Posts Tagged ‘quiet riot’

Hello and welcome to the 15th day in this fourth round of my “Get (Into) What You Paid For” challenge, in which I attempt to not buy anything for a month, and reevaluate my opinion of records I bought previously but never really became a true fan of, taking this purchase-abstinence as a chance to finally “get my money’s worth” out’ve the more undervalued albums in my collection. That; and present thoughts and musings that don’t fit elsewhere on the blog.

I’m half-way through the challenge and have not caved in yet. Its been about a week since I last did a write-up. I have been pretty tempted at times to go into town and see what I could pick up… a quick visit to HMV or Forbidden Planet couldn’t hurt, right? NO! Stay focused….

I’ve also found myself drifting onto Amazon a lot. Maybe I’ll just pick up a copy of Emperor’s In The Nightside Eclipse, what with all this reunion concert stuff in the news…. NO! Just listen to the three Emperor albums in your existing collection idiot!

Well, maybe I’ll just go on Amazon and read reviews of Death’s Leporasy and Venom’s first three albums….whoah, what’s this, “add to basket”?…. Aaaahhhh! Undo, Undo Undo!

“Ok, I’ll just distract myself by re-reading DC’s Final Crisis, since it confused me the first time I read it but now I know more background and might be able to understand more… oh, Green Lantern is kind of cool, Captain Marvel is kind of cool. I wonder if there is a Justice League TV show… oh there is. I wonder if its available on Amazon……..Oh no, not again!…undo, undo, undo!”

I did eventually manage to distract myself by finally cracking open my copy of Dave Mustaine’s autobiography, which I actually received back in December as a Christmas Gift. Great book. I’m enjoying it a lot (despite the homophobia practically seeping through the pages and making me want to wash my hands) and I’ve got through the bits when he was in Metallica, to when he invented Megadeth and all the way up to where they’re just about to record Rust In Peace. Its cool. I never knew Ellefson was a drug addict too. I never knew the backstory of how Jeff Young and Chuck Behler got and lost their jobs. I never realized that Megadeth were almost as bad as Motely Crue for Sex Drugs and Rock N Roll decadence.

This made me go on a gigantic Megadeth listening spree, which is always a good spree to go on, if you ask me. Like Pantera, I never want to go too far without hearing some Megadeth. Its easy to let the bands that you really love go un-listened to when exploring new things, but its always good to just cast off the explorer’s hat and sit down in your favourite country. (What an odd analogy).

I really like rock star biographies and especially autobiographies. I’ve read Marilyn Manson’s one, no exaggeration, at least 20 times. If anyone would care to recommend some in the comments, drop me a line. Is Motorhead’s White Line Fever any good? Are there any good Metallica ones? Is Heavier Than Heaven good? Has anyone written one about Judas Priest? How about Anthrax?

Also, my non-music time can still result in a Metal-spotting news update; I watched the movie Zombie Land on Netflix recently. Metallica and Van Halen tracks were used. Reminds me of spotting Pantera on Orange Is The New Black. Sons Of Anarchy was great for that sort of thing, lots of stuff like Monster Magnet, Clutch, Soundgarden etc.

Zombie Land itself was OK. I like Jesse Eisenberg now, after The Social Network made him seem more than just “we can’t afford Michael Cera, hire someone similar” so just his presence is enjoyable. I wasn’t never a zombie fan and that always put me off trying out this movie. It just seemed like a lazy cash-in on what internet-users enjoyed that year (like if they made a Bacon movie last year). I’ve also watched the documentaries Supersize Me and Food Matters, but you’ll be disappointed to hear that there weren’t any Cannibal Corpse tracks in their soundtracks.

So yeah anyway… the week was going OK temptation-wise. Getting shaky but nothing I wasn’t able to stop when I thought about it. Then comes today…Oh, dear. You know what I just did? I just broke my damn challenge, didn’t I?

At the time of writing, I’ve just received an email about Machine Head tickets going on sale, and I automatically went and bought some straight away in case they sold out… temporarily forgetting the whole “don’t buy anything challenge” even as I was simultaneously writing about it here. Idiot. I should’ve waited until September to buy tickets, and if they sold out by then C’est La Vie.. at least I’d saved money, at least I’d learned discipline. Woops. Well, I guess this challenge is now going to be extended then, to make up for it. Damn. Shall we say another 15 days? A month from today, instead of a month from August 1st? No, today had a purchase in it, so I better make it 16 days. So, on September 15th it now ends. (August has a “31st”).

“Couldn’t have put tickets on sale a few weeks later, could you, 02 Apollo?” “Its not as if Machine Head are going to struggle to sell them out quickly in the UK. Are they now?”

Oh well. Nobody’s fault but my own. Still…. Machine Head tickets, ey? I haven’t ever gotten to see Machine Head before. This will be great. Think of the absolute thunderous up-wards trajectory they’ve been on for the past decade or so! Three absolutely superb albums, a fourth about to drop that seems every bit as excellent. I’m very excited about this. Its not like I broke the challenge by buying an album of Obituary B-sides or something… they say the key to happiness is buying memories instead of possessions. I reckon I’ll remember seeing Machine Head for some time to come.

Or so I’ll tell myself so I don’t look too stupid for breaking the challenge.

So. That’s the temptation and random thoughts aspect covered. What about the whole listening to things aspect of these articles?

B.J

I decided to augment my weightlifting experience today by listening to Jethro Tull’s Aqualung (hardly an under-listened gem seeing as its one of my favourite albums of all time and I listened to it almost daily for the three years or so after I initially bought it) and Bon Jovi’s Slippery When Wet; which I bought a while back, along with some other Bon Jovi albums, to celebrate the end of my Exams. I’ve not listened to any of the Bon Jovi albums as much as I should have since that purchase, but they still aren’t in the under-appreciated zone yet, even if it is starting to look a bit like they might head that way. They are still in my new-purcahses drawer in the filing cabinet of my brain.

Slippery When Wet is a lot of fun. The hits are excellent. Even “Wanted Dead Or Alive” which I used to hate as a teenager, due to never sitting and listening to it all the way through. I had a gut-reaction of “yuck” and never questioned it. Well, much like the million faces Bon Jovi have seen, it now has rocked me. The only moment that is a bit questionable is the slow ballad “Without Love” which sounds too much like a high-school dance in an 80s movie for my tastes, but that is easily skippable. The rest of it? “I’d Die For You” is a monster. Really enjoyable song indeed. “Wild In The Streets” is similarly fun. I like “Raise Your Hands” a lot too. I certainly wouldn’t mind if this became a regular-listen of mine. Wouldn’t mind at all. OK… its not as heavy as W.A.S.P, or as infectious as Quiet Riot, or as brilliant a guitar-show as Dokken, or whoever else I’ve been listening to lately… but it is a very smooth, enjoyable listen.

