Get (Into) What You Paid For – Round 4: Episode 3 Day 15

Hello and welcome to the 15th day in this fourth round of my “Get (Into) What You Paid For” challenge, in which I attempt to not buy anything for a month, and reevaluate my opinion of records I bought previously but never really became a true fan of, taking this purchase-abstinence as a chance to finally “get my money’s worth” out’ve the more undervalued albums in my collection. That; and present thoughts and musings that don’t fit elsewhere on the blog.

I’m half-way through the challenge and have not caved in yet. Its been about a week since I last did a write-up. I have been pretty tempted at times to go into town and see what I could pick up… a quick visit to HMV or Forbidden Planet couldn’t hurt, right? NO! Stay focused….

I’ve also found myself drifting onto Amazon a lot. Maybe I’ll just pick up a copy of Emperor’s In The Nightside Eclipse, what with all this reunion concert stuff in the news…. NO! Just listen to the three Emperor albums in your existing collection idiot!

Well, maybe I’ll just go on Amazon and read reviews of Death’s Leporasy and Venom’s first three albums….whoah, what’s this, “add to basket”?…. Aaaahhhh! Undo, Undo Undo!

“Ok, I’ll just distract myself by re-reading DC’s Final Crisis, since it confused me the first time I read it but now I know more background and might be able to understand more… oh, Green Lantern is kind of cool, Captain Marvel is kind of cool. I wonder if there is a Justice League TV show… oh there is. I wonder if its available on Amazon……..Oh no, not again!…undo, undo, undo!”

I did eventually manage to distract myself by finally cracking open my copy of Dave Mustaine’s autobiography, which I actually received back in December as a Christmas Gift. Great book. I’m enjoying it a lot (despite the homophobia practically seeping through the pages and making me want to wash my hands) and I’ve got through the bits when he was in Metallica, to when he invented Megadeth and all the way up to where they’re just about to record Rust In Peace. Its cool. I never knew Ellefson was a drug addict too. I never knew the backstory of how Jeff Young and Chuck Behler got and lost their jobs. I never realized that Megadeth were almost as bad as Motely Crue for Sex Drugs and Rock N Roll decadence.

This made me go on a gigantic Megadeth listening spree, which is always a good spree to go on, if you ask me. Like Pantera, I never want to go too far without hearing some Megadeth. Its easy to let the bands that you really love go un-listened to when exploring new things, but its always good to just cast off the explorer’s hat and sit down in your favourite country. (What an odd analogy).

I really like rock star biographies and especially autobiographies. I’ve read Marilyn Manson’s one, no exaggeration, at least 20 times. If anyone would care to recommend some in the comments, drop me a line. Is Motorhead’s White Line Fever any good? Are there any good Metallica ones? Is Heavier Than Heaven good? Has anyone written one about Judas Priest? How about Anthrax?

Also, my non-music time can still result in a Metal-spotting news update; I watched the movie Zombie Land on Netflix recently. Metallica and Van Halen tracks were used. Reminds me of spotting Pantera on Orange Is The New Black. Sons Of Anarchy was great for that sort of thing, lots of stuff like Monster Magnet, Clutch, Soundgarden etc.

Zombie Land itself was OK. I like Jesse Eisenberg now, after The Social Network made him seem more than just “we can’t afford Michael Cera, hire someone similar” so just his presence is enjoyable. I wasn’t never a zombie fan and that always put me off trying out this movie. It just seemed like a lazy cash-in on what internet-users enjoyed that year (like if they made a Bacon movie last year). I’ve also watched the documentaries Supersize Me and Food Matters, but you’ll be disappointed to hear that there weren’t any Cannibal Corpse tracks in their soundtracks.

So yeah anyway… the week was going OK temptation-wise. Getting shaky but nothing I wasn’t able to stop when I thought about it. Then comes today…Oh, dear. You know what I just did? I just broke my damn challenge, didn’t I?

