Hello and welcome to the fourth installment of Amateur Batfan, a series of blogposts here at Kincrimsonblog where I try something new. Instead of writing exclusively about music like I usually would, I’m dipping my toes into the field of writing about comics. I’m fairly new to comics. You can read about my history with the comics medium in the first entry of the series.
Long story short, I liked comics-related stuff but found the whole idea of being a comics fan too embarrassing, and some of the comics I did try were lacking-in-depth, so I didn’t like comics themselves until my friend Magnum opened my mind, multiple times over the years until I finally allowed myself to enjoy them.
In between revising for exams, I’ve spent a lot of today playing Arkham Origins and really, really enjoying it. I haven’t even been playing the story, just running around collecting Riddler packages, scanning Anarchy symbols and architect plaques and enjoying the freeflow combat. Just Batmaning about the place. All that Batmaning put me in the mood to write another one of these blogs.
The soundtrack for this writing session has been Ozzy Osbourne’s Scream album. No, it doesn’t have anything to do with comics. I just haven’t listened to it enough and I want to get my money’s worth. I bought it at the same time as Black Rain and never really listened to either one enough. I heard a song off of Black Rain earlier this week and it reminded me to check them out again. I would say based on the first two songs (I’ve only gotten that far in so far) that this is a much more interesting album than the new Black Sabbath one. Make of that what you will.
Black Rain. Black Sabbath. My theme for this entry is Black.
For the fourth installment of the series, I’ll be covering The Black Mirror. I wanted to write “a modern classic.” To be honest I don’t know for certain if that’s true, but regardless of whether or not its definitively true, it deserves to be true, and its true in my mind.
This book is just straight up excellent. Its everything I want from a comic book. Its intriguing, visceral, adult, great to look at. If you asked me “I want to start reading comic books, recommend one to me” then this is the one I’d give you. (Well, this or ‘Owls). Last time, I said that the book on discussion (Batman Gothic) was good, but that I wouldn’t rhapsodize about it. That is not the case this time. I’d very much like to scream my affection for this book from the rooftops. I full on recommend you swap money for a copy of this book whether you were already planning to or not.
Batman: The Black Mirror:
– Writers: Scott Snyder
– Art: Jock & Francesco Francavilla
– Colours: Jared K. Fletcher & Sal Cipriano
– Continuity: Post Crisis, Pre-Flashpoint
– Timeline Position: Late Career, Post R.I.P,
– Batman is: Dick Grayson
– Villains: James Gordon Jr., Mr. Guiborg, Sonia Branch, Roadrunner, Tiger Shark, The Joker,
– Allies: Tim Drake as Red Robin, Barbara Gordon as Oracle, Alfred Pennyworth, James Gordon (Police), Barbara Gordon Sr, Harvey Bullock (Police),
– References: Mad Hatter, Scarecrow, Poison Ivy, Jason Todd, Dr. Langstrom, The Flying Graysons,
– Story: [Spoilers as fuck!] The overarching plot revolves around Dick Grayson, who is now Batman since the death of Bruce Wayne, investigating a series of murders in Gotham. The murders are taking place using old versions of Gotham Villain’s signature tricks (eg. prototype Joker Venom, old Fear Gas etc.). He tracks down a crime-loving secret society of asshole socialites, infiltrates one of their auctions (in which they auction off memorabilia from famous crimes) whereupon he is discovered and has to fight them off. Eventually it turns out that Commissioner Gordon’s son James Jr was messed up after the events in Year One, and is a creepy-ass serial killer. This is told through flashbacks and Batman and Red Robin discover it through investigations and adventures that see them fight Roadrunner, Tigershark and The Joker. Commissioner Gordon doesn’t want to believe his son is such a sick fuck, and is convinced that James Jr. can handle his mental health problems with a new experimental medicine, but Barbara knows what James Jr. really is.
James Jr.’s medicine is revealed to have actually been causing psychopathy rather than curing it, and he reveals that it has been mass produced and introduced into the Gotham baby-food supply. He believes that psychopathy and a lack of human empathy is the liberating next stage in human evolution and wants the next generation of Gothamites to be as sick as he is.
James Jr. later tries to kill Barbara (after already poisoning Barbara Sr. and framing the Joker for it to lure Batman into a trap) but fails. Commissioner Gordon finally turns on his son after the attempt on his daughter and ex-wife’s lives, and shoots James Jr. in the leg, knocking him of a bridge in a scene mirroring [Black Mirror, innit] Year One, but the Commissioner saves his life. It is his son after all. Arkham bound, is that sick creepy prick. [Its a sign of great writing when a writer can make you feel genuine contempt for a villain]
In the epilogue Dick and Commissioner Gordon discuss their “long haul” future in the endless fight against crime while looking out the window, and there is a close up of a baby on the street looking a bit disturbed, indicating James Jr’s plan succeeded. Maybe Batman will have to fight that baby when it grows up to be a serial killer.
It’s a lot, lot, lot better than I’ve just made it sound though.
– Tone: The tone of this story is fantastic. Its dark as hell. Its flat out creepy at points, its got a Seven/Zodiac feel a lot of the time, and a Resident Evil 4 feel at other times. Its one of the darkest, most evocative and interesting Batman stories I’ve read to date and it really, really draws you in. It’s the sort of thing that you’ll have to read in one sitting because you just can’t put it down. There’s this great sense of dread and impending doom, as you just know that creepy little prick is evil and is going to start causing havock and break his old man’s heart, and you just sit there waiting for the axe to fall the whole time.
Its absolutely bleak and uncompromising. People have limbs amputated, jaws cut off, its just downright grim.
– Art: The art is absolutely top notch. Its very stylized, but its absolutely fantastic and suits the dark-ass tone of the story so well. It adds to the storytelling in a really powerful way. Its not just good as a storytelling device though, its excellent in and of itself. So many of the covers and individual panels would makes excellent posters. Its definitely in my top-five favourites that I’ve ever seen so far.
– Overall: I think this is hands down one of the best Batman books on the market. I said the art is in my top-five, but y’know what, the whole thing is. Its got a real mean, uncompromising tone, an intriguing and emotionally strong story, brilliant visuals, satisfying fights, no stupid or out of place dialogue, and a heck of a lot of strong scenes.
I said it before, if you want to start reading comic books and you ask me for suggestions, my number one choice is this. Pick it up. Get absorbed. It’s a brilliant serial-killer movie mixed with gadgets and outlandish locations (battle in a plane, in an underwater base etc.). I think this is a good book to check out if you like the Nolan movies. I think its an even better book if you liked the Sin City movie. I think it’s a good book period though. One of the best. Just read the damn thing already.
[Ps. Don’t I say on the market too much? As if I’m some sort of distribution house? I don’t know where I picked that phrase up from.]
‘Till next time!