The rest of my day has been spent listening to Kings Of Leon and Nirvana’s MTV Unplugged album because I’m visiting someone else’s house at the minute and they’re fans of acoustic Nirvana and electric Kings Of Leon. Its like how I listen to Arctic Monkeys’ new album AM even more when my girlfriend is round… not everyone can listen to Megadeth and Exodus without feeling a little put-off, but AM is a record no one could find too crazy. That and its awesome. So if you have non-Metal-fans visiting, you can still listen to music you enjoy, without putting on something your companions don’t enjoy. No need to be so Metal that you are just selfish, ey?

K.O.L

But anyway… Kings Of Leon got a lot of flack in the Metal community over the last few years, especially around 2010-2012. Listening to them now, I notice a lot of similarities with Pearl Jam, and sometimes their use of slide guitar or bluesy shuffle evokes a certain Zeppelin-y-ness. I think, yeah… they’re a credible rock act. A real band of actual musicians who write real songs in a room together. Its not some cynical pop music and its not an elevated-above-their-station-by-NME band with one hit single and no substance. They’ve got a lot to offer people who listen to 60s and 70s rock bands, and the less-metallic 90s Grunge-era bands (Pearl Jam, post-Core Stone Temple Pilots, Smashing Pumpkins etc).

I’ve got a lot of respect for them now after hearing deep cuts and songs I didn’t hear-to-death on the radio or in adverts. I mean, listen to “McFearless” with its awesome drumbeat, buzzy production and lead-bass. Until the singing comes in, that could be off of Antichrist Superstar. The intro to “Charmer” has a dirty punk feeling like Bleach-era Nirvana, and when the guitar solo and bouncy beat are going in “Black Thumbnail” they could be Black Country Communion or something… its that old rock done nowadays sort of thing. “My Party” wouldn’t be too out-of-place on Pearl Jam’s Vitology album. I’m not saying that you could mistake Kings Of Leon for Slayer any time soon, and they shouldn’t get on a concert bill with Lamb Of God or anything, but… they’re not exactly Jedward.

But hey, I am a huge Libertines and Arctic Monkeys fan (and a decent-sized Frattellis fan), and most of the people who hated Kings Of Leon in 2010-2012 would see that as a reason not to trust my opinion.

So um, yeah… **Cough Cough** “Death to false Metal, only listen to Manowar” and all that…

Am I credible now?

In honour of my un-Metalness, today’s Top 5s will be of the British Indie bands in my music collection. There aren’t many, but I like them just the same as Testament, Fear Factory or Carpathian Forest.

The Libertines :
1. Good Old Days
2. Never Never
3. The Man Who Would Be King
4. The Delany
5. Skag And Bone Man

Dirty Pretty Things :
1. Bloodthirsty Bastards
2. Last Of The Smalltown Playboys
3. One To My Left
4. Kicks Or Consumption
5. Best Face

Babyshambles :
1. Back From The Dead
2. Fall From Grace
3. A’rebours
4. The Man Who Came To Stay
5. Baddie’s Boogie

Yeti :
1. Never Lose Your Sense Of Wonder
2. Midnight Flight
3. Up And Down
4. Working For The Industry
5. The Last Time That You Go

Arctic Monkeys :
1. You Probably Couldnt See For The Lights But You Were Looking Straight At Me
2. Still Take You Home
3. RU Mine?
4. My Propeller
5. If You Were There, Beware

The Fratellis :
1. My Friend John
2. Got Ma Nuts From A Hippy
3. Creeping Up The Backstairs
4. The Acid-Jazz Singer
5. Tell Me A Lie

Hello and welcome once again my friends to the show that never ends this fourth round of my “Get (Into) What You Paid For” challenge, in which I attempt to not buy anything for a month, and reevaluate my opinion of records I bought previously but never really became a true fan of, taking this purchase-abstinence as a chance to finally “get my money’s worth” out’ve the more undervalued albums in my collection. That; and present thoughts and musings that don’t fit elsewhere on the blog.

Its now eight days into the challenge and yup…didn’t cave last night and buy anything. I don’t think I’m all that tempted at the minute. Maybe I am though. Who knows, maybe I’d sneak in during the middle of the night and buy Girls Girls Girls on eBay? I listened to Accept’s Balls To The Wall yesterday, that made me pretty tempted to pick up Restless & Wild actually. Ok…so maybe there are temptations. Get off my back!

A lot of my blog viewing this week has featured Savatage…maybe I’ll just quickly get the albums of theirs I’m missing?

No. Stay strong!… Ok. So. You’ll be glad to read (unless you’re an Amazon employee) that I didn’t do any of that. I’ve still been listening to that Motely Crue album I mentioned yesterday. Also a lot of Pantera. Boy do I enjoy Pantera. Sometimes you take them for granted and ignore them, and then all of a sudden you are refreshed and hear them again and its all like “Wow…how good are Pantera guys? Seriously!” as if it’s the very first time again. Excellent, timeless, brilliant band.

In non-music realms, I’ve been reading Batman Cacophony, a title (written by Kevin Smith) that I picked up and read over half a year ago but haven’t blogged about yet, but I’ve kept that in a separate post, in the Amateur Batfan series. Temptations-wise? Maybe I might buy Kevin Smith’s work on Green Arrow or Daredevil? I am curious… but, no, not now. Its still just Batman time for me.

So, what else is new then?

I’ve been reading a lot online today about the best selling Metal albums of all time. I would like to see how Avenged Sevenfold and Slipknot compare to Dokken and Quiet Riot…how Dream Theater did, if Anthrax or Exodus ever went platinum over time… things like that.

A few of the places to check out are: here and here, and also here. Furthermore, there’s here and here and here.

What I found out however is that there are massive, massive, massive differences in opinion/supposed facts/plain old lies about how well certain albums sold. Here are some examples of such disputed sales figures:

AC/DC – Back In Black: 49 x platinum (or 25/40 as reported elsewhere)
Pink Floyd – The Dark Side Of The Moon: 45 x platinum (or 22 as reported elsewhere)
Led Zeppelin – Led Zeppelin IV: 37 x platinum (or 29 as reported elsewhere)
Nirvana – Nevermind: 30 x platinum (or 26 as reported elsewhere)
Bon Jovi – Slippery When Wet: 28 x platinum (or 12 as reported elsewhere)
Guns N’ Roses – Appetite For Destruction: 28 x platinum (or 18/21/30 as reported elsewhere)
Linkin Park – Hybrid Theory: 24 x platinum (or 10 as reported elsewhere)
Metallica – Metallica: 19 x platinum (or 16/30 as reported elsewhere)
Pink Floyd – The Wall: 17 x platinum (or 30 as reported elsewhere)

How can there be such discrepancies? Some of these are nearly double the amount! That’s not something you can mistake in your bank account, or shipping company traffic.

