Amateur Batfan: Volume 9 – Heart Of Hush

Hello and welcome to the ninth installment of Amateur Batfan, a series of blogposts here at Kincrimsonblog where I try something new. Instead of writing exclusively about music like I usually would, I’m dipping my toes into the field of writing about comics. I’m fairly new to comics. You can read about my history with the comics medium in the first entry of the series.

Long story short, I liked comics-related stuff but found the whole idea of being a comics fan too embarrassing, and some of the comics I did try were lacking-in-depth, so I didn’t like comics themselves until my friend Paul opened my mind, multiple times over the years until I finally allowed myself to enjoy them. I had a sort of snobbery to overcome. Its been overcome now though, and I’ve spent most of the last year buying and reading Batman comics, which I will now blog about for your reading pleasure and commenting-inspiration (seriously, I want to know what you think about these comics).

[First off, why not listen to this while reading this article:

, that’s probably the way to get the most out of the experience.]

At the minute, I’m happily making my way through reading No Man’s Land, and just like last time, since I’m not finished it yet, that won’t be the subject of this week’s entry. I’ve also received Batman: Demon in the mail. It may surprise you to know that its not about Ras Al Ghul like Son Of The Demon and Birth Of The Demon and all those other Demon books… its about that Etrigan The Demon guy, who I only know from one of Kevin Smith’s two Batman books. He rhymes a lot. Is that a permanent character point or just a Smith thing? I’ll find out soon enough…

Anyway; Last time on Amateur Batfan, I covered Hush Returns, which was a bad story featuring the villain Hush. Today, I read an interesting article about how the original Hush book was quite poor (Read it here). The thing is I really like Hush (the character). I like him to the point where I frequently think the sentence “if I was ever in charge of a Batman Comic/Movie/Videogame then I’d make Hush one of the main villains” (Along with Onemotapia and The Architect in case you were wondering).

When I first heard of Hush, I went into reading the original book with a negative eye, expecting to be disappointed, as my friend and Batman-advisor Paul had said that it wasn’t good (and after I read it and asked why, he said “because it treats the reader with absolutely no intelligence”), but I remember at the time really really enjoying Hush (damn its getting confusing having the book title and the villain both be called Hush, isn’t it?) partly due to Jim Lee’s beautiful artwork… (that’s how I want all comics to look, even if he could do with being less sexist. Also, everyone online ever also informs me that all his male characters have the same face and body). It was also partly due to the entertainment value. Its not a strong mystery at all, and the “insert thing into the past” line of story telling is one of my pet peeves (…and its actually doubly unnecessary here, because if Loeb wasn’t so attached to the name Tommy Elliot, he could have used the Bruce’s childhood friend character from Batman Gothic and then he’d just be expanding rather than shoe-horning) but I think the whole ride was pretty fun in a low level blockbuster sort of a way.

I also remember disliking the [Spoiler]Clayface/Jason Todd plot point a lot though. So… I guess you could say that I disliked THE POINT OF THE BOOK. But I enjoyed the ride. I really ought to re-read it and see where I stand; because of Paul (my friend, not Paul Dini), and a coincidental series of other people disliking it, I kind of assumed most people hated it. I was reading a lot of reviews about it today though, and it seems almost universally loved. I guess it’s the Metallica thing. Everyone loves Metallica, but you see a lot of criticism too. Is Lars a bad drummer? I can’t even tell anymore. Linkin Park are the same… if you’re actually in a University Halls Of Residence, you are never more than 10 feet away from at least 15 people who love Linkin Park, but go on Blabbermouth and you’d think they were the most reviled band on the planet.

