I Went to see Rammstein at Cardiff Principality Stadium on Thursday 30th June 2022

This was my first concert, gig or night out at all since the pandemic. I actually got the tickthts for this as a birthday gift in 2019! 

Other bands who I had tickets for pre-pandemic, like WASP castagencelled their gigs, some postponed theirs until it wasn't possible for me to go anymore, with work or around the birth of my second son. One, I was just straight up was too anxious to go, having been stuck inside too long and I eneded up chickening-out and just giving the tickets away for free to a random fan on the internet. 

I still didn't really feel ready for this gig yet either, and thought about cancelling many times... but the idea of it being a birthday gift, and of having the tickets for basically three years now, kind of made me feel obliged to go. 

In the run up to the event, I had seen news peices about how Cardiff wasn't a good city for stadium gigs, with travel chaos and inadequate infastructure, people missing gigs due to being stuck in the car etc, which didn't help my trepidation any. 

Despite me only living a 25 minute drive from Cardiff (35 until parked and out of the car), I only arrived at the stadium exactly 40 seconds before the band played their first song, having had a ridiculous commute with lots of shenanigans, including taking of 40 minutes to drive down a road no longer than 200m that I drive through in mere seconds any other time I visit the city, then getting to my usual car park to find it full (but the "full" sign is not visible until you already enter the building, thus being totally pointless, and condeming you to a 5 minute loop de loop to get back to the very start of the road, and thus sufffer another 40 minutes again to get down the same 200m you just drove). 

After accidentally going down a one way street, missing my correct turn due to a psychotic taxi driver tailgaiting me too aggressively for me to safely turn, I then proceeded to get stuck in a residential street whilst trying to lose the taxi guy as any more beeping of his horn and I would probably get out of the car, murder him and end up in prison. After deciding prison didn't seem like the best option,  I trued to do a 3 point turn in about 18 turns, then finally make my way to an alternative car park after some more shenanigans involving a train track, and finally hoof it across the city to the stadium.  
The Welsh flag, as the intro music played

After a quick trip to the bathroom, I walked out onto the stadium floor, and 40 seconds later, the band started playing.

The band taking the stage, hard to see because the ground had adverse camber

The setlist was mostly drawn from their first 3 albums and their newest 2 albums, with approximately 3-4 songs from each, and then just 1 song each from LIFAD and Reise Reise, plus nothing from Rosenrot at all. Mostly hits and fan favourites, maybe 1-2 unexpected songs, but with a crowd this size that’s exactly the right call.

Pyro

This was the first gig I had ever attended at the stadium, and I am not too impressed with it as a music venue. It is clearly a sports venue, and the flooring they put into it to protect the grass was weird, at the wrong angel, slippery, and made it hard to see the band as it felt like you were downhill, and hard to keep your footing (I saw so many people fall over compared to normal gigs in clubs and theaters, or even arenas). It definitely wasn’t the ideal place for a rowdy metal crowd who need firm footing.

That being said, the venue wasn’t all bad – the staff were very friendly and trained, the bathrooms were good, and best of all the sound was very good, probably the best thing about the stadium experience.

Rammstein’s pounding, simplsitic, mostly mid-tempo industrial style suits a big arena sound, its not too busy for the sound system. Big gigs often have poor sound, but I was very happy with this, I could hear every thing – every drum, every bass line, every guitar chord, every word.

Light show

As you have no doubt heard if you pay any attention to metal music, Rammstein put on a good stage show.

There were all sorts of things to make the show visually interesting. Lights, lazers, confetti, foam, explosions, sparks, flames, fireworks, a flamethrower-guitar, band members using different parts of the stage or an alternative stage at times, lots of props, an elevator, a treadmill, musicians going out into the crowd. Basically, it wasn’t low-effort.

Sparks shower
Keyboardist Flake ascending into the sky on an elevator for a DJ set.

