Posts Tagged ‘Tesseract’

I went to go see Tesseract tonight (Friday 5th February, 2016) at Manchester Academy 2, with Nordic Giants and The Contortionist as support. This was the fourth time I’ve seen Tesseract (I’ve previously with Karnivool, Protest The Hero and Animals As Leaders, twice at this same venue and once at Sound Control – another venue also in Manchester) and the second time I’ve seen The Contortionist (seen ‘em with Riverside in Club Academy).

I got there a little late, but that meant the merch table was clear and saved me time after the gig, so it actually worked out alright, I got there as Nordic Giants had just finished their first song. I’ve never seen or heard of them before, so was surrised to see two multi-instrumentalists separated by not one but two projector screens centre stage, dressed up as Eskimos or Native Americans or, presumably, Nordic Giants. They moved rhythmically in time with the music and did big Tommy Lee drum gestures, and had violin bows to use on guitars, and played weird arty movies, with things like Game Of Thrones one minute, then parasites evolving the next, then people’s faces melting into sand and then an animated movie with lots of Pink Floyd and Sonic/Mario videogame references. Pretty interesting. The music was, I don’t know, some kind of Post-Rock, Explosions In The Sky meets Sixty Five Days Of Static type stuff (I’m not well informed on this sort of music… I know some music more than others. I could tell you if they sounded like Tygers Of Pan Tang though… they don’t.)
It was very intriguing and I’d happily see them again, or use their music to score an emotional scene in a sports movie if I ended up in the unlikely position to do so.

Next up comes The Contortionist. Their first song was a badass, Rishloo-esque beautiful prog sparkler. The majority of their set was Djent on the very mathy side, very complex and a bit hard to follow, with some really aggressive parts, but mostly quite beautiful. Their singer is still really cool and their main guitarist still looks about 13 years old, but is like a junior Robert Fripp in talent.

It was a good gig, and saw a very quite violent pit from some very odd, angry looking apes who seemed to think they were at a Throwdown or Hatebreed gig, but whatever. I don’t really love their songs because the math thing is a little too far… and the heavy thing is a bit too abrasive, but I’d happily see them again supporting someone else.

Then came Tesseract. It was the first time I’ve seen them since the new album came out. I’ve said it before, but Altered State, their sophomore, was a true stone cold masterpiece, and arguably the milestone against all other new music will henceforth be judged for me. When Ashe O Harra left I was worried and even though Dan is great I’d rather he stay in Skyharbour and I have the best of both worlds. All other times I saw the band, they were touring Altered State effectively, but this time they had Polaris songs to fit into the set.

Fit ‘em they did. In fact, not only did they fit ‘em, but they were the highlight of the night. “Hexes,” “Survival” and “Dystopia” were three of the best performances I’ve seen out of a band in years. The crowd went flippin wild for “Survival” too, which I didn’t realize was such a big deal because I’m semi out of the loop with other music fans at the minute.
They did play the first four songs off of Altered State too, so I’m damn happy, and this time none crowd surfed over my head during “Resist.”
The sound was very clear, the setlist was nice and balanced from all three albums, the light show was more advanced with colorful lazers and the audience didn’t get up in my business. A very good night for this fan. I didn’t even get into my usual ‘beer, littering, photos and crowdsurfing should be banned’ mood because their weren’t any Slayer fans spoiling for a fight or shirtless English versions of Frat Boys in an out of place party mood. Good stuff.

Oddly; when the band left the stage, ‘My Heart Will Go On’ from the Titanic movie played and most of the audience stayed and sang all the words for good minute or two before admitting defeat at the lack on formal encore. An unusual end to a gig, and surprising how many people knew all the lyrics, but whatever… I’m not the music police. I like music my favourite critics and “opinion-makers” think is awful all the time.
Did I mention the new material was good? Its really good. It worked really well live. I’m very excited to see the band again, when they start dropping even more new stuff into the set, Here’S hoping for ‘Seven Names.’

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Here are some songs that are totally floating my boat at the minute, check em out, find a new song to love and support the band accordingly if you do.











