Here are some songs that are totally floating my boat at the minute, check em out, find a new song to love and support the band accordingly if you do.
The internet is cool for music fans, y’know?
Saxon… legendary British Heavy Metal band with a decades-long career, who I’ve spent the last year getting more and more into (I’ve got a Wheels Of Steel Vinyl up on my wall alongside Motorhead, Maiden and Priest… and the current scroble count is 825 plays since I first got into them)… well THAT Saxon just shared my recent report of my evening out at their concert on their Facebook page:
What cool guys!
Also, how cool is the internet? That’s Periphery, Accept and Saxon now sharing my stuff online and skyrocketing my traffic (hey, this originally only started out as a private blog for just me and my friend Paul back in the beginning).
Its a pretty neat way of fostering good PR and fan loyalty, because now I think these bands are all really neat for doing that, and am all the more likely to buy tickets/shirts/new albums, and tell my friends what cool guys the band are. Certainly made my day 🙂
So yeah, the internet is pretty cool for music fans.
Hello and welcome once more to yet another edition of my blog series, Get (Into) What You Paid For; a series in which I blog about music and media I own, to distract myself from the fact that I am sworn off buying anything new for a month (or in this case, two months).
Its day 52. 52 days without buying myself anything. I think that’s a new record. I don’t think, since getting my first job at 16, ten years ago, that I’ve ever went this long without buying something along the lines of a book, cd, dvd, videogame etc. for myself. I’m a big old spoiled Western consumer of the hardest core.
I’m also tempted to break my pledge not to buy anything because Batman Contagion is on eBay at the minute for only £4 and that’s been on my wishlist for a year now. Time will only tell if I break my resolve and buy it. Maybe someone else will buy it first and the problem will go away.
I’ve also saw in town a shop selling In The Court Of The Crimson King on Vinyl. Its £17 though, and for my use of it as merely a poster for my wall, that’s not worth it. Why is no one selling it used for £3? Anyway…
Its been an excellent few weeks. I’ve been eating super healthy (constant soups full of dozens of veg, and smoothies full of dozens of fruit and veg, adding spinach to normal meals, eating less meat, massively reducing my intake of junk food, almost giving up chocolate completely) and I’ve been exercising a lot (going for walks almost daily, lifting weights frequently). Most of this was in the sun and away from the city, but even this last week when I did return to the city, I’ve kept it up. I even kept it up yesterday on my first day back at Uni. Next week, with a return to work, and full-week Uni, will be the real challenge.
At any rate, everyone is telling me I’ve lost weight. To the point where I actually believe it. Take home message: get more vitamins and go for walks = Thin Jim. Hopefully I can keep it up.
During this time, I’ve been experiencing the delights of Manowar, the new Down EP, a whole heap of Accept, some early Savatage, and trying out Minor Threat.
I’ve also been gifted a butt-load of comics related stuff which I shall try tonight after weightlifting. Those two things, lifting and comics, (with a healthy dose of Hammerfall in the background), should help me stay off eBay and avoid breaking my pledge.
Also, my house mates got me the newest Judas Priest and Trivium albums, as well as Ozzy’s Tribute live album with Randy Rhodes, and Soundgarden’s recently reissued debut EP, Screaming For Life/Fopp. I’ll deny myself these goodies now, and open them in a month, so I have something to look forward to in a month, and hopefully that will stop me buying any new music between now and then. Even if buying Raven or Tank albums on iTunes is tempting….
Anyway; here’s what else I’ve been up to, in order to distract myself from my materialism.
First off, for my own entertainment, and your information, I’ve complied the following list:
Albums I Have Fallen Completely Obsessively In Love With, in roughly chronological order of it happening:
Protest The Hero – Kezia
Gallows – Grey Britain
Helloween – Keeper Of The Seven Keys Parts 1 & 2
Queensryche – Operation Mindcrime
Accept – Stalingrad
Rishloo – Feathergun
Chimaira – The Infection
Mastodon – Crack The Skye
Kiss – Alive
Genesis – The Lamb Lies Down On Broadway
Jethro Tull – Thick As A Brick
Gentle Giant – Octopus
Pink Floyd – The Wall
Arctic Monkeys – Whatever People Say I Am’
Forbidden – Forbidden Evil
Megadeth – So Far So Good So What
Anthrax – Among The Living
Pantera – Vulgar Display Of Power
Powerman 5000 – Tonight The Stars Revolt
Jetplane Landing – Once Like A Spark
The Libertines – S/T
Mudvayne – The End Of All Things To Come
Slipknot – S/T
Green Day – Warning
I also had huge Led Zeppelin, Nirvana, Napalm Death and Monster Magnet periods, but no single album ended up getting the focus of that huge obsession. Zyklon, Carpathian Forest, Mars Volta, Riverside and Gamma Ray are all almost up there for an album each (Aeon, Defending The Throne Of Evil, Ochtahedron, ADHD and Land Of The Free) but I can’t bring myself to fully commit to writing them down for some reason. Motley Crue’s Theater Of Pain is kind of getting this way at the minute so we’ll see how it pans out, its probably the newest name on the list. Some that are up there have faded, but some are as strong as ever.