Here are other some surprises however:

Kid Rock – Devil Without A Cause: 11 x platinum
Limp Bizkit – Significant Other: 7 x platinum
Limp Bizkit – Chocolate Starfish and the Hotdog Flavored Water: 6 x platinum
Quiet Riot – Metal Health: 6 x platinum
Guns N’ Roses – Greatest Hits: 5 x platinum
Guns N’ Roses – GN’R Lies: 5 x platinum
Alice in Chains – Dirt: 4 x platinum
Black Sabbath – Paranoid: 4 x platinum
Nine Inch Nails – The Downward Spiral: 4 x platinum
Linkin Park – Meteora: 4 x platinum
Disturbed – The Sickness: 4 x platinum
Godsmack – Godsmack: 4 x platinum
Metallica – Kill ‘Em All: 3 x platinum
System of a Down – Toxicity: 3 x platinum
Queensryche – Empire: 3 x platinum
Tool – Aenima 3 x platinum
Rage Against the Machine – Rage Against the Machine: 3 x platinum
Rage Against the Machine – Evil Empire: 3 x platinum
Cinderella – Night Songs: 3 x platinum
Cinderella – Long Cold Winter: 3 x platinum
Papa Roach – Infest: 3 x platinum
P.O.D. – Satellite: 3 x platinum
Audioslave – Audioslave 3 x platinum
Ozzy Osbourne – Diary of a Madman: 3 x platinum
Ozzy Osbourne – Bark at the Moon: 3 x platinum

P.O.D, Cinadrella, Papa Roach and Disturbed stand out to me as odd. These guys all sold more than Slipknot? My perspective is way off. They all sold equal to System Of A Down…really? Also, I never, ever thought Godsmack would be that successful… You just do not hear of those guys over here in the UK (Godsmack’s record here is MORE Successful than Black Sabbath, RATM and Ozzy Osbourne? Really?).

Tool sold so many despite being so proggy and weird? Good on them!

RATM sold so few relative to this list despite the enormous crossover appeal?

What’s with the large gap between Metallica albums? If you like Metallica enough to buy Ride The Lightning, why not buy Kill ‘Em All too?

Significant Other sold more than Chocolate Starfish? – It really didn’t feel that way at the time.

Audioslave?

Queensryche did that well? Why were they so unheard of two years ago?

An unwanted, cover-song-filled GNR compilation so, so late in their career outsold Toxicity and Meteora? They seemed sooooo famous at the time to me, while that compilation seems so throw-away.

But anyway, enough about sales.

DT – A

Here’s something to reevaluate. Dream Theater’s 1994 album, Awake. It’s their third album, it’s the third of theirs that I heard if memory serves. I heard Metropolis’ and didn’t like it (this has since changed), then I heard Images & Words and liked that, then I bought a boxset and listened to the other albums in that; which included Awake, Falling Into Infinity and Train Of Thought.

The album opens up with drums on their own, and kind of reminds me of Jethro Tull’s ‘No Lullabye’ in a very vague way. Opener “6.00” comes in and samples say “Six O Clock On A Christmas Morning” in a way that is sort of cool because they made it rhythmic and part of the song like Ministry might do, but also slightly annoying. Sometimes this part is offputting and sometimes I love it, depending on my mood. They pulled the whole samples and randomness thing off way better on the previous album during “Take The Time.”

I like the keys, this actually feels like there is a lot of 70s Prog in it. The drums are nice and flashy and awkward. Its kind of, with the exception of the pre-chorus though, its kind of cooler to appreciate than to actually enjoy. You sit with your minds eye, casting it over the different things going on, focusing for a second on each, like watching Slipknot on stage with your real eyes, and that process is fun. The song isn’t as good on the ears as that process is on the brain however.

I like it during the middle during the “Inside coming outside” bit where it goes a bit Misplaced Childhood. After this point the song is pretty bad-ass actually. The solo and the parts underneath are all excellent.

Much like Theater Of Pain I kind of think this album-opener is a bad choice. Its doesn’t set up a good first impression. I think you have to know you like the song before you hear it to trust it, otherwise its just gimmicky and overly bouncy without being memorable. Its not. But it seems that way until the half-way point if you are unfamiliar. It should be buried later in the album, where it would be the exact same song, but better, because you’re already warmed up. Do you follow?

Next up comes “Caught In A Web.” I didn’t know that at the time, because as a rule I think I hate “Caught In A Web.” I hear some Dream Theater song though… The first minute…awesome. (Well; awesome except the synth… a weird seering synth over the top that feels like its mocking me. I had problems with Camel’s fifth album in the past, when the toplines mocked me even when the bottom was cool. The bottom of this song during the first minute or two is awesome, but boy-o-boy do I dislike that top-part.)

Anyway, the first minute is more or less great. Nice, the same excellent sound from their previous record Images & Words, but maybe a little tiny bit slower and with a tiny bit more Pantera creeping into things. Then a really ugly, ugly, sheen-y chorus which just doesn’t fit. Oh, I guess its “Caught In A Web.” Damn, I don’t like it anymore…I think?

It then bounces into a cool Alternative Metal/Groove Metal riff that really reminds me of Pantera and Pissing Razors a lot. Then there’s bits when they prog out on that riff and it sounds like Death and Opeth because of the long winding, ever-shifting guitar lines aspects. The whole mid section is fabulous. The drum build-up is cool, the Eastern-tinged keys are cool, the guitars are rhythmic and interesting.

I often think I dislike this song, but this song is fabulous, its just got the wrong chorus for my tastes. I’d love to edit the chorus out of it, and then it would be one of my favourite Dream Theater tracks.

Next up comes “Innocence Faded,” which opens like some sort of Tennis Match montage music. Its clean and commercial and not unpleasant. It then goes down into a quiet, diamondy sort of sound like Donkey Kong Country levels in an Ice Cave. The next bit is cool, kind of Genesis-reminiscent. The chorus is a bit “nothing” …a sort of swing-and-a-miss, but there are many other cool parts. LaBrie is awesome around the 2.05 mark. The drums are nice and flashy between there and the chorus too. Very nice. After that there’s some very 80s Rush sounds. Rush albums later than Moving Pictures. I like it. Its not very Metal in any way, but in and of itself, its nice. It kind of reminds me of Van Halen’s “Jump” and Genesis’ “Turn It On Again” combined in some sort of The Fly situation.

The instrumental “Erotomania” is next. A lot of Van Der Graaf and King Crimson influence here. It opens sounding like a warning siren on a train track. Its quite nice to sit and concentrate on, but not really background music. Queensryche and Tool, and even Mastodon can make Prog that you can not even notice is all that complex if you don’t pay attention. This is more like The Mars Volta in that…no one’s mistaking that for simplistic. It gets really cool from 2 minute mark onwards, all these parts are way cooler than the start part. Its interesting the mix of 70s Prog, with 80s sounds and then also even a bit that sounds like its trying to be Zeppelin’s “The Rain Song” hidden in there in the background. Its also cool when it goes Neoclassical a minute later. This is the sort of thing you listen to a hundred times and never truly hear the same thing twice. I think two fans can hear it and their brains will tell them two completely different things depending on how closely each guy is paying attention.

The brief Metal bit towards the end, but before the repetition of the bits from the start, is cool. Also, the actual end-end really, really reminds me of both “The Trees” by Rush, and the bit in “2112” by Rush where it transitions from the heavy bit to the soft bit where the character discovers the guitar.

The lengthy “Voices” follows up. It is thunderous and reminds me quite a lot of “Suite Sister Mary” by Queensryche during the opening, but its a lot more technical and multi-faceted. It builds up quite slowly over almost the first three minutes, there’s sort of a “Don’t Leave Me Now” by Pink Floyd vibe to that build.

