Posts Tagged ‘Industrial’

1000x1000.jpgI initially got into Prong through a boxset, which I listened to a little too much all at once on shuffle. It seems shuffle was my enemy at the time, because just as it initially only played me the few super commercial Saxon songs that were the least like I wanted. Well, with Prong it only seemed to play me the slower weirder more experimental tracks with that sort of My War era Black Flag influence that just isn’t to my taste. Stuff like ‘Contradictions’ and ‘Sublime.’ For a while I always felt disappointed by Prong as they didn’t sync up with my own personal tastes.

A good five years later after I really sort of wrote Prong off as being not-for-me altogether, I caught them live supporting Exodus and Obituary and discovered that they were actually phenomenal; they had some really raging Thrash Metal tunes, some incredible Groove Metal tunes and their singer Tommy Victor is almost as cool a frontman as Rob Flynn.

Re-stoked on Prong I’ve been going back to those boxset albums over and over (and not on shuffle this time!) and then started branching out to more into the rest of their discography. One of the absolute best of which is Carved Into Stone. It was released in 2012 by Steve Evetts (Dillinger Escape Plan, Sepultura, Sick Of It All) on SPV records, and features the bass talents of Tony Campos (Fear Factory, Ministry, Soulfly etc.)

Prong are a really interesting band. They cover a lot of different ground. Early in their career they were a Hardcore Punk band, after that they crossed over into more Thrash teritory. Then they released some seminal Groove Metal albums before going into a much more Industrial direction with some slight Nu Metal overtones. Then they broke up and came back, and went in a few more slight alterations of combinations of all of these styles over their next few albums. Some are more raw, some are more polished, some lean more heavily in one direction, some lean more heavily in another.

The music here, on Carved Into Stone, is terrific. The album opens with two faster ragers, drops into a punkier number and evens out with a mid-paced groover in the spirit of Black Label Society (only with an alternative rock style chorus). This little run is really a mixture of all the different eras of their career. There’s a few moments of industrial flavours here and there. There’s plenty of Pantera, early Machine Head and ’90s Sepultura sounding stuff. There’s tiny little pieces of Fear Factory on the odd occasion. There’s straight up Thrash used sparingly, and moments of punk. It all mashes together smoothly and perfectly both within the songs themselves, and along the album as a whole. It flows really well and all the parts gel together within individual songs.

If you are a new Prong fan, the common consensus is that you should start with their classic 1994 album Cleansing. In my opinion the next place you should go after that is here, Carved Into Stone. I was about to list highlights, but really the aforementioned first five tracks are all absolute must-hears. They show off different parts of the Prong sound. If you wonder if this album is for you then check out any but preferably all of those. ‘Eternal Heat,’ ‘Ammunition’ and ‘Carved Into Stone’ in particular are like three different bands and no one on their own showcases the band fully, yet all of them are absolutely brilliant examples of what Prong do (in part) and really good tunes in and of themselves.

Overall; if you like bands like Fear Factory, Pantera, Machine Head, Pissing Razors or ’90s Sepultura you may seriously want to check out Prong. If you check out Prong you may seriously want to check out Carved Into Stone. It is a very well mixed combination of a few different styles within their arsenal, but what tips it over the edge is the brilliant performances, punchy production, level of consistency and better than usual songs from the band.


220px-RobZombieVRRVCoverArtVenomous Rat Regeneration Vendor is the fifth studio album by the American Industrial Metal legend Rob Zombie, it came out in 2013 and was produced by Bob Marlette (Filter, Alice Cooper, Iommi). Personally, this is my favourite of all the Rob Zombie albums, with the strongest set of songs, the least filler and the best choruses.

This album sees Ginger Fish join the band on drums (the second Marilyn Manson alumnus to join after guitarist John 5) which is a nice addition indeed. It mostly follows the usual stompy fun sample-filled Rob Zombie formula musically (but delivers a concise, focused, above average quality version of that formula) and also takes a strange turn lyrically and it the artwork and goes in a sort of ’60s/LSD-fueled direction. The main difference musically between earlier records is the higher frequency of keyboard and organ sounds giving it a retro feel. Sort of the same thing Monster Magnet sometimes tap in to, for example on ‘See You In Hell’ from their famous Powertrip album.

Sometimes, with Rob Zombie, there are real highlights on albums and making a greatest hits set or cherry picking the best moments is super easy but here its harder to choose because literally every song here is great. Its almost hard to pick something. For me, my absolute favourite track is the Ridicously catchy (even with the gibberish lyrics) ‘Ging Gang Gong De Do Gong De Laga Raga’ …its such a well built song. The section where the chorus kicks in but there’s only drums and vocals feels so anthemic. The speedy keyboard-fueled lead single ‘Dead City Radio & The New Gods Of Supertown’ and their rousing cover of Grand Funk Railroad’s ‘We’re An American Band’ complete with fun as hell cowbell are also worth mentioning. However, picking favourites is really just deciding which mood you are in today because this is seriously strong from start to finish.