Now here’s what I’ve been distracting myself with recently, excluding the aforementioned birthday gifts (I’ve been absolutely hammering Manowar, and that new Fratellis album):
I really like the Alice In Chains demo “Social Parasite” …its quite good fun.
I’m thinking of digging into some really under-listened albums next, like the Napalm Death covers albums, Anathema’s Falling Deeper, Sodom’s debut, Fear Factory’s Soul Of A New Machine and Forbidden’s Green. Then I think, maybe I listen to them so little because they aren’t good.
I remember going back and listening to all my Nu Metal albums like Static X and Spineshank and Ill Nino for a similar reason, but I never blogged about it because I was so snowed under with Uni essays at the time. I found that to be be a worthy exercise for surprise enjoyment (“Ostego Undead” is more fun than I remember), so maybe listening to records that I think of as duds may prove worthwhile too.
I’ll let you know what I chose. Right now I’m off to lift weights while watching the Justice League cartoon. See you soon…
The standard of musicianship here on this album is excellent, particularly drummer Jay Postones and bassist Amos Williams, who’s superb rhythm section forms the backbone of the record. The production job is flawless, and all instruments (and even individual bass strings, drums and cymbals) are clear and audible, amongst the textured guitar, vocal and electronic waves which float over the top.
There’s a nice balance of fast and slow, heavy and soft, straightforward and complex, and a cohesion and sense of purpose that makes the album feel like one, singular, well-considered piece of work.
Highlights include the catchy album closer “Eden,” as well as the lengthy multi-part “Concealing Fate” and the punchy “Sunrise.”
For fans of the band’s second album, Altered State its worth noting that Daniel Tompkins (of Skyharbor fame) provides lead vocals on this album, before their current singer Ashe O’Harra joined the band becoming the band’s fifth lead vocalist to date. Thompkin’s vocal style is in the same ball-park of lush, melodic and emotional clean singing, although different enough that you notice the change.
Musically, this album is noticeably heavier than its follow-up, and there aren’t any saxophones, but in general the band’s identity is more-or-less the same and if you enjoyed Altered State, you should easily enjoy One.
For newcomers to the band entirely, especially those skeptical of anything associated with the word “Djent” its worth noting that in the same way that Thrash Metal bands took the chugging of songs like Black Sabbath’s “Symptom Of The Universe” and spun-off on that idea developing entire songs and albums using that as a starting point from which to develop their own ideas; Here, you can hear the sort of guitar tones and complex rhythms that Meshuggah have been playing since the 90s used as a jumping off point.
Rather than the all-out punishing assault of Meshuggah and their progressive take on extreme Metal, Tesseract deliver that sort of rhythm mixed in with floaty melodic vocals in the vein of Tool and Rishloo, and subtle ambient electronics to create something else. It couldn’t have existed without Meshuggah, and it couldn’t have existed before Melodic Metalcore became a decade-long mainstay of the Metal world, but it isn’t one or the other.
If you are a fan of established bands like Dream Theater, Riverside, Opeth, Fates Warning, Tool or many other Progressive bands within the Metal spectrum, you will find little touches here and there that chime something with what you like already, be that in the use of dynamics or uncommon time-sigs, but updated and in a different shape. If you like bands like Sikth, Botch, Carbomb, Fellsilent, Dillinger Escape Plan, or anyone in the math-y end of the Metal spectrum you man find something you like, but updated and in a different shape, and well, the same goes for if you like Meshuggah. Its not impossible to like Meshuggah and Tesseract despite what a vocal minority may claim.
If you are a fan of bands like Periphery, Monuments, Circles, Animals As Leaders, Textures, Volumes, Structures, Intervals, Skyharbor, Vildhjarta, Miroist, Hacktivist, The Algorithm or The Safety Fire then you may recognize the shape already and enjoy another slightly different take on it.
Overall; Tesseract are a strong and interesting band and One is a strong and impressive debut that should keep fans of the band, fans of the subgenre and fans of the overarching genre happy. Don’t make the mistake of overlooking the band because of the movement they belong to, as you’ll miss out on some brilliant music if you do. This isn’t just a throw-away album from a flash in the pan trend, there’s a demonstrable artist weight to be found here.