At the time of writing, I’ve just received an email about Machine Head tickets going on sale, and I automatically went and bought some straight away in case they sold out… temporarily forgetting the whole “don’t buy anything challenge” even as I was simultaneously writing about it here. Idiot. I should’ve waited until September to buy tickets, and if they sold out by then C’est La Vie.. at least I’d saved money, at least I’d learned discipline. Woops. Well, I guess this challenge is now going to be extended then, to make up for it. Damn. Shall we say another 15 days? A month from today, instead of a month from August 1st? No, today had a purchase in it, so I better make it 16 days. So, on September 15th it now ends. (August has a “31st”).

“Couldn’t have put tickets on sale a few weeks later, could you, 02 Apollo?” “Its not as if Machine Head are going to struggle to sell them out quickly in the UK. Are they now?”

Oh well. Nobody’s fault but my own. Still…. Machine Head tickets, ey? I haven’t ever gotten to see Machine Head before. This will be great. Think of the absolute thunderous up-wards trajectory they’ve been on for the past decade or so! Three absolutely superb albums, a fourth about to drop that seems every bit as excellent. I’m very excited about this. Its not like I broke the challenge by buying an album of Obituary B-sides or something… they say the key to happiness is buying memories instead of possessions. I reckon I’ll remember seeing Machine Head for some time to come.

Or so I’ll tell myself so I don’t look too stupid for breaking the challenge.

So. That’s the temptation and random thoughts aspect covered. What about the whole listening to things aspect of these articles?

B.J

I decided to augment my weightlifting experience today by listening to Jethro Tull’s Aqualung (hardly an under-listened gem seeing as its one of my favourite albums of all time and I listened to it almost daily for the three years or so after I initially bought it) and Bon Jovi’s Slippery When Wet; which I bought a while back, along with some other Bon Jovi albums, to celebrate the end of my Exams. I’ve not listened to any of the Bon Jovi albums as much as I should have since that purchase, but they still aren’t in the under-appreciated zone yet, even if it is starting to look a bit like they might head that way. They are still in my new-purcahses drawer in the filing cabinet of my brain.

Slippery When Wet is a lot of fun. The hits are excellent. Even “Wanted Dead Or Alive” which I used to hate as a teenager, due to never sitting and listening to it all the way through. I had a gut-reaction of “yuck” and never questioned it. Well, much like the million faces Bon Jovi have seen, it now has rocked me. The only moment that is a bit questionable is the slow ballad “Without Love” which sounds too much like a high-school dance in an 80s movie for my tastes, but that is easily skippable. The rest of it? “I’d Die For You” is a monster. Really enjoyable song indeed. “Wild In The Streets” is similarly fun. I like “Raise Your Hands” a lot too. I certainly wouldn’t mind if this became a regular-listen of mine. Wouldn’t mind at all. OK… its not as heavy as W.A.S.P, or as infectious as Quiet Riot, or as brilliant a guitar-show as Dokken, or whoever else I’ve been listening to lately… but it is a very smooth, enjoyable listen.

The rest of my day has been spent listening to Kings Of Leon and Nirvana’s MTV Unplugged album because I’m visiting someone else’s house at the minute and they’re fans of acoustic Nirvana and electric Kings Of Leon. Its like how I listen to Arctic Monkeys’ new album AM even more when my girlfriend is round… not everyone can listen to Megadeth and Exodus without feeling a little put-off, but AM is a record no one could find too crazy. That and its awesome. So if you have non-Metal-fans visiting, you can still listen to music you enjoy, without putting on something your companions don’t enjoy. No need to be so Metal that you are just selfish, ey?

K.O.L

But anyway… Kings Of Leon got a lot of flack in the Metal community over the last few years, especially around 2010-2012. Listening to them now, I notice a lot of similarities with Pearl Jam, and sometimes their use of slide guitar or bluesy shuffle evokes a certain Zeppelin-y-ness. I think, yeah… they’re a credible rock act. A real band of actual musicians who write real songs in a room together. Its not some cynical pop music and its not an elevated-above-their-station-by-NME band with one hit single and no substance. They’ve got a lot to offer people who listen to 60s and 70s rock bands, and the less-metallic 90s Grunge-era bands (Pearl Jam, post-Core Stone Temple Pilots, Smashing Pumpkins etc).

