Posts Tagged ‘Phil Anselmo’

Down - Down IV Part II

Down – Down IV Part II

Down IV Part 2 is the American Metal super-group Down’s 2014 release. As its title suggests, it is the second in a series of EPs released under the Down IV title, following up 2012’s “Down IV Part I – The Purple EP.” It was produced by Michael Thompson along with the band themselves and released independently.

This was the band’s first official release without longtime member Kirk Weinstein of Crowbar fame, who is replaced here by Bobby Landgraf. Ironically, this EP is probably closer in sound to Crowbar than to Pantera, Eyehategod or Corrosion Of Conformity (the other groups besides Crowbar that the band are usually associated with).

First up, for an EP, this is actually pretty substantial, a total running time of almost 37 minutes leaves it longer than many albums anyway.

The focus of songwriting this time around seems to focus on the heavier, mid-paced side of the band’s repertoire. I don’t think the distinction between EPs 1 & 2 is all that strict, as in, its not a clear cut case of one has all the fast songs, one has all the slow songs, or one has all the basic songs and the other has all the progressive songs. This EP is essentially more of the Down mid-ground. Its not the most “instant” release in their catalogue, and may take a few spins to really get to grips with, but if you give it the time it asks for, you’ll get the rewards it promises.

Highlights include the brief “Hogshead/Dogshead,” and “Sufferer’s Years,” which is particularly catchy with its “I hate this time of year” sing-along, and the fat ‘60s/’70s sounding riffs in the pre-chorus. It is a nice mixture of the band’s Doom, Sludge & Stoner sides, approaching vintage Hard Rock in 2014 from multiple angles. This is perhaps the most definitively “Down” track on the album, and hopefully it will become a concert staple.

The record ends with the almost nine-minute long “Bacchanalia,” one of the looser and more jam-feeling songs on the record. You imagine it got its title from the drunken party in which it probably spawned (as opposed to a secret love of Batman No Man’s Land). This track in turn ends with a softer acoustic moment, likely foreshadowing Down IV Part 3 as the promised all-acoustic EP originally mentioned when the band come up with splitting the album into different EPs.

Overall; this is not necessarily bold new ground for the band, and the focus on mostly similar direction material may leave some fans feeling an acute lack of variety or excitement, but for what it is, to me personally, Down IV Part II is an entertaining collection of Down songs and a worthy addition to the catalogue. If you’re burned out by the formula, or want something fresh and new from these guys, maybe give it a miss, but if you can’t get enough Down, then by all means jump on board.

Its day 52 of my third Get (Into) What You Paid For challenge. There’s ten days left. Even though it got extended to be an extra month long, I’ve been adhering to the challenge and haven’t broken it yet thanks to the Christmas gifts I discussed last time, which have taken the urge to buy myself stuff away for a while. I’ve been working through it. I’ve watched Sound City, I’ve read Joey Shithead’s autobiography, I’ve been heavily listening to Porcupine Tree’s Deadwing and Tesseract’s new album. I’ve been playing Arkham Origins. The entertainment part of my life is pretty well serviced.

I’ve also finished the comics that I got for Christmas from my friend Magnum, and am in the mood for more. Which leads us to the part of the article where I discuss what I would buy if I wasn’t on the challenge not to buy things:


I remember when I first planned to buy comics, I wanted to read three stories. Year One, Knightfall and No Man’s Land. This was due to reading the Wikipedia page for The Dark Knight Rises movie.

I got given a lend of Year One by my friend Magnum straight away. I have never gotten around to reading the other two. After having played the three Arkham games, and just recently finishing the campaign mode of Arkham Origins, I really want to get around to reading them now.

There’s two problems with that though… first off, postage and packaging. Second off, Knightfall is three books and No Man’s Land is five books. So; in order to read these two stories, I need to buy eight books, and eight sets of postage and packaging. You add them to your basket and then think…oooh that’s a bit too much for me right now, and then the postage comes on top and it’s like…hmmm, definitely not now.


The same thing happens in a value for money way. I have a weird notion that I want to buy the first three Poison albums, but for under £1 each. Which is possible on amazon at times, but then the postage for three albums is about six quid, and then suddenly its not worth it anymore. I worry that it’ll be completely terrible but I’m kind of fascinated. I think that people will feel the same way about Limp Bizkit in a few years (Nu Metal is very much the Hair Metal of my generation and Emo is the Nu Metal of the next generation after me, and I’m sure there’ll be some Dubstep-infused-Post Hardcore movement starting to take off soon that will be the one for today’s twelve year olds).


Y’know what else I’d like. More Son’s Of Anarchy. I watched the first four seasons which are available on Netflix over the Christmas break and now I want to see the next three seasons. At first I wasn’t actually keen on the show, but I really got into it and now I really want to see more. I can’t decide if I should buy a boxset or wait until its all finished and buy a complete set or wait until more goes up on Netflix. I don’t know if that’s a thing that happens. Is it? Tell me in the comments if that’s likely to occur.

But I’m trying not to buy those things; so instead, I’ll use the things I already have. Money for comics and campy Hair Metal songs would be much better spend on rent, electricity, food and other essentials, right?