Tesseract – Polaris Review

Posted: September 28, 2015 by kingcrimsonprog in Metal, Metal - Studio, Music Reviews, Prog, Prog Studio
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Tesseract – Polaris

The British Progressive Heavy Metal band Tesseract’s previous album, Altered State was my studio introduction to the band (after catching them live supporting someone else) and has since become one of my very favourite albums of the last decade and one that I would without hesitation call a genuine stone cold masterpiece. Vocalist Ashe O’Hara was an excellent frontman on record and live (both as a surprisingly great opening band I’d never heard of and then again later when I saw them again as a converted fan) and quickly became one of my favourite singers.

I’ve since gotten into Tesseract’s earlier material and also Skyharbour’s output featuring Tesseract’s excellent original singer Dan Tompkins but my real love of Ashe made me very happy to have both options, it was nice to have both Tesseract with Ashe, Skyharbour with Dan… the best of both worlds if you will, and I was a bit sceptical of Dan’s return to the band and saddened by Ashe’s exit. I know its popular to root for the original guy… (There’s always someone to point out that their favourite band’s first singer was better – Paul Diano, Paul Baloff etc) but individual personal preference, I just always liked Ashe more, and so got a bit worried when he was no-longer in the band. Since catching the band live with Dan however, all my fears were alleviated and I began to get excited for their new album. They started the promotion cycle and excitement built even more.

Now that its finally here, and I’ve had time to digest it all, I can safely say that Tesseract’s self-produced third full-length album Polaris is a damn fine record. Even coming at it from the perspective I was, this is a great record and very satisfying.

Stylistically; Its not as heavy as their debut album, One, and its not a perfectly blended singular journey like Altered State was, its got a cool unique feel to it. It’s essentially a lot of distinct, separate moods and vibes, experimental and loose in one manner yet studied and perfectly formed in other ways. It feels like the listener is exploring a lot of different sides of the band’s influences and areas of interest. Some of it is more electronic, some of it is more Djenty, some of it is a bit more traditionally prog, and best of all… all of it is good. That’s the real crux here, because with reality being what it is, some people are always going to hate or dismiss this record; Some, because it isn’t heavy enough for them, some because Ashe isn’t there, some simply because its Djent and its cool to hate on Djent at the moment… but regardless of what genre it is, who sings on it or how brutal it is or isn’t – its just good. Damn good. A fine third album by this band and most importantly a fine album in and of itself even devoid of any context.

The highlights of the album for me are the momentously enjoyable and memorable ‘Hexes,’ as well as the entertaining robotic-sounding opener ‘Dystopia’ and the lead single ‘Messenger.’ Even in such an awkward, angular, evershifting genre as Djent they manage to pack in the choruses and vocal melodies that stick in your head for days and make you hum along in your head long after the record is over. ‘Hexes’ in particular has a shot at being the best song in the band’s whole discography for my money.

In summary, Tesseract don’t sound anything like either of their previous full-length records here, but they do sound fresh, interesting and captivating. It’s a grower for sure, and I’ve found its charms revealing themselves more and more with each new listen, always something fresh and interesting to focus on, always some new thing in the background coming to your attention, always a cool bass or drum part to make you smile.

I went to go and see Tesseract last night (Wed 5th November 2014) at Sound Control, Manchester, with Animals As Leaders and Navene K as support acts. This is the third time I’ve seen Tesseract live… I saw them live without knowing their music last year and that caused me to get into them, I saw them again after getting into them, and now I’ve went to see them a third time with my Brother. My brother loves Tesseract like yo fat momma loves Big Macs.

The previous times I’d seen Tesseract they had Ashe O Hara on vocals, but this time, they’d lost Ashe and been reunited with original singer Dan Tompkins (no relation to fictional doctor Leslie Tompkins). I am a huge, huge fan of Ashe, so I was a little skeptical going in, but on this evening, I learned that Dan is an awesome front man, punching the air to all the Djenty rhythms and getting everyone psyched up. His voice was incredible, very talented dude. It was pretty much like Killwitch Engage getting Jesse Leech back and still being awesome even though I preferred Howard Jones. I prefer Ashe, but that in no way takes away from what an amazing singer Dan is (amazing being appropriate seeing as how he says the word “amazing” a heck of a lot in his stage banter.)