I’ve got a lot of respect for them now after hearing deep cuts and songs I didn’t hear-to-death on the radio or in adverts. I mean, listen to “McFearless” with its awesome drumbeat, buzzy production and lead-bass. Until the singing comes in, that could be off of Antichrist Superstar. The intro to “Charmer” has a dirty punk feeling like Bleach-era Nirvana, and when the guitar solo and bouncy beat are going in “Black Thumbnail” they could be Black Country Communion or something… its that old rock done nowadays sort of thing. “My Party” wouldn’t be too out-of-place on Pearl Jam’s Vitology album. I’m not saying that you could mistake Kings Of Leon for Slayer any time soon, and they shouldn’t get on a concert bill with Lamb Of God or anything, but… they’re not exactly Jedward.

But hey, I am a huge Libertines and Arctic Monkeys fan (and a decent-sized Frattellis fan), and most of the people who hated Kings Of Leon in 2010-2012 would see that as a reason not to trust my opinion.

So um, yeah… **Cough Cough** “Death to false Metal, only listen to Manowar” and all that…

Am I credible now?

In honour of my un-Metalness, today’s Top 5s will be of the British Indie bands in my music collection. There aren’t many, but I like them just the same as Testament, Fear Factory or Carpathian Forest.

The Libertines :
1. Good Old Days
2. Never Never
3. The Man Who Would Be King
4. The Delany
5. Skag And Bone Man

Dirty Pretty Things :
1. Bloodthirsty Bastards
2. Last Of The Smalltown Playboys
3. One To My Left
4. Kicks Or Consumption
5. Best Face

Babyshambles :
1. Back From The Dead
2. Fall From Grace
3. A’rebours
4. The Man Who Came To Stay
5. Baddie’s Boogie

Yeti :
1. Never Lose Your Sense Of Wonder
2. Midnight Flight
3. Up And Down
4. Working For The Industry
5. The Last Time That You Go

Arctic Monkeys :
1. You Probably Couldnt See For The Lights But You Were Looking Straight At Me
2. Still Take You Home
3. RU Mine?
4. My Propeller
5. If You Were There, Beware

The Fratellis :
1. My Friend John
2. Got Ma Nuts From A Hippy
3. Creeping Up The Backstairs
4. The Acid-Jazz Singer
5. Tell Me A Lie

Get (Into) What You Paid For – Round 4: Episode 1 Day 7 (Part 1)

Hello and welcome to this fourth round of my “Get (Into) What You Paid For” challenge, in which I attempt (despite being an out of control, no discipline, shopaholic of sorts) to not buy anything for a month.

I also try and make this challenge easier by going back and paying more attention to what I’ve bought already, and try and get into more and therefore get my money’s worth.

Have you ever picked up five or six albums in one shopping session or received several videogames all at once for a birthday and then found that some products get used more than others? This series is designed to reappraise and finally get into those sort of underdog products.

JP – RoS

If I was going to break my challenge, what would cause me to do so?
Well, I’m damn tempted to but the new Judas Priest album, Redeemer Of Souls. I’ve read absolutely universal praise of it, and Judas Priest are one of the band’s I’ve listened to the most in the last four years. If its anywhere near as good as Angel Of Retribution I’ll love it. Most people say its measurably better than Angel Of Retribution. Sounds pretty good to me. Plus its topical and up-to-date, and I’ve been lost in the 80s a bit recently, and it would be nice to be up-to-date with something. I’ll get that feeling when my pre-oder of Accept’s Blind Rage arrives, but until then, I’m sort of out-of-the-loop with modern releases at the moment.