The those same bright ugly keys from the “Caught In A Web” chorus come in. The Metal bit which follows is really rather neat. I hear bits that would influence Protest The Hero in there. The ugly chorus is ugly to me. There’s a touch of the “Caught In A Web” problem, where this one part is causing a false impression of a good song and lowering my overall impression of it accidentally. Even though the rest of it is deadly, like the following part with double-kicks. I like the talk-boxy solo a little while afterwards. That whole section is excellent. The only problem I have is that this song really feels like an album-closer. But its track 5 of 11. Well it makes me want to stop listening because the record is obviously finished, only it isn’t, is it?

This album has a problem of being in the wrong order. That’s my diagnosis.

Anyway, next comes the brief, perfect ballad, “The Silent Man.” It is excellent; succinct, tasteful, memorable and interesting. Its just right, not too cheesy. A few more tiny hints of Zeppelin’s “The Rain Song” hidden in the mid-section. Deceptively varied and creative vocals. A neat little guitar lead. All good stuff.

“The Mirror.” Opens up in a huge and obvious Pantera tribute. Parts seems practically lifted whole-sale from “Domination” and “Walk.” Then it speeds up and some Phantom of the Opera chase keys come it, its all very intriguing. Then a fun guitar line that I’m sure inspired Avenged Sevenfold follows, the drums are fast and Metal. Back to Pantera.

I think this is my favourite song from the album. Maybe that’s just because I like Pantera so much? Interestingly though, its all the bits that don’t sound like Pantera which really make it cool though. I think I’ll change my iTunes tracklist of this album so that this and “6.00” switch places. This would be a much better opener.

It seamlessly transitions into “Lie.” That means “Lie” and “Caught In A Web” will have to switch places too, oh well.

“Lie” is really strong. Apparently it was a single. Its catchy enough. I love the Mary/Contrary/Promise/Doubting Thomas bit. That was always the one bit of the record that stuck out in my mind. I’ll have to remember that this song is the one with that in it.

Hey! A bit that sounds like Tool! That riff underneath the bit about leashes is reminiscent of Undertow-era Adam Jones. This is a nice song. Also the groove at 3.30 and the subsequent complex bit with the solo are possibly the most enjoyable Dream Theater moments that I’ve heard which aren’t on Images And Words. Skip to the 5-minute mark and yeah! That’s what I want to hear. This song is top notch! Yes, these two songs would make a much better album opener, get the blood pumped, the enthusiasm up, and then I’m ready to accept “6.00” because I’m in the mood now.

“Lifting Shadows Off A Dream” comes next, all broody, and seems as if its going to be Queensryche’s “I Don’t Believe In Love” for a few seconds, until it reveals its true intentions. Its almost a ballad, its almost a big build up. Its almost Hogarth-era Marillion. Its none of these things, its its’ own tasteful pop song with a lot on small toms and splash cymbals. Its kind of sprawling…its like King Crimson’s “Starless” in structure, but much, much, much, much more clean and bright and commercial. It sounds like a basket ball team in a movie winning its first victory whilst the dad shows up to see his son for the first time because he’s finally learned what’s important in life.

“Scarred” follows that. Also sprawling. Slightly jazzy flavoured but without any actual jazz. Full of mischief. Threateningly full of potential. Which way will it go? – Lots of ways it would seem. Groove parts. Staccato Metal parts (various ones in fact). Clean syrupy pop parts. Numerous time-sig changes. It’s a real “Hey, we can do a lot of stuff and we’re good at our instruments” piece. The clean chorus is a lot less lame than in either “Caught In A Web” or “Voices” though.

Then there’s another kind of chorus which feels like its got a sort of grunge influence. A touch of the “Evenflow”s about it, ey?

Do you know when bands say that their heavier stuff is heavier and their lighter stuff is lighter…this actually is. There’s not much on Images And Words that’s overly syrupy. Anyway… There’s also nothing as heavy as the part between the guitar solo in the 7-8 minute bracket.

Also, why does nothing Dream Theater ever play sound like Yes? I was promise Metallica meets Yes. Whoever promised me that (Classic Rock Presents Prog Magazine) doesn’t listen to much Yes… or Metallica for that matter.

This song could benefit from lots and lots of repeat listens, because there’s tons of cool parts to enjoy, but its lack of purpose or structure make first-impressions a bit confused.

Finally comes depressing album closer “Space Dye Vest” which I already know that I enjoy, but will listen to here anyway. Its moody, its tasteful, its got samples that are mechanical sounding instead of dialogue. Ok, actually it does have diagloue samples too… something Anathema do a lot actually… this reminds me of the whole Anathema rant about “Death is not the opposite of life, death is the opposite of birth, life is eternal.” I guess a woman is not a possession then, sample guy. Anyway, the end of the song is fantastic.

Ok. That was the album.

What do I think? Four awesome songs in “The Mirror,” “Lie,” “The Silent Man” and “Space Dye Vest.” The rest… good bits, but not good songs, or maybe good songs with bits that aren’t to my taste. Except maybe “Erotomania” which is good but just has an intro that makes me think I won’t like it.

Meh… Its worth owning. I think a lot more listens are required before it hits me properly. Or maybe, its just a case of I should listen to half of it a lot and ignore the other half because I could listen to better music instead? Who knows…

Hope that was entertaining. Now, continuing the theme established yesterday, and based on this article’s inclusion of the Prog Metal band Dream Theater… here are some Top 5s from some Progressive Metal bands in my collection:

Coheed & Cambria :
1. Apollo I: The Writing Writer
2. Far
3. No World For Tomorrow
4. Key Entity Extraction I: Domino The Destitute
5. Key Entity Extraction V: Sentry The Defiant

Dream Theater:
1. Take The Time
2. Metropolis Prt 1 The Miracle And The Sleeper
3. Strange Deja Vu
4. Honour Thy Father
5. The Silent Man

The Mars Volta :
1. Cotapaxi
2. Cygnus….Vismund Cygnus
3. Vedamalady
4. Goliath
5. Day Of The Baphomets

Mastodon :
1. Blood And Thunder
2. The Czar
3. This Mortal Soil
4. I Am Ahab
5. Crusher Destroyer

Porcupine Tree :
1. Anesthetize
2. Drawing The Line
3. Normal
4. The Sound Of Musak
5. Deadwing

Protest The Hero :
1. Turn Soonest To The Sea
2. Sex Tapes
3. Skies
4. Mist
5. Dunsel

Queensryche :
1. Revolution Calling
2. Roads To Madness
3. Where Dreams Go To Die
4. Murder?
5. My Global Mind

Rishloo :
1. Downhill
2. Weevil Bride
3. Alchemy Alice
4. Scissorlips
5. El Empe

Riverside :
1. Hyperactive
2. Celebrity Touch
3. Second Life Syndrome
4. Rainbow Box
5. Egotist Hedonist

Savatage :
1. Hall Of The Mountain King
2. Castles Burning
3. Believe
4. Edge Of Thorns
5. Of Rage And War

Tool :
1. 10,000 Days
2. Jambi
3. Eulogy
4. Ticks And Leeches
5. Vicarious

There’s dozens of others in my library, but for one reason or another I don’t feel comfortable choosing a Top 5 for them.