The setlist was more focused on Dan era material, and the heavier end of that, but still with all the great stuff from the Ashe era too. The band were as awesome as ever, with the band’s clear leader and genius Amos Williams rocking the house and keeping the ship afloat with sheer power and enthusiasm. Everyone else, as usual were superb musicians with great flair and kept up to their usual high standards. Great band. Really seem to love playing too.

It was a pretty great gig. Nice venue with good sound (I’d never been to Sound Control before, but I’d happily go back!). Some selfish-jerk crowd surfers started pissing people off but I never got hit by one so I didn’t get too annoyed personally, I just saw a lot of people being upset by them.

Oh yeah… the support bands. The opening act was one guy, called Navene K, on his own, with a mounted guitar and a drumkit, and he’d play one, then the other, switching between the two, playing a mixture of Djent and Dance music. It was really good and the guy was an astounding drummer. Very entertaining.

Animals As Leaders were incredible. I was skeptical of an instrumental band live. Can’t sing along. No focal point? But… nope, it was really good. And people went nuts for it. Circle pits and everything. They cheered for parts of songs. Parts. And multiple parts per song. Some of the music was so complex people cheered when they pulled it off without messing-up. Once they even sang along with the music. Literally sang ‘doodle—ooh, ooh, — dooodleoodleoodllle –ooh.’ It was charming.
They really won me over, and I’m very glad to have seen them.

Anyway, in summary, the support bands were good and the headliners were excellent too. I’ve said it before and I’ll say it again, Tesseract concerts are an excellent way to spend your time. Get yourself on down to one… and P.S. Altered State is a masterpiece.

Tesseract - Altered State

Tesseract – Altered State

Altered State is the second full-length studio album from the British Progressive Metal Band Tesseract. It was their first album to feature Ashe O’Harra on lead vocals, it was self-produced and was released in 2013.

Since getting this album, I’ve been listening to it constantly. It has such a high replay value, and just gets better with each repeat listen. It is such an immersive, cohesive, powerful record and I wouldn’t mind going so far as to call it a masterpiece.

The album is broken down into four sections: Of Matter, Of Mind, Of Reality and Of Energy, which are themselves broken down into separate tracks. The album as a whole flows like one giant song, each of the four sections flow like one continuous song, and each track works on its own. It really is a well-developed and brilliantly executed structure.

Highlights include the powerful “Resist,” the catchy “Nocturne” and the lengthy and interesting “Singularity.”

Musically, there are beautiful shimmering clean guitar sections and a wash of hypnotic electronics subtly mixing with powerful emotive clean vocals with a real haunting quality, there are brilliant rhythmically interesting and groovy drums mingling perfectly with clever bassline, and there’s the odd section of crushing Djenty heavy guitar at the appropriate moments to top it all off. It’s a lot more subtle, intense and driving than their debut, with an almost post-rock attitude to song building. The way things weave and change fluidly makes it a really enjoyable and entertaining listen. Its a real extension and perfection of everything the band have been working towards so far. They even keep things interesting with some well-placed and non-gimmicky use of saxophones.

Overall; This album is fantastic, it’s a real step-up for the band and a defining moment for the whole movement. If you like this sort of music you’ll absolutely love this record, and if you haven’t heard of this band or album yet, I’d strongly recommend you give it a try. This is one of those rare, perfect, gems of an album that can completely captivate you and capture your imagination time and time again.

Tesseract - One

Tesseract – One

Tesseract are a five-piece Progressive Metal band from England and 2011’s One is their debut full-length studio album. It was produced by Acle Kahney, Amos Williams, Francesco Cameli and released through Century Media.

The standard of musicianship here on this album is excellent, particularly drummer Jay Postones and bassist Amos Williams, who’s superb rhythm section forms the backbone of the record. The production job is flawless, and all instruments (and even individual bass strings, drums and cymbals) are clear and audible, amongst the textured guitar, vocal and electronic waves which float over the top.

There’s a nice balance of fast and slow, heavy and soft, straightforward and complex, and a cohesion and sense of purpose that makes the album feel like one, singular, well-considered piece of work.

Highlights include the catchy album closer “Eden,” as well as the lengthy multi-part “Concealing Fate” and the punchy “Sunrise.”