Of course other bands do big shows too, in the last few years I’ve seen Alice Cooper and Ghost do props and confetti, Slayer‘s final tour did pretty good pyro, and Parkway Drive do the flames and sparks and elevator plus going out to a second stage and going in the crowd, Slipknot do the cool stage set and treadmill. I didn’t see it with my own eyes because I didn’t want to spend the money at the time with Vince Neil’s voice being bad and with me not having time off work, but I know Motley Crue do the flame-thrower (bass) guitar thing, you can see it on their The End DVD.

Rammstein was kind of like seeing all of that in one show. It didn’t quite seem like it was living up to the hype for the first few songs, they started off without much spectacle, but they built more and more over the course of the show, and by the time it went dark outside, and they played “Sonne” I was starting to think maybe this was at least bigger than anything I’ve seen.

The band on an alternate stage in the middle of the crowd doing a piano ballad reimagining of early hit Engel.

The crowd were pretty decent where I was standing, no crowd-killing, everyone respecting eachother’s space, drunks and pot smokers just merry – not falling down or vommiting or fighting. Quite respectful of wheelchairs and mobility scooters too, which wasn’t always the case in previous gigs I’ve been to. The crowd didn’t seem full or sold-out, but there is a pandemic and the show was rescheduled twice, so they did well to have it quite full.

Because I was deliberately trying to hang back at a quite spot with lots of breathing room and space for pandemic reasons, and not getting up and sweaty, I didn’t really buy into the atmosphere of the gig, and it was mostly just an “ok” gig for me, rather than something amazing or life-changing, but the music was good, the sound was good, the stage show (if not something I’ve never seen before) was still good, and the band’s performance was pretty decent. They definitely put a lot of thought, planning and effort into it, and they did well to fill the size of the venue.

Was this the best show I have ever been to? No. Was it nice to be back at a concert after two years? Yeah, kind of, but I just worry I’ve contracted Covid after being so careful and avoidant for such a long time (time will tell). Would I go back to this stadium for any other band? Probably not, unless it was something really special that I couldn’t see anywhere else, like AC/DC maybe. Would I see Rammsteing again? Definitely, but only if it was in a better venue, in a city with better infastructure. If this same show was in the same place at the same time next year, I’d give it a miss (and I wouldn’t say that for Slipknot at the Motorpoint Arena for example).

The way home was luckily much less eventful and chaotic – just a nice orderly queue for a very long time, then a clear shot home. Once I got out of the city centre, I was arguably home faster than during my normal work day commute.

Had this have been in the Motorpoint Arena instead, or had it been in a pre-pandemic world, I probably would give it an absolutely gushing rave review, but all the stress and the feelings or risk and the subpar venue took a little bit of the rose tint away for me personally.

Don’t get me wrong though, great band and I’m glad I went, I’ll probably just not be in the mood for this sort of thing the same sort of way I used to be for another year or two. I’m currently debating whether to go to any gigs at all this year (there are some tempting ones, like Machine Head, Parkway Drive and Volbeat coming to Cardiff at various points this year) but I’m still a bit uncomfortable being outdoors or in crowds at present.

Rammstein albums ranked:

This list feature is based on my subjective personal opinion, not fan consensus or journalistic research. They are ranked from best to worst, best being simply “my own favourite” and worst being “the one I personally like the least.” I know it is customary to rank from worst to best, but I prefer to lead with the positive. Check out the rankings home page for more albums-ranked lists.

Today, I’ll be discussing German Industrial Metal icons, Rammstein. I’ve been putting off reviewing their records on the blog for a while now, as I wanted to save it for that pre-concert peak excitement phase I get right before I see a band live. I got tickets to see them live for my birthday in 2019, but with the covid delays, the concert still hasn’t actuall happened yet! However, I am in the mood to blog about something today, and I’ve just got their Live In Amerkia blu ray for Christmas and its put me in the mood to talk about this band in particular. Sure, its not the pre-concert excitement peak due to covid, but oh well, at least I have the concert-film to simulate the live experience now. Better than being sick or dead.