In the opposite direction of being up-to-date however, I was watching a Lynyrd Skynrd documentary this week and that put me in the mood to try out some Molly Hatchet and Black Oak Arkansas, and expand my Southern Rock collection further than solely Lynyrd Skynyrd and Blackfoot. This was compounded the next day when watching a Van Halen documentary that featured Jim Dandy (Black Oak Arkansas’ frontman) as a contributor (discussing press accusations that David Lee Roth stole his stage moves). Both of those guys have Original Album Series boxsets and I kind of want to pick those up… but boxsets are a dangerous game. I’m still in a boxset “get my money’s worth” mind-war with Thin Lizzy, Van Halen, Dream Theater, Faith No More, Foghat and Mountain (and to a lesser extent Motorhead and Saxon a bit).

VOD – BV

Bit of a left-field choice here, but I’m really tempted to buy Broken Valley by Life Of Agony. It’s the only album by them I don’t own yet, due to buying that Roadrunner Boxset, and I’ve been absolutely loving their first two albums these last few months. I’ve been really, really heavily leaning on tracks like “Damned If I Do,” “Bad Seed,” “Underground” and “Drained.” Their reunion put them back in the press and that reminded me of this missing album in my collection (I think there was an article saying they’ll not be making a new record so fans “better get used to Broken Valley”).

F – F&W

A fairly new “want” of mine is Free’s Fire And Water. Fairly new as in yesterday. There was a vintage music channel playing music videos on a TV in the background of where I was at yesterday. It was primarily showing videos of 80s pop bands like Duran Duran, Culture Club and Wham. Then out of nowhere; a Zepplinny, 70s-Sounding Hard Rock guitar comes in with charming production and suddenly I sit up and pay attention. It turns out to be “All Right Now” by Free, which is probably up there with “The Boys Are Back In Town” by Thin Lizzy and “Sunshine Of Your Love” by Cream as one of the most famous and frequently pub-covered songs in Rock Music, and yet I’d never really noticed it properly before. I was impressed. I’d like to hear a full album. Turn it from a “Smoke On The Water” into a “Machine Head” and find a few “Pictures Of Home”s… if you follow my meaning?

I’ve also been voraciously consuming Batman comics over this last year (in fact, August 2013 was when my good friend Paul bought me a load of Batman books for my birthday and in-so-doing kicked my casual “Ok, I’ll try some Batman” phase into an “I am a Batman fan” phase.) So I’d be tempted to buy just about any Batman tradepaperback I come into contact with. My current “top picks” to get are Ego, Odyssey, Black & White, Year 100, Dark Victory, Time & The Batman, Bruce Wayne The Return, Bruce Wayne Murderer? and all volumes of the New 52 Nightwing series.
When its released I want all volumes of Batman Eternal, Zero Year and I also want any stories where Jason Todd is Robin…. release some sort of retrospective please guys?

Anyway, enough about what could make me spend money, what’s been saving me money so far this month? What’s kept my hands busy and stopped by notorious spending habbits at bay?

M.C. – T.O.P

Well; Its August 7th, 2014 and I’ve currently managed to go the first week of the challenge without buying myself anything. Right before the challenge started, I picked up a copy of Motely Crue’s third studio album Theater Of Pain from a Charity Shop for £1.99, and that has pretty much kept me interested for a full week.

I didn’t expect much from this album to be honest. I thought it might be a bit rubbish. I’ve read bad reviews of it. I’ve read The Dirt (Crue’s biography book) and the album is slated in that book. I’ve watched Google Play’s Motley Crue documentary (see here) and singer Vince Neil rejects the album. It seems like it might be a bad product. A bit of a mistake. A bit like Kiss’ Music From The Elder Album.

But you know me, champion of the bad-album, lover of St Anger, contrary semi-hipster who always seems to love the album with the bad reviews (Ok. That’s an exaggeration; I often also dislike unpopular albums too, but whatever…). I thought to myself I’ll find a way to enjoy this album.