For fans of the band’s second album, Altered State its worth noting that Daniel Tompkins (of Skyharbor fame) provides lead vocals on this album, before their current singer Ashe O’Harra joined the band becoming the band’s fifth lead vocalist to date. Thompkin’s vocal style is in the same ball-park of lush, melodic and emotional clean singing, although different enough that you notice the change.

Musically, this album is noticeably heavier than its follow-up, and there aren’t any saxophones, but in general the band’s identity is more-or-less the same and if you enjoyed Altered State, you should easily enjoy One.

For newcomers to the band entirely, especially those skeptical of anything associated with the word “Djent” its worth noting that in the same way that Thrash Metal bands took the chugging of songs like Black Sabbath’s “Symptom Of The Universe” and spun-off on that idea developing entire songs and albums using that as a starting point from which to develop their own ideas; Here, you can hear the sort of guitar tones and complex rhythms that Meshuggah have been playing since the 90s used as a jumping off point.

Rather than the all-out punishing assault of Meshuggah and their progressive take on extreme Metal, Tesseract deliver that sort of rhythm mixed in with floaty melodic vocals in the vein of Tool and Rishloo, and subtle ambient electronics to create something else. It couldn’t have existed without Meshuggah, and it couldn’t have existed before Melodic Metalcore became a decade-long mainstay of the Metal world, but it isn’t one or the other.

If you are a fan of established bands like Dream Theater, Riverside, Opeth, Fates Warning, Tool or many other Progressive bands within the Metal spectrum, you will find little touches here and there that chime something with what you like already, be that in the use of dynamics or uncommon time-sigs, but updated and in a different shape. If you like bands like Sikth, Botch, Carbomb, Fellsilent, Dillinger Escape Plan, or anyone in the math-y end of the Metal spectrum you man find something you like, but updated and in a different shape, and well, the same goes for if you like Meshuggah. Its not impossible to like Meshuggah and Tesseract despite what a vocal minority may claim.

If you are a fan of bands like Periphery, Monuments, Circles, Animals As Leaders, Textures, Volumes, Structures, Intervals, Skyharbor, Vildhjarta, Miroist, Hacktivist, The Algorithm or The Safety Fire then you may recognize the shape already and enjoy another slightly different take on it.

Overall; Tesseract are a strong and interesting band and One is a strong and impressive debut that should keep fans of the band, fans of the subgenre and fans of the overarching genre happy. Don’t make the mistake of overlooking the band because of the movement they belong to, as you’ll miss out on some brilliant music if you do. This isn’t just a throw-away album from a flash in the pan trend, there’s a demonstrable artist weight to be found here.

Periphery - Clear EP Review

Periphery – Clear EP Review

Clear is a 2014 EP by the American Progressive Metal band Periphery, released between their second and third full-length albums.

The twenty-nine minute EP features seven individual compositions, each creatively directed by a separate person, each of which contain themes presented within the opening track, ‘Overture.’

If you sit there and pick it apart you can appreciate all the nice progressive touches and experimentation, equally if you like you can just take it all at face value, as another set of top-quality Periphery songs. For only containing seven tracks, there’s quite a bit of variety to be found on Clear; there’s a piano driven intro, there are two instrumentals, some catchy-single sounding material, some heavy Djenty rhythms, some nice effects-laiden guitars and some electronic ambient stuff all in there. That being said, it isn’t a sloppy mish mash of different styles and it isn’t so experimental that it looses listenability, this is a very solid collection of great sounding tracks that all sound like Periphery.

Highlights include the catchy ‘Parade Of Ashes,’ as well as ‘Feed The Ground’ and the instrumental ‘Zero.’

Overall; Clear is a fine addition to any Periphery fan’s collection. I’d also recommend anyone who listens to Protest The Hero, Tesseract, The Safety Fire, Animals As Leaders, Monuments, Circles, Coheed & Cambria and Karnivool give it a shot too. This is a nice introduction to the band, covering sounds found from both their debut and sophomore albums, and with enough variety and personality to really sell what the band are about.

**Oh, and if you found this review by search engine, when you discover it again on Amazon it is me posting it. It hasn’t been copied and pasted off here by a stranger, I post my reviews on Amazon as ‘Gentlegiantprog “Kingcrimsonprog.”’ So please don’t unhelpful-vote it because you thought it was stolen from me.**