Hello and welcome to this fourth round of my “Get (Into) What You Paid For” challenge, in which I attempt (despite being an out of control, no discipline, shopaholic of sorts) to not buy anything for a month.

I also try and make this challenge easier by going back and paying more attention to what I’ve bought already, and try and get into more and therefore get my money’s worth.

Have you ever picked up five or six albums in one shopping session or received several videogames all at once for a birthday and then found that some products get used more than others? This series is designed to reappraise and finally get into those sort of underdog products.

JP – RoS

If I was going to break my challenge, what would cause me to do so?
Well, I’m damn tempted to but the new Judas Priest album, Redeemer Of Souls. I’ve read absolutely universal praise of it, and Judas Priest are one of the band’s I’ve listened to the most in the last four years. If its anywhere near as good as Angel Of Retribution I’ll love it. Most people say its measurably better than Angel Of Retribution. Sounds pretty good to me. Plus its topical and up-to-date, and I’ve been lost in the 80s a bit recently, and it would be nice to be up-to-date with something. I’ll get that feeling when my pre-oder of Accept’s Blind Rage arrives, but until then, I’m sort of out-of-the-loop with modern releases at the moment.

In the opposite direction of being up-to-date however, I was watching a Lynyrd Skynrd documentary this week and that put me in the mood to try out some Molly Hatchet and Black Oak Arkansas, and expand my Southern Rock collection further than solely Lynyrd Skynyrd and Blackfoot. This was compounded the next day when watching a Van Halen documentary that featured Jim Dandy (Black Oak Arkansas’ frontman) as a contributor (discussing press accusations that David Lee Roth stole his stage moves). Both of those guys have Original Album Series boxsets and I kind of want to pick those up… but boxsets are a dangerous game. I’m still in a boxset “get my money’s worth” mind-war with Thin Lizzy, Van Halen, Dream Theater, Faith No More, Foghat and Mountain (and to a lesser extent Motorhead and Saxon a bit).

VOD – BV

Bit of a left-field choice here, but I’m really tempted to buy Broken Valley by Life Of Agony. It’s the only album by them I don’t own yet, due to buying that Roadrunner Boxset, and I’ve been absolutely loving their first two albums these last few months. I’ve been really, really heavily leaning on tracks like “Damned If I Do,” “Bad Seed,” “Underground” and “Drained.” Their reunion put them back in the press and that reminded me of this missing album in my collection (I think there was an article saying they’ll not be making a new record so fans “better get used to Broken Valley”).

F – F&W

A fairly new “want” of mine is Free’s Fire And Water. Fairly new as in yesterday. There was a vintage music channel playing music videos on a TV in the background of where I was at yesterday. It was primarily showing videos of 80s pop bands like Duran Duran, Culture Club and Wham. Then out of nowhere; a Zepplinny, 70s-Sounding Hard Rock guitar comes in with charming production and suddenly I sit up and pay attention. It turns out to be “All Right Now” by Free, which is probably up there with “The Boys Are Back In Town” by Thin Lizzy and “Sunshine Of Your Love” by Cream as one of the most famous and frequently pub-covered songs in Rock Music, and yet I’d never really noticed it properly before. I was impressed. I’d like to hear a full album. Turn it from a “Smoke On The Water” into a “Machine Head” and find a few “Pictures Of Home”s… if you follow my meaning?

I’ve also been voraciously consuming Batman comics over this last year (in fact, August 2013 was when my good friend Paul bought me a load of Batman books for my birthday and in-so-doing kicked my casual “Ok, I’ll try some Batman” phase into an “I am a Batman fan” phase.) So I’d be tempted to buy just about any Batman tradepaperback I come into contact with. My current “top picks” to get are Ego, Odyssey, Black & White, Year 100, Dark Victory, Time & The Batman, Bruce Wayne The Return, Bruce Wayne Murderer? and all volumes of the New 52 Nightwing series.
When its released I want all volumes of Batman Eternal, Zero Year and I also want any stories where Jason Todd is Robin…. release some sort of retrospective please guys?

Anyway, enough about what could make me spend money, what’s been saving me money so far this month? What’s kept my hands busy and stopped by notorious spending habbits at bay?

M.C. – T.O.P

Well; Its August 7th, 2014 and I’ve currently managed to go the first week of the challenge without buying myself anything. Right before the challenge started, I picked up a copy of Motely Crue’s third studio album Theater Of Pain from a Charity Shop for £1.99, and that has pretty much kept me interested for a full week.

I didn’t expect much from this album to be honest. I thought it might be a bit rubbish. I’ve read bad reviews of it. I’ve read The Dirt (Crue’s biography book) and the album is slated in that book. I’ve watched Google Play’s Motley Crue documentary (see here) and singer Vince Neil rejects the album. It seems like it might be a bad product. A bit of a mistake. A bit like Kiss’ Music From The Elder Album.

But you know me, champion of the bad-album, lover of St Anger, contrary semi-hipster who always seems to love the album with the bad reviews (Ok. That’s an exaggeration; I often also dislike unpopular albums too, but whatever…). I thought to myself I’ll find a way to enjoy this album.

On first listen, this album was a mess. Opening with a slow doomy track, then into a cartoony cover-song (and I’ve never liked songs singing about School anyway), then a rock song and then a ballad. Its confused, its all over the place. I heard people say this album is just “some songs” and that “its not a party album” and that “they were too high on drugs and bereavement for Razzle to make a good album.”

Then I heard the songs “Use It Or Lose It” and “Louder Than Hell” and they just connected with me. Unarguably and instantly two of my favourite Motely Crue songs. So I realized there is definitely something going on here. I’ve been listening to it repeatedly, in different combinations and orders until I came across the perfect listening order:

Now its not a mess. Now it’s a party album! Now it is a well balanced set of rock songs with diversity but a steady sensible flow. It’s a journey. It’s a good record!

In this order, I’ve listened to and loved the album about a dozen times now. What a big difference that the running order makes. I recommend you try it out this way, it is a much better album.

I’ve also been listening to the rest of the band’s catalogue these last two weeks. In particular, Shout At The Devil is a good record, with “Red Hot,” “Bastard” “Looks That Kill” and the Title Track all being stand out moments.

I don’t much care for their debut apart from the fabulous “Live Wire” and “Piece Of Action” or even the mega famous Dr. Feelgood album all that much apart from its own Title Track and “Kickstart My Heart.” I don’t have Girls Girls Girls yet, so can’t make a judgement on that one, but I will explain that kind of the reason for all this Crue interest is because I’ve loved the single “Wildside,” ever since I saw Dwight enjoying it too much in The Office on my most recent re-viewing of the series in its entirety. (I’d heard it before, but that moment just made me reevaluate it.)