On first listen, this album was a mess. Opening with a slow doomy track, then into a cartoony cover-song (and I’ve never liked songs singing about School anyway), then a rock song and then a ballad. Its confused, its all over the place. I heard people say this album is just “some songs” and that “its not a party album” and that “they were too high on drugs and bereavement for Razzle to make a good album.”

Then I heard the songs “Use It Or Lose It” and “Louder Than Hell” and they just connected with me. Unarguably and instantly two of my favourite Motely Crue songs. So I realized there is definitely something going on here. I’ve been listening to it repeatedly, in different combinations and orders until I came across the perfect listening order:

Now its not a mess. Now it’s a party album! Now it is a well balanced set of rock songs with diversity but a steady sensible flow. It’s a journey. It’s a good record!

In this order, I’ve listened to and loved the album about a dozen times now. What a big difference that the running order makes. I recommend you try it out this way, it is a much better album.

I’ve also been listening to the rest of the band’s catalogue these last two weeks. In particular, Shout At The Devil is a good record, with “Red Hot,” “Bastard” “Looks That Kill” and the Title Track all being stand out moments.

I don’t much care for their debut apart from the fabulous “Live Wire” and “Piece Of Action” or even the mega famous Dr. Feelgood album all that much apart from its own Title Track and “Kickstart My Heart.” I don’t have Girls Girls Girls yet, so can’t make a judgement on that one, but I will explain that kind of the reason for all this Crue interest is because I’ve loved the single “Wildside,” ever since I saw Dwight enjoying it too much in The Office on my most recent re-viewing of the series in its entirety. (I’d heard it before, but that moment just made me reevaluate it.)

In honour of this new found acceptance of Motely Crue (band who I’ve really struggled to allow myself to like due to my disapproval of their sexism, drug abuse glorification, domestic violence denial, and general selfishness and rudeness) I’m going to list my five-favourite songs by the band, and all their contempories in my music library.

So consider this a Hair Metal/ Glam Metal / ‘80s Hard Rock special episode.

Motely Crue :
1. Louder Than Hell
2. Live Wire
3. Wild Side
4. Use It Or Lose It
5. Shout At The Devil

W.A.S.P :
1. I Wanna Be Somebody
2. The Torture Never Stops
3. Ballcrusher
4. Shoot From The Hip
5. Chainsaw Charlie

Twisted Sister :
1. I Wanna Rock
2. You Can’t Stop Rock N Roll
3. The Kids Are Back
4. Kill Or Be Killed
5. Love Is For Suckers

Quiet Riot :
1. Metal Health
2. Run For Cover
3. Scream And Shout
4. (We Were) Born To Rock
5. Sign Of The Times

Poison :
1. Look What The Cat Dragged In
2. Let Me Go To The Show
3. Play Dirty
4. Nothin’ Buta Good Time
5. Look But You Can’t Touch

Dokken :
1. When Lightning Strikes Again
2. ‘Til The Living End
3. Tooth And Nail
4. Live To Rock (Rock To Live)
5. Kiss Of Death

Bon Jovi
1. Bad Medicine
2. King Of The Mountain
3. You Give Love A Bad Name
4. Runaway
5. Born To Be My Baby

With only one album by Extreme and Europe, I don’t feel its fair to do them, but I’ll say that my favourite one song by each is “It (‘s A Monster)” and “On The Loose” respectively.

For each of these articles this time around, I’ll try drop a TOP 5s of a particular subgenre in there. It’ll give this round a unique feature, ey?

T.P.B

In other areas, I’ve been keeping busy by watching Trailer Park Boys on Mike Ladano’s recommendation, and absolutely loving it. Thanks Mike. Thanks Netflix. It’s a great show! – Not only for guest rockstar appearances from Sebastain Bach and Alex Lifeson, but for the superb sense of humour and brilliantly real life (in a way) nature of the show. Its not skinny Hollywood girls buying Porches. Its much more down to earth (although it does get too surreal at times to honestly call “realistic” in fairness, but you catch my drift).