Given that those two other Hush books aren’t very strong (or maybe Hush is… I’m still not sure), I’m not really certain why I enjoy Hush so much as a villain… but I do. I was even really pleased when he had a brief cameo in Gates Of Gotham, it really put a smile on my face! …Maybe its just because he looks cool. Maybe its just because I hadn’t heard of him before and I then when I saw him at the right time, I bonded to him, like how a zoo animal thinks the puppet that the Zoo Keeper uses to feed it is its mother. Maybe its because he shows up in Arkham City, and that game was great. Who knows? Anyway, this week, I’ve decided to cover a Hush story that isn’t poor. In fact, its one of my favourite Batman books so far. In fact, this story is almost like an apology or justification of the original Hush’s flaws.

As an example of those flaws, I’ve heard the motivation of Hush in the original Hush (confusing aint it?) described as “ludicrously juvenile.” Hush’s motivation is more understandable once he is more deeply characterized here though (heck, even his costume is). As an example of how Dini has retroactively rectified those flaws: While still having to work with what he’s been given (the car crash, wanting his parents inheritance, Wayne Sr. saving his mum plot), Dini manages to add depth and therefor quality by making the reader understand that Hush as a character is a ludicrously juvenile person, and that its not just bad writing. The guy is a total born prick, and he is also tortured emotionally by a belittling and draining upbringing. His parent’s inability to let him grow explains, in part, his ludicrous childishness, which only compounds his born wanker-ness. Its quite a clever workaround.

You know what else? I really hate shoe-horning in a previously unknown childhood best friend into any story (just like I hate a long-lost brother, or a secret lovechild), but when this is the third appearance, and its already established… its kind of dulled, or lessened. Its not a shoehorn anymore, it just “is.” Hush, by this stage, just is Bruce’s childhood best friend and we all know it, and its no-longer an insult on our sensibilities so we can now all just get on with it. Consequently, that particular turd isn’t gathering as many flies in this book. It left me softened up and more ready to just enjoy the story.

Speaking of softened up… as a sort of apology to what I’d said last week… I also had another thought when reading through several reviews and Wikipedia articles about all three of the Hush stories I’m talking about which softened me up a little to Hush Returns, which I had criticized for mis-characterizing Hush as a brawler when the original establishes him as a slow-strategist type (a callback to Bane’s wearing Batman down with villain after villain?). This softening-thought was that in Hush (the book) itself, it wasn’t Hush (the villain) who came up with the slow long-game plan, it was The Riddler. I’d forgotten about that by the time I’d read Hush Returns. So Hush wading in himself in Hush Returns isn’t so out of character after all. I can admit when I’m wrong.

Also, because I can’t completely divorce myself from writing about music, I just thought I’d inform you that at the time of writing, I’m currently listening to The Glorious Burden by Iced Earth, featuring Tim Ripper Owens, specifically the epic three-part, 30-minute long “Gettysburg.” If you haven’t heard it but like Heavy Metal in the vein of Judas Priest and Iron Maiden, its an absolute gem. That’s my Heavy Metal recommendation for the day. You can all sleep easily now.

Batman

Batman Heart Of Hush:

– Writers: Paul Dini
– Art: Dustin Nguyen
– Colours: Derek Fridolps

– Continuity: Post-Crisis, Pre-Flashpoint

– Timeline Position: Very Late Career, Ties in with Batman R.I.P

– Batman is: Bruce Wayne

– Villains: Hush, Dr Aesop, Scarecrow, The Walrus, The Carpenter, The Joker, Mr. Freeze

– Allies: Alfred Pennyworth, Tim Drake as Robin, Dick Grayson as Nightwing, Barbara Gordon as Oracle, James Gordon (Police) Bullock (Police) Montoya (Police), Catwoman, Zatana,

-Bystanders: Detective Sam Emerson Bradley, Colin, Peyton Riley

– Mentioned: The Ventriloquist

– Cameos: Harley Quinn, Joker, Penguin, Riddler, Killer Croc, Thomas & Martha Wayne, Poison Ivy, Tweedledum & Tweedle Dee, Mid-Nite, Mr. Terrific

