I went to go see Architects at the Cardiff Motorpoint Arena last night (Friday 18th January 2019) with support from BearTooth.

I went to go see Architects at the Cardiff Motorpoint Arena last night (Friday 18th January 2019) with support from BearTooth.

I had to work so didn’t get there in time for the opening act, Polaris. I’ve never been into Polaris though, so it wasn’t too much of a disappointment (even if that sounds a bit rude). I had heard of BearTooth before, and had checked out a few of their songs on Spotify/Amazon Music over the years due to a podcast I like talking about them a few times, but wasn’t really familiar with them overall.

I decided, due to late arrival and back ache, not to bother getting right up to the front, and stood as close to the back as was possible. No moshing and crowd surfing for me. I had loads of space and wasn’t bustled around too much. It was nice being right up near the front for Slayer and Anthrax, but I wasn’t in the mood to be smashed around tonight and just wan’t to look at and listen to the live band.

BearTooth sounded a lot more raw and natural live than of what I vaugley remember about their recorded output, from what I sort of remember they were a bit wet and overproduced and a bit electronic. Live it was less wet and more natural, but still generic melodic metalcore. I feel they’re a little late for me to really fall in love with them.

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All the metalcore slots in my brain are taken up by the likes of Shadows Fall and Chimaira and Killswitch Engage and don’t really feel like there’s that much more I can get into. When I saw a few more modern melodic metalcore bands at Download Festival, like the forgettable Black Veil Brides and  Asking Alexandria or even the quite good Bury Tomorrow, I felt like I’ve had my fill already. Beartooth similarly offer nothing new, and didn’t win me over enough to go buy any of their albums, but where pleasant enough while they were on.

Their singer was very enthusiastic and called out specific riffs to pay attention to and seemed to be enjoying it. The sound for them wasn’t so good though, and you couldn’t really make out the vocals.

Then after a brief interlude with bands like Limp Bizkit and Rammstein played over the sound system, the main event, Architects took to the stage.

I’d seen them live before, back when I lived in Manchester, on the Lost Forever // Lost Together cycle. I really wanted to see them on the All Our Gods Have Abandoned Us cycle too but it was sold out when I got to the counter to buy tickets (should’ve bloody done it online in hindsight!).

I got into Architects when Hollow Crown was their newest album, but I feel like they’ve been getting better over time, and I’d take albums like Daybreaker, All Our Gods’ and even the controversial The Hear And Now over earlier albums like Ruin or Hollow Crown. Lucky for me, the set-list last night was almost entirely off their new album Holy Hell, and the previous two albums Lost’ and Gods’ (as well as one single track off of Daybreaker), which made it quite a different set-list than the last time I saw them, with 12 songs tonight I didn’t see last time (I quite like it when bands do that).

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Last night’s setlist was:

  1. Death Is Not Defeat

  2. Modern Misery

  3. Nihilist

  4. Broken Cross

  5. Holy Hell

  6. Royal Beggars

  7. Gravedigger

  8. Mortal After All

  9. Downfall

  10. Naysayer

  11. These Colours Don’t Run

  12. A Match Made In Heaven

  13. Hereafter

  14. A Wasted Hymn

  15. Memento Mori

  16. Gone With The Wind

  17. Doomsday

I really, really enjoyed ‘Gone With The Wind,’ ‘Downfall’ and ‘Doomsday’ especially, they worked so well live. If you haven’t heard of the band before and you wanted to check them out, they would be good tracks to try out.

Some people online have said the sound wasn’t good, but from where I stood last night, it sounded pretty good to me. A lot better than BearTooth. You could hear everything, each cymbal, all the vocals, every riff was clear (Except in the really heavy parts, like the start of ‘Nay Sayer’).

Sam was very grateful in the stage banter, repeatedly thanking the crowd and pointing out how they used to be in smaller venues and how cool it was to get to play somewhere this big. (He thanked the crowd so much, he ironically called himself a broken record numerous times, so that shows you how much it was!).

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Performance wise, they were top notch. Flawless. Can’t say enough good things about them. Sam’s clean vocals are almost record-perfect live which is impressive as hell and something his peers aren’t half as good at.