Compared to some of the other famous Industrial stars, its less progressive, less artistic, and less challenging, but don’t forget a heck of a lot more fun. This album in particular is like a greatest hits set in terms of quality and consistency. If you want some damn catchy and memorable, totally fun, simple and entertaining music with an Industrial Metal flavouring on the top its worth exploring Rob Zombie and if you like Rob Zombie or indeed if want to check him out, in my opinion this is his best work to date and I heartily recommend it.


The Zombie Horror Picture Show is a live release by the Industrial Metal band Rob Zombie. It was filmed in Texas and released in 2014 on DVD and Blu Ray, his first full concert video release. The Blu Ray version is in 1080p with DTS HD Master 5.1, Dolby TrueHD 5.1 and PCM stereo options.

Live CDs are great, but Rob Zombie has always been about spectacle, about visual, about putting on a show. It just makes more sense to release it in a visual medium. Here’s a list of things you can find on this concert film: Multiple costume changes (including prosthetic Nosferatu ears and a light-up mouth-guard) …when the band are already decoratively dressed and wearing make up to begin with; Multiple screens (showing a mixture of crowd footage, scenes from the music videos and dedicated footage such as horror imagery, strip tease, psychedelic visualizers and karaoke sing along prompts), light-up guitars, a see-through drum kit (which also has pentagrams projected onto it at one stage), balloons, confetti, fireworks and pyro and steam cannons, lights and lasers, customized mic-stands, fake snow falling, hired dancers in big puppet costumes, a giant prop that says ‘Zombie’ on it, a giant radio prop, a giant skeletal podium prop and even a giant steampunk-robot-chariot that drives around the stage and can move its head around. That’s more than most bands do in a whole career these days.

Its a very visual concert, with a lot to take in. The editing and camera work is all very high-budget stuff, lots of different angles available, movement, concentrating on the right parts of the song. There’s the occasional grainy film filters, or psychedelic looking screen mirrored down the middle or what have you, and during the intro, outro and a small selection of the more quiet parts it’ll cut to footage from the road. Its a very good looking film, well put together, not too stylized but not to plain. Very in keeping with Zombie’s tastes and artwork (Which makes sense seeing as Zombie himself directed it). Perhaps, there’s a few too many titty-shots. … a much higher proportion than normal really. If that’s off-putting to you then this aint the concert for you I fear, as there’s no getting around it here.

The band, featuring drummer Ginger Fish and guitarist John 5 (Hey, remember how cool Marilyn Manson was live when those two were in the band!?) as well as bassist Piggy D are all on top form, no free rides! Rob himself performs well and enthusiastically, really getting into it, dancing, interacting with the audience, going into the crowd etc. His vocals, which have been criticized on previous live releases are very strong here, and not a weak link at all. From everyone involved its a good performance, and the crowd seem into it.

The setlist is great; out of all of ‘Zombie’s live albums this has the most wide-ranging setlist, covering five solo albums and two White Zombie albums. Across its 80 minute length you’ll find all the hits you’d expect like ‘Dragula,’ ‘Living Dead Girl,’ ‘Never Gonna Stop (The Red, Red Kroovy),’ ‘Sick Bubblegum’ etc. There’s material from the then-new album Venomous Rat Regeneration Vendor (including a really storming rendition of ‘Dead City Radio…’). There’s also a brief drum solo and a slightly longer guitar solo where John 5 really gets to shred. There’s the popular Grand Funk cover of ‘We’re An American Band.’ The Educated Horses album is the least drawn-from album but then there was already a live album from that touring cycle so its good not to just repeat the same setlist twice. Everyone’s tastes are different and I’d personally have loved to add in ‘Scum Of The Earth’ and ‘Werewolf Women of the SS’ but otherwise it is a pretty amazing selection.

Sound wise, its is decent. The White Zombie covers sound nice and thick, and the more organic material from his solo catalogue fairs really well. Some of the more industrial sections maybe sound different live than on record but not in any way that spoils them. My only minor gripe is that my favourite ‘Zombie song, the very catchy ‘Ding Dang Dong De Do Gong De Laga Raga’ isn’t just as crunchy and massive live. Its good, but not just as satisfying. I think its just because there’s only one guitar track live and in the studio they can beef it up with more. Minor nitpick at most though.

There isn’t much in the way of extras at all, just a gallery, not even a booklet with linear notes or anything, but to be honest I bought it for the concert in the first place so that’s ok I guess.

Overall, in terms of set,sound, performance, spectacle, visuals and editing this is a very good concert film and I highly recommend it. If you are a fan already it is pretty perfect and as an introduction to the band it serves as a pretty high quality ‘greatest hits’ package with a nice career spanning collection of songs to give you a flavour for different eras.