– Story: [Spoilers Ahoy:] The story takes place between the events of the books The Black Glove and Batman R.I.P, as the Black Glove Organization’s threat on Batman’s life drives Hush’s egotism into action. Hush is an asshole and he has to be the one to kill Batman. He sets up headquarters in the abandoned hospital that he mentioned in passing in Hush Returns, where now he has kidnapped and drugged-up a number people to use as almost zombie-like helpers. It might be a slight callback to The Cult… seeing as how Hush books love calling back to things. His plan involves attacking the people Batman cares about, including Alfred and Catwoman. The original Hush book saw Batman and Catwoman developing a romance, so after distracting Batman with decoy plans including an innocent little boy being given venom (…a callback to Batman Venom?), he goes as far as to actually surgically remove Catwoman’s heart. It is cryogenically frozen with help from Mr. Freeze to lure Batman into a trap.

There are multiple flashbacks to Hush’s childhood throughout the book, explaining the toxic relationship between him and his domineering mother (who’s bandaged face after the car accident from the previous Hush story adds an extra layer to the whole plastic surgeon and bandage themes from the previous book, rather than letting them be throw-away parts of a Two-Face subplot). Flashbacks also indicate that Hush’s councilor following the accident was Dr. Crane before he fully became Scarecrow. Hush teams up with Scarecrow as an adult, so that Hush has some help in his anti-Batman plan.

Batman infiltrates Hush’s Hospital but is drugged and wakes up strapped to an operating table. Hush uses his plastic surgery skills to make his own face an exact match for Bruce Wayne’s in a move that would have lasting impact outside this book. (Damien Wayne even spends time with Hush to feel like he is spending time with his dad later on in future Batman comics.) Hush, disguised as Bruce Wayne, infiltrates the batcave hoping to kill Alfred, Dick and Tim, and then mascaraed as Bruce to tell the Justice League that Batman is retiring and quit Wayne Enterprises. Batman escapes the hospital as you’d expect and tracks down Hush; there’s a fight between Hush and Batman in the Batcave, assisted by Nightwing and Drake-Robin, and when trying to escape, Hush’s bandages get caught in the rotar-blades of the gyro-copter that he is trying to commandeer, and he crashes into the water. His body isn’t located, meaning he escaped but isn’t an immediate threat.

With Hush out of action temporarily; Batman saves Catwoman and the two start a brief romance. In revenge for what happened to her, Catwoman dedicates her time, resources and favours/debts all to ruining Hush, by siphoning his money away (although graciously using it to compensate the zombified hospital workers) and leaving him a big “fuck you” sort of message. The book ends with an injured Hush receiving the message and hobbling off into the night, broken.

– Tone: I really enjoy this book. It tries to balance the supposedly roller-coaster ride feel of the original with having an actual plot. It brings in extra characters but doesn’t drown you in them. The original suffered from being a mystery that wasn’t mysterious enough… here, with no intention of being a mystery, it can’t fail on that regard and so is free just to be pure entertainment, at which it most certainly succeeds. The tone is a mixture of dark at times and yet there’s that comic-book feel to it too. Its not all grim horror, but its not all aliens and magic and long-lost twins either. Its good. Its a good comic book. Its what comic books fans talk about when they talk about comic books even if non-fans think of the B.S. (Like how non-Metal fans think its all noise and screaming and satanism… and no quality musicianship or intelligent songwriting).

– Art: In my opinion, Nguyen’s art isn’t as good as Jim Lee’s. Its good though. Very good. It really reminds me of Gates Of Gotham actually, its kind of stylized in a way that feels like the comics-equivalent of cell-shaded videogame graphics. It reminds me of Zelda Windwaker for some reason. Its not just as stylized as Broken City though, which I include as another random reference point.

Just because Jim Lee’s is prettier though, this is by no means an ugly book… its very good looking indeed (and in fact, better than Lee on the non-sexist drawings and varied character models side of things). I like how this book looks a heck of a lot.

– My Thoughts: If this book is a flop, and I was to imagine what everyone was to criticize this book for I’d guess just comparisons to other stories, or the fact that Hush is in it at all and they didn’t like the original. I mean, sure it borrows ideas from Face Off, and even Batman The Cult, but it does them well. I also have already explained how this improves immensely on the Hush story, so I’d say this is a good book to read if you disliked Hush. Its like “Ok… but do it properly this time.”