The production was really good too. Fire balls. Steam cannons. Confetti Cannons. Confetti from the roof. Lights. Lazers. Video footage of trippy wolves and falling bodies and mountain-scapes. A lot of variety and really well sequenced and well timed. There were lazers coming out above the crowd as well as strobes on stage and interestingly laid out lights and beams on stage. Sometimes all of it was going off at the same time, Very entertaining. It was halfway between the time I saw Tool in Dublin and the time I saw Killswitch in Manchester.

 

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There was also a bit where they had a bit paying tribute to late guitarist Tom Searle, and had a nice speech about how his brother, drummer Dan Searle got the band back together when they were all bereaved. It was really nice, and the had a ‘T // S’ in a heart up on the screen.

It was a very good evening, which is good, because I almost didn’t go. I had a difficult day at work, had a massive headache, had just got new glasses and hadn’t got used to driving in them yet, and a bunch of other lame-o excuses, but the gist of it is I wasn’t in the mood. I was very tempted to just skip it, but I remember how good Architects were last time, and I’d heard they had a really good production this time around, and I really like their newer three albums. Getting in and out of Cardiff was nice and easy too, even though it was a Friday night, the streets were quiet and the roads were pretty empty and it was no hassal with the travel.

Good night. Next up for me concert-wise; is also an evening of Metalcore: Killswtich Engage and Parkway Drive at the venue is February, and that’s going to be madness, if tonight’s production was good, I can’t wait to see the upside down flaming drum-kit like at Download Festival, but at their own show, in a more controlled environment than a festival. Can’t wait.

Tesseract – Polaris Review

Tesseract – Polaris

The British Progressive Heavy Metal band Tesseract’s previous album, Altered State was my studio introduction to the band (after catching them live supporting someone else) and has since become one of my very favourite albums of the last decade and one that I would without hesitation call a genuine stone cold masterpiece. Vocalist Ashe O’Hara was an excellent frontman on record and live (both as a surprisingly great opening band I’d never heard of and then again later when I saw them again as a converted fan) and quickly became one of my favourite singers.

I’ve since gotten into Tesseract’s earlier material and also Skyharbour’s output featuring Tesseract’s excellent original singer Dan Tompkins but my real love of Ashe made me very happy to have both options, it was nice to have both Tesseract with Ashe, Skyharbour with Dan… the best of both worlds if you will, and I was a bit sceptical of Dan’s return to the band and saddened by Ashe’s exit. I know its popular to root for the original guy… (There’s always someone to point out that their favourite band’s first singer was better – Paul Diano, Paul Baloff etc) but individual personal preference, I just always liked Ashe more, and so got a bit worried when he was no-longer in the band. Since catching the band live with Dan however, all my fears were alleviated and I began to get excited for their new album. They started the promotion cycle and excitement built even more.

Now that its finally here, and I’ve had time to digest it all, I can safely say that Tesseract’s self-produced third full-length album Polaris is a damn fine record. Even coming at it from the perspective I was, this is a great record and very satisfying.

Stylistically; Its not as heavy as their debut album, One, and its not a perfectly blended singular journey like Altered State was, its got a cool unique feel to it. It’s essentially a lot of distinct, separate moods and vibes, experimental and loose in one manner yet studied and perfectly formed in other ways. It feels like the listener is exploring a lot of different sides of the band’s influences and areas of interest. Some of it is more electronic, some of it is more Djenty, some of it is a bit more traditionally prog, and best of all… all of it is good. That’s the real crux here, because with reality being what it is, some people are always going to hate or dismiss this record; Some, because it isn’t heavy enough for them, some because Ashe isn’t there, some simply because its Djent and its cool to hate on Djent at the moment… but regardless of what genre it is, who sings on it or how brutal it is or isn’t – its just good. Damn good. A fine third album by this band and most importantly a fine album in and of itself even devoid of any context.

The highlights of the album for me are the momentously enjoyable and memorable ‘Hexes,’ as well as the entertaining robotic-sounding opener ‘Dystopia’ and the lead single ‘Messenger.’ Even in such an awkward, angular, evershifting genre as Djent they manage to pack in the choruses and vocal melodies that stick in your head for days and make you hum along in your head long after the record is over. ‘Hexes’ in particular has a shot at being the best song in the band’s whole discography for my money.

In summary, Tesseract don’t sound anything like either of their previous full-length records here, but they do sound fresh, interesting and captivating. It’s a grower for sure, and I’ve found its charms revealing themselves more and more with each new listen, always something fresh and interesting to focus on, always some new thing in the background coming to your attention, always a cool bass or drum part to make you smile.