The characters are really enjoyable, from humorously selfish and flawed, to ludicrously irrational and dysfunctional. Its hard to pick a favourite character because everyone has got something going for them… even minor characters like Ray would be the best character in some other shows.

In a more British mood, I’ve been watching the absolutely excellent Getting On. A British show about Hospital Nurses, very much in the style of (and featuring cast members, and written and directed by people from) The Thick Of It. Just like The Thick Of It was a really astute and well researched satire of the British political system, Getting On is basically the same show but about the NHS. Its fun though, because instead of some lazy slamming of the NHS and unfair complaints, its mostly just a comedy about flawed individuals and their own personal weaknesses interfering with their ability to do their job properly. Its not “This is why hospitals are bad”… its “How did this clown get a job in a hospital” and I appreciate that. Fair humour, that doesn’t play too much on the same old negative hospital stereotypes.

BS – I

What else? Just before the challenge started, I got a lend of and finished, and Platinumed the videogame Bioshock Infinite (my first attempt at, and success at Platinuming a game in two years, despite my previously huge interest in that area). The game? It is a masterpiece. Although in hindsight, in comparison to Bioshock 1 & 2, a lot of the gameplay depth, setting atmosphere and cool enemies are missing, but I absolutely loved the story and the effort and depth there. I sat and read practically everything written about it on the internet afterwards and was wowed by the fabulous artistic achievement that this game is.

I won’t go too much into it because of spoilers, but wow… what a brilliantly executed concept. And I love whoever online said that the fact that it is a game strengthens the point its trying to make and the effort went to by the creators to make a piece of art strengthened by the gaming platform. Bioshock as a series is absolutely one of my favourites. Each of the three games has had some flourish of genius or other.

New Slipknot

A few other thoughts then – There’s a new Slipknot song. Not the single, we have now learned, but rather a heavier mid-album track as a gift to the fans. We don’t know who’s drumming on it, although the internet thinks it might be Chris Adler from Lamb Of God or Jay Weinberg. It might even secretly be Joey and the whole thing is a publicity stunt… is that legal? It might be Clown or Chris taking up a full time drummer’s job.

We don’t know who is playing bass on it either. Lots of members of Slipknot also play bass so, probably they played on the studio version and someone else will play it live. Chris is also a bassist. Perhaps Chris is the new Bassist and Clown is the new drummer? That would be good.

Anyway, the song, The Negative One… kind of like when they debuted “New Abortion” before Iowa, or the All Hope Is Gone Title Track before that album, its not really a catchy single, it’s a deep-cut given unrealistic limelight.

It has an Iowa-esque approach to the production and mix, and the vocals are less melodic and Stone Sour-esque than on the previous two albums, and there is a lot more sampling and DJ scratching than the previous two albums as well. Other than that, what can be said? Not all that amazing. Its not “Wow, this is one of my favourite Slipknot songs.”

In fact, if I listed all the Slipknot songs that were better than it, it would be most of the Slipknot songs. But whatever… early days yet. I hope, on one level, that the album is in this general direction…you know, far away from Stone Sour. On the other hand, “Dead Memories” is a better song than this so I’ll take a more commercial Slipknot so long as its good. I’d rather have good music in a commercial style than dull music in a good style. I will give it this though… the additional percussion in it is really fun. Especially in headphones. The mix on the final version is a lot better than in that initial stream too. Maybe that, or maybe its the same version but my speakers are better here than where I first heard it. Also, maybe its a grower. I don’t think “Everything Ends” or “The Shape” blew me away on first listen but I sure as heck like them now.

Metallica had a similar new song a while ago and I didn’t blog about it, but the feelings I had for it are similar. Its in a good style but not super-special in and of itself.

Another quick observation… Green Day totally and massively stole vocal patterns from “On With The Show” and “Merry-Go-Round” on American Idiot album tracks. Seriously, give it a listen!