds absolutely natural in so doing, all owing to the fact that the band are absolutely on fire, and deliver the material so well. As far as live albums go, this is hands down one of the best ever to be released. In Fact; Not only is this a brilliant live album, or a brilliant Tull album, its one of the best albums ever released. If you haven’t got it I’d strongly urge you to find out what you’re missing.

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2. King Crimson – USA: This is an absolute rager of an album, the performances are out of this world. The setlist pulls together some of the absolute best tracks from the Wetton period, and adds ‘21st Century Schizoid Man’ in there too for good measure. If you haven’t explored the band any further than In The Court Of The Crimson King yet, do yourself a favour and pick up a copy of this. Prepare to have your hair blown back.

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3. Lynyrd Skynyrd – One More From The Road: Quite how this album isn’t the most famous Skynyrd release really is beyond me. This album is absolutely fantatic. So much energy. There’s not one song on here that’s better in the studio. This takes every Skynyrd track worth thinking about from the first four albums and makes them faster, heavier and better. There’s ‘Sweet Home Alabama,’ ‘Tuesdays Gone’ and ‘Free Bird’ for the casual fans, and just about every gem going for the rest of you. The version of ‘Travelin Man’ on here is quite possibly the best thing that Skynyrd ever recorded. Instead of buying a greatest hits, buy this.

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4. Saxon – The Eagle Has Landed Live: This is a recent addition to the list. I only got into Saxon last April after being a bit skeptical of them. I’ve been listening to the first six studio albums a lot since then, but it took me a while to realize that this live album which I got as part of the same boxset I got all those records in existed, and was worth listening to. Not only is it worth listening to though, its absolutely brilliant. I don’t know why people don’t talk about this more often. It contains absolutely all the best songs from Saxon’s best three albums, performed with power and precision. Long story short, you listen to this and you’ll walk away thinking Saxon are brilliant. If you only buy one Saxon album, it should be this one. The only thing I would say about this album at all is that it doesn’t have the song “Denim And Leather” on it, although I fixed that for myself in iTunes by moving the live bonus track of it from The Crusader over to the end of this. If you ever wonder why Saxon were considered equals to Maiden and Motorhead at one stage, listen to this and you’ll see why. All of their best stuff with none of the filler, great solos, great riffs, an appreciative audience and a killer performance. You can’t beat it.

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5. Marilyn Manson – The Last Tour On Earth: I think you’ve gathered the idea of this list by now. Consequently, you’ll probably understand that if its included here, then The Last Tour On Earth is an absolutely cracking live album, that takes the best songs available at the time it was recorded, and makes them even better. John 5 really adds extra style and class to the material. The whole thing just absolutely jumps out of the speakers. No fan should be without this.

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6. Foghat – Live: I think I might go so far as to say that this is all you really need from Foghat. They had some great songs but the albums were often a bit hit and miss, you’d get one or two absolute ragers on an album, then the rest would just be “OK.” There’s none of that here though. This takes six of their ever best tracks and delivers them in a really energetic, exciting way. The musicianship is absolutely stellar. If you like guitar solos then this is definitely an album for you. In fact, if you like Classic Rock at all you really should give this album a try.

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7. Biohazard – No Holds Barred: Everything that I just said about Saxon’s album; that all goes for this too. No Hold Barred is all of the band’s best songs at the time of recording, played hard and with passion, to an audience that gives a crap. Its one of those albums that makes you feel like you’re at the concert. Anytime you forget how good Biohazard are, or any time that you start to think that the rapping is a bit much, a bit cheesy or whatever… this album shows you just what a serious, creative and powerful band Biohazard are. The recording quality isn’t the best (due to the band’s strict no-overdudbs policy) but the passion and umph more than make up for that.

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8. Blackfoot – Highway Song Live: Blackfoot in my opinion are what you would get if you crossed 70s Judas Priest with Lynyrd Skynyrd, and then made it twice as fun. This album captures them at the absolute height of the powers, with a setlist comprised mostly of their best material, absolutely smashing it. Its loud, raucous and its very, very fun.Its hard to hear something like ‘Good Morning’ without breaking out into a giant grin. Every song on here has that effect, Ricky Medlocke really knows how to force you to have a good time. If you like Blackfoot its mandatory listening and if you haven’t tried them yet, you should give this a shot. Its a fine, fine introduction.

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9. Machine Head – Hellalvie: This album may have been released as a contractual obligation; there might be a few cover songs that the band played live removed from the album to save money, two of the songs may be taken from a different show and the setlist may contain more music from the controversial Burning Red and Supercharger albums than a few fans might care for, but do you know what? This album is absolute solid gold. There is such a brilliant energy and power to this performance. Tracks like ‘Nothing Left’ and ‘Supercharger’ are a thousand times better live than their studio counterparts, and the songs from the first two albums crush just as hard. Don’t be too proud to give this album a chance or else you’re missing out big time, because its an absolute gem.

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10. Led Zeppelin – How The West Was Won: Don’t be put off this because it was released so long after it was recorded. Don’t worry about things like “nostalgia” or “cash in.” Just listen to the version of ‘Immigrant Song’ and ‘Over The Hills And Far Away’ and be absolutely decimated by some of the best live performances anyone has ever captured on tape. As a gigantic, triple album taken from different concerts you’d think it might be a bit bloated and bitty, put it really works. I have to admit that if I’m listening to it, I’ll give the gigantic Drum Solo and Guitar solo a miss, but when the songs are being played, this is one of the best records on the market, period.