With that in mind, here is the section where I discuss the things I listened to that I already owned:

So onto the aforementioned listening-for-distraction stakes; I’ve put on Fair To Midland’s proper debut album (or third album if you count independent releases), the lengthily titled Fables From A Mayfly: What I Tell You Three Times Is True.

I got their follow-up to this, Arrows & Anchors because the internet buzz was that if you liked Rishloo or Coheed & Cambria, then you should check out Fair To Midland. I do like Rishloo and Coheed & Cambria. I like them a lot. So… I checked out Arrows & Anchors and really enjoyed it. It took me a while to get around to picking up this one.

Its less instant than Arrows & Anchors. Its less driving, less powerful. It takes a lot more time to soak in. Its an album you have to give a lot more time to, in order to get the same sort of return back from it. But the return is definitely there to be had.

It feels a lot longer than it is though, at forty-eight minutes it feels like its about an hour and a half in duration. Not because its bad or anything. I guess, in a way, its kind of dense. Not Neurosis dense. But still… there’s a lot to it.

I like this album a lot, but its more of an whole-album-in-one-sitting affair than the other one, it’s the kind of thing where you have to put on the whole record and pay attention to it, rather than knowing the song titles and having a favourite song. Its just as good, but its less fun, if that makes any sense.

I’ve also been re-listening to Kreator’s Pleasure To Kill album a lot recently. Its one of those albums that you always read is absolutely brilliant, but which I’ve sometimes had a bit of a grudge against.

I know that Kreator’s next three albums are brilliant, well-written catchy Thrash records with many parts that sound like Forbidden, Anthrax and Megadeth and not just grim, heavier versions of ‘Chemical Warfare’ by Slayer on repeat. For some reason though, that’s exactly how I find myself thinking about Pleasure To Kill. I think its just a constants stream of d-beats over one buzzy riff and some ’80s death-vocals, with no variety.

I think this may be because the kind of people who told me Sodom’s Obsessed By Cruelty or Sepultura’s Morbid Visions were good, were the same people who recommend this. (Two albums which I find incredibly dull, repetitive and not to my tastes, by the way). Naturally, I’m suspicious of it. It also doesn’t help that the first song (excluding the intro) is the sort of high tempo, frantic pounding sort of thing that confirms this suspicion. Also, its just one of those things were you made your mind up about it once, years ago, and it never occurred to you to challenge the notion until just now.

Recently though, I’ve been listening to it over and over, and noticing parts that don’t sound like Obsessed By Cruelty. Lots and lots of parts. Over half the damn record. It’s a really good, creative Thrash album with lots of tempo changes, breakdowns, Anthraxy parts and all that good stuff that the next three Kreator albums that I don’t write-off all have.

Woops.

Oh well; at least I know now. I paid for it, it’s a good job it turned out to be good. Even if I was late to realize it.

Maybe I’ll go back and listen to Obsessed By Cruelty and find out its just as fresh and fun as Among The Living and that this whole relentless pounding thing was all a bad dream.

You know what else I did? I listened to Dark Side Of The Moon again. It seems like an obvious thing to do, but I can’t actually remember the last time I listened to it. When I first got into Pink Floyd I listened to them so, so, so much, and watched their DVDs so, so much, that it kind of feels like, I don’t need to listen to them again sometimes. Like, I’ve listened to them so much its just imprinted in my brain forever and its redundant to listen to them any more.
Its kind of such an obvious thing to do, that I don’t even think of it anymore. Should I listen to Pink Floyd? – Well, are you alive? – Yes, I am alive – Then of course you should listen to Pink Floyd. In fact, you are probably already listening to Pink Floyd, just pay more attention.

Maybe all the Porcupine Tree and Riverside had been filling my Floydism receptors in my brain and I didn’t realize I was missing any. Anyway; I remembered to listen to them again.

What a good album. You don’t need me to tell you that. Nobody ever has to say it again. Yes; this and Led Zeppelin 4 are good albums. We know.

I enjoyed myself. I must remember to listen to Pink Floyd again. Sure, it may be for the thousandth time, but its always going to be good.

You know everything I just said about Pink Floyd? Well yeah, that again… only for Pantera. This album is so good, so fundamental to what I like about music, has so many of my favourite songs on it, that I absolutely forget to listen to it.

I’m not sure whether this, Master Of Puppets or Reign In Blood would be considered the Dark Side’ of Metal by the public, but for me, its definitely up there. I was going to start listing the things I like about this record, but it ended up being every single one of the things about this record. The only thing at all wrong with this is that ‘By Demons Be Driven’ has one chorus too many. Otherwise this is a flawless, perfect album. Every riff, every solo, every vocal line. The charming production. The performances. The variety. Its all exactly what I want out of music.

How good is the And Justice For All-sounding clean bit at the start of Hollow? How good is the heavy bit of Hollow? How good are Phil’s clean vocals on This Love? How good are Phil’s grunts, growls and screams on Fucking Hostile and Regular People? How good are the drum fills? The guitar solos?

I guess the take home message is, remember to listen to your favourite albums. They are your favourite albums, remember?