In honour of this new found acceptance of Motely Crue (band who I’ve really struggled to allow myself to like due to my disapproval of their sexism, drug abuse glorification, domestic violence denial, and general selfishness and rudeness) I’m going to list my five-favourite songs by the band, and all their contempories in my music library.

So consider this a Hair Metal/ Glam Metal / ‘80s Hard Rock special episode.

Motely Crue :
1. Louder Than Hell
2. Live Wire
3. Wild Side
4. Use It Or Lose It
5. Shout At The Devil

W.A.S.P :
1. I Wanna Be Somebody
2. The Torture Never Stops
3. Ballcrusher
4. Shoot From The Hip
5. Chainsaw Charlie

Twisted Sister :
1. I Wanna Rock
2. You Can’t Stop Rock N Roll
3. The Kids Are Back
4. Kill Or Be Killed
5. Love Is For Suckers

Quiet Riot :
1. Metal Health
2. Run For Cover
3. Scream And Shout
4. (We Were) Born To Rock
5. Sign Of The Times

Poison :
1. Look What The Cat Dragged In
2. Let Me Go To The Show
3. Play Dirty
4. Nothin’ Buta Good Time
5. Look But You Can’t Touch

Dokken :
1. When Lightning Strikes Again
2. ‘Til The Living End
3. Tooth And Nail
4. Live To Rock (Rock To Live)
5. Kiss Of Death

Bon Jovi
1. Bad Medicine
2. King Of The Mountain
3. You Give Love A Bad Name
4. Runaway
5. Born To Be My Baby

With only one album by Extreme and Europe, I don’t feel its fair to do them, but I’ll say that my favourite one song by each is “It (‘s A Monster)” and “On The Loose” respectively.

For each of these articles this time around, I’ll try drop a TOP 5s of a particular subgenre in there. It’ll give this round a unique feature, ey?

T.P.B

In other areas, I’ve been keeping busy by watching Trailer Park Boys on Mike Ladano’s recommendation, and absolutely loving it. Thanks Mike. Thanks Netflix. It’s a great show! – Not only for guest rockstar appearances from Sebastain Bach and Alex Lifeson, but for the superb sense of humour and brilliantly real life (in a way) nature of the show. Its not skinny Hollywood girls buying Porches. Its much more down to earth (although it does get too surreal at times to honestly call “realistic” in fairness, but you catch my drift).

The characters are really enjoyable, from humorously selfish and flawed, to ludicrously irrational and dysfunctional. Its hard to pick a favourite character because everyone has got something going for them… even minor characters like Ray would be the best character in some other shows.

In a more British mood, I’ve been watching the absolutely excellent Getting On. A British show about Hospital Nurses, very much in the style of (and featuring cast members, and written and directed by people from) The Thick Of It. Just like The Thick Of It was a really astute and well researched satire of the British political system, Getting On is basically the same show but about the NHS. Its fun though, because instead of some lazy slamming of the NHS and unfair complaints, its mostly just a comedy about flawed individuals and their own personal weaknesses interfering with their ability to do their job properly. Its not “This is why hospitals are bad”… its “How did this clown get a job in a hospital” and I appreciate that. Fair humour, that doesn’t play too much on the same old negative hospital stereotypes.

BS – I

What else? Just before the challenge started, I got a lend of and finished, and Platinumed the videogame Bioshock Infinite (my first attempt at, and success at Platinuming a game in two years, despite my previously huge interest in that area). The game? It is a masterpiece. Although in hindsight, in comparison to Bioshock 1 & 2, a lot of the gameplay depth, setting atmosphere and cool enemies are missing, but I absolutely loved the story and the effort and depth there. I sat and read practically everything written about it on the internet afterwards and was wowed by the fabulous artistic achievement that this game is.

I won’t go too much into it because of spoilers, but wow… what a brilliantly executed concept. And I love whoever online said that the fact that it is a game strengthens the point its trying to make and the effort went to by the creators to make a piece of art strengthened by the gaming platform. Bioshock as a series is absolutely one of my favourites. Each of the three games has had some flourish of genius or other.

New Slipknot

A few other thoughts then – There’s a new Slipknot song. Not the single, we have now learned, but rather a heavier mid-album track as a gift to the fans. We don’t know who’s drumming on it, although the internet thinks it might be Chris Adler from Lamb Of God or Jay Weinberg. It might even secretly be Joey and the whole thing is a publicity stunt… is that legal? It might be Clown or Chris taking up a full time drummer’s job.

We don’t know who is playing bass on it either. Lots of members of Slipknot also play bass so, probably they played on the studio version and someone else will play it live. Chris is also a bassist. Perhaps Chris is the new Bassist and Clown is the new drummer? That would be good.

Anyway, the song, The Negative One… kind of like when they debuted “New Abortion” before Iowa, or the All Hope Is Gone Title Track before that album, its not really a catchy single, it’s a deep-cut given unrealistic limelight.

It has an Iowa-esque approach to the production and mix, and the vocals are less melodic and Stone Sour-esque than on the previous two albums, and there is a lot more sampling and DJ scratching than the previous two albums as well. Other than that, what can be said? Not all that amazing. Its not “Wow, this is one of my favourite Slipknot songs.”

In fact, if I listed all the Slipknot songs that were better than it, it would be most of the Slipknot songs. But whatever… early days yet. I hope, on one level, that the album is in this general direction…you know, far away from Stone Sour. On the other hand, “Dead Memories” is a better song than this so I’ll take a more commercial Slipknot so long as its good. I’d rather have good music in a commercial style than dull music in a good style. I will give it this though… the additional percussion in it is really fun. Especially in headphones. The mix on the final version is a lot better than in that initial stream too. Maybe that, or maybe its the same version but my speakers are better here than where I first heard it. Also, maybe its a grower. I don’t think “Everything Ends” or “The Shape” blew me away on first listen but I sure as heck like them now.

Metallica had a similar new song a while ago and I didn’t blog about it, but the feelings I had for it are similar. Its in a good style but not super-special in and of itself.

Another quick observation… Green Day totally and massively stole vocal patterns from “On With The Show” and “Merry-Go-Round” on American Idiot album tracks. Seriously, give it a listen!

When you think of Hair Metal (also known as Glam Metal) (Also known as Rock Music from the 80s that does not fall into a Metal Category at all according to some people) you usually think of music that sounds either full of synths and way too much reverb, or else big ballads.

Or, if you have heard a bit more of Hair Metal (say, Poison’s “Nothing But A Good Time” for example), then you think of it as a sly mixture between Kiss, Aerosmith, Van Halen and AC/DC riffs and vocal patterns, and sometimes sprinkled with Queen-esque backing vocals.

There’s another side to it though, that people who care about “Metal-ness,” or “Metal Credibility” might enjoy but might miss out on due to thinking its all big ballads and synthy overkill. A side that’s much more in the spirit of Iron Maiden and Judas Priest. A lot of the time, Hair Metal bands who started in the earlier half of the 80s rather than the later half will actually have the “Metal” in their sound that explains why the word Metal is in the phrase “Hair Metal” (Or Glam Metal, if you think the word “Hair” is too insulting).

Here is a list of such songs:

(more…)

I think Djent has become an independent subgenre now.