I guess the whole Aristotle thing, and all the Heart metaphors may come across as a bit cheesy to some, but I feel the right balance has been struck. I think it works well. Its not like in the Scarface videogame where they take the one off line from the film about Ice-Cream and then decide that in the game, Tony should mention Ice-Cream every five-minutes.

I don’t think it was a flop though.

Also, compared to Hush Returns… it actually ends. It wasn’t abandoned halfway through. It doesn’t massively misread the characters (Joker isn’t pining for a lost wife here).

There’s something that’s difficult to articulate… and that’s the fact that, its just good. It just is! It’s a very good book. I advise you to read it and find out why. Its well written. It flows well. Its entertaining. There’s nothing that makes you think “well, that was really annoying.” Overall; I really enjoy this book and I’d like to spread the word. So consider the word spread. Heart Of Hush is a good Batman book and you should totally check it out. (That’s my Batman recommendation for the day… what else needs recommending?)

Djent; like Skynet, has come online:

I think Djent has become an independent subgenre now.

I understand that people were arguing about whether or not it was a real subgenre when it was starting out, but I think so many bands have come out sounding like eachother, so many record labels group them together, so many Djent fan sites and concert line-ups have been made that it has come online, become self-aware and is now a real genre.

People had the same problems with Thrash Metal when it was new, with Hair Metal when it was new and with Nu Metal when it was new, but now, most fans agree that they are real subgenres.

Sure they might argue about the name “Hair” is interchangeable with “Glam/Sleeze/Teeth/Pop Metal” and “Thrash” sometimes gets intertwined with “Speed.” “Nu” sometimes gets called “Rap” or “Alternative.”

There’s disagreement over all of them “Glam is just a look” “Nu is just rapping and DJs over the top” and people say the names are stupid. Nowadays, a few people say “Djent” is a stupid name and “Djent is just a tone” but there’s more to it than that, and it has become a real genre due to the critical mass of bands making Djent music.

Sure; Uneven Structure, Tesseract and Periphery are all pretty different, but so are Kreator, Anthrax and Metallica.

So are Linkin Park, Powerman 5000 and Korn.

So are Bon Jovie, Quiet Riot and Motley Crue.

In Power Metal, there’s a vast difference between Stratovarius, Helloween and Sonata Arctica. And its named after power? All Metal is Powerful.

I agree that naming Djent after a tone is unusual, but its better than naming it after a look (Glam/Hair) or the fact that it is new (Nu) is equally silly.

Maybe they should have called Thrash “Chug.” Sure, some non-Thrash bands like Motorhead and Sabbath had chugging, but that ties into the idea of how much Djent took from Messugah. Its similar to how much Nu Metal took from Faith No More and Primus. I know that some non-Djent bands have the Djent-Tone like Architects did on Hollow Crown, but that ties in with the idea of bands like Anvil and Metal Church being heavier than most Heavy Metal bands but not quite Thrash.

Maybe the name will change, but the subgenre will stick, if history is any indicator.
Maybe some of the bands will escape the tag becuase they’re too different, eg. maybe Animals As Leaders are too different than the core Djent sound like the way Slipknot are too different than the core Nu Metal sound, but overall, Nu Metal is still considered to exist.

Just go to Got-Djent.com and have a look at all the bands who play Djent music, or music similar to Djent, and check out all the similarities and differences.

Try out one song each by the top-25 most popular bands. Try that same trick for other subgenres like Black Metal, Death Metal, Hair Metal, Nu Metal, Power Metal, Doom Metal, Thrash Metal etc.
Pay attention to all the similarities and all the differences from bands still considered to be within one subgenre. Pay attention to how there are some bands or songs that are a bit borderline and ones that are definite. I believe that same balance now exists in Djent and that Djent has become a real subgenre.