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1. Reise Reise (2004) – I was a bit silly, and didn’t get this album when it was new. Like most of the UK, I got into Rammstein around the release of 2001’s Mutter and worked backwards to Sehnsuct, but after a few years, when I was getting out of things like Nu Metal and Industrial and getting into things like Thrash Metal and traditional heavy metal, I somehow just stopped listening to Rammstein, and was always surprised when I would hear about them doing large concerts, assuming they were just another flash in the pan band that came and went. Big mistake. Many years later at the insistence of a good friend, I gave the band a second chance and was gifted this record. What a record, where had it been all my life? Why on earth did I ignore Rammstein for like…a decade?
I think this is the band’s strongest work all the way through. The highlights are immense, but there is also little to no filler, and the album works as a single album all the way through, rather than a vessel for hits only. The production seems timeless, the tunes are memorable, the hooks are strong, the guitar tone is perfect.

I don’t know if I’d go so far as to say “masterpiece” but if you ever dismiss Rammstein just because you hear someone treat them like a novelty band because of the rude music videos and sexual lyrics, or some dim-witted xenophobes who just make fun of them singing in German (I had an ex like that), or people who say the music is bad and they are only headliners because of the fireworks and pyro, then this is the album to check out to learn that Rammstein are a legitimate classic band who write genuinely great music that doesn’t need any kind of novelty or showmanship to cover up for. They could go on stage in jeans and t-shirts and play this album in full without moving on an empty stage with no lights or show, and it would still be the best concert you saw all year. Why? The music is brilliant.

Why is this one number one? Probably the fine line between consistency and diversity. It always sounds like Rammstein, but it tries a lot of different things, and hits the mark every time.

Best songs: “Keine Lust,” “Mein Teil” & “Moskau.”

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2. Mutter (2001) – My first Rammstein album, the public’s favourite Rammstein album, the one with the highest quantity of hits on it. Back in the day, you couldn’t move for the music videos from this album, you couldn’t switch on a rock or metal radio station in the UK without hearing the singles from this, it was an absolute smash hit. There’s a good reason for that, its catchy as all get-out. If you are new to the band and need to pick up a first album, then this should be the default go-to first album. Very much their Ace Of Spades moment.

After coming back into being a Rammstein fan, I want to slap myself for neglecting this record. I loved it when I got it, but I just sort of stopped listening to it after a year or two, too excited by trying new things (1980s things usually). Since revisiting the band though, I can’t stop listening to these tunes, and every time I listen to them, I like them more. It is a pretty instantaneous album to begin with, but it just keeps growing and growing on me.

It feels like an expensive album, the production values clearly higher than the albums that preceded it, but without slipping into the “over-produced” category. The album has such a strong opening with the big strings (the industrial metal equivalent of Kashmir?), ends with a smoky soft ballad, and has a bunch of utter bangers in a range of tempos in between. If you want an album that sounds like angry robots marching towards battle, and yet somehow has a lot of artistic depth, you’ve come to the right place.

Best songs: “Mein Hertz Brennt,” “Feuer Frei!” & “Links 2, 3, 4.”

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3. Rammstein (2019) – This might be a controversial placement, I don’t think this is exactly their most beloved album in fan estimation consensus, but what can I say… I just love it. This is their newest album at time of writing, it was released after a relatively long gap, it will probably be their final ever album, and long time fans feel it doesn’t live up to their expectations. Because I hadn’t been waiting with baited breath however, I don’t have the expectations, and I’ve just loved it from first listen. To me, this is one of their most accessible, memorable, fun, easily-digestible and instantaneous records to date.

Don’t get me wrong, it isn’t shallow, it doesn’t lack for dark and interesting lyrics (“Puppe” especially) and it isn’t overly simple, but it just washes over you like a nice warm bath and everything just feels right. It is probably actually their cleanest and least heavy album to date, which would usually be a problem for me, but it just works so well here and the songs are so strong that I actually don’t mind.  