I understand that people were arguing about whether or not it was a real subgenre when it was starting out, but I think so many bands have come out sounding like eachother, so many record labels group them together, so many Djent fan sites and concert line-ups have been made that it has come online, become self-aware and is now a real genre.

People had the same problems with Thrash Metal when it was new, with Hair Metal when it was new and with Nu Metal when it was new, but now, most fans agree that they are real subgenres.

Sure they might argue about the name “Hair” is interchangeable with “Glam/Sleeze/Teeth/Pop Metal” and “Thrash” sometimes gets intertwined with “Speed.” “Nu” sometimes gets called “Rap” or “Alternative.”

There’s disagreement over all of them “Glam is just a look” “Nu is just rapping and DJs over the top” and people say the names are stupid. Nowadays, a few people say “Djent” is a stupid name and “Djent is just a tone” but there’s more to it than that, and it has become a real genre due to the critical mass of bands making Djent music.

Sure; Uneven Structure, Tesseract and Periphery are all pretty different, but so are Kreator, Anthrax and Metallica.

So are Linkin Park, Powerman 5000 and Korn.

So are Bon Jovie, Quiet Riot and Motley Crue.

In Power Metal, there’s a vast difference between Stratovarius, Helloween and Sonata Arctica. And its named after power? All Metal is Powerful.

I agree that naming Djent after a tone is unusual, but its better than naming it after a look (Glam/Hair) or the fact that it is new (Nu) is equally silly.

Maybe they should have called Thrash “Chug.” Sure, some non-Thrash bands like Motorhead and Sabbath had chugging, but that ties into the idea of how much Djent took from Messugah. Its similar to how much Nu Metal took from Faith No More and Primus. I know that some non-Djent bands have the Djent-Tone like Architects did on Hollow Crown, but that ties in with the idea of bands like Anvil and Metal Church being heavier than most Heavy Metal bands but not quite Thrash.

Maybe the name will change, but the subgenre will stick, if history is any indicator.
Maybe some of the bands will escape the tag becuase they’re too different, eg. maybe Animals As Leaders are too different than the core Djent sound like the way Slipknot are too different than the core Nu Metal sound, but overall, Nu Metal is still considered to exist.

Just go to Got-Djent.com and have a look at all the bands who play Djent music, or music similar to Djent, and check out all the similarities and differences.

Try out one song each by the top-25 most popular bands. Try that same trick for other subgenres like Black Metal, Death Metal, Hair Metal, Nu Metal, Power Metal, Doom Metal, Thrash Metal etc.
Pay attention to all the similarities and all the differences from bands still considered to be within one subgenre. Pay attention to how there are some bands or songs that are a bit borderline and ones that are definite. I believe that same balance now exists in Djent and that Djent has become a real subgenre.

I’ve had a lot of free time this week to sit and read blogs. Some of them have really got me thinking. I read a list questioning which are the most famous Metal Songs and most famous Metal Bands. Generally; I love these sorts of things. But then you knew that already, didn’t you?. I read dozens and dozens of these sorts of lists, on blogs and in Magazines and on Rate Your Music or whatever else.

The thing I’ve noticed in dozens of them is that, there’s a sort of mythical set of perfect answers. Some of answers of course are pretty hard to disagree with; Metallica, Iron Maiden and Ozzy Osbourne for example. Ask everyone on a bus in the middle of Manchester to name as many Heavy Metal bands as they can think of, and I reckon those bands would come up quite a lot.

The thing is though, there’s quite a few other names that will regularly come up on the hypothetical average-list that are either controversial among metal fans as to whether or not they actually count as being metal or else are dubious as to how famous they actually are.

This isn’t necessarily a harsh criticism of metal fans and list-makers, but it does raise some interesting points that I think are worth stopping and thinking about. So; when considering who are the most famous Metal bands and Metal songs, you’ve got to ask yourself two questions. What is fame, and What is Metal?

Just a quick thought: Twisted Sister and Motely Crue are probably more famous than Bathory or Mercyful Fate. Bon Jovi are probably more famous than that. Limp Bizkit, Korn and Slipknot probably are too.

Machinehead, Avenged Sevenfold, Disturbed and Bullet For My Valentine are probably all more famous than Queensryche and Celtic Frost nowadays too.

I say “probably” because there’s really no way of knowing. Fame isn’t really a quantifiable concept, its more of an informed perception. We all know that Coca Cola is probably more famous than Only Fools And Horse, but we can’t really prove it on an individual level without gathering gigantic, unrealistic amounts of information that none of us could really be bothered to gather. To actually know for certain you would have to ask everyone on earth if they had heard of each, and then record and compare the answers. You would also have to know that they weren’t lying and that nothing was altering the results.

There’s another issue. The silent majority. You know when you go to a concert and its absolutely full. Think of how many people attend Download Festival every year, and then how many attend a single Motorhead concert. There’s more at Download.

Why does that matter? Well; There are so many people who are casual in their interest of Metal. People who don’t dress as Metal fans, don’t blog about it, don’t talk about it at work, but do know every word to System Of A Down’s Toxicity album. You can look at a Chemistry student who has no indicators of being a Metal fan and who does talk to you about a dubstep song they heard at the weekend, but they actually absolutely loves Disturbed and Bullet For My Valentine and just didn’t bring it up. You can find a girl in a nightclub listening to indie bands who will surprisingly be completely able to drunkenly sing all the lyrics of ‘Run To The Hills’ at you upon request. You’ll find people posting about how much they love pop stars on facebook and when you go into their bedroom there is a huge poster of Zack Wylde.

What I’m getting at, there’s a heck of a lot of people who listen to Metal that you wouldn’t necessarily expect. More than the readership of Metal Hammer Magazine, more than the crowd at your local sold-out mid-October Down concert. There’s hundreds of thousands of people who don’t even consider themselves a Metal fan that could tell you who Lemmy, James Hetfield and Corey Taylor are just from a photograph. My own mother could. Yours probably could too.

So. When we ask ourselves who are the most famous Metal bands; we need to ask “famous to who?” – because I’m pretty sure the average drunk stroppy teenage girl taking ecstasy tablets when asked to name ten heavy metal bands are more likely to identify Slipknot than Venom.

If you played somebody Helloween’s “Keeper Of The Seven Keys,” Judas Priest’s “Painkiller,” Pantera’s “Walk,” Limp Bizkit’s “Nookie,” Motely Crue’s “Girls, Girls, Girls” and Europe’s “The Final Countdown” I’m pretty sure more people can identify the last two or three than the first two. There may be a few generational differences, and there may be a bit of bias in the form of people not wanting to identify bands that they dislike (human nature, its annoying aint it?) but I recon more human beings know the answers to the less Metal-respectable bands on that list.

The easy way around that it to choose who you want “fame” to apply to. OK. Say, we only count people who have at one time owned a copy of Reign In Blood and have attended at least one Metallica concert? More of them will probably still know Marilyn Manson than King Diamond. More of them could identify “Welcome To The Jungle” than “Pull Me Under” by intro alone, because its still more famous overall, even if you are a serious Metalhead. Because you don’t live your entire life in a Metal-bubble.

Well, we’ve considered what fame actually means now.
But hold on a second. What even is Metal?

Are Europe a Metal band? Well, some people say they are a Hair Metal band. Hair Metal is a type of Metal. Therefore by that logic, they are indeed a Metal band. Not so fast though; Some people say Europe are a hard rock band. Some people say they are a Pop band.

Are Led Zeppelin a Heavy Metal band? A heck of a lot of people would say yes. A heck of a lot of people would say no. What about Deep Purple. Watch any worthwhile documentary about Heavy Metal and there’ll be talk of Deep Purple. That being said, nowadays most people on the street would call them “classic rock” rather than “heavy metal” even though the actual term was applied to bands like Zeppelin and Purple and AC/DC for years and years. So are they Metal or aren’t they? They themselves might call themselves “Rock n Roll” but so does Ozzy Osbourne and even Motorhead. If “In The Name Of Tragedy” by Motorhead is just Rock n Roll then I’ve seriously got to start checking out Buddy Holly.

Ok. Well what if you decide that Zeppelin aren’t Metal but Black Sabbath are. What about Queen. You go listen to “Dead On Time” and “Son And Daughter” by Queen and tell me with a straight face that it isn’t as Metallic or Powerful as “The Wizard” by Black Sabbath.

How about if we decide that the first ever Metal album is “Sad Wings Of Destiny” then? What after that is still Metal? Are Metallica? Are Helloween? Are Pantera? Are Machine Head? Are Slipknot? Are Bring Me The Horizon? Are Cannibal Corpse? Are Korpiklaani? Are Emperor? Are Limp Bizkit?

You can say Limp Bizkit aren’t because the vocals are not like Judas Priest and there’s an extra instrument (the DJ). Well, Cannibal Corpse’s vocals are very, very different to Judas Priest’s and Korpiklaani have extra instruments (Violins and Accordions).

I’ll admit some Limp Bizkit songs sound nothing like Metal. Ballads, and songs with electronic drums and effects and no distortion. What about Black Sabbath’s “FX” “Fluff” “Laguna Sunrise” “Changes” and “E5150” ? What about Judas Priest’s “Epitaph,” “Last Rose Of Summer” or “Love You To Death”? Ballads, songs with no distortion and incorporation of electronics on some songs.

Even at that, some classic tracks by Metal’s originators (which weren’t intros, experiments or ballads, but just normal songs) are still less-Metal than some Hair Metal and Nu Metal songs. I’d wager Limp Bizkit’s “Gimme The Mic” is much more Metal than Black Sabbath’s “Am I Going Insane?” or “Solitude” or even “Behind The Wall Of Sleep.”

Going the other way. I think that Korn’s “Blind” is closer to the sound and spirit of the original Black Sabbath tracks than Cannibal Corpse’s “Frantic Disembowelment” does. Hell, I think Twisted Sister sound a thousand times closer to the sound of Judas Priest than Darkthrone do.

Then there’s the people who don’t think Metalcore bands are Metal, either because of catchy clean choruses, or because of the incorporation of parts of Hardcore. Well, Chaos AD is incredibly Hardcore Influenced. Anthrax and Nuclear Assault were Hardcore influenced. Are they no-longer Metal?
Helloween and Stratovarius have some of the catchiest, cleanest choruses going, so are they no-longer Metal?

The thing is though? Who can really say? Metal-ness isn’t a fact. Its an opinion. Its a negotiation for consensus.

Half of the people who say something is not Metal but something else have no clear, quantifiable, non-contradict-able reason why. Its either just that they don’t like the band and have mistaken their own opinion with fact, or that its not something that can be definitively and incontrovertibly proven in the first place. There is no mathematical definition of Metal. Some people think death growls preclude you from being Metal, just read all the reviews of Children Of Bodom by Yngwie Malmsteen fans from the 80s who demand melodic falsetto singing. These people will swear until they are blue in the face that “cookie monster vocals” are the opposite of Heavy Metal. Try telling that to the audience at Hole In The Sky or Bloodstock festival though, they’ll give you a swift and unpleasant rebuttle more likely than not.

At the end of the day, there are people who think Krokus and AC/DC are Metal and that Limp Bizkit and Deicide aren’t. There are people who think that Immortal and Pig Destroyer are Metal but Poison and Quiet Riot aren’t. Heck, until about three years ago even I called pre-Dio Black Sabbath was just classic rock and not Metal.

What is and isn’t Metal is up to your own interpretation, apparently. Except Iron Maiden, nobody has ever said Iron Maiden aren’t Metal. Lemmy says Motorhead aren’t Metal but at least Steve Harris calls Maiden a Heavy Metal band. There’s at least comfort in knowing that whatever else in this world is up for debate, Iron Maiden are undisputed a Metal band (Although you could mistake “Prodigal Son” for a Boston or Rush song if you weren’t paying attention).

So. I guess where I’m going with this is that, there is an element of what the dedicated Metal fans want and indeed expect to be the most famous Metal music. It is based partly on the personal taste of a few Magazine writers, partly on actual consensus and partly on a self fulfilling prophecy of what we’re continuously told. The list seems to cover one arbitrary point of view and one arbitrary period in time. It isn’t full inclusivity nor is it completely strict and based only on true original Heavy Metal. Its often after the first Heavy Metal Bands go reclassified to “Classic Rock” but before other subgenres became popular.

I mean, I can’t tell for certain, but I’m pretty sure more people know and care about Bullet For My Valentine and Slipknot than have ever cared about Venom. But most people who actually like music to the point of making lists don’t want that to be the case.

Similarly, I think that year on year, Deep Purple, AC/DC and Led Zeppelin gain more new fans than Venom do. But we’ve all decided that they don’t count. For some reason. That is not particularly logical or fair.

Then there’s the really commercial bands like Linkin Park and Bon Jovi. Almost (not necessarily if you’re being pedantic, there have been flops, but you know what I’m getting at) by definition of being commercial, more people will know a band. A huge amount of us decide that if a band are too commercial, they aren’t Metal anymore. Why is that? Part of it may be based in truth, but again, part of it seems to just be based on what we want.

Take home message; when we ask ourselves which Metal songs, albums or artists are the most famous, I guess you’ve just got to ask whether or not they are Metal, or who you are being famous too that counts for the purposes of the list. You could spend years aggregating every list and reference to bands in every magazine, videogame, radio-show, podcast and television programme ever made and still only have a small, biased sample of a few people’s impressions of which bands were the most famous. You could count every Youtube view and LastFm scrobble ever recorded and still ultimately not know what’s in people’s heads or even who’s heads to look in.

After you to went all that effort to find the correct numbers, there’d still be debate on who “counts.”

And that’s just “famous.” It gets even muddier when we go onto “most-influential.” Oh well, at least everyone knows when it comes to “best” that its just straight-up unarguably subjective and we can all admit its just our own opinions. (Well, the sensible ones of us at any rate.)

So; With all that being said, I’d like you all to answer in the comments, who do you think are the 20 most famous Metal bands?