Alright its not particularly transgressive, alright it doesn’t crunch as hard, alright its not the hands-down best thing they’ve ever done, but it sure goes down easy!

Best songs: “Puppe,” “Ausländer,” “Deutschland” & “Diamant.”

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4. Herzeleid (1995) – Arguably, this is may be objectively dated (some of the electronics sound very of-the-time) and it is also probably the most simplistic release in their cannon, but the core premise of the band is so strong that you don’t need to expand on it too much to make it work, it is a great formula in and of itself without needing to stray too far (ok, that may be a bit hypocritical given the positive comments I made about the first two albums on this list, but it makes sense to me in my own head context, I think it’s the charm-factor… it doesn’t need bells and whistles because it is so charming as it is).

This is the album I’ve picked up the most recently (got it this Summer) so there may be a bit of recency-bias going on here (had to stop myself placing it even higher already for that very reason) but I feel like this is one of my favourite things they’ve ever done.

Best songs: “Wollt Ihr Das Bett In Flammen Sehen,” “Weisses Fleisch,” & “Du Riechst So Gut.”

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5. Sehnsucht (1998) – I know there are a large portion of fans who could pick this as their favourite, so I wouldn’t want to come across as too dismissive of it by having it in the bottom half of my list, but for me, this album isn’t as strong all the way through as the others above it in this list.

This is an album that I’d argue suffers with a bit of filler, that suffers with a slight lack of diversity (without the raw debut charm of Herzeleid to compensate for that), and one where the best songs are so good that the rest just feels a bit “lesser” in comparison.

The best songs here are magical, but since the first listen I’ve always felt the album was a bit up and down, with clear amazing standout tracks, but not as good a whole-album experience as Mutter (or now that I’m older, with more context, not as good a whole album experience as most of their albums).

Don’t let that put you off too much though, we’re splitting hairs on a pretty great discography, and the highlights are very high.

Best songs: “Du Hast,” “Bück Dich,” & “Spiel Mit Mir.”

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6. Liebe Ist Fur Alle Da (2009) – By no means a bad album despite its low placing here, its just that I prefer the others more. There’s some great use of melody here that wasn’t present in the early material and a more live human-approach to the performance compared to the robotic quality of the earlier albums.

However; A bit like Sensucht it doesn’t work as well as a whole-album journey for me. There are some forgettable moments (I honestly couldn’t tell you what “Mehr” or “Roter Sand” sound like now if you offered me a million pounds to do so) and its efforts to be fun are a mixed bag of qualified-success (“Haifisch”) and outright cringe (overrated single “Pussy” – yes it had a clever marketing campaign, but I just dislike the song).

However, A bit like Sensucht it has high highs. Some absolute career highlight bangers, and for a band best known for repetitive crunchy stompers, they constantly try new things and cover new ground.

Best songs: “Rammlied,” “Waidmanns Heil,” & “Frühling In Paris.”

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7. Rosenrot (2005) – Well something had to be last, and to no-one’s surprise, it is 2005’s Load-esque leftovers album, Rosenrot.

Now, this album is not a write-off, and actually has a few of my favourite Rammstein tracks, but there is no getting around the fact that this is the weak link in the band’s discography. Too many ballads, too much silliness, too much forgettable material, frontloaded and generally, just not quite as good as the band’s peak.

I wouldn’t say skip it entirely, but definitely pick it up last, after you’ve exhausted everything else. I heard this after a five year gap in listening to the band, and it made me take about another five year gap, so it is not enough to win over skeptics.

Best songs: “Mann Gegen Mann,” “Benzin,” & “Rosenrot.”

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(Ps. It doesn’t fit anywhere on this list, but the one-off new song from their greatest hits compliation, “Mein Land” is an absolute gem, and should be checked out too).